This aria is an absolute killer, only sung properly by Callas and her. She nails it perfectly, with head wind, on an outdoors arena, no amplification, live...what a diva.
La más grande!!!!! Descansa en la paz de Dios queridisima e insuperable Montserrat. Tu nombre quedará escrito en letras de oro en el mundo de la ópera. Viendo este video, vemos que la Superba tenía algo de diosa.
Ese momento en el que hasta la naturaleza se alinea. Ese milagro que sólo ocurre una vez cada cien años. Sólo La Caballé. Gracias por este video, querido Valkirio.
De hecho eso creia, pero escuchen bien y Caballe canta en un tono arriba la ópera completa, incluso hace cantar a carreras y a ramey mas alto en anna bolena da un perfect Mib o E flat como lo quieran llamar y traten de conseguir el aria de la locura con Caballe la canta desde el principio un tercera aumentada arriba es impresionante
You msut watch Montserrat's Orange Casta Diva. It is legendary and beter than Callas. BUT both of these women are legends and two of the best sopranos of all time- they are both priceless. BTW Norma is a dramatic Bel Canto role. Caballe and Callas are bel canto singers.
@@crazyorganist1609, oh my, stop it. Callas, being a true artist and a _virtuoso_ singer, was also a histrionic actress, her voice was ugly and unsteady and developped a horrible wobble from the early 50's. You only have to listen to the Orange's _Casta diva_ with your ears and not with your prejudices.
The wind may have interfered with her at this point and annoyed her a bit, but she never lost concentration for a moment and in the end she overcame everything. It was a beautiful singing and a beautiful recording. For all time.
Ah! bello a me ritorna (Ah! Return to me beautiful Del fido amor primiero; In your first true love ; E contro il mondo intiero... I’ll protect you Difesa a te sarò. Against the entire world. Ah! bello a me ritorna Ah! Return to me beautiful Del raggio tuo sereno; With your serene ray; E vita nel tuo seno, I’ll have life, sky E patria e cielo avrò. And homeland in your heart. Ah, riedi ancora qual eri allora, Ah, return again as you were then, Quando il cor ti diedi allora, When I gave you my heart then, Ah, riedi a me.) Ah, come back to me.)
in fact Caballe listen her very and l mean very well sings Lucia more higher sorry for my bad english, by the way in Ana Bolena Caballe hit a E flat trust me she can hit top notes like E FLAT and even E natural
Totalmente cierto, pero no es posible discutir con personas que solo aceptan como ejemplos a Callas Y Tebaldi, cuando Callas hizo una carrera cortísima, con muchos pésimos ejemplos de como cuidar una voz, y con decenas de grabaciones de dudosa calidad y un vibrato tan plano que daba pena en sus finales. De Tebaldi ni hablar. Hasta su Traviata está grabada un semitono más bajo. Caballé no fue perfecta, pero en muchos roles era mucho mejor escucharla a ella que a las dos diosas intocables. Es cierto que, actuando no era una maravilla, pero tampoco lo era la Tebaldi que exageraba demasiado (ver y escuchar su Tosca produce hasta risa) En fin, dejémosla descansar en paz hoy que ha muerto. Ella pasará al Olimpo de la ópera. Nosotros solo podemos recordarle.
@BeauTenor She did not have them. She never sang them anywhere and was quite apologetic about her career in the bel canto rep.. wihthout an upper extension.
@BeauTenor You know ... having an extension above high C menas easy High C's D flats, D's and E flats, and an occasional E natural.. Caballe's voice did not sound easy up to a High C for long, then it just sounded like screaming and her occasional excursions above High C were just that ... YELLS She should not have had a big career in Bel canto because she was LOUSY at it.
This aria is an absolute killer, only sung properly by Callas and her. She nails it perfectly, with head wind, on an outdoors arena, no amplification, live...what a diva.
Ce corps-à-corps avec le Mistral rend encore plus irréelle la beauté immaculée du chant. Un moment de l'Histoire et de l'interprétation!
Bravo Bravissimo Montserrat!! Now you sing in heaven!!!Thank you very much for everything!!❤❤❤❤❤❤❤❤❤❤
Brava Caballe! No one can touch you!
Sutherland comes to mind
She was awful in this aria.@@crazyorganist1609
It's true. Thanks for all your comments! And buy the DVD. The whole performance is great and Jon Vickers is a glorious Pollione for Caballé.
Nadie como ella; no sólo por su voz, también por su personalidad y carisma.
the one and only #montseratcaballe
La más grande!!!!! Descansa en la paz de Dios queridisima e insuperable Montserrat. Tu nombre quedará escrito en letras de oro en el mundo de la ópera. Viendo este video, vemos que la Superba tenía algo de diosa.
Divina y misteriosa. Celestial. Eterna Paz a esta Diva. Gloria de España y el género humano.
@@wilzouk4455 great comment! Thank you, Sir!
Ese momento en el que hasta la naturaleza se alinea. Ese milagro que sólo ocurre una vez cada cien años. Sólo La Caballé. Gracias por este video, querido Valkirio.
Cuando el viento hace que te veas más Diva de lo que ya eres jajaaja
@@raymundorivas9536 Más de acuerdo con tu comentario, imposible. ;)
Brava Diva!!
De hecho eso creia, pero escuchen bien y Caballe canta en un tono arriba la ópera completa, incluso hace cantar a carreras y a ramey mas alto en anna bolena da un perfect Mib o E flat como lo quieran llamar y traten de conseguir el aria de la locura con Caballe la canta desde el principio un tercera aumentada arriba es impresionante
Bello in costume.
You msut watch Montserrat's Orange Casta Diva. It is legendary and beter than Callas. BUT both of these women are legends and two of the best sopranos of all time- they are both priceless. BTW Norma is a dramatic Bel Canto role. Caballe and Callas are bel canto singers.
No one is better than Callas's Casta diva. The depth of emotion Callas had is unparalleled
This is Orange.! Cant you see the results the mistral winds?!
@@crazyorganist1609, oh my, stop it. Callas, being a true artist and a _virtuoso_ singer, was also a histrionic actress, her voice was ugly and unsteady and developped a horrible wobble from the early 50's.
You only have to listen to the Orange's _Casta diva_ with your ears and not with your prejudices.
SERÁS ETERNA! SE TE EXTRAÑA....Y CUANTO!
HI , I thoroughly enjoyed listening to Caballé as Norma,.WHERE can I order this DVD?
Thank you!
The wind may have interfered with her at this point and annoyed her a bit, but she never lost concentration for a moment and in the end she overcame everything. It was a beautiful singing and a beautiful recording. For all time.
Ah! bello a me ritorna (Ah! Return to me beautiful
Del fido amor primiero; In your first true love ;
E contro il mondo intiero... I’ll protect you
Difesa a te sarò. Against the entire world.
Ah! bello a me ritorna Ah! Return to me beautiful
Del raggio tuo sereno; With your serene ray;
E vita nel tuo seno, I’ll have life, sky
E patria e cielo avrò. And homeland in your heart.
Ah, riedi ancora qual eri allora, Ah, return again as you were then,
Quando il cor ti diedi allora, When I gave you my heart then,
Ah, riedi a me.) Ah, come back to me.)
in fact Caballe listen her very and l mean very well sings Lucia more higher sorry for my bad english, by the way in Ana Bolena Caballe hit a E flat trust me she can hit top notes like E FLAT and even E natural
Totalmente cierto, pero no es posible discutir con personas que solo aceptan como ejemplos a Callas Y Tebaldi, cuando Callas hizo una carrera cortísima, con muchos pésimos ejemplos de como cuidar una voz, y con decenas de grabaciones de dudosa calidad y un vibrato tan plano que daba pena en sus finales. De Tebaldi ni hablar. Hasta su Traviata está grabada un semitono más bajo.
Caballé no fue perfecta, pero en muchos roles era mucho mejor escucharla a ella que a las dos diosas intocables.
Es cierto que, actuando no era una maravilla, pero tampoco lo era la Tebaldi que exageraba demasiado (ver y escuchar su Tosca produce hasta risa)
En fin, dejémosla descansar en paz hoy que ha muerto. Ella pasará al Olimpo de la ópera. Nosotros solo podemos recordarle.
only D
Che dire....
No idea!!! Maybe someone can answer...
@zurriuss she never sang an e flat in public or on a recording.. I dont; think she was comfortable with it..
@BeauTenor She did not have them. She never sang them anywhere and was quite apologetic about her career in the bel canto rep.. wihthout an upper extension.
@BeauTenor You know ... having an extension above high C menas easy High C's D flats, D's and E flats, and an occasional E natural.. Caballe's voice did not sound easy up to a High C for long, then it just sounded like screaming and her occasional excursions above High C were just that ... YELLS She should not have had a big career in Bel canto because she was LOUSY at it.
You must be deaf.
I completely agree with you
Bel canto is about much more than notes above high C. Simply put, it's beautiful singing!
So Caballé's strained top means she was LOUSY in bel canto? I mean.. honestly
Вы ничего не понимаете в бельканто ни в гениальном голосе Монтсеррат!!!