something about the B3 & Leslie combination that takes this song to another level. I have played it on a Casio, a Yamaha, and a Wurlitzer, sound good but just doesnt have the warm tonal richness of the Hammond & Leslie. Damn this sounds good!
Hallo Natalie, many thanks for your nice comment on my video. Are you family of the late Donald Dunn the bassplayer of Booker T & MG's ? Please let me know .
@@hdww czarujace, mile brzmienie, w 1970 audycja w Trojce miala sygnal BTMGs Marka Gaszynskiego, bylem na jego pierwszaj Muzikoramie w Grandhotelu w Sopocie
Bravo! Sitting behind the Hammond, all that hardwood and motor oil, is nothing like a modern digital machine. It is a visceral experience, and you can see it in your countenance. No one will ever make a machine like that again, it would be so expensive to recreate the tone wheel system and the wiring, you are truly playing a piece of musical history that represents the best of man's (and women's, as many of the assemblers were gals....) design and fabrication efforts. Just one question- 60 hz machine with frequency shifter, or original 50 hz EU machine? Love it!
BTW- I think the B2 sounds the best. I've had B3s, RT-3s, A100s, CVs, C3s, but my late B2 (plastic wire and smooth draw bars) with a Trek percussion was the Bee's Knees.
It's a 1953 Hammond B2 imported from the US. With help of a frequency shifter made suitable for EU circomstances. I also changed the ratched drawbars to smooth drawbars and I changed the preamp AO-10 to a AO-28.
@ Richard Marshall Love your comment. Very well put. Applause for you. So much has changed that so many took horribly for granted...now many people are desperate to save so much, as very well they should. Much will never be again.
Specific: Look from 3:03 - 3:17 The Leslie horn in the music track is - without doubt - running in fast mode. But the horn in the Leslie on the video, is running in slow speed. If you want to make it look real - then make an efford in trying to make it look real.
Dear MM. Thanks for your reaction. As you will understand, I've been using a backingtrack. In this case a multitrack ("Karaokeversie.nl"). I 've custommized this backingtracks in Adobe Audition. In all of my video's in which I play the Hammond, the Hammond you hear is not the original Hammond of the backingtrack, but one played by myself on my Hammond and my Leslie (the one you see in the video). So the Hammond you hear in the video is real , not fake. Unfortenately it was for me technically impossible, to make a video of me playing the Hammond while recording the audio. So the Hammond part you see in the video is not what you hear in the video. The Hammond part you hear is made earlier.
@@hdww Dear Harm. I am glad, that you respond to my comment to the video ! And I understand the reasons, that you have mentioned. Maybe it is just me, who is too critical, but it disturbs me, to see the Leslie horn behind you, spinning, where it shouldn't spinn - and vice verca ;-) You play a great Hammond, and makes a great cover of Time Is Tight - no doubt about that ! Keep up pulling the drawbars ! Best wishes, MM
@@MikkiRover I also noticed this, but I assumed the disconnect between the heard and seen Leslie speed is to do with shooting the video with one camera twice, with different views. Further to his explanation, he is probably changing speed at different times in the sound recording and the video. There's more to doing this stuff than meets the eye! The wonder is that the sound of one note on the Hammond sounds so rich and full (allowing even for the chord in the left hand).
Hmmmmm. The Leslie horn, don't spin, as it should do, while the speed is "fast" in the organ. Take a good look at the hord, as you listen to the music. This video is fake - sorry to say.
Well it could be fake, but there's no reason for it to be. The player seems like a genuine enthusiast. See the man's explanation to a similar comment, and mine, as below; I also noticed this, but I assumed the disconnect between the heard and seen Leslie speed is to do with shooting the video with one camera twice, with different views. Further to his explanation, he is probably changing speed at different times in the sound recording and the video. There's more to doing this stuff than meets the eye!
Simply a supurb rendition of a classic plyaed to perfection love the warm sound of the hammond
If I had a Hammond and could play this I would die happy.
Amazing wish!!!
You can learn
I can't think of nothing finer. Love this music
Nice performance love it thks
Excellent cover of a superb instrumental
Well done that man, that was most splendid.
Aw Buetiful ❤ man only old school got that feel love it. Thankyou for sharing 👍🏼🎸🎹🎻 from new Zealand 🌏.
Beautiful,very very nice and sounded so good......
Oh so beautiful music made in a beautiful era...many regrets for that time...
Beautifully done... Totally Pro... Congrats...!
Der warme Klang einer Hammond mit Leslie ist durch nichts zu ersetzen. Super toll gespielt.
Top Harm!!
Great Tune!! I Play This Tune Over & Over Again!
Hi there 😀
Organ and Hammond b3 are the same instruments?
Amazing performance 👏
An oldie but so much still a goody. Especially the way you play it
Thank you, Carolyn, for your kind reaction.
You bet thats fantastic.@@hdww
Cheers from Canada....
this is music forever, very good
Sou apaixonada por essa música 🤩❤
Great version of a great tune.
AWESOME job!!! Beautiful hardware.
Brilliant rendition. Love it. I also love playing this song too! The Hammond and Leslie tone you have is perfect.
Thanks Craig
👍love it
Good, great and also big sound ! I like !
That was fantastic, absolutely spot on!
Brilliant
A perfect cover, well done
gnarly dude this is awesome
Thank you
Thank you for this! Absolutely amazing.
I love this video so much
ROCK!! Good morning music!
大好きな曲です、ありがとう。
Nice love the Hammond b2
Me too ......
Einfach Super. Danke.
You definitely did this a justice. Great job.
I'm 76 and oh the memories are coming home to roost
Awesome!! Very NICE! My Uncle LOVED that song!, and I do as well! 🎹🎹🎹
Thanks for listening
The Clash did a great cover. The would play it as a sound check number before a concert and finally they recorded it.
excellent song-writers-musicians=well done=Trinity bless everyone with good safe healthy days=R.I.P. all band members who passed away
Sweet!
something about the B3 & Leslie combination that takes this song to another level. I have played it on a Casio, a Yamaha, and a Wurlitzer, sound good but just doesnt have the warm tonal richness of the Hammond & Leslie. Damn this sounds good!
Very good, I enjoyed that
Bravo!
Thanks Noel.
This is superb Xxx
Hallo Natalie, many thanks for your nice comment on my video.
Are you family of the late Donald Dunn the bassplayer of Booker T & MG's ?
Please let me know .
Good job...I enjoyed it!
Hello from Canada, very fine job Sir.
Nice to see the Leslie in the background.
Helemaal goed Harm👍
I really did dig it! Hey, let's get the band back together! Somersworth, NH!
Great. Thanks
Klinkt lekker Harm!
buena musica
fantastisch
Sounds wonderful. Thank you and best regards.
Io8iujhjuuuiiiuuuuuuuujhjjjjiyyybhrttffftgdttty
Brilliant, Harm nails it better than the original. ✌💙
Thank you Nejat
👏⚘👍
Loving it Sir.. How's about some Stranglers covers? can you? can you..? pretty please.. Now Mr Greenfield has passed away I do miss a good organist..
Didn’t seem like a cover sounded like the original one. Good job.
Uit welke provincie kom jij, beste Harm?
Noord Brabant
Noord Brabant
najbardziej to ja lubie organy Homonta!!!
Hammond to najlepszy ze wszystkich organów
@@hdww czarujace, mile brzmienie, w 1970 audycja w Trojce miala sygnal BTMGs Marka Gaszynskiego, bylem na jego pierwszaj Muzikoramie w Grandhotelu w Sopocie
Btw whyat kind of keyboard is that?
Hello Caraolyn,
this is a vintage Hammond organ made in the early fifties of the past century.
Great cover and tone! How did you record the Leslie? Which microphones did you use? Greetings from Germany!
Stereo-pair AKG C214 . (Leslie cabinet 145 )
Would it be ok with you if I used this audio as background music for my videos if I link to this video onscreen at the end of the video?
It's okay .
@@hdww I’ll post a link here as soon as it gets done
Bravo! Sitting behind the Hammond, all that hardwood and motor oil, is nothing like a modern digital machine. It is a visceral experience, and you can see it in your countenance. No one will ever make a machine like that again, it would be so expensive to recreate the tone wheel system and the wiring, you are truly playing a piece of musical history that represents the best of man's (and women's, as many of the assemblers were gals....) design and fabrication efforts. Just one question- 60 hz machine with frequency shifter, or original 50 hz EU machine? Love it!
BTW- I think the B2 sounds the best. I've had B3s, RT-3s, A100s, CVs, C3s, but my late B2 (plastic wire and smooth draw bars) with a Trek percussion was the Bee's Knees.
It's a 1953 Hammond B2 imported from the US. With help of a frequency shifter made suitable for EU circomstances. I also changed the ratched drawbars to smooth drawbars and I changed the preamp AO-10 to a AO-28.
@ Richard Marshall
Love your comment. Very well put.
Applause for you.
So much has changed that so many took horribly for granted...now many people are desperate to save so much, as very well they should. Much will never be again.
Specific: Look from 3:03 - 3:17
The Leslie horn in the music track is - without doubt - running in fast mode.
But the horn in the Leslie on the video,
is running in slow speed.
If you want to make it look real - then make an efford in trying to make it look real.
Dear MM.
Thanks for your reaction. As you will understand, I've been using a backingtrack.
In this case a multitrack ("Karaokeversie.nl"). I 've custommized this backingtracks in Adobe Audition. In all of my video's in which I play the Hammond, the Hammond you hear is not the original Hammond of the backingtrack, but one played by myself on my Hammond and my Leslie (the one you see in the video). So the Hammond you hear in the video is real , not fake. Unfortenately it was for me technically impossible, to make a video of me playing the Hammond while recording the audio. So the Hammond part you see in the video is not what you hear in the video. The Hammond part you hear is made earlier.
@@hdww Dear Harm.
I am glad, that you respond to my comment to the video !
And I understand the reasons, that you have mentioned.
Maybe it is just me, who is too critical, but it disturbs me, to see the Leslie horn behind you, spinning, where it shouldn't spinn - and vice verca ;-)
You play a great Hammond, and makes a great cover of Time Is Tight - no doubt about that !
Keep up pulling the drawbars !
Best wishes,
MM
@@MikkiRover I also noticed this, but I assumed the disconnect between the heard and seen Leslie speed is to do with shooting the video with one camera twice, with different views. Further to his explanation, he is probably changing speed at different times in the sound recording and the video. There's more to doing this stuff than meets the eye!
The wonder is that the sound of one note on the Hammond sounds so rich and full (allowing even for the chord in the left hand).
You do very well but you can not improve on the perfection of the original. I admire your talent.
Hmmmmm.
The Leslie horn, don't spin, as it should do, while the speed is "fast" in the organ.
Take a good look at the hord, as you listen to the music.
This video is fake - sorry to say.
Well it could be fake, but there's no reason for it to be. The player seems like a genuine enthusiast. See the man's explanation to a similar comment, and mine, as below;
I also noticed this, but I assumed the disconnect between the heard and seen Leslie speed is to do with shooting the video with one camera twice, with different views. Further to his explanation, he is probably changing speed at different times in the sound recording and the video. There's more to doing this stuff than meets the eye!
Amsterdam Oost! smeltje xxx top . tijd.2021.
Sweet!