I can see the challenge of a tree that close and one far away. It turned out superb. I love the feel of standing in shadow and looking at a lit landscape. Nice. The lady has an eye for composition. The tree, road, grasses and that dappled light is brilliant. Great video. Thanks for sharing
I loved that you showed the part when you struggled and I thank you for keeping it real... We all need to see that everybody makes mistakes, but sometimes they can be happy mistakes 😊
I think it’s important to show the reality of the process. It’s only a mistake if you don’t fix it! 😂 Every painting is a challenge. It’s finished when you’ve solved all the problems 😊👍
This was so relevant to my paint session yesterday. I have been working, wiping out, and working on a desert tree's foliage, which is very wispy, and which is the main subject in a 14" by 24" panel. Things kept going from bad to worse, but I just kept thinking about what I am learning. I am ready to give up. I will give it a couple more tries. As you said, what have you got to lose, (except time) and it's a good learning opportunity. Maybe I will do a little study of some other artists, and then come back to it. Thanks for telling how many times you wiped it out, and painted and re-painted. These are the most valuable tips. If I had just seen it completed I would have never known that you have the same kind of struggles at times. Thanks!
Oh yes, I have struggles with every painting. it's a normal part of the process. When I first started painting the struggles would often shake my confidence and I'd quit. Now I push through.
Thank you, Michael! Just when I muttered to myself that the artists I follow rarely show failures and how to get out of them, you save the day and the painting. Scrape off, mix fresh color and have another go at it. "What have you got to lose?" Maybe some bad painting habits. What have you got to gain? Experience that leads to "Ah-ha!" insight. Thanks again!
Michael, I appreciate when you tell us you struggle. It makes one feel that if those with great success struggle, we have no reason to complain about our struggles. I think you did resolve what you were talking about well, but I kept looking at the subject of the painting being the tree on the hill. The foreground really is the balance to that, and it did work. Doing my own cropping (hand held over the screen) I do think it would work well as a square composition too, but I think you brought it back to where you wanted it. By the way, when you say you were ready to give up, nobody believes you. You're too positive! Thanks for the video, nice one.
Thanks, Matthew! The struggle never ends because as we grow we expect more from ourselves. I love that location but it’s challenging to paint! I appreciate the feedback! 😊
beautiful painting! really love the shading, i love the idea of setting the red down first and going over with green. gives some great depth to the image :)
What’s interesting to me about this painting is a warm distant tree and a cool foreground tree. Usually it’s the reverse. Glad you stuck with it. The foreground shadow was a really beautiful shape.
I really like how your painting turned out. I also liked both Muara and Tads paintings. I like how you resolved the challenge you had. I rarely go back to a PA work once I pack up. I give you credit for persevering.
You have indeed taught me the lesson of being tenacious. I shall soldier on. Great painting. I liked Muara’s works as well. Must have been out of the room for Tad’s last reveal.
Great advice-what do you have to lose! Experiment and try different solutions. Voila, you did find a good solution and the painting works!! Thanks, and loved the piggies!
@@chamberlainpaintings heh, lol , I'm re-heating left over ground round, ( hamburger , drained) , it had a can of Italian seasoned "" STEWED TOMATOES"" , and , I had made sizable portion of "" ANGEL HAIR SPAGHETTI"", , , so I'm having " leftover homemade spaghetti ", lol, for Breakfast ha ha, I'm glad I have leftovers, dont want to cook anything else right now ; )
@@chamberlainpaintings I’m having left over stewed tomatoes , Italian style, , , with ground round, hamburger, and angel hair spaghetti, glad that I have leftovers for breakfast ha ha
I like the finish painting. I just finished one didn't come out as I thought it would change it a few times and moved on to the next . Like always great video
Wounderfull plein Air paiting. I am from Brasil and i' ve been in San José for good time. I Saw This scene before. The dry Air and the closer ocean produces spectacular collors. Some times when i see these groups of combinations, i see the soulth of France, of Monet. Sorry my english!!
That looked challenging but you pulled it off. The vertical format made it tough since you had such a strong vertical elements in the painting with weak horizontal elements it made for a tricky balancing act. Great job.
I recently scraped off a plain air pic before taking it home. I now regret that. Most of the time I find some sort of benefit to at least examining it. Part of the learning curve 😁 Great video!
Great work, you have nailed down green, it’s a tough colour to extend the values and tones. Well done 👍. I have always wonder if finding an area in the design to add red to complement the green.
Thanks, Mike! Having orange or red in a mostly green landscape is always a challenge. My burnt sienna sketch usually allows for little complimentary pops here and there. I've just got to be careful not to cover it up!
-(michael , “”Successfully Struggles Beauty “”, 1:24 , your sketch. a wonderous image, on the right , SEE a full impression of a pioneer woman, wind blown back hair, fully dressed in cured hide/ fashioned of combined leathers of the times, she looks across the canvas , the tree on the hill is a memory, of herself imagining her “” grown up self “”, only one can see the other. 2:57 you touch color to the face of the memory the composition visits, 2:57 you touch color to the face of the beauty holding the memory of her young self. continuing you encounter struggle at 4:11 you state “” there we go , there is the scene again “” , by vid time 7:14 you’re at finding the “” Emeralded Iridescence “” and make them shimmer in the left boughs above the shadow cast by the main compositional tree, this feels like the “”energy of the memory”” from the sketch, of one thinking of their former past self. 8:11 - 8:31 Turquoise, beautifully you bridge the actual memory to the composition experiencing the memory by bridging turquoise gently into the grasses between. 11:46 final views and awe inspiring discussion , of numerous “ wipe downs, even possibly cropping the bottom off. HOWEVER, I’m so glad you didn’t, it’s beautiful image rests comfortably in my mind. When Tad said “ It’s beautiful you set me up” , Him grinning and Maura smiling contentedly, you three shared a moment. Michael I thank you for bring and sharing the whole experience, it’s as special as the painting, thank you ❤️ )-
-( tad , freeze at vid 8:58 , finished view, sketch view vid time 2:36 “” holds a stilled moment”” of present time, feels as if he stands in the past, looking through an oiled paper, maybe parchment, as was the windows long ago in log cabins and glass was scarce. the painting sees a foundation of the present from the the past, they are the trees on the hill. SEE left and right at canvas edge mid ground, two faces , each a silhouette, on the right silhouette points a finger to the trees, it looks toward the left silhouette, as the left silhouette stares focused on the center tree. see the edging across the top and at the bottom foreground, top of the foreground as it’s points are across the mid ground field, the field is a span of time, beautifully colored with the bluest sky above, ploddingly deep into the field the viewer goes to understand the lined under structures of the foundation. tad it is a beautiful painting I like where you say at 9:10 - 9:11 bringing it in for a landing )- ❤️
Nice group of painters, Maura seems to be a very interesting woman, intelligent and assertive. Tad is hyper cool. Now Im going to do something I'd never do which is telling you something about your painting but in "advice" mode which I think it can be douchey BUT I'll only tell you because I'm seeing something there in the lower portion that maybe you haven't considered and that's why you were having trouble solving it...I think you should have tried painting the big up front tree shadow with some ultramarine mix, because you've made it dark green this time (that was what you eye was seeing obviously) and that has created a big mass of greens in the lower portion of the scene. Maybe that's why you were not so happy about it. If you change the dark green for a blue it will open up the scene and guide our eyes towards the tree on the hill. Just a though. I love the painting anyway.
Thanks, Martin. Yes, the vibe is so good with these two. We had a great day. Your suggestion could work! I usually like to add a variety of warms and cools to the shadows and the shadow at the lower right is pretty dark and solid. I'll live with it and see how I feel about it a few days/weeks. Thanks for your thoughts!
Great vlog! Nice painting! Btw. Pig-moms with their kids around can be pretty agressive! lol (I don't know, actually, if it's correct English or not ... lol) Have a wonderful day!
-( MICHAEL , you’ve an “”you’ve an infectious creativity “”, glancing back, you mixed , alizarin crimson, ultra marine blue, 2:46 palette, the stroke through the mixed lump, brush tip wetted , “” through the parted lump , obviously seen the very long hair , it’s ends, follow up a full glorious mane, attached at the top her face, eyebrow, eye, petite nose, smooth cheek, chin, , , ( just mixing paint your creativity paints a beautiful woman, the “ thinned mixture top right edge, her face” ! ! ! )-. 🤐🤐🤐
Three amazing artists doing studies of a hill Support, advice and guidance so chill Maura’s luminous darks, makes you sigh Tad decided to restate the sky MC kept pushing, it’s an honor to watch him “Stay creative” - he’s our talisman 🐷 Ｗｉｌｄ ｐｉｇｓ?? The generous give and take of support and advice is it for me on this one. I’m so glad you decided not to crop yours. I think the shadows and the scrub effect is perfectly stunning. Thanks for sharing! Peace and love...Suz What 🌻🌼🌻🌼
Thanks for sharing your struggles with this painting. It’s nice to know it doesn’t always come easy for you. (Even though you usually make it look easy;) I learn so much from you! On another subject... I feel I need to speak up... I cringe to see you drinking water in disposable plastic bottles so often. They should be abolished! Please do your part to help save our planet from so many “one use” plastics and start bringing your water In reusable containers. And please help spread the word to your faithful followers to do the same. XO
-( michael, had to come back, all three paintings have taken up lodging in my mind, pleasantly of course, feel I want to do 3 comments separated , one each painting, ladies first, ( Maura ), then , ( Tad ), and ultimately you, as the host guests go first. -> )-
-( maura “” immortalized tree “” , freeze vid time , 6:17 , “” rubied fuschia hues, glowing the trunks edge, just beyond our dimension, see on the trunks right edge just above mid ground , , , protrudes a silhouette and neck of a young mountain lioness, majestic, , , to her right at canvas edge mid ground up, , suspended in air “ an orator presents your creativity, see a darkened green hand palm upwards with thumb visible, just above are two eyes, one implied, one clearly visible, it wears a head dress ornament, continuing it speaks . of the trunks stout girth, increases just up from its base, in the shadow implied is the true energy seen, reflections of that exist from all around the tree. left of the tree , weightless, as if hovering, five as in a congregation, witness and listen, one is young with “ cut crew bangs and a single gathered bushy ponytail “ . on the left edge curve of the path lays a shadow , just into the grass, before the path ‘rounds the trunk, a panther napped briefly there but left its shadow, its head is scantly raised, looking beyond the road and focus behind the tree , looks far right off the canvas, the head is the left portion of the shadow. Now See on the left of the trunk, fully in , and is standing,, a full human form, see two legs the feet disappear into the base of the tree trunk. The head at the top of the shadow, see the left arm, it’s elbow close in, it’s hand extends , open and about to grasp the “” barked tree limb hanging down””, see the palm, thumb, and four close fingers one to each other open, the form in the shadow speaks a century of days in a single whisper )- ❤️ a beautiful painting maura ; )
I like how you guys are so supportive of each other and really try to help, it's just amazing.
😊
I can see the challenge of a tree that close and one far away. It turned out superb. I love the feel of standing in shadow and looking at a lit landscape. Nice. The lady has an eye for composition. The tree, road, grasses and that dappled light is brilliant. Great video. Thanks for sharing
Thanks, Patrick!
A warm, leafy day in pig heaven. Thanks Michael and Tad.
Yes, it was 😂 So glad you could make it! Another wonderful day at J.D. Grant 🌟
Great times, Maura! Looking forward to painting again with you soon!
Maura and Michael, I seen this wanted to say Maura’s picnic table I seen also , ( sneaking out 🙂 )
I loved that you showed the part when you struggled and I thank you for keeping it real... We all need to see that everybody makes mistakes, but sometimes they can be happy mistakes 😊
I think it’s important to show the reality of the process. It’s only a mistake if you don’t fix it! 😂 Every painting is a challenge. It’s finished when you’ve solved all the problems 😊👍
A beautiful day in the hills! Thanks Mike and Maura for the adventure 🌞😊
Looking forward to next time!
I love your paintings. Thank you for sharing with us these videos, They are fantastic!
This was so relevant to my paint session yesterday. I have been working, wiping out, and working on a desert tree's foliage, which is very wispy, and which is the main subject in a 14" by 24" panel. Things kept going from bad to worse, but I just kept thinking about what I am learning. I am ready to give up. I will give it a couple more tries. As you said, what have you got to lose, (except time) and it's a good learning opportunity. Maybe I will do a little study of some other artists, and then come back to it. Thanks for telling how many times you wiped it out, and painted and re-painted. These are the most valuable tips. If I had just seen it completed I would have never known that you have the same kind of struggles at times. Thanks!
Oh yes, I have struggles with every painting. it's a normal part of the process. When I first started painting the struggles would often shake my confidence and I'd quit. Now I push through.
Great to see the work from the three of you. You're a master of the composition Michael!👍 Thanks for the video. Cheers Oliver
Thanks, Oliver!
Thank you, Michael! Just when I muttered to myself that the artists I follow rarely show failures and how to get out of them, you save the day and the painting. Scrape off, mix fresh color and have another go at it. "What have you got to lose?" Maybe some bad painting habits. What have you got to gain? Experience that leads to "Ah-ha!" insight. Thanks again!
Michael, I appreciate when you tell us you struggle. It makes one feel that if those with great success struggle, we have no reason to complain about our struggles. I think you did resolve what you were talking about well, but I kept looking at the subject of the painting being the tree on the hill. The foreground really is the balance to that, and it did work. Doing my own cropping (hand held over the screen) I do think it would work well as a square composition too, but I think you brought it back to where you wanted it. By the way, when you say you were ready to give up, nobody believes you. You're too positive! Thanks for the video, nice one.
Thanks, Matthew! The struggle never ends because as we grow we expect more from ourselves. I love that location but it’s challenging to paint! I appreciate the feedback! 😊
love that park so so much! had one of my best hikes there almost 5 or 6 years ago.
Yes, such a special place 😊
beautiful painting! really love the shading, i love the idea of setting the red down first and going over with green. gives some great depth to the image :)
Thanks, Megan! It’s nice to sneak some red or orange into a landscape whenever possible 😊👍
One of your best videos!! I love it when you have to solve problems. Maura's work is always so good too.
Thanks, Charm!
Beautiful painting! The shadows really did it for me.
Thanks, David!
wow, all stunning paintings,
Thanks, Hazel!
That top tree is nicely done 👌
Thanks 😊
What’s interesting to me about this painting is a warm distant tree and a cool foreground tree. Usually it’s the reverse. Glad you stuck with it. The foreground shadow was a really beautiful shape.
Thanks, Sharron!
I like the way you stuck to your original concept and made it work....
I really like how your painting turned out. I also liked both Muara and Tads paintings. I like how you resolved the challenge you had. I rarely go back to a PA work once I pack up. I give you credit for persevering.
Thanks!
You have indeed taught me the lesson of being tenacious. I shall soldier on. Great painting. I liked Muara’s works as well. Must have been out of the room for Tad’s last reveal.
Thanks, Raynola!
Great final painting! Pep talk was good too. 👍 Also really liked Tad and Maura's paintings a lot.
Thanks! Yes, they both did nice work! 🌟
Well, thank goodness you didn't give up because it's a stunningly beautiful painting. Wow, beautiful.
Thank you! 😊
Great advice-what do you have to lose! Experiment and try different solutions. Voila, you did find a good solution and the painting works!! Thanks, and loved the piggies!
I love this video! so calming and happy also love that you came to San Jose! :)))
Glad you liked! 😊
michael, a lovely day, friends , food, more , @ lovely Mother’s Day and all beautiful paintings ❤️
Thanks, Mark! 😊
@@chamberlainpaintings , thank you Michael, also, seeing food has made me hungry ; )
@@markparkey1218 What are you going to eat?
@@chamberlainpaintings heh, lol , I'm re-heating left over ground round, ( hamburger , drained) , it had a can of Italian seasoned "" STEWED TOMATOES"" , and , I had made sizable portion of "" ANGEL HAIR SPAGHETTI"", , , so I'm having " leftover homemade spaghetti ", lol, for Breakfast ha ha, I'm glad I have leftovers, dont want to cook anything else right now ; )
@@chamberlainpaintings I’m having left over stewed tomatoes , Italian style, , , with ground round, hamburger, and angel hair spaghetti, glad that I have leftovers for breakfast ha ha
Ahh'kay Chamberlain, your painting be hittin'
Thanks, John 😂
You are so talented omg!!!
I like the finish painting. I just finished one didn't come out as I thought it would change it a few times and moved on to the next . Like always great video
Thanks, Ray!
Wounderfull plein Air paiting. I am from Brasil and i' ve been in San José for good time. I Saw This scene before. The dry Air and the closer ocean produces spectacular collors. Some times when i see these groups of combinations, i see the soulth of France, of Monet. Sorry my english!!
Thank you!
wow its beautiful! loved the video 💕💕
Thanks, Sara!
That looked challenging but you pulled it off. The vertical format made it tough since you had such a strong vertical elements in the painting with weak horizontal elements it made for a tricky balancing act. Great job.
Thanks, Andrew!
9:20 "the grass is greener over there" haaha, what a good pun.
amazing painting
very good artwork
Thanks, Alex!
Great painting. Welcome to the party, we all struggle at times. Some more than others. Great feeling when we succeed. You Are a Human by golly.
Thanks, Anthony! Every painting is a struggle. This one a bit more than usual. 😂 The challenge is what motivates me!
Beautiful day painting in nature
Then BOOM mexican deliciousness
Great paintings!
Thanks!
I recently scraped off a plain air pic before taking it home. I now regret that. Most of the time I find some sort of benefit to at least examining it. Part of the learning curve 😁
Great video!
We learn the most from our failures! If we confront and analyze them that is. Wiping down is not confronting 😂
Great work, you have nailed down green, it’s a tough colour to extend the values and tones. Well done 👍. I have always wonder if finding an area in the design to add red to complement the green.
Thanks, Mike! Having orange or red in a mostly green landscape is always a challenge. My burnt sienna sketch usually allows for little complimentary pops here and there. I've just got to be careful not to cover it up!
-(michael , “”Successfully Struggles Beauty “”, 1:24 , your sketch. a wonderous image, on the right , SEE a full impression of a pioneer woman, wind blown back hair, fully dressed in cured hide/ fashioned of combined leathers of the times, she looks across the canvas , the tree on the hill is a memory, of herself imagining her “” grown up self “”, only one can see the other. 2:57 you touch color to the face of the memory the composition visits, 2:57 you touch color to the face of the beauty holding the memory of her young self. continuing you encounter struggle at 4:11 you state “” there we go , there is the scene again “” , by vid time 7:14 you’re at finding the “” Emeralded Iridescence “” and make them shimmer in the left boughs above the shadow cast by the main compositional tree, this feels like the “”energy of the memory”” from the sketch, of one thinking of their former past self. 8:11 - 8:31 Turquoise, beautifully you bridge the actual memory to the composition experiencing the memory by bridging turquoise gently into the grasses between. 11:46 final views and awe inspiring discussion , of numerous “ wipe downs, even possibly cropping the bottom off. HOWEVER, I’m so glad you didn’t, it’s beautiful image rests comfortably in my mind. When Tad said “ It’s beautiful you set me up” , Him grinning and Maura smiling contentedly, you three shared a moment. Michael I thank you for bring and sharing the whole experience, it’s as special as the painting, thank you ❤️ )-
"Emeralded Iridescendce" 🌟 Thanks, Mark 😊
Such an amazing upload, what's your favourite painting medium.
Thanks! I only paint in oils and I Liquin is my primary medium.
-( tad , freeze at vid 8:58 , finished view, sketch view vid time 2:36 “” holds a stilled moment”” of present time, feels as if he stands in the past, looking through an oiled paper, maybe parchment, as was the windows long ago in log cabins and glass was scarce. the painting sees a foundation of the present from the the past, they are the trees on the hill. SEE left and right at canvas edge mid ground, two faces , each a silhouette, on the right silhouette points a finger to the trees, it looks toward the left silhouette, as the left silhouette stares focused on the center tree. see the edging across the top and at the bottom foreground, top of the foreground as it’s points are across the mid ground field, the field is a span of time, beautifully colored with the bluest sky above, ploddingly deep into the field the viewer goes to understand the lined under structures of the foundation. tad it is a beautiful painting I like where you say at 9:10 - 9:11 bringing it in for a landing )- ❤️
"holds a stilled moment" 🌟 That's exactly what we're after
Keep working on the problems. Good advice.
YOU ARE MY INSPARATION OF PLEIN AIR PAINTING ,COULD YOU TELL ME HOW MANY COLOURS DO YOU USE BASICALLY ON YOUR PAlATTE?? AND WHICH THEY ARE
Nice group of painters, Maura seems to be a very interesting woman, intelligent and assertive. Tad is hyper cool. Now Im going to do something I'd never do which is telling you something about your painting but in "advice" mode which I think it can be douchey BUT I'll only tell you because I'm seeing something there in the lower portion that maybe you haven't considered and that's why you were having trouble solving it...I think you should have tried painting the big up front tree shadow with some ultramarine mix, because you've made it dark green this time (that was what you eye was seeing obviously) and that has created a big mass of greens in the lower portion of the scene. Maybe that's why you were not so happy about it. If you change the dark green for a blue it will open up the scene and guide our eyes towards the tree on the hill. Just a though. I love the painting anyway.
Thanks, Martin. Yes, the vibe is so good with these two. We had a great day. Your suggestion could work! I usually like to add a variety of warms and cools to the shadows and the shadow at the lower right is pretty dark and solid. I'll live with it and see how I feel about it a few days/weeks. Thanks for your thoughts!
The Burrito Squad😎
Yes! 😊
quero um quadro de presente aqui no ceara
Great vlog! Nice painting! Btw. Pig-moms with their kids around can be pretty agressive! lol (I don't know, actually, if it's correct English or not ... lol) Have a wonderful day!
Thanks, Olda! Yes, the pigmoms made me nervous 😂
@@chamberlainpaintings lol
-( MICHAEL , you’ve an “”you’ve an infectious creativity “”, glancing back, you mixed , alizarin crimson, ultra marine blue, 2:46 palette, the stroke through the mixed lump, brush tip wetted , “” through the parted lump , obviously seen the very long hair , it’s ends, follow up a full glorious mane, attached at the top her face, eyebrow, eye, petite nose, smooth cheek, chin, , , ( just mixing paint your creativity paints a beautiful woman, the “ thinned mixture top right edge, her face” ! ! ! )-. 🤐🤐🤐
thank you michael, i still see her on your pallet, (and im not even looking at this moment), love your work.
Three amazing artists doing studies of a hill
Support, advice and guidance so chill
Maura’s luminous darks, makes you sigh
Tad decided to restate the sky
MC kept pushing, it’s an honor to watch him
“Stay creative” - he’s our talisman
🐷
Ｗｉｌｄ ｐｉｇｓ?? The generous give and take of support and advice is it for me on this one. I’m so glad you decided not to crop yours. I think the shadows and the scrub effect is perfectly stunning. Thanks for sharing! Peace and love...Suz What 🌻🌼🌻🌼
Thanks, Suz! Another wonderful poem. And yes, wild pigs! 😊✌️💛
Great poem, really loved that.
Thanks for sharing your struggles with this painting. It’s nice to know it doesn’t always come easy for you. (Even though you usually make it look easy;) I learn so much from you! On another subject... I feel I need to speak up... I cringe to see you drinking water in disposable plastic bottles so often. They should be abolished! Please do your part to help save our planet from so many “one use” plastics and start bringing your water In reusable containers. And please help spread the word to your faithful followers to do the same. XO
Glad you're learning from my videos!
👍👍👍
lindo
Thanks 😊
-( michael, had to come back, all three paintings have taken up lodging in my mind, pleasantly of course, feel I want to do 3 comments separated , one each painting, ladies first, ( Maura ), then , ( Tad ), and ultimately you, as the host guests go first. -> )-
Thanks, Mark!
-( maura “” immortalized tree “” , freeze vid time , 6:17 , “” rubied fuschia hues, glowing the trunks edge, just beyond our dimension, see on the trunks right edge just above mid ground , , , protrudes a silhouette and neck of a young mountain lioness, majestic, , , to her right at canvas edge mid ground up, , suspended in air “ an orator presents your creativity, see a darkened green hand palm upwards with thumb visible, just above are two eyes, one implied, one clearly visible, it wears a head dress ornament, continuing it speaks . of the trunks stout girth, increases just up from its base, in the shadow implied is the true energy seen, reflections of that exist from all around the tree. left of the tree , weightless, as if hovering, five as in a congregation, witness and listen, one is young with “ cut crew bangs and a single gathered bushy ponytail “ . on the left edge curve of the path lays a shadow , just into the grass, before the path ‘rounds the trunk, a panther napped briefly there but left its shadow, its head is scantly raised, looking beyond the road and focus behind the tree , looks far right off the canvas, the head is the left portion of the shadow. Now See on the left of the trunk, fully in , and is standing,, a full human form, see two legs the feet disappear into the base of the tree trunk. The head at the top of the shadow, see the left arm, it’s elbow close in, it’s hand extends , open and about to grasp the “” barked tree limb hanging down””, see the palm, thumb, and four close fingers one to each other open, the form in the shadow speaks a century of days in a single whisper )- ❤️ a beautiful painting maura ; )
"speaks a century of days in a single whisper" 🌟 Love that
Hi emma's dad
Hello 😊