Julia Doyle hits it out of the park yet again. Singers take note- this is how Bach should be sung- beautifully nuanced,exquisite phrasing,intonation, agility and humility. Keep your huge wobbly voices for later repertoire. This is perfection.
Un exemple parfait du dynamisme de Bach, de son souffle, de la régularité de son rythme. Il s'en dégage une irrésistible impression de joie et de puissance.
16:20 Das Zusammenspiel zweier exorbitant guten Solistinnen, jede für sich eine Meisterin ihres Fachs, ergibt die perfekte Harmonie. Besser kann man diese Arie kaum interpretieren.
A marvellous and moving performance. I always feel a great satisfaction at the end of the performances of the Bach Stiftung especially when Herr Lutz graciously ensures that all the performers get the acknowledgement from the very appreciative audience.
That trumpet part is heavenly 😊...literally and figuratively. Overall the highest trumpet part in Bach's entire oeuvre, it ascends to the highest scale tone he ever wrote for the instrument (20th harmonic of the natural trumpet). Symbolically, the believer is escorted to heaven by a (trumpet wielding) guardian angel. This symbolism occurs elsewhere in Bach's cantata work (e.g. BWV 19), and we can perhaps speculate that it held a more personal meaning for Bach, given that his own father Ambrosius - whom Bach lost at only 10 years old - was a trumpeter himself. Interestingly, the trumpet part seems to have been added only for the re-performance of this Weimar work on Bach's first Easter in Leipzig (1724). Presumably because the exceptional Leipzig trumpeter Gottfried Reiche was able to perform this stunning part ("practically unplayable", as Rudolf Lutz calls it). One wonders if Reiche, some 20 years Bach's senior, might have reminded the latter of his late father.
After listening, one after another, Rudolf Lutz's Bach Cantatas, I come to the conclusion that his interpretations rank among the most satisfying. Balanced choice of tempi and phrasing, naturalness, simplicity and deep understanding and affection for Bach's music. Add to this a superb playing and singing by all the performers. The setting of the church and the layout of the orchestra, soloists and choir is also well thought. English subtitles are essential for non-German speakers. Thank you JS Bach Foundation for the exquisite gift.
A most beautiful and moving rendition, with a concise and deeply theological libretto! What a wonderful musical gift for the Holy Weekend! Many thanks!😊
¡Millones de gracias por este regalo de Semana Santa! No se imaginan cuánta alegría y emoción producen en nuestros corazones las cantatas de Bach. Como cristiano disfruto mucho de Bach hasta me hace llorar a veces. Los quiero mucho amigos suizos de Bachstiftung. Esta cantata es bellísima, las trompetas de Bach son de un sonido especial, siento que así debe de ser la majestad y humildad del Cielo. Se nota a leguas que Bach amaba mucho a Dios. Saludos desde Lima
hermano querido hago mia tus palabras, me sucede muy similar a lo que tu describes desde tu experiencia, gracias por compartir tu genuinaa experiencia, saludos cordiales desde argentina. y saludos a los miembros de esta comunidad. Bendiciones y Felices Pascuas
Gracias a los autores de los subtítulos que nos permiten disfrutar aun más de esta maravillosa Cantata. Aunque aun sin subtítulos todos podemos oir esas celestes risas al principio. Divino Bach.🎶🎵🙏
Muchísimas gracias por tu comentario, María Nieves. Acabamos de crear una nueva "playlist" con las intervenciones de Stephan McLeod subtituladas (ua-cam.com/play/PLk8lf2IHuDQk5JNJw56VmaAIj4ZvyonOD.html), con cinco cantatas, que serán 9 o 10 dentro de poco tiempo.
Felicidades, Bachstiftung!" Maravillosa interpretación (como todas, según mi parecer 😊) Desde Music&Text celebramos el estreno de esta cantata con los subtítulos incorporados por primera vez. Ya hay 80 cantatas con subtítulos sincromizados opcionales. Trabajamos para una mejor comprensión de la música cantada.
Cantata del Domingo de Pascua... A veces me pregunto si el "tempo" a la velocidad es así? Muy rápido... Lo bueno que hay varias interpretaciones para todos los gustos... Tengo la partitura y trato de seguirlo y me quedo atrás... Corren más qué San Pedro y San Juan al Sepulcro Vacío. Gracias.
A Bach le gustaba tocar muy rápido. En el barroco la velocidad era mayor que ahora. El canon original de Pachelbel es rapidísimo por ejemplo, me desespera el barroco lento. Saludos
Menschen suchen nach der Wahrheit ihr habt die Wahrheit liebes Briefe von Jesus 🙏🫂♥️🙏 Prüfen Prüfen Prüfen 🐑🐑🐑🐑 UA-cam SUPER 😆 Geschenk 🎁 von Gott,,, Gottes liebes Brief liebes Briefe von Jesus 🙏❤️🔥🦁
No wonder the harpsichord (?) player looked morose, having those trumpets blasting into his ears! [Folks, in case you're wondering, I'm being facetious.]
It's always seemed to me that here Bach tries to imagine what the laughter of a god would sound like... the problem being that such laughter should be absolutely terrifying!
@@rocketsroar1 Haha, okay, I see. . . . So how is "realistic" going for you? If the "real" world is a meaningless pit where this is no good and almighty Creator, everybody is going to die and there's no point, you must have a reeeeeealll fun time living in the "real world".
Julia Doyle hits it out of the park yet again. Singers take note- this is how Bach should be sung- beautifully nuanced,exquisite phrasing,intonation, agility and humility. Keep your huge wobbly voices for later repertoire. This is perfection.
Un exemple parfait du dynamisme de Bach, de son souffle, de la régularité de son rythme. Il s'en dégage une irrésistible impression de joie et de puissance.
Young people, smiling faces, good inspiration and a whole life ahead... Bach´s Music will never die. Thanks for this wonderful performance.
Danke dafür, dass Ihr wieder Großartiges geleistet habt. Ein wahres Gegengewicht zu der Zeit, in der wir gerade leben.
Amen!
@@roysmith8698 j
16:20 Das Zusammenspiel zweier exorbitant guten Solistinnen, jede für sich eine Meisterin ihres Fachs, ergibt die perfekte Harmonie. Besser kann man diese Arie kaum interpretieren.
That magical prolonged silence at the end, when you know that you have been privileged to hear something miraculous.
Danke für das Hochladen. Ich wünsche allen frohe Ostern. Der HERR Jesus Christus ist auferstanden.
Amen!
Dankeschön! Sie bringen die Werte von J.Sebastian Bach ganz nah.Jesus Christus segnet Sie und uns.😊❤
Magnifique accord entre trompettes et choeur en entrée de cette cantate.
All the trumpets and drums I could want - joyous and heavenly. - Thank you again Johann.
A marvellous and moving performance. I always feel a great satisfaction at the end of the performances of the Bach Stiftung especially when Herr Lutz graciously ensures that all the performers get the acknowledgement from the very appreciative audience.
Great performance. The trumpet descant in the chorale is so incredibly beautiful.
That trumpet part is heavenly 😊...literally and figuratively. Overall the highest trumpet part in Bach's entire oeuvre, it ascends to the highest scale tone he ever wrote for the instrument (20th harmonic of the natural trumpet). Symbolically, the believer is escorted to heaven by a (trumpet wielding) guardian angel. This symbolism occurs elsewhere in Bach's cantata work (e.g. BWV 19), and we can perhaps speculate that it held a more personal meaning for Bach, given that his own father Ambrosius - whom Bach lost at only 10 years old - was a trumpeter himself.
Interestingly, the trumpet part seems to have been added only for the re-performance of this Weimar work on Bach's first Easter in Leipzig (1724). Presumably because the exceptional Leipzig trumpeter Gottfried Reiche was able to perform this stunning part ("practically unplayable", as Rudolf Lutz calls it). One wonders if Reiche, some 20 years Bach's senior, might have reminded the latter of his late father.
Eine wunderbare Interpretation dieser zu Herzen gehenden Kantate! Tausend Dank! ❤❤❤
Herzlichen Dank!
Ein so außerordentliches Werk so hervorragend aufzuführen ist ganz große Kunst. Enthusiastischer Beifall und ganz herzlichen Dank!
Ganz besonders. ! Wunderschön! Florianopolis Brasilien.
sublime
wie immer ein Traum. Tausend Dank.
Dieu, quelle belle voix de Basse, je suis fan...
What a short but delightful aria for tenor... Bach is absolutely brilliant throughout...😁😁😁
After listening, one after another, Rudolf Lutz's Bach Cantatas, I come to the conclusion that his interpretations rank among the most satisfying. Balanced choice of tempi and phrasing, naturalness, simplicity and deep understanding and affection for Bach's music. Add to this a superb playing and singing by all the performers. The setting of the church and the layout of the orchestra, soloists and choir is also well thought. English subtitles are essential for non-German speakers. Thank you JS Bach Foundation for the exquisite gift.
emocionante interpretacion, Gracias por compartir esta hermosisima cantata. saludos a los que participan
Danke für diese wunderbare Aufführung, und auch für die zugehörige Einführung!
A most beautiful and moving rendition, with a concise and deeply theological libretto! What a wonderful musical gift for the Holy Weekend! Many thanks!😊
That final choral-such fine, beautiful words, full of tenderness on the part of Jesus. Well, well done.
What a beautiful comment. We thank you.
¡Millones de gracias por este regalo de Semana Santa! No se imaginan cuánta alegría y emoción producen en nuestros corazones las cantatas de Bach. Como cristiano disfruto mucho de Bach hasta me hace llorar a veces. Los quiero mucho amigos suizos de Bachstiftung. Esta cantata es bellísima, las trompetas de Bach son de un sonido especial, siento que así debe de ser la majestad y humildad del Cielo. Se nota a leguas que Bach amaba mucho a Dios. Saludos desde Lima
hermano querido hago mia tus palabras, me sucede muy similar a lo que tu describes desde tu experiencia, gracias por compartir tu genuinaa experiencia, saludos cordiales desde argentina. y saludos a los miembros de esta comunidad. Bendiciones y Felices Pascuas
Magnific interpretation!
Outstanding!! Greetings from Brazil
A superb performance which brings rears to my eyes.
tears
Gracias a los autores de los subtítulos que nos permiten disfrutar aun más de esta maravillosa Cantata. Aunque aun sin subtítulos todos podemos oir esas celestes risas al principio. Divino Bach.🎶🎵🙏
Muchísimas gracias por tu comentario, María Nieves. Acabamos de crear una nueva "playlist" con las intervenciones de Stephan McLeod subtituladas (ua-cam.com/play/PLk8lf2IHuDQk5JNJw56VmaAIj4ZvyonOD.html), con cinco cantatas, que serán 9 o 10 dentro de poco tiempo.
Wonderful, grossartig. My favorite choir ensemble.
Wonderful and many, many thanks.
I love so much when herr Lutz, at 14.47, warns to first violin... Wonderful...🥰🥰🥰
The Arie Bass may be the greatest piece ever written I mean that
It is beautiful isn't it?
Himmlisch ❤
Felicidades, Bachstiftung!" Maravillosa interpretación (como todas, según mi parecer 😊)
Desde Music&Text celebramos el estreno de esta cantata con los subtítulos incorporados por primera vez. Ya hay 80 cantatas con subtítulos sincromizados opcionales. Trabajamos para una mejor comprensión de la música cantada.
Grandioso
The sweet pathos of that chorale is heartbreaking, yet uplifting.
Una meraviglia
Genial
Herrlich!
what can i say, exact, beauty, .... listen and look at the eyes! JJ
Gerçekten çok güzel bir performanstı, herkese çok teşekkürler, mutlu Paskalyalar! 💐💐💐
Maravilhosa interpretação! Obrigado! Abraços de Maceió, Brasil! Ouço vcs todos os dias!
What can one say but brilliant & gorgeous, as always! Bravo/brava Maestro Lutz & your amazing ensemble!!! Thank you!
❤Grazie❤Maestro❤LUTZ❤E ORCHESTRA❤❤❤❤❤❤
Ganz große Klasse!!Großartige Leistung!! Liebe Grüße nach St.Gallen!!
Amazing music
Hermosas sus interpretaciones, llena de humanidad y espiritualidad cristiana, gloria a Dios!
Julie Doyle may have had her best performance Aria ever and the wind player what an almost perfect accompaniment But Julie you really Rock
Wonderful ❤
Thank you.
Très belles voux pour cette cantate dont l'interpretation est majestueuse
Wunderschön 👏👏
Blumenau Santa Catarina Brasil 🇧🇷
Noble; sublime
Sublime!!!
I have one word. Hoomeyow!!
Cantata del Domingo de Pascua... A veces me pregunto si el "tempo" a la velocidad es así? Muy rápido... Lo bueno que hay varias interpretaciones para todos los gustos... Tengo la partitura y trato de seguirlo y me quedo atrás... Corren más qué San Pedro y San Juan al Sepulcro Vacío. Gracias.
A Bach le gustaba tocar muy rápido. En el barroco la velocidad era mayor que ahora. El canon original de Pachelbel es rapidísimo por ejemplo, me desespera el barroco lento. Saludos
Besonders hervorheben möchte ich noch die ausgezeichnete Textverständlichkeit des Tenorsängers! Das ist in dieser Weise (leider) sehr selten!
Menschen suchen nach der Wahrheit ihr habt die Wahrheit liebes Briefe von Jesus 🙏🫂♥️🙏 Prüfen Prüfen Prüfen 🐑🐑🐑🐑 UA-cam SUPER 😆 Geschenk 🎁 von Gott,,, Gottes liebes Brief liebes Briefe von Jesus 🙏❤️🔥🦁
No wonder the harpsichord (?) player looked morose, having those trumpets blasting into his ears!
[Folks, in case you're wondering, I'm being facetious.]
Everyone gels
It's always seemed to me that here Bach tries to imagine what the laughter of a god would sound like... the problem being that such laughter should be absolutely terrifying!
Bach's God is a joyful, dancing god, full of understanding and forgiveness. I'm almost tempted into belief!
Repent of your sins and believe in Jesus Christ, on whose shoulders God has put dominion of the world.
Not "a god" with lowercase G.
@@ifyouloveChristyouwillobeyhim Believeng in imaginary things is dangerous to one's sanity.
@@rocketsroar1 Haha, okay, I see. . . . So how is "realistic" going for you? If the "real" world is a meaningless pit where this is no good and almighty Creator, everybody is going to die and there's no point, you must have a reeeeeealll fun time living in the "real world".
Nagasch. Ensemble