Thank you for reviewing our T-Compress plug-in! 😊 Regarding the "attack" and "release" speeds, you still have control over them from the major compression amount knob. For instance, if you select the "fast" attack, it doesn't mean it's a static amount set at a certain value. It means as you go from 0 to 100% on the compression amount, along with the ratio, your attack setting will keep changing from slower to faster. This makes it variable so you can find the sweetspot somewhere between. (as you mentioned in the video, the medium speed.) So following that, if you select "slow" attack, as you push the compression knob your attack speed will keep decreasing. Same thing happens with the release, so if your release is set as "fast", it means as you push the amount of the compression using the major knob, your release speed keeps getting faster and faster. Therefore, if you have a "fast" attack selected and a "fast" release selected together, as you push the compression knob, your attack speed keeps getting faster, and your release speed also keeps getting faster. This method makes it easier for us to put our focus on hearing, rather than changing numbers on attack and release, and so decide better on setting up the compression on different sound sources. Again, thank you so much for your review! Please let me know if you have any questions! Cheers, Amin
@Techivation. Thanks for the explanation regarding the attack and release. I will pin your comment so others can see it easily. Keep up the good work with innovative plugins 👍🏾💯🎛
@Royal Invasion Productions TV. I'm not quite sure it models a specific kind of compressor as that was not mentioned anywhere on the manual, although some of the compressor styles and their kind of colour could be attributed to those vintage Compressors.
Hey, just a question? Is there a reason why you are recording your mic in stereo and only one side of a stereo channel at that? I'm just curious. Unless you have a specific mic setup or a mic that is capable of recording in stereo (Townsand Labs Sphere for example) wouldn't you want to record in mono? I'm genuinely curious, maybe you have a specific reason? In all my years doing this professionally tho I've never seen someone record on just one side of a stereo track like that. That's why I'm asking lol.
@Matthew Kutoloski, I'm actually recording my mic in mono as I'm using a different software for that. The signal you see inside Logic is not being recorded. If that was the vocal you would only hear it on one side of the speakers.
@@ZanyPro Well, that's not necessarily true, there are plenty of ways you could still get the audio to come out of both speakers, but that's beside the point. I was just curious, thanks for the answer.
Thank you for reviewing our T-Compress plug-in! 😊
Regarding the "attack" and "release" speeds, you still have control over them from the major compression amount knob. For instance, if you select the "fast" attack, it doesn't mean it's a static amount set at a certain value. It means as you go from 0 to 100% on the compression amount, along with the ratio, your attack setting will keep changing from slower to faster. This makes it variable so you can find the sweetspot somewhere between. (as you mentioned in the video, the medium speed.)
So following that, if you select "slow" attack, as you push the compression knob your attack speed will keep decreasing. Same thing happens with the release, so if your release is set as "fast", it means as you push the amount of the compression using the major knob, your release speed keeps getting faster and faster.
Therefore, if you have a "fast" attack selected and a "fast" release selected together, as you push the compression knob, your attack speed keeps getting faster, and your release speed also keeps getting faster.
This method makes it easier for us to put our focus on hearing, rather than changing numbers on attack and release, and so decide better on setting up the compression on different sound sources.
Again, thank you so much for your review! Please let me know if you have any questions!
Cheers,
Amin
@Techivation. Thanks for the explanation regarding the attack and release. I will pin your comment so others can see it easily. Keep up the good work with innovative plugins 👍🏾💯🎛
@@ZanyPro you’re most welcome 😊🙏
Aaah, I see. That makes sense!💯😁👍🏾
Is this modeled after other compressors?
Which would be 1176 and LA2A?
Is this modeled after other compressors?
Which would be 1176 and LA2A?
@Royal Invasion Productions TV. I'm not quite sure it models a specific kind of compressor as that was not mentioned anywhere on the manual, although some of the compressor styles and their kind of colour could be attributed to those vintage Compressors.
The sound of this compressor is miles ahead of UAD and ACUSTICA.
I did the shootout myself in the studio.
Hey, just a question? Is there a reason why you are recording your mic in stereo and only one side of a stereo channel at that? I'm just curious. Unless you have a specific mic setup or a mic that is capable of recording in stereo (Townsand Labs Sphere for example) wouldn't you want to record in mono? I'm genuinely curious, maybe you have a specific reason? In all my years doing this professionally tho I've never seen someone record on just one side of a stereo track like that. That's why I'm asking lol.
@Matthew Kutoloski, I'm actually recording my mic in mono as I'm using a different software for that. The signal you see inside Logic is not being recorded. If that was the vocal you would only hear it on one side of the speakers.
@@ZanyPro Well, that's not necessarily true, there are plenty of ways you could still get the audio to come out of both speakers, but that's beside the point. I was just curious, thanks for the answer.
BIG COMPANIES WAVES, UAD ETC Owns the hype