NEXT LEVEL Ursa Mini Pro 12K Camera ACCESSORIES
Вставка
- Опубліковано 25 жов 2024
- Hey dudes these are the Ursa Mini Pro 12k camera accessories that I use every day.
They are interchangeable with all my other cameras featured on CC
Blackmagic design electronic view finder
Blackmagic design LANC sidehandle
Blackmagic Design 8TB cloudstore Mini
Small Rig Nato Rail
Small Rig Hawklock Monitor mount
Small Rig Lite Weight Mattebox
NEEWER Sony NPF 970 Batteries
Andycine 4k 7" HDMI 2.0 Touch Screen Monitor
Andycine C7 Lite 7-inch full HD LCD touchscreen monitor, supports HDMI signal, up to 4K 60Hz, professional and rich auxiliary combination tools. C7 Lite monitor has a rich and professional auxiliary tool, waveform, RGB parade, vectorscope, RGB histogram, and a flexible 3D LUT implementation to help you accurate focus and exposure and makes the color calibration easier and more intuitive, optimizes the workflow.
Andycine Micro 95Wh Vmount batteries
ANDYCINE Mini V-Mount Battery V-Lock 95Wh 10A Draw Batteries with Dual D-Tap & USB-A Output to Power Camcorder Cameras
Wooden Camera C-Box HDMI - SDI cross convertor
Angelbird AV PRO SD MK2 V90 SDXC UHS-II 512GB
High Resolution, 4K+ Video Recording with SDXC UHS-II V90 Memory Card
Support the latest DSLR and mirrorless camera technology with our advanced AV PRO SD MK2 V90 (SDXC UHS-II) card. Capture full frame 4K+ resolution video, as well as sequential burst photography in RAW or JPEG formats with fast sustained write performance of 260 MB/s. Built to perform at temperatures ranging from -25° C to 85° C (-13°F to 185°F), allowing for operation in extreme environments such as deserts, high elevations, or arctic conditions.
Angelbird 1TB AV PRO CF CFast 2.0
CFast 2.0 Memory Card for Sustained and Extended RAW Video
Exceptional production quality demands peak performance recording. Our CFast 2.0 cards are the choice of camera manufactures because they lead the industry for highest sustained speed performance throughout the capacity of the card. With a sustained write speed of 450 MB/s, confidently explore uninterrupted shooting in all cinematic modes, including 4K DCI RAW, Ultra HD, and Full HD video, as well rapid burst photography.
Angelbird 256 AV PRO CF CFast 2.0
Angelbird SD UHS-II DUAL CARD READER
Double the SDXC Card Data Transfer and File Offloading
Our SD Dual Card Reader offers single or simultaneous file offloading from SDXC UHS-I and UHS-II memory cards at unrestricted speeds using a USB-C 3.2 Gen 2, up to 10 Gb/s connectivity.
This card reader features a write-protect switch and a recessed connection logic for a secure host connection. The reader also includes adhesive rubber pads for additional operational stability and vibration control and is bus-powered so there are no superfluous power cables to clutter your workspace.
Angelbird Cfast 2.0 CARD READER
CFast 2.0 Card Reader with Unrestricted Transfer Speed
Our CFast Card Reader offloads files from CFast 2.0 memory cards at unrestricted speeds using a USB-C 3.2 Gen 2, up to 10 Gb/s connectivity.
This card reader features a Write-Protect Switch and our Solid Connect™ recessed connection logic for a secure host connection. The reader also includes adhesive rubber pads for additional operational stability and vibration control and is bus-powered so there are no superfluous power cables to clutter your workspace.
Caman Video Camera Handle
The handle is the interface which will be in contact with the hand of the cameraman. During its development, particular attention was given to its ergonomics so that the end-user can focus entirely on his main task, filming
The buttons
The handle is comprised of 4 pressure sensors whose action evolves according to the pressure exerted. For example, the zoom will get faster when pressure is applied, but will slow down if the pressure exerted is lessened. This technology requires a certain amount of adaptation and an intuitive grip.
The media cards I recommend (non affiliate links):
Angelbird AV PRO CFExpress
www.angelbird....
Angelbird PRO SD MK2 V90 (SDXC UHSII)
www.angelbird....
Angelbird SSD2GO PKT MK2 1TB
Partnerships & Monetization transparency :
Affiliate Links : No
Free product in exchange of a review : No
Contract signed with a brand for this video : No
UA-cam Ads : Yes
Product Placement : No
Brands do not control what I make or publish.
All of the equipment used to make this productions has been purchased with our own money.
▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬
The Cine Chimp does not post on any other Social Media Platform. Any other social media account named after this UA-cam channel is fake.
▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬
This project was made with:
DaVinci Resolve 17 Studio
BMD Cameras and Canon Cameras with Cine Primes
Sound mixed in Fairlight
VFX DaVinci Resolve Fusion
Foley Sound Effects Created on location
Music Copyright Supplied by Audiio Sound or Written, Produced and Owned by Cine Chimp
#cinechimp #blackmagicdesign #ursa12k
These are the accessories that I use every day with my Ursa Mini Pro 12k, pocket 6k Pro and pocket 4k. Let me know what your favourite accessories are that you use with your cameras below.
Amazing video!
Kind words brother
This was too fun to watch and I don't even own the Ursa
Thats for the positivity brother! You should try an Ursa they produce awesome images
@@cinechimp Yea I just uploaded a music video BTS I shot with the Ursa (4.6), I love it and use it quite a lot.
I just didn't purchase one yet haha
@@YuvalAloni hey mate I just checked out your video, its a great explainer....
Super nice set-up. I plan to get one of these at some point and would run it pretty similarly to how you have it set up. I'd just add a handle on the left with a wireless follow focus. I"m a solo shooter too - love working that way and spinning many plates. I just want the extra benefits of this camera to pair with my P4K.
oh benefits of the 12k over the pocket 4k are massive, not just in resolution but everything
@@cinechimp main things I'm looking for are the impressive HFR options, better DR, bigger sensor (perfect to pair with my Zeiss Milvus superspeeds) and that fantastic image. not looking forward to the massive file sizes. I'd probably work mainly in 8k (purely for oversampling)... What's the 4K footage like compared to say the P4K?
@@JonasStuart oh its night and day in terms resolution, rolling shutter performance in 8k and HFR. The sensors not that much bigger than the 4k .The DR is better, but for anyone worth their salt as a DP, they should be able to use both in a manner that will please a client. The files sizes in 8k aren't that bad when I compare them to my Canon cameras when shooting RAW - I mean Canon’s RAW is just stupid big. I think you’d have a lot of fun with an Ursa, but the release of the 6K FF pocket could foreshadow what BMD is going to release next in the URSA lineup, so it might pay to lock up your wallet for a while. But if you need one now, look for a good used one for a fair price. I wouldn't recommend buying a 12k now as I think another substantial price drop is coming ...
@@cinechimp I hope you're right on all of the above. I think BMD are behind on shipping new cameras and hopefully it's for a good reason. I want to see more in-house sensors as the 12k sensor was such a revolution - and they dropped it like it was easy. Surely if some of that tech trickles down into cheaper products they would be giant killers.
For now, we're not in a position to upgrade so I'm doing a lot of musing and hoping that while I wait for the right time to buy, we see some nice new products coming in - somehwere between the UMP 12K and the 6KFF - both in terms of price, and capability. Hopefully what ever's next includes dual ISO though, after the P4K, I'd find that difficult in some situations with the 12k
@@JonasStuart Oh I totally agree with you mate. The 12k sensor is amazing. At first I was like who needs 12k, we have barely transitioned to 4k. But then I started using the camera and was totally blown away. I have used it extensively now and it still blows my mind how under rated the camera is. If BMD had just launched the first 3 cameras without so many issues, the brand and 12k in real professional circles would be viewed differently.
The 12k sensor is phenomenal - but yes it does like the light.
Very interesting. I will have to check it out
Please do!
How are the signals coming out of that C-Box hdmi? I see that it’s only HD, but is it still a useable HD on modern monitors when this c-box dropped 9+ years ago? Thanks for putting together this video. It’s been really helpful in setting up my 12K. I’ve been on the hunt for one of these discontinued c-box’s but I sometimes wonder if it’s really worth it or if the HD signal it supplies still holds up.
Hey great question - its great and works perfectly for HDMI. You nailed the exact the point of the video, accessories are a better investment over time. That c-box has been used with countless cameras that have come and gone from my arsenal. Im sure Wooden camera has a newer version, if not someone should make one, but I still wouldn't update as mine still works perfectly.
@@cinechimpThanks so much for the response. Unfortunately, wooden camera hasn’t updated it to keep the HDMI’s included. The closet available is the 12K D-Box, but I really want to keep HDMI as an option. This older C-box is really the only option, but they can be incredibly difficult to find sometimes. So hang onto that one if you like it. Ha. There’s really nothing else like it right now that offers a similarly convenient hdmi conversion.
Oh man what a bummer. Oh I didn’t know that, but know I do - will do sir. @mid49films Ryan is there any chance MID49 could make an updated version of the Wooden Camera C-box? Even I would like to get another one…???
Sad that you missed out to make a statement that in some Cases even the Angelbild CF Cards with max. 480MB are not fast enough writing down the immense data rate of the 12K. For that reason I just only use an Samsung T7 Shield SSD with max. data rate of over 1000MB and this can handle almost all settings of the 12K. And of the best Accessoiries is the original URSA Viewfinder. It give you so much opportunities so that you dont need an external monitor. A good top handle is the most important while using the URSA.
Hey there, I use the dual record function which is fine for all modes with my cards. Maybe my 1tb cards have a bigger buffer. I dont have any issues. Im pretty sure the "sustained write speed is 450MB/s" x 2 is a "sustained" write speed of 900MB/s all the way to the end of the cards. But I only need to do this is HF mode.
From my experience the external drives, once they hit the buffer slow way down and start to drop frames like crazy. My Angelbird cards dont do that in dual card record mode.
Granted you are correct in single card mode, literally every card on the market will drop frames, but I gather thats why BMD added the dual card record mode.
I really hope BMD release a new version of the camera soon that uses CFexpress cards for higher frame rates, and a 16 Bit record mode.
I own the EVF, but its not height adjustable, so I find its uncomfortable to use. The image quality is amazing - but I have never found it great for focus and I cant stand using focus peaking. So currently the external monitor is a better option for the way most people shoot and its cheaper than the EVF, which also offers no signal loop out. But hey man, each to their own.
@@cinechimp Does each card keep their original capacity of 1 TB in Dual Record Mode? So in total you still have 2TB?
@@Jaxplode yep you sure do. But man they go quick in 12k or 8k 120P
@@cinechimp I can imagine… I think about getting two 512gb… Because 1TB only one costs 750€ in Germany…
@@cinechimp At which compression ratio you record in 8K 120p without frame dropping?
Fantastic
any how to vids on how to set all this up for newbies ?
As in what to buy or how to rig?
Okay, am I crazy? Why are people putting monitors on the camera when theres one, almost always right next to where the monitor of the camera is..... I just dont get it.
No not at all mate. As you may know, the monitor on the side of the Ursa mini cameras doesn't fully rotate around, its range of movement is quite limited. Its also small and not great in terms of image quality. The pocket camera screens are far better quality. Another important thing to consider is that the 12k resolution means you require a lager monitor to really see critical focus.
URSA 12k OLPF has been released and is already Netflix approved.... Update please :D
I know right, I just wish Blackmagic design changed the media type to CFexpress so I could use my faster Angelbird cards with the URSA mini 12k Pro g2.....
@@cinechimp Its one of the reasons I am holding off getting a URSA 12K atm. I am hoping they give the URSA 12K more love and updates. Love your channel btw, its one of the reasons I started to look more closely into Blackmagic cameras. Plus I am Australian myself so why not support an Aussie business
@@FilmMastersChannel Oh I totally agree with you mate - hold off until BMD makes some changes. And Gidday brother from France!