o man, how can you stay so cool in such a big operation. I was already freaking out watching this video. looking forward to part 2! I really like your video's
Christian, thank you so much for putting that much effort recording/editing these videos while on site, i can imagine it is really time consuming.. really appreciate it, looking forward to pt. 2! :)
because the actual fixtures occupy 40 channels, but the fixture in capture has a different channel number. I will often add a few channels of space between fixtures on shows like this where modes might not be documented properly. this allows space for errors.
Pretty sure most of the lighting fixtures on stage are from China's 'big' lighting manufacturers like Terbly/Goldensea (who I think own Ayrton), ACME e.t.c. Also, love those dual sided 360 bars (Jolly D5 BS), they look very cool.
Does anyone know what the bag / holder on the hip of the guy at 12:43 is called or where I could get one? Looks very comfy. When carrying radios, I always attach it to my jean pocket but that gets in the way a lot of times and that would work so much better. @Christian Long time viewer, first time commenter. Love your channel!
Ooh! The Avery labels for fixtures is fantastic. Goodbye label machine! The problem with the label printers is the label tape is heat sensitive and some get turned black due to bad placement. The advantage of the label printers is they can be used on site and on demand. But... sometimes black labels.
Noob answer; he times the light to the music so they match. Real answer; there are certain ways like for example a SMPTE Timecode.This is a protocol where the dj sends a signal via ethernet to the console with the track he plays. On the console are all the effects and cuestacks preprogrammed and get triggered by the signal from the DJ. On smaller Shows the light operator just prepare his effects and then run them manually by pushing the triggerbuttons. This is the case for the most festival type shows, when there is just one LD and not every act got the own preprogrammed show like on Tommorowland or Ultra. Hope this answer will help you. Best regards from Switzerland.
Im very interested in the work that had to be done prior to this video! What CAD Software did you use? How far could you influence the scenic design? How is your workflow regarding settimg up the lights on the pc and then extracting a showfile from it? I work in a small shop as a CAD planner with Vectorworks and I always ask myself how that all works on big shows like this.
Great video! One thing i noticed: it sounds like you're recording the voiceover with a stereo microphone, and it is a bit weird, the sound isn't completely in the center, a bit shifted to the right. Summing the VO track to mono should fix this issue.
Hello. I'm so excited after watching your videos about event production, lighting, stage design.. Do you have a university degree in this field? However if you do not, will you recommend to receive it?
it was a pleasure to work with you, let's do it again!!!
12:51 "Shyt LED"...
Gotta love Chinese brand names.
Spotted that too! :D
Does what it ways on the tin....
I am an audio guy. I hate touching lights. I love this channel.
Same!!
The whole world see the dj rocking a show but it would be nothing without people like this! Amazing
You should make more MA tips and tricks videos now that you have your own console. Those vids are really helpful for beginners such as myself
The best Christian Jackson video so far! I can't even imagine how excited I'll be to see the next one pop up in my feed 😁
Omggg I love u sooo much Christian!!! You are sooo inspiring and seeing your channel made me want to be a LD!!!
13:50 the lightest looking distro cables I've seen someone lift in a while. Glad your back. Can't wait for more videos!
o man, how can you stay so cool in such a big operation. I was already freaking out watching this video. looking forward to part 2! I really like your video's
0:43 i can touch the bass trough my screen wow
I absolutely love this channel, really glad it exists, thank you Christian!
Christian, thank you so much for putting that much effort recording/editing these videos while on site, i can imagine it is really time consuming.. really appreciate it, looking forward to pt. 2! :)
Thanks for the peek into the gig! Also, the refresh rate on the LED tape in your hotel room was tight.
Cant wait for part 2
Already super hyped for the other parts!
Been waiting anxiously for Part 2!
Watching this again, and I can never get tired of it
This is so interesting to watch the full process from the very start. Looking forward to the next episode. Cheers for the great vid :)
Thank you so much for these kind of videos! Please keep the good work ongoing...
Really cool, thank you. Waiting a second part!
Your Videos are the best ! Please don‘t stop vloging!
Thx for this awesome long video Christian. Love learning about the shows you’re doing and pre-production. Cheers!
Great video. Thank you for sharing your job. (you do what I dream of since I was a 8 years old kid)
4:58 why do you have 40 channel offset between fixtures although they are 39 channels each ? Is it for convenience ?
because the actual fixtures occupy 40 channels, but the fixture in capture has a different channel number. I will often add a few channels of space between fixtures on shows like this where modes might not be documented properly. this allows space for errors.
Thank you :)
Awesome! Need part 2!! Haha! Thanks for doing these vids man!
WOWW! I am looking forward to part 2. Don't think I could ever cope with such a large job, but I would love to be there in person out of curiosity!
Cool to see a local Seattle guy running big shows in China. Keep it up
Heck yeah keep those videos rollin, I really enjoy watching these production
I am so happy that you came to China, China welcomes you.
Love the change in aspect ratio during the travel montages.
Own the stage, Christian! So happy you have that t-shirt as well :)
Just realized I watched part 2 first 😂 love your channel
Yay.. long waited log video. love your content bro.. inspriational and seeing how far you have come.. keep up the great vidz
Love your videos!!!! You are what inspired me to get into the show industry which has been a lifelong dream of mine! Keep it up!
Shame I wasn't around for the premier lol... great video, look forward to part 2!
i LOVE your videos man, so inspiring or however its typed, im into lighning and stuff but have no idea where to start
definitely deserve more subs man! quality content with the knowledge to back it up!
Love watching your videos!!! I am watching this and I can't even figure out how to control 2 moving heads I have with Soundswitch lol!!!
Pretty sure most of the lighting fixtures on stage are from China's 'big' lighting manufacturers like Terbly/Goldensea (who I think own Ayrton), ACME e.t.c. Also, love those dual sided 360 bars (Jolly D5 BS), they look very cool.
Cannot wait for part 2!
Where did you get your MA jacket?
OMG Love this ! Amazing video !!
Eagerly waiting for the next episode
Welcome to China！！！
Love it ! :) keep up the good Work, and make more videos like that ! :)
Love the video. You should make some more like this. Or another bumper shoot video.👍
Does anyone know what the bag / holder on the hip of the guy at 12:43 is called or where I could get one? Looks very comfy.
When carrying radios, I always attach it to my jean pocket but that gets in the way a lot of times and that would work so much better.
@Christian Long time viewer, first time commenter. Love your channel!
We used two kinds the hip bag and the bum bag (fanny pack) hit me up for the link
@@timdmx512 Would like to get the link please.
Keen for part 2! Nice stuff :D
When is the seccond part coming online?
10:46 what stageplot/design software are you using
really enjoyed this video thanks man!
I look forward to the second épisodes!!!
will you be doing any more on this production ? was a brilliant video love to see more.
So much preperation!
Master class definitely needs to ask you to do a class. Who else agrees?
When you write part 1 in the title you are supposed to do a part 2... Cmon I can’t wait
I'm a sound guy but I love watching your vids....
You should make a video about you gig box.
Ooh! The Avery labels for fixtures is fantastic. Goodbye label machine! The problem with the label printers is the label tape is heat sensitive and some get turned black due to bad placement.
The advantage of the label printers is they can be used on site and on demand. But... sometimes black labels.
Nice opening shot of Print works
1:00 does anyone know what shirt he is wearing?
Awesome and informational video Christian. Thank you.
Please make a video/instagram story about those labels, that's a fantastic idea!
This is such a noob question but how to you time the music to the lights
Noob answer; he times the light to the music so they match.
Real answer; there are certain ways like for example a SMPTE Timecode.This is a protocol where the dj sends a signal via ethernet to the console with the track he plays. On the console are all the effects and cuestacks preprogrammed and get triggered by the signal from the DJ. On smaller Shows the light operator just prepare his effects and then run them manually by pushing the triggerbuttons. This is the case for the most festival type shows, when there is just one LD and not every act got the own preprogrammed show like on Tommorowland or Ultra.
Hope this answer will help you.
Best regards from Switzerland.
SWISS SOUND & LIGHT I always wonders how that worked
@@TheSwisspictures as far as i know is tomorrowland not preprogrammed but some parts are, not everything
Exited for the next video!!
Well done Christian
Hey Christian
Loving the behind stage and the bulid
I don't think straps would go down well in the UK either 😂
Just a new video apeered! Amazing! (Also love your tutorials - if you can make some more :-))
Love your videos.
Part 2 coming anytime soon? Great stuff as always!
So when you set up the lights do you connect them like x and stuff
Equinox are going to be making a fixture similar to the D5 BS.
Badass vid!
Did you recommend those brand DMX distros and ArtNet nodes? If not, what do you recommend?
Great video!
That runway is crazy’s
Im very interested in the work that had to be done prior to this video! What CAD Software did you use? How far could you influence the scenic design? How is your workflow regarding settimg up the lights on the pc and then extracting a showfile from it?
I work in a small shop as a CAD planner with Vectorworks and I always ask myself how that all works on big shows like this.
Please do a tour video of that pelican you showed off
Question : what is your peli case model ?
And whaa very nice video ! Awesome to discover how others works!
This is so interesting. =) Thank you.
Hey bro,which mixing console is this you are using in this vedio
Where is part 2 I am dying waiting for it!!!
On my hard drives, hoping to put it out in the next week or two
When is part two coming out!
What splitters did you use?
reminds me of an IT project.......great vid,
Nice blog Christian.
How amazing is Hawaii?! Which part where you guys at?
what backpack is that when your at the hotel showing the pelican case?
ThinkTank Shape Shifter 15 v2
Great video! One thing i noticed: it sounds like you're recording the voiceover with a stereo microphone, and it is a bit weird, the sound isn't completely in the center, a bit shifted to the right. Summing the VO track to mono should fix this issue.
Is the...i think the window is a layout view....the colors are unviversal is that right ? Can you or another remember? lg Pascal
Have you done any shows for Excision
hi what model is your pelican case for your tools?
1510
Do you Photoshop the dmx stickers? Or use a label maker software
I've a question for you: How did you become a well-known LD?
how did you make the DMX stickers?
Was that Printworks, London at the start?
I love your videos
Where's the corner blocks? (tilts down) Oh.......
Hello. I'm so excited after watching your videos about event production, lighting, stage design.. Do you have a university degree in this field? However if you do not, will you recommend to receive it?
I'm a film lighting guy, I'm so jealous