Nīrajākshi Kāmākshi - Hindóla - MS Dikshitar - Balamuralikrishna - Live 1978 - Track 5/12
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- Опубліковано 4 лип 2017
- 5. Nīrajākshi Kāmākshi - Hindóla - Rūpakam - Muthuswamy Dikshitar
Here is something that Balamurali does, time and time again. He takes something that is already beautiful and elevates it to the sublime. Listen to his alapanai in Hindolam . What a wondrous and magical journey he takes you on, through unexplored bylanes and passages of this ragam, touching familiar ground now and again before wandering off again into enchanted new worlds. Annavarupu Ramaswamy’s alapanai takes you to more realms of beauty. And then - the kriti! Word by word, musical phrase by phrase, slowly, leisurely, gently, he unveils the beauty and attributes of the Lotus-Eyed, cloud-dark tressed Kamakshi, goddess of three cities, granter of boons and safekeeper of the truth. This is a musical opus that is a match for the magnificence of the great Goddess.
The Swara Kalpana section is pure pleasure, vintage BMK. The first swara is an unhurried, simple S G M D Ni-rajakshi. It is non-gimmicky, completely natural, and only BMK can pull this off. The fast section full of his musical jokes, flawlessly executed. But he is not done. He has a fresh supply of beauty and thrills in store for us. He returns to the slow speed and further explores the raga, picking up the pace again, alternating with the violin and mridangam. Note how sensitively Umayalpuram Sivaram provides the accompaniment, perfectly echoing BMK’s light touch.
Please see a detailed narration of the concert under track 1 /12
~` ~ ` ~` ~ `~` ~ ` ~` ~ `~` ~ ` ~` ~ `~` ~ ` ~` ~ `
Kalānidhi Concert of Dr. M Balamuralikrishna
Madras Music Academy - 23 Dec 1978
Accompanying artistes:
Violin : Sri. Annavarapu Ramaswamy
Mridangam : Sri. Umayalapuram Shivaraman
హిందొల రాగం ఎన్నో వ్యాధులను నయం చేస్తుందని విన్నాను.అది పూజ్యులైన బాలమురళీకృష్ణ గారి గళంలో ఇంత అమృత తుల్యంగా ఉంటుందని ఇప్పుడే తెలిసింది,
నమో నమః
MBMK is a GIANT. Giant having such a control and skill is mot surprising.
BUT when such a giant is challenging, the violinist standing to MBMK's rigor (31:50 onwards) is really SUPERB.
Same is EXACTLY true with the mrudangam artist. Super, simply super.
Both violinist and mrudangam artists are SUPERB -- 11 on a scale of 10.
Withstanding to a giant like MBMK is simply BEYOND description.
Words fail to describe. The only person to sing this krithis exactly as it is notated in sangeetha sampradaya pradarshini.
Excellent sir
Hats off. No comments at all. Only those who are above mbmk can comment. Is there anybody at present. It is doubtful.
ನೀರಜಾಕ್ಷಿ ಕಾಮಾಕ್ಷಿ - ರಾಗಂ ಹಿಂದೋಳಮ್ - ತಾಳಂ ರೂಪಕಮ್
ಪಲ್ಲವಿ
ನೀರಜಾಕ್ಷಿ ಕಾಮಾಕ್ಷಿ ನೀರದ ಚಿಕುರೇ ತ್ರಿಪುರೇ
ಅನುಪಲ್ಲವಿ
ಶಾರದಾ ರಮಾ ನಯನೇ ಸಾರಸ ಚಂದ್ರಾನನೇ
(ಮಧ್ಯಮ ಕಾಲ ಸಾಹಿತ್ಯಮ್)
ವಾರಿಜ ಪಾದೇ ವರದೇ ತಾರಯ ಮಾಂ ತತ್ವ ಪದೇ
ಚರಣಮ್
ಗೌರೀ ಹಿಂದೋಳ ದ್ಯುತಿ ಹೀರ ಮಣಿ-ಮಯಾಭರಣೇ
ಶೌರಿ ವಿರಿಂಚಿ ವಿನುತ ಶಿವ ಶಕ್ತಿ-ಮಯ ನವಾವರಣೇ
(ಮಧ್ಯಮ ಕಾಲ ಸಾಹಿತ್ಯಮ್)
ನಾರೀಮಣ್ಯಾದ್ಯರ್ಚಿತ ನವ ನಾಥಾಂತಃಕರಣೇ
ಸೂರಿ ಜನ ಸಂಸೇವಿತ ಸುಂದರ ಗುರು ಗುಹ ಕರಣೇ
variations -
ನಾಥಾಂತಃಕರಣೇ - ನಾದಾಂತಃಕರಣೇ (ನಾದಾಂತಃಕರಣೇ - seems to be error)
Can some kind person translate it into Telugu?
No singer other than balamurali can sing like this....hats off to this great singer
Great from legendary Sangeetha kalanidhi Balamurali Krishna, unforgettable ❤
Thank you so much Shrinivas murphy ji... not only for this precious upload but also for the way in which you hv appreciated this performance. .stage by stage of the concert..he had divine gift ...voice n knowledge. .miss him all the more..
This hindola raga took me to an other world of satisfaction and happiness. My pranamam 🙏🙏 to Music legend Dr.Balmurli ji.
The great master was at his best....one of the greatest ever in Indian classical Carnatic music...our Balamuruli Sir....!!!
Muthuswamy Dikshithar would have got blown away by the sheer beauty of his own krithi being rendered by Balamurali sir... what a blissful raaga aalaapanai. This was one of the best Hindola alapanai one can ever get to hear, probably the best ever too. As he mines in to the depth of the raga, it was sounding so beautiful and sublime. Annavarapu proves that he indeed is Balamurali sir's sahapaati by following him note by note while weaving his own magic. The gentle tap by the great Umayalpuram mama at the end of Annavarapu's aalaapanai was like telling us what is in store. He pumps in just enough energy in to his magical fingers and the mridangam too responds in agreement and starts singing, which the listener can clearly feel especially during the second phase of Swara Kalpanai.
As Murthy sir narrated, Kalpana Swaram section was a pure bliss. Mathematical brilliance, imagination which went in to pull off this magical 2 phase Swara Prastharam was unimaginable. He takes it to some other un explored zone and beautifully carries both the accompanying artists along with him to the same zone. While the slow swaram phase brings the peace and tranquility to the mind, the fast phase presents the listener with a pure blissful experience and gets in to ones heart. Violin is known to accommodate all the variations a human voice can produce, echoing the human voice on mridangam is a different level altogether. Umayalpuram mama does that with such a brilliance, never dominating the singer while showcasing his class. What a blissful experience is this rendering. Will stand as one of most brilliant keertainais ever presented any one during any period of time.
Thanks a million again Murthy sir for this wonderful gift.
Sri. Vinayaka Ram,
Thank you for sharing your emphatic reflections. It is indeed a joy reading the aspects highlighted by you. Also, these observations has added additional perspective to my next listening session.
Smt. Kamini, who was in the audience, witnessing the creation of this Hindóla has actually written the narration and will convey your endorsement on her observation. Appreciate your frequent comments on
uploads in enhancing the listening experience of Muraligānam.
I was there God's Blessings
Deeply impressive and soul touching
Divine flow of music....no need to have knowledge of music just listen mind gets filled with inexplicable happiness.
excellent music . Mama we miss you very very lot .you sung all the songs in our heart
नीरजाक्षि कामाक्षि - रागं हिन्दोळम् - ताळं रूपकम्
पल्लवि
नीरजाक्षि कामाक्षि नीरद चिकुरे त्रिपुरे
अनुपल्लवि
शारदा रमा नयने सारस चन्द्रानने
(मध्यम काल साहित्यम्)
वारिज पादे वरदे तारय मां तत्व पदे
चरणम्
गौरी हिन्दोळ द्युति हीर मणि-मयाभरणे
शौरि विरिञ्चि विनुत शिव शक्ति-मय नवावरणे
(मध्यम काल साहित्यम्)
नारीमण्याद्यर्चित नव नाथान्तःकरणे
सूरि जन संसेवित सुन्दर गुरु गुह करणे
variations -
नाथान्तःकरणे - नादान्तःकरणे (नादान्तःकरणे - seems to be error)
Thank you so much, sir for your collection of great master"s voice and contribution to the music lovers
Nirajakshi Kamakshi - Hindolam (S G2 M1 N2 D1 N2 S - S N2 D1 M1 G2 S) - Rupakam - Mudduswami Dikshitar
Pallavi: nīrajākṣi kāmākṣi nīrada cikurē tripurē
O lotus-eyed Kamakshi! O one whose hair is like a dark cloud! O she of the three cities!
anupallavi: śāradā ramā nayanē sārasa candrānanē
O she whose eyes are Saraswati and Lakshmi! O she whose face is like the lotus and the moon!
Madhyamakala: vārija pādē varadē tāraya māṁ tatva padē
O she whose feet are like lotuses! O giver of boons! Liberate me, O repository of truth
caraṇam: gaurī hindōḷa dyuti hīra maṇi-mayābharaṇē śauri virin̄ci vinuta śiva śakti-maya navāvaraṇē
O fair one! O she adorned with ornaments that hold white diamonds! O she extolled by Vishnu and Brahma! O she with nine encolosures that are shiva-shakti!
Madhyamakala: nārīmaṇyādyarcita nava nāthāntaḥkaraṇē sūri jana sansēvita sundara guru guha karaṇē
O she worshipped by the true gems amongst women! O she residing in the hearts of the nava-nathas! O she well worshipped by wise people! O creator of the handsome Guruguha!
Pranams Shri. Sreenivasa Murthy for your gesture.
Great concert. Magical voice and scholarly singing, blissful accompaniments… grateful for the upload. The subdued and melodious playing of UKS is so wonderful
Sathakoti namaskaramu
Alapana 5:00 onwards 🙏🙏🙏🙏🙏🙏🙏
A samagana rendering so pure, peaceful and pleasing to the ears. Thanks for uploading of the lovely songs and the narration of nirajakshi kamakshi. My pranams to guruji swargiya dr.BMK on his birthday -today
I feel so happy & when I feel free I use to listen to these songs , the songs are so superb 👌👌👌👌👌
Art at its greatest, comparatively and by itself.
Great song, just cannot stop listening.Sir thank you for sharing
As a raga, Hindola always comes through as a celebratory raga. In his piece (which I regret is too short to satisfy the soul!), Annavarappu Ramaswamy brings forth a frolicsome quality that leaves one wanting more.
While several accompanists have played with MBK, Annavarappu has in my mind always remained an alter ego of MBK's singing, almost as if he had entered the former's mind and was getting his cues from there. No doubt many violin accompanists have "enhanced" the MBK experience with their own genius; Annavarappu used to sound every time like he was a "twin" and not a separate being, especially when one heard this team live.
Thank you, Sir, for this lovely piece.
Balamuraliji and Respected Annavarapu Ramaswamiji are learnt their Vidya at same Guruji know each other very well from chlidhood and that bond kept until last day Sri BMk.
Rare gems.
No words to thank you for posting this song. Thank u sreenivasa Murthy Garu.
simply brilliant! with what ease and effortless command the great master singsthe accompanying artistes on voilen and mridangam are equally to the task.it is splendid and unique music. thank you very much.
This is beautiful...!
Whom to thank ,tell me the MUSE OF SWEETNESS BEYOND THE SOUND OF SOHAM .!.?
so sweet songs👌👌👌
Beautiful !!!
Simply wonderful.
Thank you murthy garu,this is indeed sudharasa sara. Naa adrushtam.
I agree. It's absolutely sublime. Thank you for posting.
🙏🙏🙏
Super sir
🙏🙏❤️❤️❤️🙏🙏
Sir My pranams to you for giving us these gems. At the loss of adjectives to express my bliss while listening to sir's rendition, all i could say mention is Sri gurubhyonamaha! One from his compositions - " Ayya guru varya - nee anatitoh paaduchuntimayaa! Ne mrudu pallava vacho vilasamu pallavaiga, ma pallavi ga || Ne anubandhamu anu pallavi ga|| Ne charanamule charanamuga - ne aakriti ye maa kriti gaa|| "
+Srilalitha Aravind : Namasté! Thanks for sharing your joy of listening.
Sir, Wondering if you have a kriti thats translated to telugu by Balamurali sir on goddess meenakshi in HIndolam. I heard this song when rajasree sainath a famous bharatnatyam dancer's daughter performed it. Would it be possible for you to check your collection and let me know please.
Are you by any chance referring to the composition "gāna rasiké jagāna véru léru" ? Please advise.
No sir. I have this kriti that i learnt. The one that i mentioned is a different one. am not getting it anywhere. i remember just a phrase of it - meenakshi mata ....
No madam, I haven't heard this composition (meenakshi maata), let me enquire about it. I will update you on finding it.
By the way, there is one more composition on Mīnākshi in Hamsānandi and I suppose you might have listened.
I request Murty garu to upload the remainig tracks as well
It has been uploaded long ago. Not sure, if you searched and seen this playlist?
ua-cam.com/play/PLib2_dZVr0VpF_m5oD9sHXOpAt-KLeEGp.html
it is as we floating in exact. can some one tell its year of recording? I am grateful for uploading. shall I expect more exact?
It says 1978 on the video
It is December 23 rd 1978 the year he became Sangeetha kalanidhi At Music Academ chennai as indicated in the cover
The beauty of Dikshithar is the vilamba kalam. Hindolam climbs another level in this. That is the beauty of the Dikshiithar. Most intellectual amongst the trinity.
Hindola ragamlo intha karunarasam.bhakthi bhavam okka Balamurali gare padagalaru.Neerajakshi keerthana gaddes ki Sambandhinchinadi nakemanipisthundi ante Vari motherni lenu lotion Bhagavanthunitho amekarunanu ela dooram chesavu annattuga.Keerthana bhakthibha.vantho vundi
Prekshakula navvu kuda hindola ragamlo vinipisthe anthakanna minchina performens veer ledu 🙏🙏🙏
BMK sir is the only person to predominate swaras in tristhayi. Marvelous presentations expressing Sahithya in such a clarity is possible to BMK sir only.This was my grandfathers opinion as a musician as well my father's opinion as a music lover enjoying music for 60 years. Thanks to srinivasa murthygaru.