Hell of an assumption. I don't wear headphones, I use a stereo speaker set. Tested and confirmed twice, both then and now, that both sides work. If my head is in a particular spot between the two speakers, not quite but close to equidistant, 13 fades into the background of the mix in a really cool way.
@@bluelotussparkleflowerwarr3176The voice sample is from Rhythm is the Master by Dr. Chuck Chillout and Kool Chip. ua-cam.com/video/EDRcpbvXR3o/v-deo.htmlsi=nrkybz4ri5D0GiAG In the video link, the voice sample is at 1:08
THE BEAT KICKS AND I START ROCKING
This whole piece gives DMC3 Dante energy
My brain seems to tune out 13's existence entirely in the full mix
Did you have only one headphone in?😊
Hell of an assumption. I don't wear headphones, I use a stereo speaker set. Tested and confirmed twice, both then and now, that both sides work. If my head is in a particular spot between the two speakers, not quite but close to equidistant, 13 fades into the background of the mix in a really cool way.
you gotta have respect the devs/composers for making this on the DS...
Probably Hideki naganuma taught sampling manipulation techniques to tomoya othani, probably that why this sounds só good
Yo,them lyrics Spittin'!
SCRATCH DA BEAT-
I always hear "taste the beat" or "taste the kraken" lol
Yes a boss battle u might do the metal scratchin too
beef case
It would be awesome if you could deconstruct Fighting Layer
I still dont understand the lyrics lol
I think it consists mostly of
“BEAT KICKS THE BEAT, I START ROCKIN!”
Even with this oscilloscope deconstruction, I keep hearing that damn f word. Why did they mix it that way, :D
It says "Beat kicks the beat, start rocking"
The beats , beats kick, I start rockin
Origins lyrics from "hi flyers - the beats kicks"
ua-cam.com/video/s-7u63EEvBY/v-deo.htmlsi=FGe9HJ5hLbtZW33B
@@bluelotussparkleflowerwarr3176The voice sample is from Rhythm is the Master by Dr. Chuck Chillout and Kool Chip.
ua-cam.com/video/EDRcpbvXR3o/v-deo.htmlsi=nrkybz4ri5D0GiAG
In the video link, the voice sample is at 1:08