Sitting in my hotel room in China setting it up as you suggested with Laos, Cambodia and Vietnam coming up, you have been a great wealth of knowledge, Good day to you Sir!
Finally got my Mavic Pro 2 Billy after flying my Inspire 2 for the last year and a half and I really appreciate you taking the time to answer these camera settings questions. Although a lot of the settings are similar I need to get used to the Mavic and your tutorials help me tremendously. Thanks again for your time.
Great video, Billy. My M2P arrives this coming Thursday, so I'm excited. One minor point, at 6:38 you infer that h264 and h265 will give the same quality. I do video processing, grading, and compression for a living and h265 is vastly more efficient than h264. That means that, for the same bitrate h265 offers about twice (very vague and subjective, but in most general terms) the quality over h264. Conversely you can get the same quality as an h264 file with h265 at much less bitrate. Also regarding quality, h265 allows for 10-bit color. This means that, instead of having 256 grades in each color channel, you get 1024 grades (values) for each color channel. That gives you much more precision in color as well as dynamic range in your recording. It's 10-bit (and even 12-bit in some formats) that allows for HDR dynamic range and when you watch 4K HDR programs from the Hollywood video streaming companies (full transparency - I work for one of them), you are getting 4k (UHD) HDR h265. If you are going to grade your footage, and there is nothing else stopping you (i.e. your edit/grading software) definitely use h265. The amount of information captured in h265 encoding is significantly better than h264. Now...if you want to talk about HLG (Hybrid-Log-Gamma) I'm happy to do so. Its a neat feature, and popular in Japan and EU (it's a BBC technology) but not very popular in the US and many TVs don't support it.
Hi, I'm considering buying the Mavic 2 pro, and as I can see you have great knowledge about filming, could you tell me what the difference is between D-Log and HLG. Because I could never understand what is the difference, so if you could explain to me with is the difference I would be ready grateful. Thanks
drone maniac Ok. I’ll try to keep this relatively short. It’s easiest to explain if you understand what increased dynamic range is. Fundamentally increased (high) dynamic range uses more data per color (red, green, blue) to define the brightness of each pixel. This means that for a given brightness range, there are more steps used to define the brightness and color of adjacent pixels and thus the image contains more detail in that area. For example, in a high dynamic range you will be able to see more detail in the shadows because there is more data there vs a standard dynamic range image which is forced to merge tones that are close into the nearest similar tone because there is not enough data to differentiate them. Both HLG (Hybrid Log Gamma) and D-log M carry more resolution in dynamic range over standard video. However, the eye is not linear, so simply applying more data isn’t enough. We are more sensitive to differentiating detail in some tonal ranges over others and so we need more data to differentiate between dark tones that are close together than mid tones, for example. Both HLG and D-log M use a logarithmic relationship between the numerical value for a pixel brightness and the actual brightness represented. In otherwords, with a given amount of data available, the use of that data allows more data where we need it more and less where we don’t. That is where the two formats deviate. Generally, when you get a high-dynamic-range image (like a UHD HDR movie from iTunes) the brightness is encoded using one of these types of weighting curves. The most popular formats are commercially known as HDR-10 and Dolby Vision and less popular is the format promoted by the BBC called HLG. HDR-10 and Dolby Vision require HDR capable displays (although Dolby Vision has the capability to convert on the fly for non-HDR and HDR-10 only displays). Ignoring the on the fly conversion happening in DV, if you were to view these signals on a non-HDR capable TV, the picture would be flat and low contrast. Thus you must have a capable TV to view these signals properly. HLG was designed with this backward-compatibility built in. The algorithm for HLG uses the existing dynamic range standard for traditional HDTV and simply adds an extension to support the extra bright portions of the picture for the occasion that the display can support high dynamic range. The advantage of this is that if you play this signal on a normal (non-HDR) TV the image will be completely acceptable. The disadvantage is that you do not have quite as much flexibility and punch when creating in high dynamic range. Nearly all TV’s labeled “HDR” can play the open source HDR-10 format and those that license (pay) Dolby support Dolby Vision. It’s been my experience that a lot of HDR TV’s also support HLG although it may not be obvious in the TV’s literature. HLG is not very popular in the US but it is used in other parts of the world. That said, HLG is a legitimate DISPLAY format and if you take an mp4 directly from the M2P and play it on a TV (via USB for example) that supports HLG (I have a Vizio P-series and M2P mp4’s even display the ”HLG” badge on the info panel) you get the full, high dynamic range available in the image. If the TV does not support HLG, you still get an acceptable image but not as dynamic (assuming the TV supports h265 mp4’s of course). D-log M uses a similar philosophy of using a gamma curve to encode the brightness levels in the image in a non-linear way, but it is designed to maximize the dynamic range for the color correction stage of the video post production process rather than direct display. By encoding your original image in D-log M, when you get to color-correcting your image, you can push the image farther (brightening the whites, darkening the blacks, pushing the colors around) without reaching the point where black areas clump up (crush) or white areas clip and so it is easier to make a moody dark image or a blinging bright image (for creative effect) without losing detail in these areas. However, D-log M is not a broadcast standard. Your TV doesn’t directly know how to process these gamma curves (in fact your TV itself has no idea that this is even the encoding used) and each camera company has their own version of the encoding algorithm to achieve a similar result (Sony’s is called S-log and Canon, C-log) and give the colorist better control over the final image. But, D-log M (and the others) MUST be color graded (adjust to creative taste) in order to get an acceptable image otherwise the image will be flat and low contrast. TL;DR: So in other words, HLG is a high-dynamic-range format designed to be played directly on a TV and, if capable, that TV will display brighter whites and more detail in the highlights and shadows than a normal display and if not capable, the TV will display an acceptable image on par with typical HD broadcast highlights and shadows. D-log M requires creative color grading to create an acceptable image, but in skilled hands (and eyes) has much more creative latitude to work with.
@@supergimp2000 oh ok great, thank you so much for taking your time to explain it to me. I now fully understand it because not many people on UA-cam go into so much detail. So once again thank you for your time and help. I hope you are still enjoying your Mavic 2 pro, I'm getting mine soon😁👍👍
Although I hate it when people comment and say to me, "You've earned a new subscriber..." Billy, you actually have earned a new subscriber. I've learned so much about the Mavic 2 Pro from your videos and I can't wait to get mine on Tuesday to check out! Sadly, I'll be using the automatic settings for now. Anyway, thanks for all that you do!
Hey Billy - Thank you SO MUCH for providing these settings - crazy that DJI don't give any detailed instructions. The great point you make is to try out the different settings.
Very informative. You’re extremely good at explaining settings btw. I feel like quite obviously you’ve got MANY hours invested in this part of drones and watching your video is exactly like a free lesson from a serious heavy hitter. Cheers
I've been using gimbal pitch 1 to do 360 videos of buildings for commercial real estate, helps out a ton! Will probably switch it up to see what the difference is. Thanks for the walkthrough!
Thanks Billy I'm a camera nut and an RC aircraft fiend but new to drones. I bought a Mavic 2 Pro and this is just what I need. The stuff on the DJI website is useless. Great stuff and well presented. :)
Great video bro. Just got my Mavic 2 Pro Yesterday and I love it... I flew and filmed in normal mode just to get a feel of the drone and the footage already looks amazing. Can’t wait to try DLog M...
Thanks for posting this Billy. You explained a couple of things that I was having problems with, and now I know why (i.e., recording in mP4 and not being able to edit on a Mac, and then not setting the output to the microSD card).
Great explanations Billy! I'm hoping to pull the trigger on the 2 Pro by the end of next week, and the more info like this I get, the easier it will be to get in the air once I get it!
I've been using the DJI Mavic 2 Pro for just a little over a year, and my settings are exactly like yours, except that I do have my gimbal settings set just a little lower. I like the slow and boring! 🤣 I couldn't imagine using anything else but D-Log M, and for anyone who's afraid of color grading, they could just apply a LUTS to their output and get something they like and it's very simple to do.
Thanks bro! Because of the heat and rain here, I've gotten in only 1 hour of flight with mine, but I already take this bird over any I've flown. With this video, I now understand those settings that I struggle to comprehend via the User Manual.
3:55 Also, when +1 applied on the sharpness, the denoiser is not activated. The denoiser tends to introduce some weird artifacts in low-light areas. Everything under +1 will introduce that rumble. So, be smart, be +1
Hi Billy I know this is an old video I just wanted to thank you so much for all your contributions to the community. I just have some stupid question that someone else may be able to answer. why would you need to use the 180° rule when you don’t need motion blur from that distance. In fact wouldn’t motion blur not be good from a far distance? Loss of sharpness maybe? Thanks so much again have a great day
Hi Billy, thanks for sharing the knowledge. I flight my drone as a hobby. If you don't mind me asking, what are your settings for White Balance when you flight the drone at night? I'm looking forward to hear from you. Best!
Billy, do you think you'll do a video on the settings o the aircraft itself such as how it responds on the x,y axis, how fast or slow the aircraft turns left right, etc? I remember you did an amazing video on the original and I love to know those numbers you use. Thanks
Great video thanks ! I guess I would use Gimbal speed to 1 for an hyperlapse. As the video will be speed up it will look more like a normal speed in the end.
Hi. Amazing video! Tell your friends... many of these settings cannot be changed in "enter the camera view". We must be connected to the aircraft. Also, the Gimbal settings are inaccessible if the Gimbal plastic bubble protector is attached. That Gimbal icon does not show within the options with the bubble on. Thank you again - VERY helpful!!!!
Great video Billy. I'm new to the game so I'm learning. One question I have: A number of the videos that I've seen on 'Mavic 2 Pro Camera Settings' only talk about video and not the still picture settings...........Is this because a a number of them are the same (where they can be)?
CAN YOU DO A TUT ON HOW TO MAKE THE BEST HYPERLAPSE VIDEO. LIKE HOW FAST SHOULD THE DRONE BE MOVING FROM POINT A TO POINT B AND HOW MANY SECONDS BEFORE TAKING PICTURES.
Billy, long time subscriber, first time writer. (Always wanted to say that.) Which of the settings and options that you enumerate here also apply to the M2 Zoom?
Great video! Just got mine and I’m a new pilot. This is so helpful. One question... even though I’m using a Mac but premiere pro I should still use MOV?
Hi, Billy Thank you for the video, fantastic for me as a new drone user. Can you advise what you recommend as the best software that won't cost the earth and be easier to use, please?
Great video Billy. Do you know what the right dial is for on the controller? Yes, loving the new Mavic 2 Pro...sooo much better than 1.0. I sold my P4Pro because I needed something more portable, so I got the Mavic and was so disappointed with the footage and the capabilities of the drone itself. It seems like the M2Pro is on part with the P4Pro, but is a package small enough to travel. Plus, I really love some of the new filming features.
Hi Billy, Well done Sir, I think you're spot on and in fact I'm going to make a couple slight changes to my camera / gimbal settings now but I like the result based on your side by side data here... nice job..
Very good video Billy thanks for all this valuable information, I used your P4P setting video and it work very well for me on my P4P so this will be great Thanks
As always, great video Billy. I got my M2P last Monday and have only been able to fly once so far. Work and the weather are killing me! I agree on all of the gimbal settings. Thanks for the +1 sharpness suggestion. Keep em coming !
Very good info as always. I have about 4 hours on my Mavic 2 Pro. It would be more but I had the flu for a few days (great timing). I have only used H265 so far and am well pleased with it. Your gimbal setting a nice too you saved me some time with that.
I just moved up from a Mavic Pro to a Mavic 2 Pro. One thing I discovered was that the M2P has separate exposure settings for video and pictures. I don't see info on this in the DJI manual and not on UA-cam videos. During my first few flights, I couldn't figure out why my videos were so washed out, when I switched from video to picture.
Great video and H265 all the way. I have noticed the softness as well. It looks like the plus 1 for sharpness is the best bet. The contrast may need a tweak depending on the scene lighting. I think with 100Mbs of data divided among the frames that a lower frame rate for the best quality is the way to go. I love this drone more and more each day. If you use Windows make sure you install the HEVC extensions to support the H265 files as Windows Media player and some editors (i.e., Davinci Resolve) will not work with them. Thanks for sharing Billy awesome stuff.
Davinci Resolve will work with the h265 footage, but only the paid Studio version supports 10 bit (HLG/Dlog-M). 8 bit h265 will load just fine, but you would have to be shooting Normal profile h265 - you would get the compression benefit (better compression means you get more quality for your 100Mbits maximum bitrate), but it will be harder to grade. Maybe BlackMagicDesign will be nice to us at some point and enable 10 bit h265 for the free version, but honestly if you're spending the money for the M2P, just pay for the full version of Resolve and enjoy the awesome grading power of 10 bit footage.
The free version seems to be working fine with the HEVC extensions installed on Windows 10 and I am using Tom's TechTime DLOG-M files. They were not working until I installed the HEVC extensions, then everything starting working with the unpaid version. A number of threads mentioned this so I gave it a try and it worked. I pay for Premiere Pro but some of the color grades I see out here with people using Davinci Resolve look awesome so I am just testing for now. I will pay for the studio version no problem, just checking it out first.
DuckMySquee The free link rather than the 1 dollar version (same software, still direct from Microsoft) www.microsoft.com/en-us/p/hevc-video-extensions-from-device-manufacturer/9n4wgh0z6vhq?irgwc=1&OCID=AID681541_aff_7593_159229&OCID=AID681541_aff_7593_1243925&tduid=(ir_wJC0gNTClQca0BAzqwxkEXPhUkjTGXQhW1412Y0)(7593)(159229)()(UUwpUdUnU56397YYwYd)&tduid=(ir_1LV3EHwW9z5wQlhXVgx4KzwgUkgxwdQlGVk9UM0)(7593)(1243925)(tv2R4u9rImY-SVeYsH1XAAJzvnvHgScFQg)()&irclickid=wJC0gNTClQca0BAzqwxkEXPhUkjTGXQhW1412Y0&irclickid=1LV3EHwW9z5wQlhXVgx4KzwgUkgxwdQlGVk9UM0&ranMID=24542&ranEAID=tv2R4u9rImY&ranSiteID=tv2R4u9rImY-SVeYsH1XAAJzvnvHgScFQg&epi=tv2R4u9rImY-SVeYsH1XAAJzvnvHgScFQg&activetab=pivot%3aoverviewtab
Hey Billy, appreciate the time making this video...love the M2P and find the settings you're recommending are much the same as I had set for my P4P & my M2P. Good stuff, keep it coming.
For those that might not know..... anti-flicker has to do with counter acting the refresh rate if certain devices you might encounter shooting video indoors, such as under some florescent lightning and older computer screens. Generally 60 cycles is used in North America and 50 cycles in UK and Europe.
Billy, great video and very much needed as I've been hunting for this kind of information.... just one suggestion, you speak so fast I found myself having to rewind and re-listen to most of the video to catch the information, it'd be great to slow down slightly. Aside from that a great help and will definitely help me get more from my Mavic 2 👍🏻👍🏻
Billy, I guess I should've said expo, sensitvity and gain. The side to side movements, turning left or right an how fast or slow...Does the mavic 2 even have these options or is that where the cinematic mode comes in?? Just slighty confused on responsive the drone is to the control buttons?
Hi Billy. Great video as always. You are promoting heavily D-log, but did not say a word about HLG next to it. Why did you skip it? Isn't it another compression algorithm for exposure and color to get better colour grading? Why did you just ignore it? Is it also connected to Hasselblad colour mode, that DJI is so proud of. It's supposed to better than D-log
Thanks for that. I did hear a lot about the Hasselblad color alignment when they decided to marry the two. I will check it out as DLog has been the standard for all previous models.
![Mavic 2 Pro Sharpest Settings & Best Focus Method [4K]](/img/n.gif)
Sitting in my hotel room in China setting it up as you suggested with Laos, Cambodia and Vietnam coming up, you have been a great wealth of knowledge, Good day to you Sir!
hey, this video is still helpful. thanks Billy!
Lots of good information without a lot of nonsense. Thank you.
You see, now this is the way to make a video...step by step camera setting instructions 101. Well done Billy.
Finally got my Mavic Pro 2 Billy after flying my Inspire 2 for the last year and a half and I really appreciate you taking the time to answer these camera settings questions. Although a lot of the settings are similar I need to get used to the Mavic and your tutorials help me tremendously. Thanks again for your time.
Great video, Billy. My M2P arrives this coming Thursday, so I'm excited. One minor point, at 6:38 you infer that h264 and h265 will give the same quality. I do video processing, grading, and compression for a living and h265 is vastly more efficient than h264. That means that, for the same bitrate h265 offers about twice (very vague and subjective, but in most general terms) the quality over h264. Conversely you can get the same quality as an h264 file with h265 at much less bitrate. Also regarding quality, h265 allows for 10-bit color. This means that, instead of having 256 grades in each color channel, you get 1024 grades (values) for each color channel. That gives you much more precision in color as well as dynamic range in your recording. It's 10-bit (and even 12-bit in some formats) that allows for HDR dynamic range and when you watch 4K HDR programs from the Hollywood video streaming companies (full transparency - I work for one of them), you are getting 4k (UHD) HDR h265. If you are going to grade your footage, and there is nothing else stopping you (i.e. your edit/grading software) definitely use h265. The amount of information captured in h265 encoding is significantly better than h264. Now...if you want to talk about HLG (Hybrid-Log-Gamma) I'm happy to do so. Its a neat feature, and popular in Japan and EU (it's a BBC technology) but not very popular in the US and many TVs don't support it.
Hi, I'm considering buying the Mavic 2 pro, and as I can see you have great knowledge about filming, could you tell me what the difference is between D-Log and HLG. Because I could never understand what is the difference, so if you could explain to me with is the difference I would be ready grateful.
Thanks
drone maniac Ok. I’ll try to keep this relatively short. It’s easiest to explain if you understand what increased dynamic range is. Fundamentally increased (high) dynamic range uses more data per color (red, green, blue) to define the brightness of each pixel. This means that for a given brightness range, there are more steps used to define the brightness and color of adjacent pixels and thus the image contains more detail in that area. For example, in a high dynamic range you will be able to see more detail in the shadows because there is more data there vs a standard dynamic range image which is forced to merge tones that are close into the nearest similar tone because there is not enough data to differentiate them. Both HLG (Hybrid Log Gamma) and D-log M carry more resolution in dynamic range over standard video.
However, the eye is not linear, so simply applying more data isn’t enough. We are more sensitive to differentiating detail in some tonal ranges over others and so we need more data to differentiate between dark tones that are close together than mid tones, for example. Both HLG and D-log M use a logarithmic relationship between the numerical value for a pixel brightness and the actual brightness represented. In otherwords, with a given amount of data available, the use of that data allows more data where we need it more and less where we don’t. That is where the two formats deviate.
Generally, when you get a high-dynamic-range image (like a UHD HDR movie from iTunes) the brightness is encoded using one of these types of weighting curves. The most popular formats are commercially known as HDR-10 and Dolby Vision and less popular is the format promoted by the BBC called HLG. HDR-10 and Dolby Vision require HDR capable displays (although Dolby Vision has the capability to convert on the fly for non-HDR and HDR-10 only displays). Ignoring the on the fly conversion happening in DV, if you were to view these signals on a non-HDR capable TV, the picture would be flat and low contrast. Thus you must have a capable TV to view these signals properly.
HLG was designed with this backward-compatibility built in. The algorithm for HLG uses the existing dynamic range standard for traditional HDTV and simply adds an extension to support the extra bright portions of the picture for the occasion that the display can support high dynamic range. The advantage of this is that if you play this signal on a normal (non-HDR) TV the image will be completely acceptable. The disadvantage is that you do not have quite as much flexibility and punch when creating in high dynamic range.
Nearly all TV’s labeled “HDR” can play the open source HDR-10 format and those that license (pay) Dolby support Dolby Vision. It’s been my experience that a lot of HDR TV’s also support HLG although it may not be obvious in the TV’s literature. HLG is not very popular in the US but it is used in other parts of the world. That said, HLG is a legitimate DISPLAY format and if you take an mp4 directly from the M2P and play it on a TV (via USB for example) that supports HLG (I have a Vizio P-series and M2P mp4’s even display the ”HLG” badge on the info panel) you get the full, high dynamic range available in the image. If the TV does not support HLG, you still get an acceptable image but not as dynamic (assuming the TV supports h265 mp4’s of course).
D-log M uses a similar philosophy of using a gamma curve to encode the brightness levels in the image in a non-linear way, but it is designed to maximize the dynamic range for the color correction stage of the video post production process rather than direct display. By encoding your original image in D-log M, when you get to color-correcting your image, you can push the image farther (brightening the whites, darkening the blacks, pushing the colors around) without reaching the point where black areas clump up (crush) or white areas clip and so it is easier to make a moody dark image or a blinging bright image (for creative effect) without losing detail in these areas. However, D-log M is not a broadcast standard. Your TV doesn’t directly know how to process these gamma curves (in fact your TV itself has no idea that this is even the encoding used) and each camera company has their own version of the encoding algorithm to achieve a similar result (Sony’s is called S-log and Canon, C-log) and give the colorist better control over the final image. But, D-log M (and the others) MUST be color graded (adjust to creative taste) in order to get an acceptable image otherwise the image will be flat and low contrast.
TL;DR:
So in other words, HLG is a high-dynamic-range format designed to be played directly on a TV and, if capable, that TV will display brighter whites and more detail in the highlights and shadows than a normal display and if not capable, the TV will display an acceptable image on par with typical HD broadcast highlights and shadows. D-log M requires creative color grading to create an acceptable image, but in skilled hands (and eyes) has much more creative latitude to work with.
@@supergimp2000 oh ok great, thank you so much for taking your time to explain it to me. I now fully understand it because not many people on UA-cam go into so much detail. So once again thank you for your time and help. I hope you are still enjoying your Mavic 2 pro, I'm getting mine soon😁👍👍
I wait till the mp3 comes out
Thank you. I love the no nonsence and to the point. You do one of the best jobs with your teaching videos.
Although I hate it when people comment and say to me, "You've earned a new subscriber..." Billy, you actually have earned a new subscriber. I've learned so much about the Mavic 2 Pro from your videos and I can't wait to get mine on Tuesday to check out! Sadly, I'll be using the automatic settings for now. Anyway, thanks for all that you do!
Love your tutorials. Absolutely too the point. Thank you
Great video and great flow, Billy, big thanks!
I know this is an old post, but it was very helpful to me. Thanks!
Hey Billy - Thank you SO MUCH for providing these settings - crazy that DJI don't give any detailed instructions. The great point you make is to try out the different settings.
Best video I've seen on the Mavic 2 Pro camera and gimbal settings! Thanks Billy Kyle!
Thank you, Thank you, Thank you!! Great video. Very well done.
Very informative. You’re extremely good at explaining settings btw. I feel like quite obviously you’ve got MANY hours invested in this part of drones and watching your video is exactly like a free lesson from a serious heavy hitter. Cheers
I've been using gimbal pitch 1 to do 360 videos of buildings for commercial real estate, helps out a ton! Will probably switch it up to see what the difference is. Thanks for the walkthrough!
Awesome thumbnail picture, it looks like a futuristic moon walker, complete with the backpack/life support and all.
great info.... i am really learning photography, drones etc. will be retiring in December so I will have plenty of time to learn.
I use a Gimbal Pitch Speed of 3 or 5 maximum. That slow speed is what gives me those nice cinematic movements.
Good job, bro. Mavic 2 pro is amazing. I love it.
Great video, I have my Mavic 2 Pro set-up like yours now and I'm ready to go our and capture some footage. Thanks for sharing this video.
Like Like Like. Pretty straight to the point
Thanks Billy
I'm a camera nut and an RC aircraft fiend but new to drones. I bought a Mavic 2 Pro and this is just what I need. The stuff on the DJI website is useless. Great stuff and well presented.
:)
Great video bro. Just got my Mavic 2 Pro Yesterday and I love it... I flew and filmed in normal mode just to get a feel of the drone and the footage already looks amazing. Can’t wait to try DLog M...
Thanks a lot Billy. Very useful tut
Great video on the Mavic 2 pro settings. Billy, which camera switcher are you using?
Very well put information. Very educational! Thank you! Just what I needed. Ill be putting this knowledge to use next month in some Norwegian fjords:)
Thanks for posting this Billy. You explained a couple of things that I was having problems with, and now I know why (i.e., recording in mP4 and not being able to edit on a Mac, and then not setting the output to the microSD card).
Great explanations Billy! I'm hoping to pull the trigger on the 2 Pro by the end of next week, and the more info like this I get, the easier it will be to get in the air once I get it!
Awesome, that just what Iwas looking for as a beginner pilot, thank you very much, keep them coming
Been watching every one of your Mavic 2 videos while I'm waiting for mine to get here in 5 days.. love them dude, keep it up.
I learned a lot from your video explanation. Thanks for taking the time to post this, Sub'd.
What software you use for color grading and what color settings? Would greatly appreciate your help. Thanks for the video, very useful!
I've been using the DJI Mavic 2 Pro for just a little over a year, and my settings are exactly like yours, except that I do have my gimbal settings set just a little lower. I like the slow and boring! 🤣 I couldn't imagine using anything else but D-Log M, and for anyone who's afraid of color grading, they could just apply a LUTS to their output and get something they like and it's very simple to do.
Thanks bro! Because of the heat and rain here, I've gotten in only 1 hour of flight with mine, but I already take this bird over any I've flown. With this video, I now understand those settings that I struggle to comprehend via the User Manual.
Billy, love your concise and to-the-point tutorials. You don’t waste our time. Appreciated!!!
good video, really helpful. Thanks man
3:55 Also, when +1 applied on the sharpness, the denoiser is not activated.
The denoiser tends to introduce some weird artifacts in low-light areas.
Everything under +1 will introduce that rumble. So, be smart, be +1
Great video Billy!
Hey Billy, great Video!! How do you edit your videos to fit social media..? aspect ratios.
Hi Billy I know this is an old video I just wanted to thank you so much for all your contributions to the community. I just have some stupid question that someone else may be able to answer. why would you need to use the 180° rule when you don’t need motion blur from that distance. In fact wouldn’t motion blur not be good from a far distance? Loss of sharpness maybe? Thanks so much again have a great day
Your settings were the best on my pro and will also use them on my pro2
Hi Billy, thanks for sharing the knowledge. I flight my drone as a hobby. If you don't mind me asking, what are your settings for White Balance when you flight the drone at night? I'm looking forward to hear from you. Best!
Thanks for video. The color grade you put over that shot of the city was that a lut from dji? Also do you like dji's luts? Thanks for the info
Great, just watched again.
Very clear description 👍🏻👍🏻👍🏻
Billy, we can use your help with the best settings for new mavic 3. Will you release?
Billy, do you think you'll do a video on the settings o the aircraft itself such as how it responds on the x,y axis, how fast or slow the aircraft turns left right, etc? I remember you did an amazing video on the original and I love to know those numbers you use. Thanks
Thanks for going over the camera and gimbal settings. I agree with most of settings that you recommended.
Good stuff Billy. Right now I have my gimbal speed set to eight. Might speed up a little… First flight will be tomorrow.
Great info. I'll finally get some good quality time to put my Pro 2 in the air tomorrow. Thanks bro
Thanks
Great video footage of the city Billy... You haven't had any heat with flying around the Center City area Philly?
Thank you so much, really helpful. The best tutorial, straight to the point with examples that help understand straight away. Excellent video!!
Good tutorial. It really helps us newbies. The setting choices can be overwhelming at first !
thank so much for your detailed explaination and lots of great video in such a short time, take enough rest !
Billy- just what I was looking for. Excellent tutorial. Very grateful!
Very nice job! Just got my M2P and looking for best settings. Thanks!
So stoked dude! Very informal. Thanks very much.
Great video thanks !
I guess I would use Gimbal speed to 1 for an hyperlapse. As the video will be speed up it will look more like a normal speed in the end.
Great video ,very helpfull..thank you
Thank you. Useful information.
Hi. Amazing video! Tell your friends... many of these settings cannot be changed in "enter the camera view". We must be connected to the aircraft. Also, the Gimbal settings are inaccessible if the Gimbal plastic bubble protector is attached. That Gimbal icon does not show within the options with the bubble on. Thank you again - VERY helpful!!!!
Great video Billy. I'm new to the game so I'm learning. One question I have: A number of the videos that I've seen on 'Mavic 2 Pro Camera Settings' only talk about video and not the still picture settings...........Is this because a a number of them are the same (where they can be)?
CAN YOU DO A TUT ON HOW TO MAKE THE BEST HYPERLAPSE VIDEO. LIKE HOW FAST SHOULD THE DRONE BE MOVING FROM POINT A TO POINT B AND HOW MANY SECONDS BEFORE TAKING PICTURES.
Billy,
Are you using Final Cut Pro to color grade your videos? I've got an older version of Sony Vegas and it doesn't recognize my Dlog-M videos.
Good video - the weather in Philly today was terrible; hopefully, we get some clearer skies this wknd to get the drones in the air.
The weather today was terrible, but earlier this week I couldn't complain!
Billy, long time subscriber, first time writer. (Always wanted to say that.) Which of the settings and options that you enumerate here also apply to the M2 Zoom?
Thanks for video very informative! Now can you do a vid on packing the fly more travel bag for mavic 2 pro?😃
@ Air Photography has a video on packing the shoulder bag, if you wish
@@uacl028 thanks
Great video! Just got mine and I’m a new pilot.
This is so helpful.
One question... even though I’m using a Mac but premiere pro I should still use MOV?
Hi, Billy Thank you for the video, fantastic for me as a new drone user. Can you advise what you recommend as the best software that won't cost the earth and be easier to use, please?
Great video Billy. Thanks!
Great video Billy. Do you know what the right dial is for on the controller? Yes, loving the new Mavic 2 Pro...sooo much better than 1.0. I sold my P4Pro because I needed something more portable, so I got the Mavic and was so disappointed with the footage and the capabilities of the drone itself. It seems like the M2Pro is on part with the P4Pro, but is a package small enough to travel. Plus, I really love some of the new filming features.
I use it to change aperture when shooting photos.
Great video Billy
Great vid - question do these settings get stored ? Or is it something that needs to be done every time you use the drone?
Of course they get stored. That would make no sense to have to reset them every single time
Hi Billy, Well done Sir, I think you're spot on and in fact I'm going to make a couple slight changes to my camera / gimbal settings now but I like the result based on your side by side data here... nice job..
Great video, thanks!
Very good video Billy thanks for all this valuable information, I used your P4P setting video and it work very well for me on my P4P so this will be great Thanks
Great Vid Billy 👍🏻 what about the yaw and moving the drone about what expo and setting do you use for this thanks 😊
Great info Billy.
Thanks. Are you going to do a video on Exp and Sensitivity settings?
Fantastic video Billy , really helpful even if your experienced with drones👍
Great info, working to set up my new Mavic Pro 2
Great Video. Would love to hear your thoughts on best PHOTO settings, even though you mentioned you don't take pics.
Really great video! Do you ever use ND filters?
As always, great video Billy. I got my M2P last Monday and have only been able to fly once so far. Work and the weather are killing me! I agree on all of the gimbal settings. Thanks for the +1 sharpness suggestion. Keep em coming !
Very good info as always. I have about 4 hours on my Mavic 2 Pro. It would be more but I had the flu for a few days (great timing). I have only used H265 so far and am well pleased with it. Your gimbal setting a nice too you saved me some time with that.
I just moved up from a Mavic Pro to a Mavic 2 Pro. One thing I discovered was that the M2P has separate exposure settings for video and pictures. I don't see info on this in the DJI manual and not on UA-cam videos. During my first few flights, I couldn't figure out why my videos were so washed out, when I switched from video to picture.
I was wondering the very same thing...
Nice Video Bro, I really like it, It helps me a lot. Thank you so much Billy for this video.
Great video and H265 all the way. I have noticed the softness as well. It looks like the plus 1 for sharpness is the best bet. The contrast may need a tweak depending on the scene lighting. I think with 100Mbs of data divided among the frames that a lower frame rate for the best quality is the way to go. I love this drone more and more each day. If you use Windows make sure you install the HEVC extensions to support the H265 files as Windows Media player and some editors (i.e., Davinci Resolve) will not work with them. Thanks for sharing Billy awesome stuff.
I always tend to do my corrections in post, even if I'm sharpening. The video was just so soft I had to do something about it lol
Davinci Resolve will work with the h265 footage, but only the paid Studio version supports 10 bit (HLG/Dlog-M). 8 bit h265 will load just fine, but you would have to be shooting Normal profile h265 - you would get the compression benefit (better compression means you get more quality for your 100Mbits maximum bitrate), but it will be harder to grade. Maybe BlackMagicDesign will be nice to us at some point and enable 10 bit h265 for the free version, but honestly if you're spending the money for the M2P, just pay for the full version of Resolve and enjoy the awesome grading power of 10 bit footage.
The free version seems to be working fine with the HEVC extensions installed on Windows 10 and I am using Tom's TechTime DLOG-M files. They were not working until I installed the HEVC extensions, then everything starting working with the unpaid version. A number of threads mentioned this so I gave it a try and it worked. I pay for Premiere Pro but some of the color grades I see out here with people using Davinci Resolve look awesome so I am just testing for now. I will pay for the studio version no problem, just checking it out first.
Jack Thanks, gotta give that a try! Would be huge.
DuckMySquee The free link rather than the 1 dollar version (same software, still direct from Microsoft) www.microsoft.com/en-us/p/hevc-video-extensions-from-device-manufacturer/9n4wgh0z6vhq?irgwc=1&OCID=AID681541_aff_7593_159229&OCID=AID681541_aff_7593_1243925&tduid=(ir_wJC0gNTClQca0BAzqwxkEXPhUkjTGXQhW1412Y0)(7593)(159229)()(UUwpUdUnU56397YYwYd)&tduid=(ir_1LV3EHwW9z5wQlhXVgx4KzwgUkgxwdQlGVk9UM0)(7593)(1243925)(tv2R4u9rImY-SVeYsH1XAAJzvnvHgScFQg)()&irclickid=wJC0gNTClQca0BAzqwxkEXPhUkjTGXQhW1412Y0&irclickid=1LV3EHwW9z5wQlhXVgx4KzwgUkgxwdQlGVk9UM0&ranMID=24542&ranEAID=tv2R4u9rImY&ranSiteID=tv2R4u9rImY-SVeYsH1XAAJzvnvHgScFQg&epi=tv2R4u9rImY-SVeYsH1XAAJzvnvHgScFQg&activetab=pivot%3aoverviewtab
Thanks for sharing Billy, great video. I get my M2 next week, can't wait!
Hey Billy, appreciate the time making this video...love the M2P and find the settings you're recommending are much the same as I had set for my P4P & my M2P. Good stuff, keep it coming.
Nice and very helpful, thanks and good work
For those that might not know..... anti-flicker has to do with counter acting the refresh rate if certain devices you might encounter shooting video indoors, such as under some florescent lightning and older computer screens. Generally 60 cycles is used in North America and 50 cycles in UK and Europe.
True enough but how do you change the settings?
@@H20Spy it wonly works in camera auto mode :( iguess
thanks for taking the time to do this!! thumbs up!!
nice video do you use filters?
Billy, great video and very much needed as I've been hunting for this kind of information.... just one suggestion, you speak so fast I found myself having to rewind and re-listen to most of the video to catch the information, it'd be great to slow down slightly. Aside from that a great help and will definitely help me get more from my Mavic 2 👍🏻👍🏻
Billy, I guess I should've said expo, sensitvity and gain. The side to side movements, turning left or right an how fast or slow...Does the mavic 2 even have these options or is that where the cinematic mode comes in?? Just slighty confused on responsive the drone is to the control buttons?
Awesome as always Billy!
Thanks for always creating great content. Loved the video.
Hi Billy. Great video as always. You are promoting heavily D-log, but did not say a word about HLG next to it. Why did you skip it? Isn't it another compression algorithm for exposure and color to get better colour grading? Why did you just ignore it? Is it also connected to Hasselblad colour mode, that DJI is so proud of. It's supposed to better than D-log
Thanks for that. I did hear a lot about the Hasselblad color alignment when they decided to marry the two. I will check it out as DLog has been the standard for all previous models.