неподражаемое исполнение Павла(я так же из Сибири как и он-земляки-сибиряки))),его прочтение,это необыкновенно,ничего подобного от исполнения не испытывала-космос
He is a controlled neat undemonstrative player. I imagine I might leave one his recitals thinking ''that was nice'' however the experience would soon be forgotten.
I heard him play a Chopin+Schubert concert 2 weeks ago in London Wigmore Hall without knowing him beforehand (I was invited, it was a birthday gift to me). I had no expectations whatsoever and went out of politeness. As a great Chopin lover, I'm very fuzzy with performers of his music (most make me cringe). But Kolesnikov's performance instantly has become one of the most memorable performances of Chopin I attended in 30 years, it took him mere 2 minutes into the first piece (a prelude) to convince me. He has the softest, most genuine touch since Richter and can whisper on the piano like only few pianists can, he played the most captivating long crescendo in Nocturne op. 48/1 that I ever heard, starting from true (!) pianissimo all the way to solid forte during climax. I bought his CD of Chopin Mazurkas right away (I really don't do that often) and the recording is fabulous and already another favourite of mine. But I have to emphasize that he leaves the greatest impression in concert. He made the pretty ordinary Wigmore Hall Steinway sound like a different brand and mesmerized the audience, the hall felt empty, it was so quiet. I will definitely go to his concerts again!
What a touch, and such a constantly pretty result. But there is much going on in this piece, dramatic interplays, different emotional weights, which go unnoticed here. In other words, for what reason is he playing this piece? Would be much too uniform a Beethoven cycle, the opposite of what the composer is about. I just heard PK live and thankfully it was not all like this.
Guess I'm hearing the same thing. Sumptuous, sensuous touch, rigorously analytical phrasing. But, no overall coherent scheme. Maybe he'll mature into it.
![5 Pieces by Hans Zimmer \\ Iconic Soundtracks \\ Relaxing Piano [20min]](http://i.ytimg.com/vi/Os47nMrjw_Y/mqdefault.jpg)
![5 Pieces by Hans Zimmer \\ Iconic Soundtracks \\ Relaxing Piano [20min]](/img/tr.png)
His playing really is awesome-- so delicate and nuanced and yet there's a dynamism to it that is thrilling. This is what musicianship is.
Why don't we hear more of Kolesnikov. This is genius
My god that was good. I've heard him one other time and fell in love with him. Will watch for him now. Hope he continues to seek out UA-cam.
Kolesnikov really enters the composer's world here, producing a performance of great polish and character. One of the best I've heard!
Does the world need another complete Beethoven cycle? If Pavel Kolesnikov records one, it certainly does!
неподражаемое исполнение Павла(я так же из Сибири как и он-земляки-сибиряки))),его прочтение,это необыкновенно,ничего подобного от исполнения не испытывала-космос
Pure genius!
Pavel Kolesnikov is truely a dancer on the keyboard
Why so many haters? This is great
He is a controlled neat undemonstrative player. I imagine I might leave one his recitals thinking ''that was nice'' however the experience would soon be forgotten.
I heard Pavel play the Moonlight sonata two years ago and I will never forget it ..
I heard him play a Chopin+Schubert concert 2 weeks ago in London Wigmore Hall without knowing him beforehand (I was invited, it was a birthday gift to me). I had no expectations whatsoever and went out of politeness. As a great Chopin lover, I'm very fuzzy with performers of his music (most make me cringe). But Kolesnikov's performance instantly has become one of the most memorable performances of Chopin I attended in 30 years, it took him mere 2 minutes into the first piece (a prelude) to convince me. He has the softest, most genuine touch since Richter and can whisper on the piano like only few pianists can, he played the most captivating long crescendo in Nocturne op. 48/1 that I ever heard, starting from true (!) pianissimo all the way to solid forte during climax.
I bought his CD of Chopin Mazurkas right away (I really don't do that often) and the recording is fabulous and already another favourite of mine. But I have to emphasize that he leaves the greatest impression in concert. He made the pretty ordinary Wigmore Hall Steinway sound like a different brand and mesmerized the audience, the hall felt empty, it was so quiet. I will definitely go to his concerts again!
really beautiful,
AB
What a touch, and such a constantly pretty result. But there is much going on in this piece, dramatic interplays, different emotional weights, which go unnoticed here. In other words, for what reason is he playing this piece? Would be much too uniform a Beethoven cycle, the opposite of what the composer is about. I just heard PK live and thankfully it was not all like this.
I get your point but I don't mind at all. Such softness and yet contrast!
You should allow for different feelings and moods of reception
Guess I'm hearing the same thing. Sumptuous, sensuous touch, rigorously analytical phrasing. But, no overall coherent scheme. Maybe he'll mature into it.
@@jonnsmusich
ty ...
one always wonders, and I do not hear much of the third at all , but for sure the first two