Franco Corelli unfortunately never sang this opera (Rigoletto) but he did record this aria a few times! This was his youngest of the recordings (in 1958) LIKE & ENJOY
@John Oregan No problem... I don’t think you have to thank me for just giving him the number 1 spot he undoubtedly deserves... I did change my mind on a few of them since I made that list... I would put Pavarotti at 3rd after Lauri Volpi... Luciano has outstanding technique and technically he has achieved technical heights that even Corelli never had... Corelli’s voice, a lot of it, is a natural gift... a lot of the time you can easily tell that he forces a big note and it comes out loud and great but if other tenors like Pavarotti per say would do the same thing, their voice might get damaged because it naturally isn’t strong or big enough to handle such vocal pressure... it doesn’t mean that Corelli shouldn’t have sung those notes that way.. he did and that’s one of the the multiple reasons why he’s number 1... but just “tecnica vocale” wise, Luciano has no match... he simply artificially made his voice... Lauri Volpi has the 2nd spot because his voice was ringing with a lot of silver in it and which is most important - it was effortless... nothing like Corelli’s stance when he was singing high notes or like Pavarotti who would take a huge breath with his diaphragm... lauri Volpi is a big reason Corelli is number 1... before Lauri Volpi, Corelli didn’t have the technique he ultimately became number 1 with... P.S. I know what I’m talking about... I train everyday (except weekends)... I’m going to be an Opera tenor soon (just 24yr old). One day... I’ll be on that list of top 10 tenors... mark my words...
@@MrOperaTenor you are seems so delusional then you are trying to give a fake numbers. What volpi-corelli have forget in tenors place!?? Both were a throat rippers. Ok, year has gone, now there is your tape? I dont wanna "troll", i will say actually who are you and your mistakes. But, after my previous message you now my mark. If hou have a clear tenors top like pav - you are a tenor. If you are forcing with "low larynx" you have nothing to do in tenors repertoire
@@MrOperaTenor Если не понимаете, не пишите, Паваротти-- посредственный певец, с некрасивым тембром, оставьте в покое Ф. КОРЕЛЛИ, остальных можете сравнивать, Вы же не певец, не завидуйте, доброго здравия !
Corelli's sound is always unusually masculine for a tenor - and it gives him an always powerful presence. This is a quality than can not be reduced to merely speaking in terms of loud or soft, light or heavy, lyrical or heroic, but rather something that is intrinsic to the man, Corelli, himself, and it sets him apart from most other male vocalists in such a way that after only a note or two, you always know it is he...the great Corelli...
Questa o quella per me pari sono a quant' altre d' intorno mi vedo, del mio core l' impero non cedo meglio ad una che ad altre beltà La costoro avvenenza è qual dono di che il fato ne infiora la vita s' oggi questa mi torna gradita forse un' altra doman lo sarà. La costanza tiranna delcore detestiamo qual morbo crudele, sol chi vuole si serbi fedele; Non v'ha amor se non v'è libertà. De' i mariti il geloso furore, degli amanti le smanie derido, anco d' Argo i cent'occhi disfido se mi punge una qualche beltà.
Tenía "tanta" voz, era tan grande y tan potente su caudal, que resulta milagroso que pudiese controlarla de ese modo. Una maravilla de la naturaleza. Su voz no era adecuada para cantar todos los roles, al igual que ocurre con los demás tenores, pero todos los que cantó fueron y son referencia absoluta en la historia de la ópera
Para mi, por arriba del passagio tiene el mejor timbre que escuche, ese "color" insuperable, del monaco tenia unos agudos bestiales pero para mi corelli no tiene comparación, esos armonicos , insuperable.
For mezzo callas its better a baritone stefano, who wasnt so louder, without forza, not so big screams, like screams from bari barker monaco and hiterical bari corelli
@@RestlessTheRED In lyric singing, the vocals seem all uniform.
3 роки тому+8
I would love to hear Corelli on a complete Rigoletto recording, if only in the studio. He would be a perfect Duca, despite the role being very lyrical, because he had a voice that transitioned very well between romantic and jovial; and the dark and hard. It was very versatile, that's why he sang both La Bohème and Il Trovatore well.
If you want to hear the Perfect Lyrical Duke, look no further than Ferrucio Tagliavini on the old Cetra Label. Corelli would have to lose a lot of Baggage to come remotely close to him in this Role. Del Monaco was a complete failure on the old Decca label.
@@waynewilliams4706 Corelli had a big, voice. You cannot just make a big voice smaller, it is bad for a big voice to try and sing smaller and lighter constantly. They can do it occasionally but not on a permanent basis. Corelli cannot just lose some "baggage", his voice simply had a lot of weight. It is similar to a lyric tenor who tries sings too much heavy repertoire, it degrades the voice to sing outside of your fach. Of course the Duke wasn't really meant for Corelli and he knew it, which why he never tried the role.
Si Maria, franco fue uno de los mejores tenores de la historia, tambien te recomiendo que oigas a mario del monaco, ambos fueron los mejores de la segunda mitad del siglo XX.
@@denisotello6474 hola buen día , veo que tienes muy buen gusto je je je porque estos dos mounstros también son mis favoritos aunque me inclino un poco más a Corelli , y si claro que sí en este año Corelli sigue vigente como el gigante que fue y será , que opinas?
@@isaiasgaminosanchez8616 Mario tuvo una carrera que duro del 40 hasta los 75, o sea 35 anos, se retiró con 60 anos, ya Franco tuvo una carrera de los 50 hasta los 75 o sea 25 anos, y se retiró con 55 anos, mi opinion es que del monaco fue mejor que franco hasta 1961, y que despues de esto vino la gran fase de Franco hasta 1975, Franco tuvo una gran mejora en su tecnica vocal al largo de su carrera, muy reconocido por sus papeles en, Gli Ugonotti(Raul), Turandot(calaf), La Forza Del Destino( Alvaro), Il Poliuto, Andre Chenier, Don Carlo, Il trovatore (manrico) dentre otras ya Del Monaco con, Otello, Cavalleria rusticana, tambien como Andrea Chenier, Como Sanson, La Fanciulla del west dentre otras, corelli era un tenor spinto- dramatico y del monaco un tenor-dramatico, sucessores de los grandes tenores, Pertile y Merli, tenian una gran amistad, y Franco fue al entierro de Mario, creo que nunca surgiram otros como ellos, perdon por mi malo español es que soy de Brasil.
@@denisotello6474 no te preocupes te entiendo bien , si del Mónaco tenía una voz poderosa era un auténtico tenor dramático, tenían sus diferencias escucha " cuando le seré al plácido " con los dos y me gusta más con Mario eso sí, ahora escucha el final de " pagliaci " con varios tenores y me dices quien la interpreta mejor a tu gusto , yo lo e escuchado al menos con 15 tenores diferentes y en la actuación , me gusta con Corelli chécalo y me compartes tu gusto , amiga te mando un abrazo , ah y me da gusto compartir con alguien el gusto por la ópera , ah soy de México 🇲🇽
È uno dei più grandi tenori di sempre, era considerato tra i più grandi al mondo in un'epoca in cui anche i tenori più scarsi in scena erano nettamente superiori ai nostri vari Kauffman, Cura e compagnia urlacciante.
Corelli, sin gustarme mucho (siempre buscando la nota), no deja de tener la mejor voz de tenor de la historia grabada. Aquí, además, le agradezco que no horterice el _se mi punge_ con tontás.
@chris Gaffney . You must understand that Franco sang in almost all the most important great operas .It would take at least two lifetimes to sing them all.Nevertheless I have never heard this aria sung better than by the great Corelli even though it was more suited to a lyric tenor.Thanks anyway for Your appreciation of Franco.
+Sardus Orpheus When listening to a video of an artist You would expect any comment to be directed at that artist however You chose to comment on a lyric tenor such as the sublime Tito Schipa instead of the great spinto/dramatic tenor Corelli with respect I will just say this Franco's voice should be the reference for the complete opera tenor.
+Sardus Orpheus He did perform theOTELLO duet and arias on tour with the Met and in several concerts also;You can see Him perform the duet in a wonderful performance with Zylis-Zara 1972 at Mr Bings farewell concert at the Met.on Utube.Franco had a huge amount of engagements to fulfill and I guess time ran out for Him.Unlike a lot of other tenor's Franco knew when to stop with that glorious instrument intact.
For a spinto tenor who frequently performed dramatic roles, Il Duca di Mantova in Rigoletto, which is sometimes sung by leggero tenor such as Juan Diego Florez, was not the role that Corelli would choose. But the way he sang this aria is also satisfied to hear. There are two other recordings of "Questa o Quella" from Corelli's concerts in München with Deutsches Museum (December 13th 1970) and in Tokyo (November 8th 1971).
What a powerful voice he had! The tempo seems a little too slow for my taste. I like to hear this with the words crisp and bitten out. Nevertheless, he sings well!
As great as Corelli was I do not believe the role of the Duke was written for such a powerful spinto such as himself However I would have loved to hear him sing this role anyway. Among all the great gifts Corelli possessed as a singer especially in the early days of his career he could surprise you by singing something real lyric with a lot of conviction and beauty; for example perhaps "A TE O CARA from Ipuritani by Bellini. Just listen to it WOW!
Corelli never sang Rigoletto, Ballo, Traviata Manon Lescaut and Butterfly. Manon Lescaut to me is a mystery, as I think He was well suited for the role in every way
@@sugarbist there is a lovely clip of him singing the love duet from Ballo. He would have been a marvellous Ricardo and same goes for Des Grieux! Perhaps the opportunity just never came about. It’s a shame
@@joshuafurtado-mendes9327 Of course you are entitled to your opinion. Corelli is one of my favorites, and I don't like to critique why I think he would not be suited for any role, because then I would have to mention some flaws in his musicality as well as habits. But all in all, a great tenor.
Un grande franco. Como mexicano Me parece escuchar mucho parecido su color de voz a nuestro gran Jorge Negrete. A quien franco corelli comentan biógrafos también admiraba
@Super Opera Tenor.I am in broad agreement with Your list.I would not put Bocelli or Domingo on this list .I would replace Domingo with Pertile and Mc Cormick with Bocelli
chris gaffney unfortunately... There are a few other operas that he never sang such as Othello, L'elisir D'amore and La Traviata!! But for the most part Rigoletto and Othello are the ones that everyone wanted to hear from Franco Corelli...
+Super OperaTenor Corelli also never sang Butterfly, Ballo, Traviata , Rigoletto and Manon Lescaut.Perhaps it was because he started a little late with his career, around age 30.The real mystery for me is Manon Lescaut. I know he had mentioned that it was a very difficult role, but I think his voice was perfect for the opera. He was really relieved when he retired, as he suffered from terrible stage fright. Imo, he should of at least recorded Otello, but he didn't. There was talk that MDM was encouraging FC to do the role, but I don't know how accurate it is.
you can't compare with Pavarotti...totally different timbre - totally different ways to approach the piece. I love them both - but pavarotti has a much more playful sound and attitude. i adore Corelli's brooding sound...but not for Rigoletto..but I'll sure take his Manrico and Calaph!
Pavarotti said he must have had iron vocal chords. The very greatest tenor - thrilling as every artist needs to be. Sadly too young to have ever seen him. My generation have to put up with woofy, woofy artifical noise.
@Super Opera Tenor. I am so glad You put the greatest opera tenor Franco Corelli in at number 1.Thank You.
@John Oregan No problem... I don’t think you have to thank me for just giving him the number 1 spot he undoubtedly deserves... I did change my mind on a few of them since I made that list... I would put Pavarotti at 3rd after Lauri Volpi... Luciano has outstanding technique and technically he has achieved technical heights that even Corelli never had... Corelli’s voice, a lot of it, is a natural gift... a lot of the time you can easily tell that he forces a big note and it comes out loud and great but if other tenors like Pavarotti per say would do the same thing, their voice might get damaged because it naturally isn’t strong or big enough to handle such vocal pressure... it doesn’t mean that Corelli shouldn’t have sung those notes that way.. he did and that’s one of the the multiple reasons why he’s number 1... but just “tecnica vocale” wise, Luciano has no match... he simply artificially made his voice... Lauri Volpi has the 2nd spot because his voice was ringing with a lot of silver in it and which is most important - it was effortless... nothing like Corelli’s stance when he was singing high notes or like Pavarotti who would take a huge breath with his diaphragm... lauri Volpi is a big reason Corelli is number 1... before Lauri Volpi, Corelli didn’t have the technique he ultimately became number 1 with...
P.S.
I know what I’m talking about... I train everyday (except weekends)... I’m going to be an Opera tenor soon (just 24yr old). One day... I’ll be on that list of top 10 tenors... mark my words...
@@MrOperaTenor Caruso number one Best tenor wold after franco correli
@@MrOperaTenor you are seems so delusional then you are trying to give a fake numbers. What volpi-corelli have forget in tenors place!??
Both were a throat rippers.
Ok, year has gone, now there is your tape?
I dont wanna "troll", i will say actually who are you and your mistakes.
But, after my previous message you now my mark. If hou have a clear tenors top like pav - you are a tenor.
If you are forcing with "low larynx" you have nothing to do in tenors repertoire
@@MrOperaTenor Если не понимаете, не пишите, Паваротти-- посредственный певец, с некрасивым тембром, оставьте в покое Ф. КОРЕЛЛИ, остальных можете сравнивать, Вы же не певец, не завидуйте, доброго здравия !
Corelli's sound is always unusually masculine for a tenor - and it gives him an always powerful presence. This is a quality than can not be reduced to merely speaking in terms of loud or soft, light or heavy, lyrical or heroic, but rather something that is intrinsic to the man, Corelli, himself, and it sets him apart from most other male vocalists in such a way that after only a note or two, you always know it is he...the great Corelli...
Corelli one of the best tenors ever. 🌹 🤩 😍 🌷
Mio marito ed io ringraziamo la madre che ha partorito questo gioiello!
What a joy! Unforgettable Franco! How I love him! Thank you!
Wonderful, powerful and lovely.🤩☀️😍💎💟 One of my favorite tenors. 🌹
Magnificent maestro Franco Corelli .
Questa o quella per me pari sono
a quant' altre d' intorno mi vedo,
del mio core l' impero non cedo
meglio ad una che ad altre beltà
La costoro avvenenza è qual dono
di che il fato ne infiora la vita
s' oggi questa mi torna gradita
forse un' altra doman lo sarà.
La costanza tiranna delcore
detestiamo qual morbo crudele,
sol chi vuole si serbi fedele;
Non v'ha amor se non v'è libertà.
De' i mariti il geloso furore,
degli amanti le smanie derido,
anco d' Argo i cent'occhi disfido
se mi punge una qualche beltà.
Tenía "tanta" voz, era tan grande y tan potente su caudal, que resulta milagroso que pudiese controlarla de ese modo. Una maravilla de la naturaleza. Su voz no era adecuada para cantar todos los roles, al igual que ocurre con los demás tenores, pero todos los que cantó fueron y son referencia absoluta en la historia de la ópera
Great voice
Bonjour superbe tenor que r corelli une voix sublimes eclatante fascinante comme le personnage merci
Ah! What a pleasure to listen to the incomparable Franco Corelli. Such true talent brings a smile to my face. Thank you for posting this!
Какой восхитительный голос! Прослушав в другом исполнении всё время хочется снова и снова возвращаться к великому Корелли.
Это "тяжелый" тенор . Ни в коем случае не сравнивая , хочу напомнить о Ю. Марусине , прекрасном петербургском теноре ...
@@vladimirv7857 Вы правы, славянских теноров забывать нельзя. Но у них совершенно иной тембр голоса - это другой мир.
Come sempre Dario e favoloso! Che bello sentire.
Lovely. Adorable powerful tenor voice. Maravigloso. 💎💟
full of youth and handsome sparks within voice, no hard to picture a free spirit prince riding on white horse, wind blowing far his smile and song...
The great Corelli as Il Duca di Mantova from Rigoletto. Marvellous tenor 🤩☀️😍 Lovely.
Para mi, por arriba del passagio tiene el mejor timbre que escuche, ese "color" insuperable, del monaco tenia unos agudos bestiales pero para mi corelli no tiene comparación, esos armonicos , insuperable.
This is sheer brilliance! Impeccable. And yet it has been said Franco did not like this aria...
Che prodigio!!!! Dalle prime note si sà que sarà ben diverso ti tutti gli altri...
La voce da tenore che preferisco. Immenso Corelli!
¡Què lindo lo canta! Insuperable
Incredible! i think who could have sung just about anything!
Spectacular!!!
Thank you for posting it !
I eagerly waiting for more Corelli.......
I haven't listened to Corelli much, but I sure will now!
Beautiful singing ! Thank you for posting :)
Único e inesquecível . Grandíssimo Corelli.
Csodás hang!!!👏👏😀👏😀👏👏👏👏
igaza van
Che voce! Il miglior tenore di sempre!!! Ed era anche un uomo bellissimo...
❤️🤍💚❤️🤍💚❤️🤍💚❤️🤍💚
Name this note!!!
0:39 forced.
Is this is a tenors top!?
Not closer to a real tenor - pav
Il baritono
Женщины его назвали"Принц Тенор"
Bono da sentire e vedere
Imádom a hangját!❤❤❤
A miracle of a tenor! No wonder he was Maria Callas's favourite one.
Pippo Di Stefano
the favorite of maria callas is Giuseppe di Stefano
For mezzo callas its better a baritone stefano, who wasnt so louder, without forza, not so big screams, like screams from bari barker monaco and hiterical bari corelli
supremo Franco. Chi non ha la voce adatta lasci perdere.
Perfect diction and no pinching of voice
He sings "quello" and constantly inserts "ha" sounds.
@@RestlessTheRED he can afford to please... It's Franco Corelli we are talking about!
Canta quella, non dire stupidaggini!
That's obvious that the diction is perfect. He is italian ❤️🤍💚
@@RestlessTheRED In lyric singing, the vocals seem all uniform.
I would love to hear Corelli on a complete Rigoletto recording, if only in the studio. He would be a perfect Duca, despite the role being very lyrical, because he had a voice that transitioned very well between romantic and jovial; and the dark and hard. It was very versatile, that's why he sang both La Bohème and Il Trovatore well.
If you want to hear the Perfect Lyrical Duke, look no further than Ferrucio Tagliavini on the old Cetra Label. Corelli would have to lose a lot of Baggage to come remotely close to him in this Role. Del Monaco was a complete failure on the old Decca label.
@@waynewilliams4706 Preferisco Kraus 100 volte !! ua-cam.com/video/O45sf-ab1Aw/v-deo.html
@@waynewilliams4706 would you be so kind as to share the link to that?
@@waynewilliams4706 Corelli had a big, voice. You cannot just make a big voice smaller, it is bad for a big voice to try and sing smaller and lighter constantly. They can do it occasionally but not on a permanent basis. Corelli cannot just lose some "baggage", his voice simply had a lot of weight. It is similar to a lyric tenor who tries sings too much heavy repertoire, it degrades the voice to sing outside of your fach. Of course the Duke wasn't really meant for Corelli and he knew it, which why he never tried the role.
@@ZENOBlAmusic The Duke was Jussi Bjorlings role. The best duke there ever was.❤
Grande bravo
Powerful! Amazing!
Wonderful tenor 👏👏👏👏👏👏👏👍
Melhor Tenor da história da ópera
A stunning performance!
perfetto e ineguagliabile...
QUE BIEN CANTABA ESTE CHICO. ...Y QUE VOZ....TAN BONITA......UN ARTISTAZO. ...LO ESCUCHA ALGUIEN EN 2019????
Si Maria, franco fue uno de los mejores tenores de la historia, tambien te recomiendo que oigas a mario del monaco, ambos fueron los mejores de la segunda mitad del siglo XX.
@@denisotello6474 hola buen día , veo que tienes muy buen gusto je je je porque estos dos mounstros también son mis favoritos aunque me inclino un poco más a Corelli , y si claro que sí en este año Corelli sigue vigente como el gigante que fue y será , que opinas?
@@isaiasgaminosanchez8616 Mario tuvo una carrera que duro del 40 hasta los 75, o sea 35 anos, se retiró con 60 anos, ya Franco tuvo una carrera de los 50 hasta los 75 o sea 25 anos, y se retiró con 55 anos, mi opinion es que del monaco fue mejor que franco hasta 1961, y que despues de esto vino la gran fase de Franco hasta 1975, Franco tuvo una gran mejora en su tecnica vocal al largo de su carrera, muy reconocido por sus papeles en, Gli Ugonotti(Raul), Turandot(calaf), La Forza Del Destino( Alvaro), Il Poliuto, Andre Chenier, Don Carlo, Il trovatore (manrico) dentre otras ya Del Monaco con, Otello, Cavalleria rusticana, tambien como Andrea Chenier, Como Sanson, La Fanciulla del west dentre otras, corelli era un tenor spinto- dramatico y del monaco un tenor-dramatico, sucessores de los grandes tenores, Pertile y Merli, tenian una gran amistad, y Franco fue al entierro de Mario, creo que nunca surgiram otros como ellos, perdon por mi malo español es que soy de Brasil.
@@denisotello6474 no te preocupes te entiendo bien , si del Mónaco tenía una voz poderosa era un auténtico tenor dramático, tenían sus diferencias escucha " cuando le seré al plácido " con los dos y me gusta más con Mario eso sí, ahora escucha el final de " pagliaci " con varios tenores y me dices quien la interpreta mejor a tu gusto , yo lo e escuchado al menos con 15 tenores diferentes y en la actuación , me gusta con Corelli chécalo y me compartes tu gusto , amiga te mando un abrazo , ah y me da gusto compartir con alguien el gusto por la ópera , ah soy de México 🇲🇽
María, el chico cantaba bien y estaba bien jajaja desde luego que sigue viendo/oyendo. Un Divo!
unbelivle..unique
Qué voz! Qué canto! Qué hombre!
Это гениально. Какие сильные верхние ноты. Браво!
magnifico
Immenso...
Великолепно!!!!
А как вам Лемешев ?
@@vladimirv7857 прекрасен, но для меня Корелли лучше, вибрато ровнее, тембр приятнее
@@Baron_Scarpia Ю. Марусин пел эту арию в концерте "Весна , музыка , любовь , 1987" , очень понравилось .
The excellence!
amazing
Величайший! Бесспорно.
Non sono esperta di musica ma credo che abbia una bellissima voce.
Graziella Bosco la migliore di sempre
...
È uno dei più grandi tenori di sempre, era considerato tra i più grandi al mondo in un'epoca in cui anche i tenori più scarsi in scena erano nettamente superiori ai nostri vari Kauffman, Cura e compagnia urlacciante.
@@albertospadaro4743 era l'unico commento che si poteva scrivere, sei arrivato prima :D
@@edraith Facciamo anche il migliore!!
Thank you...
Bravo!!!
Corelli, sin gustarme mucho (siempre buscando la nota), no deja de tener la mejor voz de tenor de la historia grabada. Aquí, además, le agradezco que no horterice el _se mi punge_ con tontás.
Superlativo.il re dei re
Thank you! Magnificent! I believe his voice is too big for this Opera, but he's Corelli, so everything is perfect.
Asombroso.
1.25 speed great voice Franco coreli
Very nice tenor!
Qualcuno sa chi è il fonico che ha registrato questo genio della lirica, bravo pure lui
Bravo!!!!
@chris Gaffney . You must understand that Franco sang in almost all the most important great operas .It would take at least two lifetimes to sing them all.Nevertheless I have never heard this aria sung better than by the great Corelli even though it was more suited to a lyric tenor.Thanks anyway for Your appreciation of Franco.
+Sardus Orpheus When listening to a video of an artist You would expect any comment to be directed at that artist however You chose to comment on a lyric tenor such as the sublime Tito Schipa instead of the great spinto/dramatic tenor Corelli with respect I will just say this Franco's voice should be the reference for the complete opera tenor.
+Sardus Orpheus I respect fully Your opinion. Thank You.
+Sardus Orpheus He did perform theOTELLO duet and arias on tour with the Met and in several concerts also;You can see Him perform the duet in a wonderful performance with Zylis-Zara 1972 at Mr Bings farewell concert at the Met.on Utube.Franco had a huge amount of engagements to fulfill and I guess time ran out for Him.Unlike a lot of other tenor's Franco knew when to stop with that glorious instrument intact.
+Sardus Orpheus Please explain as far as they become good friends
Why did he refuse Puritani?
Mamma mia che voce!!!!!
The best opera tenor of all times even better than the great Pavarotti. He had and will never have an equal.
For a spinto tenor who frequently performed dramatic roles, Il Duca di Mantova in Rigoletto, which is sometimes sung by leggero tenor such as Juan Diego Florez, was not the role that Corelli would choose. But the way he sang this aria is also satisfied to hear. There are two other recordings of "Questa o Quella" from Corelli's concerts in München with Deutsches Museum (December 13th 1970) and in Tokyo (November 8th 1971).
Is the Munchen recording here on UA-cam? I cant find it ...
Menudo Duque!!!!!!!❤
What a powerful voice he had! The tempo seems a little too slow for my taste. I like to hear this with the words crisp and bitten out. Nevertheless, he sings well!
great tnor....
bloody superb. finest most powerful tenor to date. peter newbrook.
NOOO
😍❤❤
The best of the best
As great as Corelli was I do not believe the role of the Duke was written for such a powerful spinto such as himself However I would have loved to hear him sing this role anyway. Among all the great gifts Corelli possessed as a singer especially in the early days of his career he could surprise you by singing something real lyric with a lot of conviction and beauty; for example perhaps "A TE O CARA from Ipuritani by Bellini. Just listen to it WOW!
Corelli never sang Rigoletto, Ballo, Traviata Manon Lescaut and Butterfly. Manon Lescaut to me is a mystery, as I think He was well suited for the role in every way
@@sugarbist there is a lovely clip of him singing the love duet from Ballo. He would have been a marvellous Ricardo and same goes for Des Grieux! Perhaps the opportunity just never came about. It’s a shame
@@joshuafurtado-mendes9327 Des Grieux yes, Ballo?
@@sugarbist I personally think he would have been very convincing in Ballo. But that is just my personal opinion.
@@joshuafurtado-mendes9327 Of course you are entitled to your opinion. Corelli is one of my favorites, and I don't like to critique why I think he would not be suited for any role, because then I would have to mention some flaws in his musicality as well as habits. But all in all, a great tenor.
È proprio vero questo o quello per me pari sono l
Non è il ruolo migliore per il GRANDE Corelli !!! 😕
Verdi. Rigoletto.
finally new
A LEGSZEBB HANG........
Gli uomini questo o non quello pari sono
Un grande franco.
Como mexicano
Me parece escuchar mucho parecido su color de voz a nuestro gran Jorge Negrete.
A quien franco corelli comentan biógrafos también admiraba
Fantastic
FRANCO CORELLI IL PIÙ GRANDE TENORE DI TUTTI I TEMPI
Perhaps a little bit faster would have been better.....but what a voice and diction!
I was glad to hear it slower; too many times it is sped thru!
I don't believe Corelli ever sang the Duke in a live performance and did not record the opera as well.
@Super Opera Tenor.I am in broad agreement with Your list.I would not put Bocelli or Domingo on this list .I would replace Domingo with Pertile and Mc Cormick with Bocelli
bocelli???
WAS FÜR EINE STIMME TRAUMHAFT
Tenor spinto, verdiano para algo de su repertorio; no precisamente para Rigoletto que requiere voz mucho más ágil y menos densa.
In his prime, the perfect Duke🤩
Corelli never sang a complete Rigoletto, so how can he be the perfect Duke?
Sugar, corelli never even was a tenor like caruso and barker widy sandwiched monaco.
Who are they!?
@@Monnarchmonnarchy может он Бари-тенор?и все равно голос уникальный,очень красивый
Wonderful but he never sang this on stage
chris gaffney unfortunately...
There are a few other operas that he never sang such as Othello, L'elisir D'amore and La Traviata!!
But for the most part Rigoletto and Othello are the ones that everyone wanted to hear from Franco Corelli...
+Super OperaTenor Corelli also never sang Butterfly, Ballo, Traviata , Rigoletto and Manon Lescaut.Perhaps it was because he started a little late with his career, around age 30.The real mystery for me is Manon Lescaut. I know he had mentioned that it was a very difficult role, but I think his voice was perfect for the opera. He was really relieved when he retired, as he suffered from terrible stage fright. Imo, he should of at least recorded Otello, but he didn't. There was talk that MDM was encouraging FC to do the role, but I don't know how accurate it is.
chris gaffney He didn't played the opera, but he sang this aria in 1971 in Tokio. By the way, it's Flawless. Corelli is my main inspiration.
Its a disgusting that baries are imitating a tenors.
corelli must had a little roles with barker monaco, not a wide tenors repertoire.
Screamers
Non era nel suo repertorio però bene lo stesso
Rimane un icona della lirica...
corelli great singer started late got better exciting singer
Incredible, every consonant has drama. Preferable to Pavarotti I’m shocked to say
No comparison to Pavarotti or Carreras.
you can't compare with Pavarotti...totally different timbre - totally different ways to approach the piece. I love them both - but pavarotti has a much more playful sound and attitude. i adore Corelli's brooding sound...but not for Rigoletto..but I'll sure take his Manrico and Calaph!
CSODA EZ A CORELLI!
The best. Period.
Krauss o corelli
Both baries
Fantastico, anche senza cadenza?
Molto meglio senza
Team Hungary RoE Induló
Pavarotti said he must have had iron vocal chords. The very greatest tenor - thrilling as every artist needs to be. Sadly too young to have ever seen him. My generation have to put up with woofy, woofy artifical noise.
El mejor tenor heroico de todos los tiempos, pero esta opera no era para sus características vocales.
So corretto, is anyone feel sick?
It s not 1958, i think 70th.