Samaja vara gamana - Hindola - TBC 1967 - M Balamuralikrishna - Track 4 of 13
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- Опубліковано 18 бер 2017
- Tyagaraja Bicentennial Concert - 1967 - MMA 29 Dec 1967
M Balamuralikrishna - T Keshavulu - Tanjore Upendran.
To mark the bicentenary of Tyagaraja Swami, in 1967, Madras Music Academy held a Tyagaraja Festival. It is said that this concert was recorded by an American company called Pan Orient Arts Foundation in stereo. The audio collected from several sources has been used in reconstructing the concert and the same has been remastered.
The following concert is Dr. M Balamuralikrishna’s tribute to his foremost Guru. Being one of the Tyagaraja Shishya-parampara, he certainly has a special place in his heart for that great Saint.
This concert encapsulates all the prominent works of Saint Tyagaraja - Prahlada Bhakti Vijayam (PBV), Divya Nāma Sankeertana (DNS), Utsava Sampradaya Keertana (USK) and other kritis. The concert, spanning about 2h 20 minutes, is like a circle of music. Beginning with a kriti from PBV, then exploring the reflective kritis, then a verse by Valajpet Venkataramana Bhagavatar, then to USK and DNS to eulogise Rama, and concluding with a kriti from PBV again.
There are 13 tracks in this album and have attempted to provide a short synopsis in the hope of providing you a wholesome listening experience.
There is a detailed narrative written by Sri. Ramkumar, which is available in the comments section.
Track 4 : Samaja vara gamana - Hindola - Adi
Saint Tyagaraja sees Rama walking with the gait of an elephant, he sees him shining from the hearts of saint, resplendent of Sāma-veda, luminous of Omkara, effulgent all over the world. That illustrious protector of the universe is seen walking towards Saint Tyagaraja, and how does Rama look? The answer is presented in Bindumālini, in the next track.
The depth ...the control...the highest quality presentation... Dr. BMK is simply out of this world....a true genius. ...indeed
MBMK is a God gift to karnatic music
One of the best by BMK. Hindolam alapana, krithi and swaram all three are mind blowing. Great accompaniments also
G8 COLLECTION OF RARE MASTER PIECES AND PRESERVATION OF THE TREASURE..G8 JOB ..SIR
Thank you!
❤
By hearing the great presentation of legend, we will be in different world. His contribution to the Carnatic music is great.
He sang to his heart's content - he sang boldly - he sang not for the gallery ! He sang what he felt like singing!!
Time in 🇸🇬Singapore is 🎻4. 30a.m! My birthday! 75.Im also Murthy. All my Blessings in Abundance!!
Memorable rendering. Pranams to both Artist and recorder.
Hindolam a fine pearl forever in murali voice
Sir, this kruthi is in praise of Lord Krishna.
Thank you for sharing.
Thoroughly enjoyable. Another memorable piece of music from the great master.
Heavenly voice nectar is flowing through ears,what an alaapana innumerable goosebumps
Sri Sreenivasa Murthy - Amazing service you are providing in bringing out India's most stellar musician's body of work. This country is blessed to have someone so versatile and someone who could make Carnatic music more easy to comprehend and enjoy to all.
very enjoyable concert. it is real Amanda which can be experienced. sir u have done all to enjoy the bliss of music. thank very much. looking forward to see more such things
Thank you.
Srinivasa murthy sir
You seem to be engaged in doing research and preserving the correct way of various ragas and kritis of the legend thyagaraja by the late man gala. Palle
Sir, It's an humble effort towards the joy of listening and for the posterity for the generations to come.
Namasté!
Srinivas amurtygaaru. Meeruchestunnaseva. Maruvalenidi
Thank you for your interest
Srinivasa Murthi garu I am a Big fan of The Great Balamuralikrishna Garu.
I am paying you Humble Namasthe 🙏🙏🙏 to your efforts Sir, Thank you.
ఆయన పాట వినడమే అదృష్టం
A Great maestro in South Indian Vocal Never Beat his Play who Talented in Comoposed the Variant Tunes with pentrated Voice into our Hearts of Cllasical lovers
It is a Triveni Sangamam, combination of S/Shri Balamurali, Keshavulu and Upendran. J. V. N. S. V Sagar.
Great presentation.
Thank you
హిందోళం రాగం లో ఏదో తెలియని ఆనందం అనుభూతి కలుగుతుంది.
A narrative by Sri. T K Ramkumar
Mangalampalli Balamuralikrishna - 1967 Tyagaraja Bicentennial Concert, MMA
A concert that stands out for many notable things but the most important among them being the variety of Tyagaraja kritis presented here. Every composition has been rendered so true-to-the-book that the rendition of each composition outshines the other leaving an ardent listener in a dilemma-which is the composition that I enjoyed most ? Essentially, every composition is thoroughly enjoyable.
There is lyrical delight due to the chaste diction in every composition. Then there is the right measure of rAgam delineation, followed by the inimitable and impeccable svara prastArams, the unalloyed bhAvam in each composition brought out distinctly, and not to forget the nice laya vinyAsam.
This is a concert to be cherished for decades like many of his other concerts. It is for reasons both obvious and not so obvious. The obvious reasons are mentioned above. The not so obvious reasons need some elaboration.
The first reason being at no place Balamuralikrishna has flaunted his immense talent; rather it is on a tight leash and the rendition is as it should be-as Tyagaraja intended the compositions to be. Through this, he has paid homage to his role model.
The second reason is the varied selection so that every facet of Tyagaraja’s music is represented in this concert-to highlight the great balance that Tyagaraja struck between his telling lyrics and his soulful music. Through this, Balamuralikrishna has revealed the rigour it takes to let people enjoy Tyagaraja’s great music.
The third reason is the rendition of a verse by Tyagaraja’s own disciple to let people know the greatness of Tyagaraja; and also to let people know the calibre of Tyagaraja’s disciple. Through it, Balamuralikrishna has only showed how much more he adores the Saint.
And the last reason is the thoughtfulness with which the mangaLam in the rAgam mohana is presented. It is the rAgam with which the Saint welcomed his chosen deity Shri Rama. With that same rAgam Balamuralikrishna bids adieu to the Saint.
Excellent presentation Ramanna.🙏🙏
Excellent piece by the great Dyan Sweet voice we are happy still we listen his immortal voice even after many years Thanks for posting
Thank you so much for your detailed informed and knowledgeable commentary. Adds so much joy to the enjoyment. And also love your wonderful descriptive vocabulary.
Thank you for sharing this gem 🙏
MSG should be the Violinist ❤
🙏🙏🙏
Beyond words Oooooooh God One and only
Bramamokate that's all hare Krishna hare murari lal
Thank you Sir
Beautiful
PranamamGuruji
Talent married to enticing voice
I think Lord Krishna will be enjoying a lot side by side lord Shri Ram chandra also enjoyed
The same
Great presentation
gifted voice
1half of the kriti is for rama and next half.is for krishna as per sahitya
What happened to the violin?!
Sir, do you have Balamurali samaja varagamana of sangeetha company cassette? I never heard a better hindola thsn that
As you are aware, this channel is aimed at postrity of music through non-commercial recordings.
Sir, I would respectfully like to make a small correction. The Kriti is actually in praise of Lord Krishna - Saint Tyagaraja says 'yadava Kula Murali' in the Kriti. This is one of the rare kritis of the Saint on Lord Krishna.
I am surprised the correction from "Saint Tyagaraja sees Rama walking with the gait of an elephant" to "Saint Tyagaraja sees Krishna walking with the gait of an elephant" has not been made.
Shri Ganapathy, You can not make a correction once you publish it. May be it can be deleted and republished....
Since Lord Krishna born in yadava kula Murali means flute when Lord Krishna plays flute all cow's n calfs used to enjoy the murali ganam how we r enjoying great BMK sirs madhura ganam.
Dear Murthy garu, I think the song is on Sri Krishna Bhagavan. Charanam refers to Yaadava Kula Murali....
It is (1. sweekarya Yadava Kula ),2.(Muralee vaadana vinOda)...
@@vasudevaryerikalapudy1122
...
* Svīkr̥ta yādava kula mural̥īvādana...
Its about lord krishna, not Sri Rama although both are one
subrahmanyam ch
Could you please enlighten us with your reflections?
@@SreenivasaMurthy sweekrutha yadavakula means one who has taken birth in yadu vamsa( Sree Krishna). Murali vaadana vinoda means one who enjoys playing flute. This also refers to Sree Krishna. Hope this helps.
this kriti is composed on mannargudi rajagopalam
🙏🙏🙏