Your funny it is e Dorian lol you have a D major becuase the f# is the 2 for e dorian snd is the 3 for D ionion lol D major has a c# and an f# As such you are in e Dorian ..
Good lord. I wasted 24 years of growth towards self-improvement in learning musical theory. All I became was a tab baby and Eddie Van Halen-wannabe. I seriously wish these kinds of tutorial videos, coupled to what should have been a maturing mindset existed when I was starting out. 11/10 on presentation of delivery of examples.
You are not just the best guitar teacher on UA-cam, you are the best guitar/music teacher that I’ve come across in my 27 years of playing guitar. Your lessons some how are a soothing balm, and also stoke the embers of musical creativity. It is such a pleasure to watch your videos. I’m so glad I bought playing through the changes!
I find myself not only fascinated by your playing. I'm also engaged by your fretboard logic and your discourse regarding the theory. The first time that I saw the structure of quartal chords dissected and analyzed was in an article in Keyboard Magazine from 2000 devoted to McCoy Tyner and his playing. ( I'm a casual keyboardist ). Before that article, I didn't know how those cords were made on A Love Supreme. Since then I understand. Modal harmony came to me a lot easier on the guitar then it did on the keyboard. I knew that when one inverted a dominant chord it had a lot of intervals of fourths. But until that article that I mentioned it never dawned on me that I had to replace the tritone interval that's at the bottom by half step increment upward to get a perfect fourth. I like that you explained that there is modal harmony and functional harmony. I'm definitely re-watching the video so that I can see the use of the scales to sound out not only the quatals that I heard but the tertiary chords as well. It's a very interesting video. Thank you😎
You and Signals Sound Studios are seriously the best on the entire UA-cam platform in terms of lessons for guitars. I’ve only found your channel a few weeks ago, but these videos are PACKED with knowledge, I love it. PS: that like/dislike ratio on this video looks mighty fine at 231 - 0 😊
Wow, thanks! That's such a nice compliment. Signals Sound Studios is an AMAZING channel and I love keeping an eye on Jake's videos, so that really means a lot. Thanks! :) -Jared
Really make sense about Dorian harmony Thank you so much. Your demonstrations have very beautiful picking dynamics. Please teach use about picking dynamics when improvisation and amp setting. Best wishes
Dude, second video of yours that popped up. Both videos have been astounding in how effectively they teach me this stuff! Thank you for your efforts to make all this wonderful content!
Incredible teacher ..I'm currently taking Jared's Chords on Command Course... best money i have ever spent on lessons... He has the ability to teach and not leaving you more confused than when you began, that's a gift!
An old Jazz guy I knew used to called these “cheat chords” he used them all the time. Great explanation and lesson. I’ve been using this a little, now I understand it. Thanks ! Liked and subbed. 👍🇦🇺
Awesome! That sound at around 12:00 is pretty cool. I'm not a jazz musician but I like to be inspired by jazz sounds. And also, seems like your channel has a lot of great content. I'm totally subscribing! ☺️
I find this quartal/modal concept far out. But as a "conventional tertiary" guitar player as me, I need to know, in traditional notation, the names of the chords you play from minute 6:54 to 8:03. Thank you and greetings from Venezuela!!
I just watched a video about Herbie Hancock accidentally discovering his love quartal chords when Miles Davis told him not to play the “butter notes” so he cut the fat out of the 3rd and 5th, but turns out Miles actually told him not to play the bottom note and he misheard. Now I know how to get this sound on my guitar, thank you so much
Thanks! I appreciate that. The PDF download should definitely be working. Sorry if it was giving you trouble - not sure why that is. If you're interested just send me an email and I'll give it to your directly, jared@soundguitarlessons.com.
Thanks, Barry! I’m so glad it comes across to you that way. I do indeed want people to learn something that’s actually useful and not just entertaining. Thanks for the comment! :) ~~ cheers, Jared
I'm stuck at the 2:10 to 2:19 Mark. If we go 1-3-5 for each note in the scale, what happens on the Dm chord (iim). Wouldn't it be D - F# - A if we went 1-3-5 from D because going 1-3-5 from C gives C - E - G. ? I mean, I know you lower the 3rd to make it a minor chord, but just in this lesson or way of understanding how to make these chords, I don't understand how to count the intervals off of each successive note in the scale. Hard to explain what I'm struggling with...sorry. It's probably something obvious, too, but I'm struggling with it.
LOL...maybe a simpler way to put it. When making the 4th chords, I understand that on the one, you count 1-4-7 to give you C-F-B but following the same procedure should give you the same chord shape off of the D, but you are playing D-G-C, not D-G-C# and I can't figure out why. Why is the seventh lowered? How do I know to lower it. Is this the same as lowering the 3rd in a 'traditional' minor chord? Sorry, my ignorance here is likely baffling to anyone reading this.
I’ll jump in - when you do a chord scale in the key of C major, you use the C major scale. Start with C 1-3-5 (C-E-G). Move each note up one note in the C major scale and you get Dm. Keep going like that until you get back to C.
I don't know why it wasn't working, but I got it fixed. Thanks again for the comment letting me know of the issue. Here's the full link for your convenience: www.soundguitarlessons.com/3patterns
I don't know why it wasn't working, but I got it fixed. Thanks again for the comment letting me know of the issue. Here's the full link for your convenience: www.soundguitarlessons.com/3patterns
I came here immediately after learning the Shell Voicings and Extensions and all I could think of at 2:40 was "7, sus, sus, M7, sus, sus, sus, 7" lol. These chords all sound ethereal when only played together, but sound completely different when played with tertiary chords. Like, sus chords usually add some tension when played with tertiary chords and are traditionally used to transition between chords with shared notes but they sound purely dreamy in this context.
➡ FREE PDF: Top 3 Pentatonic Scale Patterns for more melodic soloing ➡ bit.ly/3lIQujx
I'm 63 and played since I was 9. I knew this existed & have heard it in my head as well a long time. You made it clear. Thank you.
Thanks, Harold! Glad this helped! ::)
This guy is the best guitar teacher on earth, really I'm amazed how he can simplify things to make every thing totally usable
finally a NO BS, to the point teacher. your very knowledgeable on all aspects of learning the guitar. thanks
I appreciate that. Thanks, Jody! :)
Your funny it is e Dorian lol you have a D major becuase the f# is the 2 for e dorian snd is the 3 for D ionion lol D major has a c# and an f# As such you are in e Dorian ..
This vid rules. And I am so happy to have just discovered this channel
Great Teacher! I saw other videos, and I tell you, some guys can't explain in hours what you explain in 10 or 20 minutes. Thank You so much!
Thanks for watching and thanks so much for the kind and encouraging words :) -Jared
That's true!! Also very genorous!!! Good job man!!
Good lord. I wasted 24 years of growth towards self-improvement in learning musical theory. All I became was a tab baby and Eddie Van Halen-wannabe. I seriously wish these kinds of tutorial videos, coupled to what should have been a maturing mindset existed when I was starting out. 11/10 on presentation of delivery of examples.
You are not just the best guitar teacher on UA-cam, you are the best guitar/music teacher that I’ve come across in my 27 years of playing guitar. Your lessons some how are a soothing balm, and also stoke the embers of musical creativity. It is such a pleasure to watch your videos. I’m so glad I bought playing through the changes!
Best Quartal Harmony Leason on UA-cam!
Great lesson Jared. Been writing about the circle of fifths, which got me thinking about quartal harmony. This video was really insightful 🙏🏻
Thanks, Ry! Great to hear from you here, and glad you found it helpful :) Cheers! -Jared
I find myself not only fascinated by your playing. I'm also engaged by your fretboard logic and your discourse regarding the theory. The first time that I saw the structure of quartal chords dissected and analyzed was in an article in Keyboard Magazine from 2000 devoted to McCoy Tyner and his playing. ( I'm a casual keyboardist ). Before that article, I didn't know how those cords were made on A Love Supreme. Since then I understand. Modal harmony came to me a lot easier on the guitar then it did on the keyboard. I knew that when one inverted a dominant chord it had a lot of intervals of fourths. But until that article that I mentioned it never dawned on me that I had to replace the tritone interval that's at the bottom by half step increment upward to get a perfect fourth. I like that you explained that there is modal harmony and functional harmony. I'm definitely re-watching the video so that I can see the use of the scales to sound out not only the quatals that I heard but the tertiary chords as well. It's a very interesting video. Thank you😎
This quartal chord inversion through pentatonic reminds me Castles Made of Sand from Jimi Hendrix! Awesome guide and thanks for sharing!
You're very welcome!
wow, this unlocked a whole ton of stuff for me. thanks!
Great to hear! ~~
You and Signals Sound Studios are seriously the best on the entire UA-cam platform in terms of lessons for guitars. I’ve only found your channel a few weeks ago, but these videos are PACKED with knowledge, I love it.
PS: that like/dislike ratio on this video looks mighty fine at 231 - 0 😊
Wow, thanks! That's such a nice compliment. Signals Sound Studios is an AMAZING channel and I love keeping an eye on Jake's videos, so that really means a lot. Thanks! :) -Jared
You are fantastic teacher and musician.🙂
That's very kind of you! Thanks for watching :) Cheers ~~ Jared
Brilliant lesson. So much to take in.Thank you.
Really make sense about Dorian harmony Thank you so much.
Your demonstrations have very beautiful picking dynamics.
Please teach use about picking dynamics when improvisation and amp setting.
Best wishes
Dude, second video of yours that popped up. Both videos have been astounding in how effectively they teach me this stuff! Thank you for your efforts to make all this wonderful content!
EXCELLENT JOB!.. I'M LEARNING A LOT WITH YOUR LESSONS. THANK YOU VERY MUCH!...
Thanks - This exactly what I have been looking for on stacked 4ths - you are a talented explainer!
Incredible teacher ..I'm currently taking Jared's Chords on Command Course... best money i have ever spent on lessons... He has the ability to teach and not leaving you more confused than when you began, that's a gift!
You’re the guitar teacher I hope to be. Thank you
Anexcellent .vid , Ive hears of Quartal stuffs but you cleared it all up thanx
Glad it was helpful!
Great clarity with simplicity. Thank you for explaining this concept.
Will be exploring and learning through your channel here onward. Cheers.
Awesome, thank you!
Is there a progression to follow for these fantastic videos because this content is what I dreamed about my whole life.
God bless you Jared.
Thanks for asking. Here's the playlist of this full series in order: bit.ly/37Jenmg
Amazing lesson, you are a great
teacher and guitarist!
Dude, you have a unicycle. So cool 👍 I haven’t ridden one since I was a kid 3 million years ago 😂. Great lesson
Very nice lesson. Presented so well.
Great video Jared!
Thanks, Matt!
Awesome and super clear! Thanks a lot!
thanx so much for the inspiring , outstanding lesson ..... great playing and content
you're welcome and thank you! :)
Amazing lesson! Opens a lot of doors for me! Thanks a lot
Glad it was helpful!
An old Jazz guy I knew used to called these “cheat chords” he used them all the time. Great explanation and lesson. I’ve been using this a little, now I understand it. Thanks !
Liked and subbed. 👍🇦🇺
GREAT overview, THNX.
Glad it was helpful!
A W E S O M E tutorial. thx sooo much.
Glad you liked it! Thanks :) -Jared
Great lesson 🇧🇷 greetings from Brazil
Thanks, and cheers from Seattle! :) -Jared
Amazing explanation. Thank you!
you're welcome!
Very nice lesson, thanks!
Glad you liked it!
Yo, this is good stuff. Thank you.
12:30 very eye-uh -ear-opening. Thanks!
Great lesson!
Thanks, James! Glad you liked it :)
Awesome! That sound at around 12:00 is pretty cool. I'm not a jazz musician but I like to be inspired by jazz sounds.
And also, seems like your channel has a lot of great content. I'm totally subscribing! ☺️
Cheers, thanks!
I find this quartal/modal concept far out. But as a "conventional tertiary" guitar player as me, I need to know, in traditional notation, the names of the chords you play from minute 6:54 to 8:03. Thank you and greetings from Venezuela!!
Nice explanation.
Thanks!
Thanks man!!! You made my day easy....
Glad to hear that!
Excellente leçon !
Excellent ❤
Thanks!
Wow, thanks so much!! :) 🙏
Incredible.
Great lesson!! Thank you
My pleasure! thanks!
❤️🔥 thank you so much
Thank you for this really helpful explanation!!
you're very welcome! :)
Great video dude
Thanks so much! :)
Love this. Thank you!
THANK YOU SO MUCH
You're welcome!
Wow, this got me good
Great content thanks!
Awesome, thank you!
wow, great lesson, thank you
You are welcome!
I just watched a video about Herbie Hancock accidentally discovering his love quartal chords when Miles Davis told him not to play the “butter notes” so he cut the fat out of the 3rd and 5th, but turns out Miles actually told him not to play the bottom note and he misheard. Now I know how to get this sound on my guitar, thank you so much
Thanks for lesson
My pleasure!
Besides the free pdf to lesson that doesn't work at all, you're an excellent awesome fabulous guitarist and teacher.
Be encouraged.
Thanks! I appreciate that. The PDF download should definitely be working. Sorry if it was giving you trouble - not sure why that is. If you're interested just send me an email and I'll give it to your directly, jared@soundguitarlessons.com.
PRICELESS, thank you so much
You are so welcome!
Awesome. Killer video.
thanks!
Thanks from Reddit post!
Thanks for stopping by! :)
" Very Good Job on ( vdc ) Application didact Harmony Lesson ". .. Many Thank. .. So' Nice ... ☺😊😀/💙💙💙/👍👌👏👋
Thanks! :))
Great
Thanks! :)
One can see that you are interested in us actually learning something. You are not merely going through the motions.
Thanks, Barry! I’m so glad it comes across to you that way. I do indeed want people to learn something that’s actually useful and not just entertaining. Thanks for the comment! :) ~~ cheers, Jared
How about the quental voicing?
Good question! Maybe a future video 🤔
How would you name all of the 4tal chords in the key of C at the beginning?
I'm stuck at the 2:10 to 2:19 Mark. If we go 1-3-5 for each note in the scale, what happens on the Dm chord (iim). Wouldn't it be D - F# - A if we went 1-3-5 from D because going 1-3-5 from C gives C - E - G. ? I mean, I know you lower the 3rd to make it a minor chord, but just in this lesson or way of understanding how to make these chords, I don't understand how to count the intervals off of each successive note in the scale. Hard to explain what I'm struggling with...sorry. It's probably something obvious, too, but I'm struggling with it.
LOL...maybe a simpler way to put it. When making the 4th chords, I understand that on the one, you count 1-4-7 to give you C-F-B but following the same procedure should give you the same chord shape off of the D, but you are playing D-G-C, not D-G-C# and I can't figure out why. Why is the seventh lowered? How do I know to lower it. Is this the same as lowering the 3rd in a 'traditional' minor chord? Sorry, my ignorance here is likely baffling to anyone reading this.
I’ll jump in - when you do a chord scale in the key of C major, you use the C major scale. Start with C 1-3-5 (C-E-G). Move each note up one note in the C major scale and you get Dm. Keep going like that until you get back to C.
Impossible to access the PDF!!
Ah shoot, thanks for letting me know. Working on the link issue now.
I don't know why it wasn't working, but I got it fixed. Thanks again for the comment letting me know of the issue. Here's the full link for your convenience: www.soundguitarlessons.com/3patterns
Are Quartal harmonies stacked as 5 semitones above a note ?
As group of 5 semitones above each other
can't seem to access the pdf?
Ah shoot, thanks for letting me know. Working on the link issue now.
I don't know why it wasn't working, but I got it fixed. Thanks again for the comment letting me know of the issue. Here's the full link for your convenience: www.soundguitarlessons.com/3patterns
I came here immediately after learning the Shell Voicings and Extensions and all I could think of at 2:40 was "7, sus, sus, M7, sus, sus, sus, 7" lol.
These chords all sound ethereal when only played together, but sound completely different when played with tertiary chords.
Like, sus chords usually add some tension when played with tertiary chords and are traditionally used to transition between chords with shared notes but they sound purely dreamy in this context.
Important question: Can you ride your unicycle while playing quartal harmony on guitar?
HAHA, yes :) I play the pentatonic patterns on the unicycle in this video: ua-cam.com/video/pe6Yr3lFgio/v-deo.html
Can i use this for playing lead guitar?
Absolutely!
Steely Dan.. do it again?
lol ? yaya theory is so easy. shot me.