Cambini have played the viola in a string quartet with Luigi Boccherini, Pietro Nardini and his teacher Manfredi for six months in 1767. This quartet is the first formation of this emerging genre in Italy, if not in all of Europe. Cambini is in Paris at the beginning of the 1770s, composed oratorios, concert compositions, as well as chamber, symphonic, and theatrical compositions (there are almost 14 operas, of which at least 12 were performed in Paris. In addition, there are some ballets that aroused the admiration of Christoph Willibald Gluck, and he performed his violin concertos ( managed by François-Joseph Gossec). More than 600 compositions were published with his name in the French capital until 1800. Mozart was envious of his success. Lovely - thanks for sharing.
Lovely, undemanding music, with just enough substance to keep you involved in the journey. Cambini was a refreshing composer who was at odds with Mozart (or vice-versa), but that could've just been because he was from the same sunny peninsula as Clementi, another Italian contemporary Mozart trashed. Nonetheless, Cambini's music stands on its own. Thanks for sharing.
Enjoyable music sounds quite old fashion ed amid baroque and Classic style (with a hint of Sturm und drang). Avoid the comparison with Mozart 's k 364! Poor Cambini!
In music, a composition either succeeded or failed. Neither the musical style nor the time (date) composed is important! Just one example: Antonín Vranický Cello Concerto in D minor - each note is in its "natural" place (!) You can listen to it endlessly. (!) Of time: past, present, future. A.Mozart did not influence musical style - just a few (random) examples - Giuseppe Scarlatti ("Dove è amore è gelosia" 1768.); Pasquale Anfossi ("La finta giardiniera" 1773); André Grétr's („L’Amant jaloux" , 1778.); Joseph Schuster -("Il Marito Indolente", 1782.); Giovanni Paisiello ("Barber of Seville" 1782.); " Giuseppe Gazzaniga ("Don Giovanni Tenorio", 5.02.1787.).... Today you have "twisted logic", that A.Mozart was "the measure of all things" - Without these mentioned composers (and many others) there is no Mozart's music.
@@stefanstamenic3640 Yes of course Mozart absorbed all the styles and the manner of every composers of his time. He had an astonishing ability to get influences, elaborating them in a original way. This is one of his features that according to all serious musicologists he owned at a high level. Furthermore we must judge the quality of the compositions: and in this field Mozart is quite unreachable.
@@andreagriseri7656 Yes, because many masterpieces are "thrown away - forgotten". Here are just two examples, Soler, Sarti. The representatives of music turned a deaf ear when Mozart said "Bravo - Una cosa rara" in "Don Giovanni"; they should have explained to us, presented, why Mozart said that. Instead, they forgot Soler's operas. With Soler "- Una cosa rara" you have the "optimal" number of notes; with A. Mozart you always have "too many notes". Giuseppe Sarti. The greatest success, they say, was his opera "Fra i due litiganti il terzo gode" 1782. (dramma giocoso, Libretto Le nozze di Carlo Goldoni, Prima rappr. 14 settembre 1782, Teatro Teatro alla Scala di Milano) - Later I pretendenti delusi (1782, Venice); Le nozze di Dorina (1784, Naples); And pretenders delus (1784, London); Dorina contrastata( Paris). Of course Mozar followed all that - he inserted the of the aria "E viva i litiganti!" into the final banquet of his "Don Giovanni"; even in its variations (K. 460). And most importantly, for the history of music and ideas: the complicated finale of the first act of Sarti's opera also served as a model for the finale of the last act of Mozart's The Marriage of Figaro. Unfortunately, there is no Sarti opera on the Internet.
I do completely agree. The importante of operatic Italian music (i would add Galuppi, Traetta) Is underrated. Only Cimarosa and Paisiello survive out of the essays on music's history. Mozart took inspiration from them. Them he overcame all but this Is another story. Rossini Donizetti are sons of the great composers of the previous century
This is yet another precious instrumental jewel that was left out of the well-known musical treasure.
they are immeasurable in number!
🌹🌹🌹🌹🌹🌹🌹🌹🌹
Assad Naeem -- Momtaz...ilHamdulAllah...BRAVO min Acapulco!
@@steveegallo3384 You must have appreciated him for his interest in your music, instead of....
Encore un morceau excessivement plaisant à écouter , délicat et subtil. Merci
Cambini have played the viola in a string quartet with Luigi Boccherini, Pietro Nardini and his teacher Manfredi for six months in 1767. This quartet is the first formation of this emerging genre in Italy, if not in all of Europe. Cambini is in Paris at the beginning of the 1770s, composed oratorios, concert compositions, as well as chamber, symphonic, and theatrical compositions (there are almost 14 operas, of which at least 12 were performed in Paris. In addition, there are some ballets that aroused the admiration of Christoph Willibald Gluck, and he performed his violin concertos ( managed by François-Joseph Gossec). More than 600 compositions were published with his name in the French capital until 1800. Mozart was envious of his success. Lovely - thanks for sharing.
Interesting information about this composer. Thanks for sharing it.
Manfredini ?
Non era già morto Manfredini ?
Escutei há tempos os quintetos para sopros, ótima oportunidade de conhecer uma Sinfonia Concertante de Cambini.
Bravissimo
Lovely. Ty
Beautiful sinfonia by Cambini! Thanks for sharing it.
This wonderful and comfortable feelings are unrivaled, indescribable, and immeasurable
Piękna muzyka, przyjemnie się jej słucha.
💙💙💙
Pretty extensive and beautiful Sinfonia/(sonata-esque thingy lol)!
It is a Symphony
Lovely, undemanding music, with just enough substance to keep you involved in the journey. Cambini was a refreshing composer who was at odds with Mozart (or vice-versa), but that could've just been because he was from the same sunny peninsula as Clementi, another Italian contemporary Mozart trashed. Nonetheless, Cambini's music stands on its own. Thanks for sharing.
Fantastic and distracted..
Please stop with your meaningless comments. It is obvious English is not your first language. None of your comments make one bit of sense.
Humorously and fun.
Metric and benevolent.
Jose Davila Traavieso -- Praise or Curse? Greetings from Acapulco!
@@steveegallo3384 both.
@@steveegallo3384 both.
@@steveegallo3384 it's both because are dedicated.
Enjoyable music sounds quite old fashion ed amid baroque and Classic style (with a hint of Sturm und drang). Avoid the comparison with Mozart 's k 364! Poor Cambini!
In music, a composition either succeeded or failed. Neither the musical style nor the time (date) composed is important! Just one example: Antonín Vranický Cello Concerto in D minor - each note is in its "natural" place (!) You can listen to it endlessly. (!) Of time: past, present, future. A.Mozart did not influence musical style - just a few (random) examples - Giuseppe Scarlatti ("Dove è amore è gelosia" 1768.); Pasquale Anfossi ("La finta giardiniera" 1773); André Grétr's („L’Amant jaloux" , 1778.); Joseph Schuster -("Il Marito Indolente", 1782.); Giovanni Paisiello ("Barber of Seville" 1782.); " Giuseppe Gazzaniga ("Don Giovanni Tenorio", 5.02.1787.).... Today you have "twisted logic", that A.Mozart was "the measure of all things" - Without these mentioned composers (and many others) there is no Mozart's music.
@@stefanstamenic3640 I agree all the points.
@@stefanstamenic3640 Yes of course Mozart absorbed all the styles and the manner of every composers of his time. He had an astonishing ability to get influences, elaborating them in a original way. This is one of his features that according to all serious musicologists he owned at a high level. Furthermore we must judge the quality of the compositions: and in this field Mozart is quite unreachable.
@@andreagriseri7656 Yes, because many masterpieces are "thrown away - forgotten". Here are just two examples, Soler, Sarti. The representatives of music turned a deaf ear when Mozart said "Bravo - Una cosa rara" in "Don Giovanni"; they should have explained to us, presented, why Mozart said that. Instead, they forgot Soler's operas. With Soler "- Una cosa rara" you have the "optimal" number of notes; with A. Mozart you always have "too many notes". Giuseppe Sarti. The greatest success, they say, was his opera "Fra i due litiganti il terzo gode" 1782. (dramma giocoso, Libretto Le nozze di Carlo Goldoni, Prima rappr. 14 settembre 1782, Teatro Teatro alla Scala di Milano) - Later I pretendenti delusi (1782, Venice); Le nozze di Dorina (1784, Naples); And pretenders delus (1784, London); Dorina contrastata( Paris). Of course Mozar followed all that - he inserted the of the aria "E viva i litiganti!" into the final banquet of his "Don Giovanni"; even in its variations (K. 460). And most importantly, for the history of music and ideas: the complicated finale of the first act of Sarti's opera also served as a model for the finale of the last act of Mozart's The Marriage of Figaro. Unfortunately, there is no Sarti opera on the Internet.
I do completely agree. The importante of operatic Italian music (i would add Galuppi, Traetta) Is underrated. Only Cimarosa and Paisiello survive out of the essays on music's history. Mozart took inspiration from them. Them he overcame all but this Is another story. Rossini Donizetti are sons of the great composers of the previous century
Strange things.