Everyone in the comments have said this, but I just have to say it again. The level of this interview is mind-blowing. In a world in which every media person trivializes everything, out of sheer ignorance of course, to see this in YT gives one hope for the future of humanity. Wow, thank you!
UA-cam is where the knowledge is nowadays. On TV & the radio (or anything controlled by mass media, the very people Rick calls out on this channel because he worked side by side with them in the 90's) all you'll find is sensationalism. Even car commercials hardly say anything about the product anymore, they sell a feeling not sell a car. (Look at car ad's & posters from the 50's-70's if you don't believe me, they list things about the engine that nowadays nobody understands except a mechanic.) The mainstream has been wayyyyyyyyyyyyy dumbed down. But fortunately, with platforms like UA-cam, the people who actually deserve to be heard are getting a chance to be heard and in rare cases, becoming pretty well-known over it. And on here, what gets you well known is connecting with people, it's as close to a true majority rule on media as it gets in this age. And guess what? Channels like this one, Veritasium, Smarter Every Day, 12 tone music, and Adam Neely's channel are all literally the biggest channels on here, and they're all heavy into deep music theory and stories/views on the music industry and music education industry you could NEVER see anywhere else. A lot of their subscribers aren't even musicians. Veritasium & Smarter Every Day are two of the best modern science shows I've seen, period. Check them out, you'lll have even more hope. Because the whole reason these channels are popular, is because people are requesting them and watching them. There ARE smart people out there ha ha
@@PawelLeszczynskipav Yes! Even the way he lifts his hands to play each passage...The body language seems to always be as fluid and as graceful as his playing...
Rick Beato continues to leave us as a legacy for posterity what by now is an encyclopedia of interviews of the best musicians of our time. We all should be grateful for this man.
This is the greatest conversation about musical elements and style that I've ever heard. At age 71 I can only wish that I could have been influenced by all the elements of this conversation when younger. I am a musician and continue to play gigs and work on concepts when I get up every morning. This conversation is a gift in that you have two people totally in tune with everything brought up in "casual conversation". Also- I learned way more about Brad that I never knew- and how he has intellectualized all of his influences and current improvisational tendencies. This is a five star musical conversation on anyone's level. Rick- your contribution to the world of music is immeasurable. I'm truly in awe of the depths of this conversation. I can't thank either of you enough for the inspiration you both have given me today. I will undoubtedly come back to this interview several times. Thank you- both! 👍👍👍👍👍
Is anyone else just about as impressed with Brad Mehldau's facility with the English language as with his prodigious artistry on the piano keys? I've taught Language Arts for years and his mastery/precision of verbal expression is off the charts! Just wonderful to listen to.
Not only do we hear facility with language (and, of course, music), Brad really cares about clearly stating his thoughts, thoughts involving a lot of abstraction that isn’t always easy to talk about. There’s kind of a communications ethic involved in Brad’s efforts to both communicate musically and verbally.
Brad was my neighbor growing up (elk dr. bedford, nh). he was astounding as a 4 year old. His dad was my eye doctor. Mel Sibulkin was my teacher as well.wonderful to see his success. congradulations from the Thalers!
Wait wait wait…Brad was MY neighbor growing up. And it was in Maryland, not New Hampshire! I remember his dad (the local dentist) and how Brad refused to play stand up or grand piano; he was exclusive to the keytar. Edgar Winter gave him Zoom lessons on keytar simultaneously to me getting sax lessons.
he moved from bedford, nh to ct. he evan mentions living in bedford and taking lessons from mr sibulkin (mel) in the interview... if you think iot is the same, name parents and siblings@@jeffgough
i was quite a bit older than he, but i remember he was just a little kid and couldn,t even reach the floor and was already playing bach and beethoven, but had an ear for jazz... it was apprent even then that he was going to be a virtuoso@@davidfleuchaus
You just leave this interview smarter and better as a person. As a public school Band teacher, I so appreciate Mr. Mehldau's explanation of how he approaches "practice", and his desire to become better as a person through it. He also has the most relaxing, inviting voice I've ever heard, lol! He somehow is able to come across as incredibly intelligent, without being pretentious, because making and discussing music doesn't seem to be about his ego.
We need someone to make a channel “What Makes This Interview Great”, because Rick is the best music interviewer of all time. As masterful as these artists are, and they *are* masterful, it’s the flow of the conversation that Rick provides that takes this to a whole another level. Seriously.
Be great if a broadcast channel could pick them up . Over here in the UK, BBC 2 or Chanel 4 . Luv UA-cam , broadcast would resonate with an older demographic?
And I think, as part of what you're saying, that Rick asks the musicians things that they wish someone would ask them, that they're waiting for someone to ask. You can sense that they light up when Rick asks them some detailed, insightful question about a nuance of what they played in a certain spot in their music. It's like they're thinking, "Wow, you noticed, and you correctly named what I did! YES!" ... I listen to Rick's interviews while I'm at work; in more ways than one, it's literally music to my ears. ;) Yes, pun intended... don't y'all roll your eyes at me. ;)
I think part of the chemistry is that musicians come into the interview with a certain amount of knowledge and respect for Rick as a teacher, musician and fan. This allows them to open up and relax and the interview comes across as two friends talking about great music.
How did I just go from having no idea Brad Mehldau was, to him being my favorite Artist & feeling in love with the piano; ... mixed, poured & set an hour and 1/2 later by Rick? Aetheric.
Rick’s depth is staggering. Whether it’s rock, metal, blues or jazz, his knowledge of the genre and the catalog is unreal. I don’t think there is anyone else who could pull off these interviews.
This is my favorite Rick Beato video EVER ! Two extremely talented, knowledgeable, experienced, & articulate musicians talking about what they care so deeply about.
@ I mean for all the shade Lars and Kirk get, they still are part of one the hugest acts of the last 40 years. Kirk knows a thing or two. They just don’t include a metronome.
Great show!!! Brad has taken up Keith’s mantle as jazz music’s most transportive, astounding and playful instrumentalist/improviser. Kudos to Beato for his impact on the medium by presenting long form, in depth dialogues with these icons of our times!
Rick… this was one of the deepest and most inspiring interviews you have ever done. As a guitarist who has an MFA in Jazz I so appreciate you allowing Brad to share such incredible insights connecting composers from Bach to Radiohead. So grateful to you for making interviews like this happen. ❤️🎸💪🏻
I just wrote a FB post saying that we have many supertalented musicians in Hungary (even if few of them reached global recognition) but simply nobody is capable to make an interview with them on this level...which is a great miss. This was terrific, I greatly enjoyed every minute of it.
This was cool! Thank you both! I drove Brad on a solo tour, and he was always listening to music on his computer. Once before a concert he asked me to play something that I was listening in the car while he was not there (I always kept the system switched off while he was riding). I've played something that was in the cd player and he asked me to play it again. Later, on one of the encores, he played that song. True story. He called me sir all the time. Probably didn't know my name...
Brad is a monster musician, much more than a jazz pianist. Rick is arguably the greatest music interviewer ever…I seriously can’t think of anyone else who can get into the technical with such depth while keeping it accessible. He manages to have a conversation while giving the guest so much freedom to speak. I really treasure this channel. Thank you Rick!
I can only think of one interviewer who comes close to approximating Rick's level of engagement as an interviewer and that would be Marion McPartland- although her focus was strictly jazz. .
Greats interviews. From Keith Jarrett to Brad Mehldau. Big educator, Rick Beato indicates the road to understand the great music of our time. Grande maestro. With much admiration and respect from Chile 🇨🇱
10 minutes in and I feel like I’ve received substantial revelation. Such generosity from Brad in this interview. Can’t tell you how grateful I am for your work, Rick. I’ve seen Brad several times in Seattle (mostly in my teens) and he has always humored me by answering questions and chatting with me. Very kind man. Brilliant improviser.
This became a masterclass immediately. I only recently got my first Brad Mehldau album. His way of talking is so warm as he's demonstrating his concepts. This feels so classic, like some old music show from 1980s PBS.
His style is definitely a result of studying classical music. Playing piano is like playing all orchestral instruments at the same time between 2 hands, 10 fingers, SATB, then applying it to any song, any style. So cool. What a foundation! Thank You for an inspiring interview.
Mehldau’s touch is out of this world. It allows him to really bring out the emotion of the tune, whether it’s the Beatles or Bach. And his recall of players and songs is astonishing. I bet he had not thought of McCoy’s “Passion Dance” in years but Rick mentioned it and he spit it out like he practiced right before the interview. Insane. My only quibble is that he doesn’t hear the subtlety in Bonham’s playing. He could be bombastic when it was called for, but he also played dynamically and simply. I honestly hear so many similarities between Elvin and Bonham. Brilliant interview, Rick. You are killing it. These musicians are so special to us mortals and they truly enjoy opening up and having a conversation with you. Thank you so much.
13:27 Once again Rick picking the giants to interview. Mehldau, in my humble opinion, is the single greatest, and most influential, pianist of our time. I think he's what Bill Evans would be listening to, if he were alive today. Here's my ameteurish take on Mehldau: His ability to dissect and recreate melodies and harmonies of classic songs is just amazing. And then become so dissonant (and anti melodic in a way) and somewhat intentionally clunky, if you, at times is such an incredible contrast to do his incredibly fluid and beautiful re-interpretation of the melodies. Tension and release, constantly. And subtle changes in timing, especially solo, but also with his trios. These among many, many other things I adore about his playing. It was so nice to hear him verbally express what he thinks and intends while playing. What a gift! Thank you Rick!!!
If there was any pianist that I would consider to be the successor of Keith Jarrett, it would be Brad Mehldau. In my opinion, he is the most important voice for the piano in the modern era. What a fantastic coup to get one of the best musicians in the world, brilliant interview. Keep up the good work 👏
I'm with you. I feel Fred Hersch deserves a shoutout too particularly when playing ballads in a solo setting Fred reaches similar heights to Keith and Brad imo.
I’m a guitarist and my favorite pianist is Brad Mehldau… I feel so inspired knowing that he takes some ideas from the guitar fretboard and open strings!
In his recently published book, he cites Wes Montgomery as not only a big influence but, according to him, his recordings are full of quotes from Wes solos.
His rendition of Blackbird is in my top five musical pieces of all time. It it so incredibly good, I can't describe it with words. And then he talks about it within the first five minutes!! So good.
Masterful: This is Rick's best interview -- Beato is the best interviewer. It myself be said that Brad is an exceptional interviewee: Open, Honest and egoless. He knowledge of, performance and exposition of music and how he relates all form music is incredible.
So great to see my college friend Brad (New School for Jazz/Contemporary Music, NYC) ascending to such spectacular heights! Thanks Rick and love you Brad!
My god - his reprise of the apex of jazz from Coltrane w Tyner to Shorter to Miles/Adderly. And Mehldau brings it to life, live, on cue. Led Zeppelin/Bonham vs. Elvin Jones - no one else gets this!! This is unbelievable. This should be a 10 part series.
Another monster interview with a monster musician/pianist!! Starting at age 4, Ive been playing everything from Classical piano, Sacred Choral music, Classical pipe organ, Black Gospel and Jazz. Now in my 83rd year, im still learning and hungry for more, like this musical feast. There are so many ways to view music, from an intellectuall assesment of modes, chords etc, as Brad and Rick can do, to the 'sound' only method used by monsters like Erroll Garner and Monty Alexander, who didn't read but knew as much Music using perfect pitch and other God-given abilities, to be among the best players. Im somewhere in the middle of these two extremes, I know barely enough music theory to follow along with Brad and Rick as they talked, but im able to remember and play an awesome amount of chords and progressions strictly by the sounds, without regard to whether they conform to the tenets of music theory, as long as they work. And yes, hes so right about the open string tones on the guitar - to my ears they make the best piano keys to play in, and the richest sounding chords. Thank you again for such an outstanding interview!!
What Brad says at 37:00 is so true. I play mainly classical piano, but (inspired by Rick) it has been a revelation to revisit my repertoire from a more jazz-like perspective, i.e. thinking more of the structure of the composition and the nature of the chords and harmonies rather than the specific notes--which I am sure is how the players of Mozart's day conceived it, which is why they were such great improvisers. The result is that I have found it so much easier to achieve the state Brad describes: the "intellectual component" is taking place in that "other tier" such that I can almost be an observer of my own playing. You can only imagine how much more expressively you can play when you are freed up to really listen to yourself.
This part of the interview really astounded me, too. The way music feels to me when I'm inside it, no barrier between me and it, like when dancing or singing or playing with other people. The flow.
@KeithRowley That was the most important topic of the interview to me as well. Topped off with the "and that's where I find God" that just slipped by. That could have been a major discussion. Those of us that are "addicted" to improvising...maybe we are with God at that point...and don't want to leave?
One of my heroes, and I'm a guitar player. I find it so very interesting that Brad is wanting to represent guitar instrumentation within his body of work as a pianist, when I've been trying to do the opposite for so long on the guitar, truly prodigious. Thank you so much for sharing this Rick 🙏🏽
Like Rick's other interviews, it's like I snuck in and hid while these two immensely knowledgeable musical geniuses sat at the piano for a chat, conversing with ease while exploring the most ingenious musical ideas. I don't want to move or hardly breathe for fear of interrupting this extraordinarily wonderful opportunity to listen and learn, to understand music in a way I could never do on my own. Thank you for these amazing interviews that exist nowhere else and thank you for being our teacher.
Adding one eulogistic commentary to the numerous others this video shall have (after Jarret's, Metheny's, etc): It's more than a masterpiece, it reaches pieces of the transcendance we feel when hearing Mehldau's, or Jarret's music. And it gives me fragments of understanding about "why" I came to their music, "why" it struck me. About "how" I found a continuation of the rock music I was listening to, being a teenager, in Jaco Pastorius, and then in Pat Metheny, and then in Keith Jarret, and so on. I had to listen again to "Paranoid Android" Live in Tokyo after that, and made to myself a rare observation : knowing how the music is "built", or "thought", just adds to it. It increases the pleasure, rather than removing any magic...
Like so many comments …this interview is the greatest I have watched…the combination of these 2 giants …Brad has and is redefining the language of Western Music…when it seemed we have run its length and breadth …with utter simplicity of triads and a seemless boundary of harmonic freedom to superimpose 2nds 4ths and whatever suits the ear and heart in a gentle easy to follow genius manner ….Thank you both of you for a couple of hours of bliss…
I went to college with Brad and we were in the big band together under Charles Tolliver. He was always a sweet cat, in spite of him being a creative monster! So glad to see him interviewed by Rick! (That’s now two of my college classmates you’ve had, including Kurt Rosenwinkel). Rick - you really should try to get Jon Brion, who Brad mentions, on the channel. He has an amazing story and is otherworldly talented. Thanks for everything you do!
I met Brad in 1991. He came to New Orleans to visit a friend of mine and the three of us hung out drinking re-heated coffee arguing about the validity of studying Jelly Roll Morton in the early 1990’s. Brad was having none of it. My friend forewarned me that this guy was going to be a very famous jazz pianist. They argued and I mostly listened. He has clearly grown enormously over the decades. So many insights here. I love how much he loves Radiohead.
Brad's version of Elliot Smith's "Independence Day" with Chris Thile nearly moves me to tears every time I listen to it, and I could listen to it on repeat. Probably my favorite cover of all time.
Congratulations, Rick, on a masterclass in music interviewing. I've never seen anyone who can make musicians happy to be there like you do. Musicians are usually looking at the door from the off, but they always enjoy their time with you and open up about the music.
Brad is my all time favorite pianist. I saw him live years ago in Shanghai with Joshua Redman. The piano that day is shamefully faulty but he made that hour amazing as always. I used to listen to that collab album over and over again, and cry out loud listening to Old West. This is a dream-come-true interview for me because finally Brad could talk so much into his musicality, techniques and specific inspirations with Rick as an knowing and understanding interviewer. The guitar open tuning explains a whole lot about his "timbre" and The Garden together with every tune in Finding Gabriel is like rain and fog fusing the world into it. Thank you so much, Rick.
It's incredible, when Brad Mehldau plays there is no pretense, fear, doubt or hesitation, everything that is not music is just gone. How do you develop such a focus? Well practice, sure, but what or how exactly???
One of the most in depth and technically intricate yet easy to follow interviews, I must say Rick, just like Dick Cavett interviewing Oscar Peterson. Really wonderful interview Rick, one for the ages. 💜💜💜
I thought of Dick Cavett interviewing Oscar Peterson, too... Rick was having a great time, and I think Mehldau was, too, but he's so calm and Buddha-like it's kinda hard to tell...
Just utterly fantastic. One of the best interviews ever. Especially Rick's "Brad, you're killing me that you don't play a little bit more there, because that was absolutely beautiful." Always love Rick's completely unhindered enthusiastic admiration. I think he is often speaking for many of us.
This may be your best interview Rick. The amount of musical ground covered is absolutely staggering. Also, Brad expresses his musical ideas with the aptitude we are used to hearing in his playing. Very insightful.
There you go, musicians and music fans, a complimentary master class with Brad Mehldau, packed with fascinating and useful ideas, concepts, examples, tips and stories, courtesy of Rick Beato. So valuable that it's worth downloading to one's hard drive in case the internet ever goes belly up 🎵
Thanks for this Rick. I was at Brad's solo performance last night in Santa Cruz. The depth of his harmonic and rhythmic resources puts him among the greatest musicians ever. He closed with Hey Joe which was stunning.
I saw Brad just a couple of weeks ago in Princeton. I greatly enjoyed his new compositions (Fourteen Reveries)... but his cover of Golden Slumbers was just a show-stopper. Really unbelievable. Anyone who has a chance to catch him in concert should definitely treat themselves. Many thanks Rick, you're the best!
Thank you Rick for this interview and for nudging him to play a bit more haha. I saw him in Toronto last week and he was incredible. He did like 5 encores and played everything from Jimi Hendrix to The Beatles.
First heard Mehldau on a live take of I'll Be Seeing You, around 2000, on the Jazz FM radio station in London, when they still had 'dinner Jazz' on weekday evenings, with lots of gorgeous solo, duo, trio and quartet tunes; ballads mainly. That live take wrecked my brain, particularly Brad's solo. Whoever this guy was, to me, he was nuts; those crazy note choices were something I hadn't really heard before; I first awoke to jazz in 93. Been a fan of Brad ever since that happenstance find back in 2000. Fell off my chair the other day when Rick said he was having Brad on. What a treat to see the magician demonstrate the ins and outs of his mind-bending music!
Brad's depth is phenomenal. Whatever (very interesting) questions Rick brings up, Brad puts his hands on the piano and starts perfectly playing to exemplifies the conversation.
I'm less than 20min in and hooked on this guy's ideas and expression. Rick asking great questions, Brad explaining and playing is amazing. We are so lucky this is free.
I don't understand half the stuff you guys are talking about, but I tickle with joy when I listen to him play. These are the things that make great music what it is. The training is one thing, but to be able to put your own soul into what you play is the mark of a true artist. Playing it like it's never been heard before.
Hey Rick, more than any of your other videos that I've watched, and I've watched many, you looked and acted like a kid in a candy store -- eyes agape, amazed by Brad's on-the-spot improvization and matter-of-fact technical, intellectual explanations. Requesting encore after encore of Brad's demonstrations. You couldn't get enough! Just simple, pure wonderment at Brad's creative genius and incredible talent that you were witnessing. There's a reason why all of the top artists want to be interviewed by you. You are a musician's musician!
(at 36:50) A beautiful definition of intuition as a kind of interlectual process without thinking. Thank you (both of you) for a beautiful and lyrical conversation!
This is such a treat for long time Mehldau fans! Although I'm not a jazz musician, as a choir singer, I learned so much from this conversation. ***A serious request for Rick: When are you going to interview John Williams, the classical guitarist? Just imagine how many guitar players across multiple generations all over the world will go nuts if you did! It'll mean so much to so many people.
Thank you Rick! Because of your work ppl now know who is Kirk Hammet, Chet Baker, Guthrie Govan, Brad Mehldau and such other amazing artists that deserve recognition! 🙏🌞🎶
You have done it again Rick! You sure know how to pick 'em! Brads musical style is genius and most beautiful indeed. I just ordered Jacobs Ladder and Finding Gabriel on CD-thanks to this video. Mark Guiliana on drums and Brad Mehldau together is a dream come true for me. I would probably snub anyone and everyone who tried to cover Tom Sawyer, however this version is a work of art. Mind officially blown here.
Geez Rick, your videos and education of music lovers just keeps getting better. I love music but I am sadly not a musician… however I love listening to this video. I may have to watch a few times but I am picking up a few things. Brad Mehldau is amazing. Played a video for my 12 year old son of Brad playing Blackbird on a Steinway Piano. My son, while waiting for the school bus said “this calms my brain… I love this”. How freaking cool is that?
Rick is a brilliant interviewer. Truly lets the guest speak and you can see how much he listens to the answers to follow up the conversation to get the most out of the guest. Thanks Rick! 👏🏻
Mehldau is one of my favs. Thanks for this interview! Favorite Brad Mehldau quote is on improv - “first you need to know everything, then you need to forget everything”
His interpretations of Hey Joe and Tom Sawyer are just otherworldly, there is such pure emotionality, and both depth and clarity at the same time - like a crystal clear mountain lake through which you can see very, very deep, but only because of its purity. 🥰He really is the greatest of his generation. Thank you Rick for making this possible!
I was listening first in a light way while doing some housekeeping things we have to do after work when we are away at the office all day long. And I had to stop what I was doing so as to listen with 100 % attention. For a while I thought I was someone who understands things in music. Rick Beato, you've got the power to make great people explain their art in a way anybody can understand and enjoy ! Thank you so much.
Fabulous interview. Brad made a record with Chris Thile a couple years ago. Just saying, as I tend to here, you need to have Chris on. He's recorded the Bach sonatas & partitas for violin on mandolin, and they're fabulous! You won't regret it, Rick!
I've been lucky enough to see Brad live a few times and I've never been as spellbound and immersed by a live performance as at his concerts. This interview is everything I could want from a Rick video...the chance to hear Brad unpack his thinking, and the level of consideration that sits behind his musical choices is just a joy.
Brad si exactly the guy I thought. A genius playing like a kid with sand except that is sand is diamond and gold. When I was playing with a Brasilian band around the world , is wife was always telling me “Brad was here to ear you guys” and I felt so blessed for that. This musician is one of the most inspired in jazz history. Thanks Rick for this moment out of this world. Thanks also cause you got so much talent to find the good questions. Just a request: if someday he’ll come back, I would love you make him speak about how he found a so natural and incredible connection with polyrhythms. Thanks forever.
Thank you, Rick, for getting Brad Mehldau to interview. He's one of my favourite musicians (I'm a guitar player) and I am so pleased that you got him for this interview. It is an absolute masterclass.
I feel like I have waited for this interview ever since I discovered Brad early in high school. These are many of the questions I have thought to annoy Brad with at the off chance I’d see him live, but that’s never the right time or place to even begin such a discussion. Thank you so much, Rick, for making accessible such a special, valuable conversation with this undeniable master.
Everyone in the comments have said this, but I just have to say it again. The level of this interview is mind-blowing. In a world in which every media person trivializes everything, out of sheer ignorance of course, to see this in YT gives one hope for the future of humanity. Wow, thank you!
🙏🏻🙏🏻🙏🏻
UA-cam is where the knowledge is nowadays. On TV & the radio (or anything controlled by mass media, the very people Rick calls out on this channel because he worked side by side with them in the 90's) all you'll find is sensationalism. Even car commercials hardly say anything about the product anymore, they sell a feeling not sell a car. (Look at car ad's & posters from the 50's-70's if you don't believe me, they list things about the engine that nowadays nobody understands except a mechanic.) The mainstream has been wayyyyyyyyyyyyy dumbed down. But fortunately, with platforms like UA-cam, the people who actually deserve to be heard are getting a chance to be heard and in rare cases, becoming pretty well-known over it. And on here, what gets you well known is connecting with people, it's as close to a true majority rule on media as it gets in this age. And guess what? Channels like this one, Veritasium, Smarter Every Day, 12 tone music, and Adam Neely's channel are all literally the biggest channels on here, and they're all heavy into deep music theory and stories/views on the music industry and music education industry you could NEVER see anywhere else. A lot of their subscribers aren't even musicians. Veritasium & Smarter Every Day are two of the best modern science shows I've seen, period. Check them out, you'lll have even more hope. Because the whole reason these channels are popular, is because people are requesting them and watching them. There ARE smart people out there ha ha
I know. Rick is great because he just talks music. He is a music lover and we can relate
@@denniskielton2447awesome I will check out those science ones
So well said and echoed!!!
Every time Brad tries to make a point by playing something on the piano and plays the most beautiful music you've ever heard for 3.5 seconds...
I know I just kept waiting for him to touch the piano. It's as if he turns the switch...... lush
@@PawelLeszczynskipav Yes! Even the way he lifts his hands to play each passage...The body language seems to always be as fluid and as graceful as his playing...
Literally
Summed up perfectly.
I want a Brad Mehldau jingle for every mood and situation I encounter in the future
Rick Beato continues to leave us as a legacy for posterity what by now is an encyclopedia of interviews of the best musicians of our time. We all should be grateful for this man.
...and we are!!
Grateful for YT as well, I know Rick is!
Hear hear 🎉🎉🎉
Agree !
Some of the best musicians: there are great musicians in every part of the world
This is the greatest conversation about musical elements and style that I've ever heard. At age 71 I can only wish that I could have been influenced by all the elements of this conversation when younger. I am a musician and continue to play gigs and work on concepts when I get up every morning. This conversation is a gift in that you have two people totally in tune with everything brought up in "casual conversation". Also- I learned way more about Brad that I never knew- and how he has intellectualized all of his influences and current improvisational tendencies. This is a five star musical conversation on anyone's level. Rick- your contribution to the world of music is immeasurable. I'm truly in awe of the depths of this conversation. I can't thank either of you enough for the inspiration you both have given me today. I will undoubtedly come back to this interview several times. Thank you- both! 👍👍👍👍👍
Amen.
Is anyone else just about as impressed with Brad Mehldau's facility with the English language as with his prodigious artistry on the piano keys? I've taught Language Arts for years and his mastery/precision of verbal expression is off the charts! Just wonderful to listen to.
Totally agree. I too noticed his expressive verbal capacity, not to mention his modesty.
@@equiknox14 Yes, the modesty. Nothing better than greatness mixed with humility.
Being used to him trying to speak in French in his concerts (appreciate the effort!), it’s nice to hear him express himself so eloquently.
Not only do we hear facility with language (and, of course, music), Brad really cares about clearly stating his thoughts, thoughts involving a lot of abstraction that isn’t always easy to talk about. There’s kind of a communications ethic involved in Brad’s efforts to both communicate musically and verbally.
We had a writing professor in college who used some of his liner notes from “places” as examples in an essay course
How refreshing it is to listen to a deep conversation between two wise people! It gives me hope that the world can be a good place to live.
Brad was my neighbor growing up (elk dr. bedford, nh). he was astounding as a 4 year old. His dad was my eye doctor. Mel Sibulkin was my teacher as well.wonderful to see his success. congradulations from the Thalers!
Tell us more! “Astounding as a 4 year old”??
@@davidfleuchausyes please 🙏🏻
Wait wait wait…Brad was MY neighbor growing up. And it was in Maryland, not New Hampshire! I remember his dad (the local dentist) and how Brad refused to play stand up or grand piano; he was exclusive to the keytar. Edgar Winter gave him Zoom lessons on keytar simultaneously to me getting sax lessons.
he moved from bedford, nh to ct. he evan mentions living in bedford and taking lessons from mr sibulkin (mel) in the interview... if you think iot is the same, name parents and siblings@@jeffgough
i was quite a bit older than he, but i remember he was just a little kid and couldn,t even reach the floor and was already playing bach and beethoven, but had an ear for jazz... it was apprent even then that he was going to be a virtuoso@@davidfleuchaus
You just leave this interview smarter and better as a person. As a public school Band teacher, I so appreciate Mr. Mehldau's explanation of how he approaches "practice", and his desire to become better as a person through it. He also has the most relaxing, inviting voice I've ever heard, lol! He somehow is able to come across as incredibly intelligent, without being pretentious, because making and discussing music doesn't seem to be about his ego.
We need someone to make a channel “What Makes This Interview Great”, because Rick is the best music interviewer of all time. As masterful as these artists are, and they *are* masterful, it’s the flow of the conversation that Rick provides that takes this to a whole another level. Seriously.
🙏🏻🙏🏻🙏🏻
Be great if a broadcast channel could pick them up . Over here in the UK, BBC 2 or Chanel 4 . Luv UA-cam , broadcast would resonate with an older demographic?
And I think, as part of what you're saying, that Rick asks the musicians things that they wish someone would ask them, that they're waiting for someone to ask. You can sense that they light up when Rick asks them some detailed, insightful question about a nuance of what they played in a certain spot in their music. It's like they're thinking, "Wow, you noticed, and you correctly named what I did! YES!" ... I listen to Rick's interviews while I'm at work; in more ways than one, it's literally music to my ears. ;) Yes, pun intended... don't y'all roll your eyes at me. ;)
I think part of the chemistry is that musicians come into the interview with a certain amount of knowledge and respect for Rick as a teacher, musician and fan. This allows them to open up and relax and the interview comes across as two friends talking about great music.
@@MattFicarra Most certainly!
How did I just go from having no idea Brad Mehldau was, to him being my favorite Artist & feeling in love with the piano; ... mixed, poured & set an hour and 1/2 later by Rick? Aetheric.
Rick’s depth is staggering. Whether it’s rock, metal, blues or jazz, his knowledge of the genre and the catalog is unreal. I don’t think there is anyone else who could pull off these interviews.
Add classical.
I hope he branches out more into country and hip-hop and even pop and more niche genre out of his wheel house.
This is my favorite Rick Beato video EVER ! Two extremely talented, knowledgeable, experienced, & articulate musicians talking about what they care so deeply about.
Wow! Rick keeps knocking it out of the park with the people he's interviewing.
Too long right now; I'll soon revisit.
Man, as soon as he locked up Sting, Metheny and Sco, i thought that he had the key to all the doors
except Kirk Hammet... that was futile... :)
@ I mean for all the shade Lars and Kirk get, they still are part of one the hugest acts of the last 40 years.
Kirk knows a thing or two. They just don’t include a metronome.
Great show!!! Brad has taken up Keith’s mantle as jazz music’s most transportive, astounding and playful instrumentalist/improviser. Kudos to Beato for his impact on the medium by presenting long form, in depth dialogues with these icons of our times!
watched it all - understood only half of it - enjoyed it twice as much.
this interview is an ode to music
Good way of putting it! 👍
Rick… this was one of the deepest and most inspiring interviews you have ever done. As a guitarist who has an MFA in Jazz I so appreciate you allowing Brad to share such incredible insights connecting composers from Bach to Radiohead. So grateful to you for making interviews like this happen. ❤️🎸💪🏻
I just wrote a FB post saying that we have many supertalented musicians in Hungary (even if few of them reached global recognition) but simply nobody is capable to make an interview with them on this level...which is a great miss. This was terrific, I greatly enjoyed every minute of it.
This was cool! Thank you both! I drove Brad on a solo tour, and he was always listening to music on his computer. Once before a concert he asked me to play something that I was listening in the car while he was not there (I always kept the system switched off while he was riding). I've played something that was in the cd player and he asked me to play it again. Later, on one of the encores, he played that song. True story. He called me sir all the time. Probably didn't know my name...
Cool story. Do you remember what the song was?
Brad is a monster musician, much more than a jazz pianist. Rick is arguably the greatest music interviewer ever…I seriously can’t think of anyone else who can get into the technical with such depth while keeping it accessible. He manages to have a conversation while giving the guest so much freedom to speak. I really treasure this channel. Thank you Rick!
I can only think of one interviewer who comes close to approximating Rick's level of engagement as an interviewer and that would be Marion McPartland- although her focus was strictly jazz. .
@@lucianfick2218 I love her interviews! I used to listen to them on WRTI in Philly late night on my way home from gigs. Great stuff!
Thank you Brad and Rick for coming together to make the best video on UA-cam.
Greats interviews. From Keith Jarrett to Brad Mehldau. Big educator, Rick Beato indicates the road to understand the great music of our time. Grande maestro. With much admiration and respect from Chile 🇨🇱
Indeed, now I would like to hear an interview with Andy Timmons.
grande!!
10 minutes in and I feel like I’ve received substantial revelation. Such generosity from Brad in this interview. Can’t tell you how grateful I am for your work, Rick.
I’ve seen Brad several times in Seattle (mostly in my teens) and he has always humored me by answering questions and chatting with me. Very kind man. Brilliant improviser.
This became a masterclass immediately. I only recently got my first Brad Mehldau album. His way of talking is so warm as he's demonstrating his concepts. This feels so classic, like some old music show from 1980s PBS.
you are lucky as you have a lot to enjoy exploring in his music 👍
if there is one Rick interview that I'd wish had a Part 2, it would be this one! I didn't want it to end! My favorite pianist!!!
Wow. Who else was smiling ear to ear and mesmerized 🙌❤️
Rick himself and still he had the perfect questions. 😃
His style is definitely a result of studying classical music. Playing piano is like playing all orchestral instruments at the same time between 2 hands, 10 fingers, SATB, then applying it to any song, any style. So cool. What a foundation! Thank You for an inspiring interview.
Mehldau’s touch is out of this world. It allows him to really bring out the emotion of the tune, whether it’s the Beatles or Bach. And his recall of players and songs is astonishing. I bet he had not thought of McCoy’s “Passion Dance” in years but Rick mentioned it and he spit it out like he practiced right before the interview. Insane. My only quibble is that he doesn’t hear the subtlety in Bonham’s playing. He could be bombastic when it was called for, but he also played dynamically and simply. I honestly hear so many similarities between Elvin and Bonham.
Brilliant interview, Rick. You are killing it. These musicians are so special to us mortals and they truly enjoy opening up and having a conversation with you. Thank you so much.
I think he has a point about the "wideness" of the quarter note or the tripolet of elvins drums
Over an hour and 20 minutes and never a dull moment. Rick is the best.
Brad’s playing is stunning and virtuosic. I’m lucky enough to have seen him live twice and would jump at the next chance I have to see him again
Fantastic conversation - I'd love to hear you interview Bill Frisell
Yes, Bill's the obvious next choice. Bill Frisell, please?
Yes!!
please -- and with his guitar in hand! (and effects pedals!)
@@robertwood2490 I agree ! Let's hope Rick see's these comments.
Scofield too would be very fun and illuminating.
13:27 Once again Rick picking the giants to interview. Mehldau, in my humble opinion, is the single greatest, and most influential, pianist of our time. I think he's what Bill Evans would be listening to, if he were alive today. Here's my ameteurish take on Mehldau: His ability to dissect and recreate melodies and harmonies of classic songs is just amazing. And then become so dissonant (and anti melodic in a way) and somewhat intentionally clunky, if you, at times is such an incredible contrast to do his incredibly fluid and beautiful re-interpretation of the melodies. Tension and release, constantly. And subtle changes in timing, especially solo, but also with his trios. These among many, many other things I adore about his playing. It was so nice to hear him verbally express what he thinks and intends while playing. What a gift! Thank you Rick!!!
I couldn't agree more. Well said❤
Yes he is. I saw him play solo a few months ago in a lost Paris suburb concert hall. It was stunning.
Brad Mehldau synthesizes so much of western music in the most incredible way. What a gift to our generation.
If there was any pianist that I would consider to be the successor of Keith Jarrett, it would be Brad Mehldau. In my opinion, he is the most important voice for the piano in the modern era. What a fantastic coup to get one of the best musicians in the world, brilliant interview. Keep up the good work 👏
I'm with you. I feel Fred Hersch deserves a shoutout too particularly when playing ballads in a solo setting Fred reaches similar heights to Keith and Brad imo.
@@JarrettMehldau I mean you could have said "look at my name" :) Anyway, I also agree!
These types of interviews are what musicians really want to see. Long and in depth. It's a gift to get such insight from these amazing musicians.
I’m a guitarist and my favorite pianist is Brad Mehldau… I feel so inspired knowing that he takes some ideas from the guitar fretboard and open strings!
In his recently published book, he cites Wes Montgomery as not only a big influence but, according to him, his recordings are full of quotes from Wes solos.
@@rosswhitaker9305 thank you so much for the suggestion! I will definitely buy it
His rendition of Blackbird is in my top five musical pieces of all time. It it so incredibly good, I can't describe it with words. And then he talks about it within the first five minutes!! So good.
I am embarrassed to admit I'd never heard of Brad. This is one of my favorite interviews of all (so far). I have a lot to listen to now!
He’s an otherworldly player, really
No need to be embarrassed! Just be grateful that you now know about him 🎶🎹
enjoy the discovery, the trip is gonna be long and crazy
Brad Mehldau is my favorite musician, and I am so excited for you that you have found him!! Enjoy!!
Masterful: This is Rick's best interview -- Beato is the best interviewer. It myself be said that Brad is an exceptional interviewee: Open, Honest and egoless. He knowledge of, performance and exposition of music and how he relates all form music is incredible.
Been a lifelong fan since 99, my son’s middle name is Mehldau. Thanks for the beautiful music, Brad.
So great to see my college friend Brad (New School for Jazz/Contemporary Music, NYC) ascending to such spectacular heights!
Thanks Rick and love you Brad!
My god - his reprise of the apex of jazz from Coltrane w Tyner to Shorter to Miles/Adderly. And Mehldau brings it to life, live, on cue. Led Zeppelin/Bonham vs. Elvin Jones - no one else gets this!! This is unbelievable. This should be a 10 part series.
Fascinating and wonderful interview, just great. Brad Mehldau is so articuate - as a player and as a speaker.
Loved this. As a pianist Brad Meldau has been a hero of mine and it is special to hear him talk about the secrets behind his magical playing.
Another monster interview with a monster musician/pianist!! Starting at age 4, Ive been playing everything from Classical piano, Sacred Choral music, Classical pipe organ, Black Gospel and Jazz. Now in my 83rd year, im still learning and hungry for more, like this musical feast. There are so many ways to view music, from an intellectuall assesment of modes, chords etc, as Brad and Rick can do, to the 'sound' only method used by monsters like Erroll Garner and Monty Alexander, who didn't read but knew as much Music using perfect pitch and other God-given abilities, to be among the best players. Im somewhere in the middle of these two extremes, I know barely enough music theory to follow along with Brad and Rick as they talked, but im able to remember and play an awesome amount of chords and progressions strictly by the sounds, without regard to whether they conform to the tenets of music theory, as long as they work. And yes, hes so right about the open string tones on the guitar - to my ears they make the best piano keys to play in, and the richest sounding chords. Thank you again for such an outstanding interview!!
If was a music teacher, I'd get all my students to listen to this. Talk about openness! Thank you both!
Ok you see greatness when you hear "I don't have so much technique".... Thankyou both Rick and Brad for having done this! ❤
What Brad says at 37:00 is so true. I play mainly classical piano, but (inspired by Rick) it has been a revelation to revisit my repertoire from a more jazz-like perspective, i.e. thinking more of the structure of the composition and the nature of the chords and harmonies rather than the specific notes--which I am sure is how the players of Mozart's day conceived it, which is why they were such great improvisers. The result is that I have found it so much easier to achieve the state Brad describes: the "intellectual component" is taking place in that "other tier" such that I can almost be an observer of my own playing. You can only imagine how much more expressively you can play when you are freed up to really listen to yourself.
This part of the interview really astounded me, too. The way music feels to me when I'm inside it, no barrier between me and it, like when dancing or singing or playing with other people. The flow.
@KeithRowley That was the most important topic of the interview to me as well. Topped off with the "and that's where I find God" that just slipped by. That could have been a major discussion.
Those of us that are "addicted" to improvising...maybe we are with God at that point...and don't want to leave?
One of my heroes, and I'm a guitar player. I find it so very interesting that Brad is wanting to represent guitar instrumentation within his body of work as a pianist, when I've been trying to do the opposite for so long on the guitar, truly prodigious. Thank you so much for sharing this Rick 🙏🏽
He’s mastered the piano language so it seems like the guitar thing is a new challenge
Like Rick's other interviews, it's like I snuck in and hid while these two immensely knowledgeable musical geniuses sat at the piano for a chat, conversing with ease while exploring the most ingenious musical ideas. I don't want to move or hardly breathe for fear of interrupting this extraordinarily wonderful opportunity to listen and learn, to understand music in a way I could never do on my own. Thank you for these amazing interviews that exist nowhere else and thank you for being our teacher.
Adding one eulogistic commentary to the numerous others this video shall have (after Jarret's, Metheny's, etc): It's more than a masterpiece, it reaches pieces of the transcendance we feel when hearing Mehldau's, or Jarret's music. And it gives me fragments of understanding about "why" I came to their music, "why" it struck me. About "how" I found a continuation of the rock music I was listening to, being a teenager, in Jaco Pastorius, and then in Pat Metheny, and then in Keith Jarret, and so on. I had to listen again to "Paranoid Android" Live in Tokyo after that, and made to myself a rare observation : knowing how the music is "built", or "thought", just adds to it. It increases the pleasure, rather than removing any magic...
Like so many comments …this interview is the greatest I have watched…the combination of these 2 giants …Brad has and is redefining the language of Western Music…when it seemed we have run its length and breadth …with utter simplicity of triads and a seemless boundary of harmonic freedom to superimpose 2nds 4ths and whatever suits the ear and heart in a gentle easy to follow genius manner ….Thank you both of you for a couple of hours of bliss…
I went to college with Brad and we were in the big band together under Charles Tolliver. He was always a sweet cat, in spite of him being a creative monster! So glad to see him interviewed by Rick! (That’s now two of my college classmates you’ve had, including Kurt Rosenwinkel).
Rick - you really should try to get Jon Brion, who Brad mentions, on the channel. He has an amazing story and is otherworldly talented. Thanks for everything you do!
well i kissed him ((how he paid for the drugs)) so i win. im a guy btw.
I met Brad in 1991. He came to New Orleans to visit a friend of mine and the three of us hung out drinking re-heated coffee arguing about the validity of studying Jelly Roll Morton in the early 1990’s. Brad was having none of it. My friend forewarned me that this guy was going to be a very famous jazz pianist. They argued and I mostly listened. He has clearly grown enormously over the decades. So many insights here. I love how much he loves Radiohead.
I'm only 10 minutes in and already totally in awe. What a wonderful musician!
Brad's version of Elliot Smith's "Independence Day" with Chris Thile nearly moves me to tears every time I listen to it, and I could listen to it on repeat. Probably my favorite cover of all time.
With this and his interview with Belà Fleck. I’d love for him to interview Chris.
Congratulations, Rick, on a masterclass in music interviewing. I've never seen anyone who can make musicians happy to be there like you do. Musicians are usually looking at the door from the off, but they always enjoy their time with you and open up about the music.
🙏🏻🙏🏻🙏🏻
Please Interview John Williams!
I’m so interested in his early
KILLIN Jazz piano years and how he ended up scoring all those movies.
We definitely need this
"Hey Joe" around 35:00 is stunning beyond belief.
Rick is making me discover musicians like no other. Thanks man.
Listening for the third time. I think this is my favorite of all your interviews.
Brad is my all time favorite pianist. I saw him live years ago in Shanghai with Joshua Redman. The piano that day is shamefully faulty but he made that hour amazing as always. I used to listen to that collab album over and over again, and cry out loud listening to Old West. This is a dream-come-true interview for me because finally Brad could talk so much into his musicality, techniques and specific inspirations with Rick as an knowing and understanding interviewer. The guitar open tuning explains a whole lot about his "timbre" and The Garden together with every tune in Finding Gabriel is like rain and fog fusing the world into it. Thank you so much, Rick.
It's incredible, when Brad Mehldau plays there is no pretense, fear, doubt or hesitation, everything that is not music is just gone. How do you develop such a focus? Well practice, sure, but what or how exactly???
One of the most in depth and technically intricate yet easy to follow interviews, I must say Rick, just like Dick Cavett interviewing Oscar Peterson. Really wonderful interview Rick, one for the ages. 💜💜💜
I thought of Dick Cavett interviewing Oscar Peterson, too... Rick was having a great time, and I think Mehldau was, too, but he's so calm and Buddha-like it's kinda hard to tell...
Just utterly fantastic. One of the best interviews ever. Especially Rick's "Brad, you're killing me that you don't play a little bit more there, because that was absolutely beautiful." Always love Rick's completely unhindered enthusiastic admiration. I think he is often speaking for many of us.
This may be your best interview Rick. The amount of musical ground covered is absolutely staggering. Also, Brad expresses his musical ideas with the aptitude we are used to hearing in his playing. Very insightful.
There you go, musicians and music fans, a complimentary master class with Brad Mehldau, packed with fascinating and useful ideas, concepts, examples, tips and stories, courtesy of Rick Beato. So valuable that it's worth downloading to one's hard drive in case the internet ever goes belly up 🎵
Thanks for this Rick. I was at Brad's solo performance last night in Santa Cruz. The depth of his harmonic and rhythmic resources puts him among the greatest musicians ever. He closed with Hey Joe which was stunning.
Brad is stunning. Nobody is doing what he does.
I saw Brad just a couple of weeks ago in Princeton. I greatly enjoyed his new compositions (Fourteen Reveries)... but his cover of Golden Slumbers was just a show-stopper. Really unbelievable. Anyone who has a chance to catch him in concert should definitely treat themselves. Many thanks Rick, you're the best!
I missed Brad and Joshua Redman when they were last in Sydney and I'm dying for them to come back
This great interview along with many others by Rick deserve a place in Library of Congress.🙏🏻
Thank you Rick for this interview and for nudging him to play a bit more haha. I saw him in Toronto last week and he was incredible. He did like 5 encores and played everything from Jimi Hendrix to The Beatles.
I dont even like jazz, but when he explains and plays the piano its totally amazing, great interview
I hope Keith is doing well and I'm sure he's enjoying watching this lovely interview!
His playing literally brought me to tears. I am SO GLAD you reminded us to watch this video. Thank you.
First heard Mehldau on a live take of I'll Be Seeing You, around 2000, on the Jazz FM radio station in London, when they still had 'dinner Jazz' on weekday evenings, with lots of gorgeous solo, duo, trio and quartet tunes; ballads mainly. That live take wrecked my brain, particularly Brad's solo. Whoever this guy was, to me, he was nuts; those crazy note choices were something I hadn't really heard before; I first awoke to jazz in 93.
Been a fan of Brad ever since that happenstance find back in 2000. Fell off my chair the other day when Rick said he was having Brad on. What a treat to see the magician demonstrate the ins and outs of his mind-bending music!
The later solos in that version by Brad are mind blowing!
Brad's depth is phenomenal. Whatever (very interesting) questions Rick brings up, Brad puts his hands on the piano and starts perfectly playing to exemplifies the conversation.
Once again, the best thing to watch in all the possible media.
I'm less than 20min in and hooked on this guy's ideas and expression. Rick asking great questions, Brad explaining and playing is amazing. We are so lucky this is free.
Finally! Was waiting for an in-depth interview with him. Mehldau is a true legend.
I don't understand half the stuff you guys are talking about, but I tickle with joy when I listen to him play. These are the things that make great music what it is. The training is one thing, but to be able to put your own soul into what you play is the mark of a true artist. Playing it like it's never been heard before.
Hey Rick, more than any of your other videos that I've watched, and I've watched many, you looked and acted like a kid in a candy store -- eyes agape, amazed by Brad's on-the-spot improvization and matter-of-fact technical, intellectual explanations. Requesting encore after encore of Brad's demonstrations. You couldn't get enough! Just simple, pure wonderment at Brad's creative genius and incredible talent that you were witnessing. There's a reason why all of the top artists want to be interviewed by you. You are a musician's musician!
(at 36:50) A beautiful definition of intuition as a kind of interlectual process without thinking. Thank you (both of you) for a beautiful and lyrical conversation!
I just checked Coltrane’s “Giant Steps” after Rick Beato hummed it and the pitch/key was exactly as Rick hummed it!
I see some people are really paying attention :)
This is such a treat for long time Mehldau fans! Although I'm not a jazz musician, as a choir singer, I learned so much from this conversation.
***A serious request for Rick: When are you going to interview John Williams, the classical guitarist? Just imagine how many guitar players across multiple generations all over the world will go nuts if you did! It'll mean so much to so many people.
Thank you Rick! Because of your work ppl now know who is Kirk Hammet, Chet Baker, Guthrie Govan, Brad Mehldau and such other amazing artists that deserve recognition! 🙏🌞🎶
You have done it again Rick! You sure know how to pick 'em! Brads musical style is genius and most beautiful indeed. I just ordered Jacobs Ladder and Finding Gabriel on CD-thanks to this video. Mark Guiliana on drums and Brad Mehldau together is a dream come true for me. I would probably snub anyone and everyone who tried to cover Tom Sawyer, however this version is a work of art. Mind officially blown here.
That was simply the best interview of this sort that I have ever heard. I’m so sad it had to come to an end.
Geez Rick, your videos and education of music lovers just keeps getting better.
I love music but I am sadly not a musician… however I love listening to this video. I may have to watch a few times but I am picking up a few things.
Brad Mehldau is amazing. Played a video for my 12 year old son of Brad playing Blackbird on a Steinway Piano. My son, while waiting for the school bus said “this calms my brain… I love this”. How freaking cool is that?
Rick is a brilliant interviewer. Truly lets the guest speak and you can see how much he listens to the answers to follow up the conversation to get the most out of the guest. Thanks Rick! 👏🏻
Thank you, Rick for making this happen and thank you Brad for all the creative output.
Mehldau is one of my favs. Thanks for this interview!
Favorite Brad Mehldau quote is on improv - “first you need to know everything, then you need to forget everything”
Next generation greatest jazz pianist is Tigran Hamasyan and I really hope he will be your guest one day
Who ever thought it would be this interesting to watch two musicians listen to music and then to discuss. I love these interviews.
His interpretations of Hey Joe and Tom Sawyer are just otherworldly, there is such pure emotionality, and both depth and clarity at the same time - like a crystal clear mountain lake through which you can see very, very deep, but only because of its purity. 🥰He really is the greatest of his generation. Thank you Rick for making this possible!
I was listening first in a light way while doing some housekeeping things we have to do after work when we are away at the office all day long. And I had to stop what I was doing so as to listen with 100 % attention. For a while I thought I was someone who understands things in music. Rick Beato, you've got the power to make great people explain their art in a way anybody can understand and enjoy ! Thank you so much.
Fabulous interview. Brad made a record with Chris Thile a couple years ago. Just saying, as I tend to here, you need to have Chris on. He's recorded the Bach sonatas & partitas for violin on mandolin, and they're fabulous! You won't regret it, Rick!
I've been lucky enough to see Brad live a few times and I've never been as spellbound and immersed by a live performance as at his concerts. This interview is everything I could want from a Rick video...the chance to hear Brad unpack his thinking, and the level of consideration that sits behind his musical choices is just a joy.
Brad si exactly the guy I thought. A genius playing like a kid with sand except that is sand is diamond and gold. When I was playing with a Brasilian band around the world , is wife was always telling me “Brad was here to ear you guys” and I felt so blessed for that. This musician is one of the most inspired in jazz history. Thanks Rick for this moment out of this world. Thanks also cause you got so much talent to find the good questions. Just a request: if someday he’ll come back, I would love you make him speak about how he found a so natural and incredible connection with polyrhythms. Thanks forever.
Thank you, Rick, for getting Brad Mehldau to interview. He's one of my favourite musicians (I'm a guitar player) and I am so pleased that you got him for this interview. It is an absolute masterclass.
I feel like I have waited for this interview ever since I discovered Brad early in high school. These are many of the questions I have thought to annoy Brad with at the off chance I’d see him live, but that’s never the right time or place to even begin such a discussion. Thank you so much, Rick, for making accessible such a special, valuable conversation with this undeniable master.
This is a masterclass, rather than interview😳 and it is free.
Thank you @rickbeato🙏🏾🙏🏾🙏🏾
This is the best interview I’ve ever seen. Even better than the Metheny interview, which is also great.
Brad Mehldau is by far the pianist who influenced me the most