Wynton Kelly - Remember Piano Solo Transcription/Performance

My transcription of Wynton Kelly's piano solo on Remember from Hank Mobley's album Soul Station.
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[@paxwallacejazz]

The Db, Ab, and B major scales along the altered dominants here are so pianistic so under the fingers

[@darrenstrange2244]

Outstanding!!! :)

[@JesusFuentes1]

Thank you my friend!

[@edwardlaihad5338]

So good...

[@martin_brown]

Man you such a great pianist! Thanks for the transcription. Just one thing: I can see how you play the bass notes

[@JesusFuentes1]

Thank YOU! Glad you liked it - already working on a better angle for the upcoming transcriptions. Thanks for the feedback!

[@martinhunter7413]

Espectacular 👌

[@JesusFuentes1]

El maestro Wynton! Gracias por tu comentario 🙏🏼

[@juwonnnnn]

🔥

[@warrendoris9669]

Dude you are.killing on this! And the piano sounds super!😎

[@JesusFuentes1]

Thank you! Glad you enjoyed it 🙏🏼

[@warrendoris9669]

I just realized you were playing on top of the record! My man you pulled it off perfectly! 😎 😎

[@JesusFuentes1]

@@warrendoris9669 You are very kind! It's such a great solo in an even greater album

[@warrendoris9669]

@@JesusFuentes1 Wynton is one of my favourite players_ now i will have to go get that album.Super well done brother!👍

[@aresandreoni397]

che bomber!

[@Mildly_Unsuccessful_Individual]

Awesome stuff. Could you send me the pdf? Thanks in advance!

[@SergeForte]

Very good... Just one thing : after Gm7b5 and C7 it's a Fm chord and not a Db...
But congrats anyway...

[@JesusFuentes1]

Thanks for your comment, Serge! While I am aware the bass plays the note F at that moment, I decided to call the chord Dbmaj for some reasons. Let me know what you think!
First, In the head statement it's very clearly a Db. When soloing, the harmonic content of the LH at that moment is playing guide tones (3rds and 7ths) of each chord, Wynton plays C and F which points to a Db major 7th and not an F minor.
Last, the melodic content outlines more of a Db major, otherwise you would have to call it something like an Fm(b6).
I believe calling it an Fm just because the bass player plays the note F sort of undermines the way that chord is functioning, or rather labeling it Fm would be misleading and does not align with what I believe Wynton "meant"
Dbmaj7/F may have been a more accurate theoretical depiction, but perhaps not a musically practical one for the educational purpose I intended.
Anyways, thank you for watching Serge! It's always great to hear feedback from fellow jazz pianists.

[@mysticman07]

where can I get the pdf file

[@JesusFuentes1]

What's a good email?

[@mysticman07]

@@JesusFuentes1 [e-mail]