Yes!! I noticed this when I saw that some of the best artist's time-lapse only ever used simple brushes like a round brush and an air brush and I was confused as to why their work had so much more charm. I later figured out its: 1. Having so much skill with those couple of brushes. Knowing how to make the most out of them, use them everywhere and make them look good. 2. Knowing their software well. A lot of cool little things they did was simply because they had a good idea of how their software works! Like blending modes, layer masks, etc. All of these are little tips they've either naturally discovered over time or found out from someone else but no one really talks about them and hence it took me over 8 months of drawing to realize that layer masks can make my life so much easier. 3. Tiny little bits of tricks they've learned over the year. They're skillful with their tools and have some things only they know that they've learned over the years of messing around with their tools. Those tiny little things can go a long way and also adds so much charm to your art. Maybe it's how you pick colors, maybe it's a neat little way you've learnt to add extra light (like how Neytirix just maker their art go 10× better by simply adding finishing golden lights), etc. Overall, I think it's just messing around and developing skills!
omg I would actually be so grateful for info on how to use layer masks, I've seen so many people use them but I never get how they work and how to harness their potential ToT
Coming from physical media, brushes are what kept me out for so long. I could never find a brush that felt right. Recently I've reached a point where I am ready to make the leap and learning how to MAKE the brush I wanted is what has changed everything. Even in phjysical media, everybody has different pen/pencil preferences and the more you do, the more that preference is solidified. I'm blown away by how close to physical pens I can get with a simple ipad.
For painting, you can simplify even further: Lasso Tool + Soft Brush/Airbrush With the Lasso Tool to create selections you can easily do hard edges or combination hard and soft edges or create gradients or simulate textures. Now, some people more used to trad tools may not like this combination because it breaks their painting process and spontaneity, but for everyone else more into illustration then this combo is killer. Other tools I use are the hard opacity brush, bucket tool for color flats, and magic wand to make quick selections using color flats. Completely agree with Brad that mastering the brushes mentioned are all you need and will allow you to use variants and special brushes. Sometimes nothing beats a specialty brush, but you can do 100% of your painting with just the aforementioned brushes. Next steps are understanding color theory and how light/color affect your subject and environment.
Every time you upload a video my drawings improve exponentially. You can explain things so perfectly succinct that I get that "how did I not realize this, it's so obvious!" feeling each time
Sir you're back! I've been practicing your tutorials. So far, I'm still not that good at perspective but I'm still working hard on it. I did learned how to shade well with pencils lately. Tysm
That part about it taking his whole life to draw like a child but mastering more complex art forms in a short amount of time- I felt that. Lol I talk about that all the time as I endeavor to simplify my art style for illustrating children’s books. I can’t believe how complicated something so simple can be for me.
I love the intro... this me, in bird form, starting youtube tutorials as a new owner of a Wacom trying to figure out why my brush strokes don't look like those in tutorials I've watched! 😅
Oo as a self-taught artist since childhood, this just made digital art so much simpler to me. Thank you for explaining the basics - I'm fairly confident in my abilities, but get overwhelmed by photoshop HUGE possibilities! Your breakdown in this video is super useful 👌
Ur vids are soo helpfull much better than those 3min Drawing tutorials where someone just draws a head and expects you to follow all the steps. Please upload more vids ur the best.👍👍👍👍
I think it is better to stick to 4 or 6 brushes for everything over 50. I learned much faster after I squashed all those ''second versions'' and rare uses because I focused more on how to take the best of the few tools I had.
As much as I use GIMP, I disable all of its built-in "brush dynamics" presets (by removing the config entry for the relevant folder), for two reasons: 1 - I'm not really at a point where all those presets even matter, 2 - because the presets are read-only, GIMP won't let you tweak their settings on the fly AT ALL, which all but forces you to use manual dynamics _anyway._ To go into a bit of detail about how GIMP handles attributes: - Basic brush attributes (stamp, size, shape, edge hardness, opacity) can be adjusted on the fly for every painting tool as a standard part of that tool's options. (By "stamp" I mean the underlying intrinsic shape of the brush itself: circle, square, pattern, etc.) - "Dynamics" attach further customization to the above attributes, in particular the ability to map them to parameters from the input device -- for example, linking width or opacity to the input pressure of a drawing tablet (complete with adjustable response curves too, so for example I can make a "high contrast" curve that yields full opacity from less-than-full pen pressure and/or avoids false-positives from super light pen pressure) - Most GIMP resources have built-in presets (brush shapes, color palettes, patterns/gradients, etc), and _(as a rule)_ these presets are read-only so if you want to tweak one you must create a duplicate of it first. *This is really only a problem with "dynamics",* as it's something you might want to make on-the-fly adjustments to in certain occasions (and not all the time).
Holy moly thank you. This was what I was looking for today. It's so hard for me to figure out what different brushes achieve and this at least gives me a great foundation.
This is incredibly useful. I thought I had to find the ultimate one brush that had all of these characteristics and somehow I would be able to do hard and soft lines with just one brush. Thank you, now I just have to find these 4 art brushes for each thing and I'll be good to go finally. Thank you so much
This is a brilliant video. Thank you SOOO SOOO MUCH for this. I am always so overwhelmed by all these brushes and choices and value packs... I have no idea what to use and how... And you explaining it so easy and accessible. Thank you
Different brushes literally affect my art style! Even sketch brushes! I have two sketch brushes I like to use depending on what I want to draw. I still haven’t found a inking brush I feel comfortable using though but even with those I pick and choose depending on the vibe of the piece. Though I often don’t get past the sketching part of my process 💀
I got to the point where i just raised the opacity of the round brush and added a pressure and slight angle tapering, and that worked out fine for me. Clean lines for line work with good dynamics for line weight.
It's really interesting to me that my own workflow consists of all these brush types, despite the fact that I've never actually taken the time to learn.
This is a pretty good way to categorize you brushes. What artists do mean when they say the brush does npt matter, is that a special brush is not going to magically make the same quality art as the artist you are asking the question too. The only brushes where I can see this a valid question, is with special effect brushes, or very specific texture brushes. I do think the brush matters a lot when making digital drawing and painting, but you need to find your own preferences, the brushes that suit your interests and your way of working. I love to use textured flat brushes, especially when I can vary the orientation of the brush tip with my Wacom tablet and can control the pressure for the amount of texture I want. It is just a very fun way to work.
I'm first trying to master a simple fine liner brush that doesn't react to pressure and speed in order to first learn precision so that my lines are only minimally shaky and go where I need them for simple basic shapes. I'm currently having a lot of trouble getting back into it after not practising for a long time and being stuck on simple perspective drawings of block-shaped buildings for weeks, with the ink precision brush in Krita with stabilization set to zero. At the beginning, when I started learning, I didn't come up with this idea and my Wacom 3 tablet at the time was too intensive for me with the pressure changes. I only pressed a little more and the line became very wide, and that led me to try to make the pressure more even and adjust it even more finely. The result was that my drawing hand quickly hurt after a few minutes and became cramped. So it wasn't any fun at all. At least I could have practised drawing first, and I don't need to be so precise with the printing for brushes for acrylic paints, for example, but I didn't just want to paint rough acrylic pictures. Years later, I got a new tablet from which I could be sure that these problems would not occur, but unfortunately I hardly had any time or energy to learn to draw and am now catching up on the whole thing.
If y'all want to paint such oil or water color painting make sure you use a texture paper brush and use overlay blending mode to get the feeling of an actual painting 👌🏻
May i ask if you can do the "cell shading color trick," where you start with "grey colors and turning them to specific color you wish," your tutorials had always been a cure for my depression
Hey, so I know you haven’t been posting recently as it shows that you’re latest post was 10 months ago, but I have been very intrigued and trying for these draw for these past couple of weeks and I was wondering if you could do a lesson on how to draw hair and ears because those the two things I can always mess up. thank you!!!!
i am scared of technology and learning new things so i only ever use the hard opacity brush! round one for my lining and a square one for my coloring. feels just like drawing with markers :)
I wish we could of known which specific brushes were used in procreate in this video (with all the properties if some were modified). Unless these are shared in the courses ?
Brad, as an aspirant animator I've been learning from your drawing for beginners playlist, but only one thing I'm finding missing that is how to draw human bodies, that is not covered in those videos or any other video in your channel. It'd complete the entire concept of drawing characters if you could make a video about drawing human bodies. A humble request to you for this one, please! 🙏🏻
I feel like finding a good inking brush is hardest, at least for me. The pressure sensitivity and the taper just tend to always feel slightly off to me. In Procreate I have only found a few that really feel good. Still haven’t found one with the pressure sensitivity I like on PS despite using if for much longer. In fact, Krita default brushes feel better to me than PS and I can’t quite pinpoint why.
Hi Brad. Love tour content. Haver you ever thought of doing a "learn How to draw for kids"? I miss a more direct, less talking and structured way to teach a kid on How to draw instead of Just a specific object. It would be also less time consuming to create it.
I literally just found this channel yesterday and was so sad to see you'd stopped posting here, I must have manifested your return
Yes!! I noticed this when I saw that some of the best artist's time-lapse only ever used simple brushes like a round brush and an air brush and I was confused as to why their work had so much more charm. I later figured out its:
1. Having so much skill with those couple of brushes. Knowing how to make the most out of them, use them everywhere and make them look good.
2. Knowing their software well. A lot of cool little things they did was simply because they had a good idea of how their software works! Like blending modes, layer masks, etc. All of these are little tips they've either naturally discovered over time or found out from someone else but no one really talks about them and hence it took me over 8 months of drawing to realize that layer masks can make my life so much easier.
3. Tiny little bits of tricks they've learned over the year. They're skillful with their tools and have some things only they know that they've learned over the years of messing around with their tools. Those tiny little things can go a long way and also adds so much charm to your art. Maybe it's how you pick colors, maybe it's a neat little way you've learnt to add extra light (like how Neytirix just maker their art go 10× better by simply adding finishing golden lights), etc.
Overall, I think it's just messing around and developing skills!
omg I would actually be so grateful for info on how to use layer masks, I've seen so many people use them but I never get how they work and how to harness their potential ToT
Coming from physical media, brushes are what kept me out for so long. I could never find a brush that felt right. Recently I've reached a point where I am ready to make the leap and learning how to MAKE the brush I wanted is what has changed everything. Even in phjysical media, everybody has different pen/pencil preferences and the more you do, the more that preference is solidified. I'm blown away by how close to physical pens I can get with a simple ipad.
For painting, you can simplify even further: Lasso Tool + Soft Brush/Airbrush
With the Lasso Tool to create selections you can easily do hard edges or combination hard and soft edges or create gradients or simulate textures. Now, some people more used to trad tools may not like this combination because it breaks their painting process and spontaneity, but for everyone else more into illustration then this combo is killer. Other tools I use are the hard opacity brush, bucket tool for color flats, and magic wand to make quick selections using color flats. Completely agree with Brad that mastering the brushes mentioned are all you need and will allow you to use variants and special brushes. Sometimes nothing beats a specialty brush, but you can do 100% of your painting with just the aforementioned brushes. Next steps are understanding color theory and how light/color affect your subject and environment.
Agreed. Learning keyboard shortcuts is a total must with that method, but it's completely worth it.
I'm so glad there's a new video on this channel! Thanks Brad.
Every time you upload a video my drawings improve exponentially. You can explain things so perfectly succinct that I get that "how did I not realize this, it's so obvious!" feeling each time
Just saw the beginning and this already deserves the thumbs up! This is pure gold!!!
Sir you're back! I've been practicing your tutorials. So far, I'm still not that good at perspective but I'm still working hard on it. I did learned how to shade well with pencils lately. Tysm
This is one of the most valuable channels on UA-cam! Thank you for your time!
He's backkkk
Yay
He is hereeeeee
finally 🎉
Yep after 9 months 🎉🎉🎉🎉🎉
Yep he forgot his yt password again...
We need you man! Why left this channel!!! ❤
Yay! New Brad Art School video!!
Very informative. Thank you!
When the world needed him the most, HE RETURNED
OMG! New video! I’m so excited!!
When the world needed him he came back he got me into drawing after I quit :)
That part about it taking his whole life to draw like a child but mastering more complex art forms in a short amount of time- I felt that. Lol I talk about that all the time as I endeavor to simplify my art style for illustrating children’s books. I can’t believe how complicated something so simple can be for me.
So happy you are back!
I love the intro... this me, in bird form, starting youtube tutorials as a new owner of a Wacom trying to figure out why my brush strokes don't look like those in tutorials I've watched! 😅
Oo as a self-taught artist since childhood, this just made digital art so much simpler to me. Thank you for explaining the basics - I'm fairly confident in my abilities, but get overwhelmed by photoshop HUGE possibilities! Your breakdown in this video is super useful 👌
Are you okay, I just realized your latest video is 1 year ago. You are an AwEsOmeeee teacher!
Ur vids are soo helpfull much better than those 3min Drawing tutorials where someone just draws a head and expects you to follow all the steps. Please upload more vids ur the best.👍👍👍👍
Thank you for uploading, I am a complete beginner and love how you set up your videos!
Fantastic video. I feel like you really hit on what new painters need in this video!
I think it is better to stick to 4 or 6 brushes for everything over 50.
I learned much faster after I squashed all those ''second versions'' and rare uses because I focused more on how to take the best of the few tools I had.
As much as I use GIMP, I disable all of its built-in "brush dynamics" presets (by removing the config entry for the relevant folder), for two reasons: 1 - I'm not really at a point where all those presets even matter, 2 - because the presets are read-only, GIMP won't let you tweak their settings on the fly AT ALL, which all but forces you to use manual dynamics _anyway._
To go into a bit of detail about how GIMP handles attributes:
- Basic brush attributes (stamp, size, shape, edge hardness, opacity) can be adjusted on the fly for every painting tool as a standard part of that tool's options. (By "stamp" I mean the underlying intrinsic shape of the brush itself: circle, square, pattern, etc.)
- "Dynamics" attach further customization to the above attributes, in particular the ability to map them to parameters from the input device -- for example, linking width or opacity to the input pressure of a drawing tablet (complete with adjustable response curves too, so for example I can make a "high contrast" curve that yields full opacity from less-than-full pen pressure and/or avoids false-positives from super light pen pressure)
- Most GIMP resources have built-in presets (brush shapes, color palettes, patterns/gradients, etc), and _(as a rule)_ these presets are read-only so if you want to tweak one you must create a duplicate of it first. *This is really only a problem with "dynamics",* as it's something you might want to make on-the-fly adjustments to in certain occasions (and not all the time).
Wow as a beginner this video taught me a lot. Thank you for this great video❤
Great video and channel, thank you! Best regards from Argentina!
Holy moly thank you. This was what I was looking for today. It's so hard for me to figure out what different brushes achieve and this at least gives me a great foundation.
You are a great teacher and this was a very well done, and helpful video. Thank you!
I like to use an ink brush for base colouring, cell shading and hard detailing, pencil for sketching, and air brush for soft shading.
This is incredibly useful. I thought I had to find the ultimate one brush that had all of these characteristics and somehow I would be able to do hard and soft lines with just one brush. Thank you, now I just have to find these 4 art brushes for each thing and I'll be good to go finally. Thank you so much
I think I'm going to sign up for your class. Thanks for making these videos.
I'm so happy to see another video.
This is a brilliant video. Thank you SOOO SOOO MUCH for this. I am always so overwhelmed by all these brushes and choices and value packs... I have no idea what to use and how... And you explaining it so easy and accessible. Thank you
I really enjoyed seeing you again... well... in a way 😅
Thank you so much for the new video!
Greetings from Germany🙋♀️
Thanks for another excellent and practical video! The efforts you put into explaining and creating these videos are insanely impressive.
thanks! very helpful! i was always skeptical about the brushes as i use them randomly!
Different brushes literally affect my art style! Even sketch brushes! I have two sketch brushes I like to use depending on what I want to draw. I still haven’t found a inking brush I feel comfortable using though but even with those I pick and choose depending on the vibe of the piece. Though I often don’t get past the sketching part of my process 💀
I got to the point where i just raised the opacity of the round brush and added a pressure and slight angle tapering, and that worked out fine for me. Clean lines for line work with good dynamics for line weight.
@@wmoros4902 oh that’s a good idea! I might try that!
It's really interesting to me that my own workflow consists of all these brush types, despite the fact that I've never actually taken the time to learn.
I love your theory and training videos! (I mean, really, I love them all - but you get my point!)
Great to see this one! 😁🎨
MY BOY IS BACK! I miss your videos so much
AWESOME INFO BRAD. THANKS FOR THE TIPS. GOD BLESS.
This is a pretty good way to categorize you brushes. What artists do mean when they say the brush does npt matter, is that a special brush is not going to magically make the same quality art as the artist you are asking the question too. The only brushes where I can see this a valid question, is with special effect brushes, or very specific texture brushes.
I do think the brush matters a lot when making digital drawing and painting, but you need to find your own preferences, the brushes that suit your interests and your way of working. I love to use textured flat brushes, especially when I can vary the orientation of the brush tip with my Wacom tablet and can control the pressure for the amount of texture I want. It is just a very fun way to work.
The return of the best art teacher
I'm first trying to master a simple fine liner brush that doesn't react to pressure and speed in order to first learn precision so that my lines are only minimally shaky and go where I need them for simple basic shapes.
I'm currently having a lot of trouble getting back into it after not practising for a long time and being stuck on simple perspective drawings of block-shaped buildings for weeks, with the ink precision brush in Krita with stabilization set to zero.
At the beginning, when I started learning, I didn't come up with this idea and my Wacom 3 tablet at the time was too intensive for me with the pressure changes. I only pressed a little more and the line became very wide, and that led me to try to make the pressure more even and adjust it even more finely.
The result was that my drawing hand quickly hurt after a few minutes and became cramped.
So it wasn't any fun at all.
At least I could have practised drawing first, and I don't need to be so precise with the printing for brushes for acrylic paints, for example,
but I didn't just want to paint rough acrylic pictures.
Years later, I got a new tablet from which I could be sure that these problems would not occur, but unfortunately I hardly had any time or energy to learn to draw and am now catching up on the whole thing.
Very interesting! It helps sorting out all that jungle of brushes.
Ohh finally you're back .
Wow I didn’t realize brad made a brand new channel! Can’t wait for the next videos to come😊
This is the best video about brushes
Brad, you're the greatest!
Moreee videosssss we want!!!!🎉🎉❤
If y'all want to paint such oil or water color painting make sure you use a texture paper brush and use overlay blending mode to get the feeling of an actual painting 👌🏻
Thanks a lot for ThaitVideo bc i am trying to learn digital Art but The Main Thinge to overwhelm have always been the Trillion brushes!
New vid. Good job. Make some more tutorials!
I love the bird! and the entire video too, of course 🙂
Welcome back sir
I am from India 🇮🇳
That's very helpful! I am a beginner and I hoarded hundreds of brushes in Procreate and have no idea how to use them :)
thanks fot the new video!! best art teacher ever
It was nice of your kid to do the parrot voice despite the SAG-AFTA strike
Yay finally another video ❤
Wish i remember all your lessons when i actually start drawing
Guys I’m kinda worried. His socials aren’t active since last year too.
Any one able to see if he’s doing okay?
Incredibly helpful thanks 🎉
Welcome back
May i ask if you can do the "cell shading color trick," where you start with "grey colors and turning them to specific color you wish," your tutorials had always been a cure for my depression
Brad thanku so much for quality content
Thank you I like this tricks so much 👏🎇👏
I just started drawing today with your channel. please come back!!!
Hey, so I know you haven’t been posting recently as it shows that you’re latest post was 10 months ago, but I have been very intrigued and trying for these draw for these past couple of weeks and I was wondering if you could do a lesson on how to draw hair and ears because those the two things I can always mess up. thank you!!!!
Sooo cool, much needed ! Thanks
Your videos are just amazing! They made me want to draw more and more :)
I wanted such video and you posted like you listened me
Yeah you back I love your videos they are so funny and I learn something too 😂
very useful explanation! Thank you
Facts! Great video!
awesome vid!!! thank you so much!!!!
i am scared of technology and learning new things so i only ever use the hard opacity brush! round one for my lining and a square one for my coloring. feels just like drawing with markers :)
This is the video i needed!!!!
the bird 🤣
😂😂
Thank you so much for the tips. I'll use them on Infinite Painter.
Thank you soooooo much
thankss helped me a lot
Great video 👏thanks.
HE CAME BACK YESSSSS
The first 20 secs already killed me 😂 love your work!
You are the best!!!
I wish we could of known which specific brushes were used in procreate in this video (with all the properties if some were modified). Unless these are shared in the courses ?
Brad, as an aspirant animator I've been learning from your drawing for beginners playlist, but only one thing I'm finding missing that is how to draw human bodies, that is not covered in those videos or any other video in your channel. It'd complete the entire concept of drawing characters if you could make a video about drawing human bodies. A humble request to you for this one, please! 🙏🏻
Thank you so much for useful tips=3
Recommend a built-in procreate brush for each of the four types?
I feel like finding a good inking brush is hardest, at least for me. The pressure sensitivity and the taper just tend to always feel slightly off to me. In Procreate I have only found a few that really feel good. Still haven’t found one with the pressure sensitivity I like on PS despite using if for much longer. In fact, Krita default brushes feel better to me than PS and I can’t quite pinpoint why.
I regret using Opacity and pencil brush. Its not good for my artstyle heheh. I will stick to ink brush it fits well.
I loved it Thanks🎉
Waiting for next video
solid pen and pencil brushes are for me, I never got good with using the air brush though, it always made it look terrible
Je ne parle pas anglais
Mais merci, tu m'a aidé ❤
dammit why did I get this recommended AFTER learning this stuff??
Hi Brad. Love tour content. Haver you ever thought of doing a "learn How to draw for kids"? I miss a more direct, less talking and structured way to teach a kid on How to draw instead of Just a specific object. It would be also less time consuming to create it.