Bluecoats 2007. Stick flip into a ping. Find the lot video and laugh for 10 minutes. Sounds like a midi but better. Video is by Behundagut or something like that. Shot is somewhere after the 4:20 mark. Side shot of the snareline.
Some of the best drummers you will meet. Clean as hell with a ridiculous book too. Monsters with a great touch. Dynamics and quad arounds are backkkkk baby!
No matter how you feel about the perc scores, you have to admit that this was the most musical battery this year. They understand that music isn’t just playing a ton of notes on the page and adding in heights: there is so much you can do with shaping and interpreting time and even different articulations. All while hitting drums at the exact same time. Bravo. “Content” isn’t just how difficult the music on the page is
Having said that, the music on the page, while not just RAM RAM, is also extremely difficult, and the execution is eye-opening. I couldn’t be happier these guys after missing a year. How can something like that even happen?!
Definitely worth using headphones on this. They sound so good. There is something about their touch. It's delicate, elegant and solid at the same time. So musical and such dynamic range.
Besides all of aforementioned things (clean, musical, balanced).. The QUANTITY of notes they are pushing out is something to note too.. but they achieved quantity and quality this year ❤
There's other lines that have tight snare lines. There's others that have tight bass lines. However, SCV always kills the competition with their tenor lines.
A massive shockwave erupts from the center of a vast, crowded landscape. The sky is torn open, just for a moment, bathed in a violent, fiery orange-red hue, while debris and dust swirl into the air in a spiraling vortex. The source of the explosion is a single, colossal 9-man shot, emanating from a line sharper than a razor’s blade, perched under the edge of a tree’s shadow. All 9 sticks glowing white-hot, an intense burst of energy rippling outward. The shockwave pushes everything before it-boulders, trees, and even the very air itself-disintegrating it into a cloud of vaporized matter. The impact can only be described as a massive mushroom cloud of smoke and fire billows upward into the atmosphere, resembling a miniature nuclear explosion. The sound is deafening, a thunderous crack that shakes the earth itself, far more powerful than any conventional weapon's blast. The earth itself envies how the line stole its earthquake, channeling every tremor and harnessing the force into a single, focused strike. You can almost feel the pulse of the blast radiating outward as the entire landscape is swept into chaos. The light that would have been generated from their actions would have been able to distort the horizon, turning everything around it into a wash of surreal color and motion. It’s the loudest, most destructive sound imaginable-far surpassing anything you’ve ever heard before.
Does anyone know how the subdivide metronome compares to the Tonal Energy metronome? I am perhaps Tonal Energy's biggest fan, but it's not perfect, and I'm curious if subdivide is trying to be a genuine competitor in terms of functionality, or if the functionality got simplified along with the design.
Hello! Subdivide is meant to be a powerful metronome in terms of functionality, even behind the simple design. We recently released our first version, which includes a core set of features including programmable tracks. We're also actively working on bringing more features to Subdivide in a thoughtful way. The next things to launch will be count-off and repeat functionality within tracks. We'd love for you to give it a try and let us know any important features that might be missing for you. Always looking to get feedback from more people.
Hey there! Subdivide actually started on Android in 2016. We took it off the Play Store because we've learned a lot after rebuilding everything for iOS and we didn't feel like it was up to our current standards. We're hoping to be able to bring an improved Android version back in the future.
The shot at 16:27 is the most together, blended, beautiful shot I have ever heard.
Star of Indiana 1993 has some crazy shots too
93 Crossmen snareline as well
Bluecoats 2007. Stick flip into a ping. Find the lot video and laugh for 10 minutes. Sounds like a midi but better. Video is by Behundagut or something like that. Shot is somewhere after the 4:20 mark. Side shot of the snareline.
Some of the best drummers you will meet. Clean as hell with a ridiculous book too. Monsters with a great touch. Dynamics and quad arounds are backkkkk baby!
No matter how you feel about the perc scores, you have to admit that this was the most musical battery this year. They understand that music isn’t just playing a ton of notes on the page and adding in heights: there is so much you can do with shaping and interpreting time and even different articulations. All while hitting drums at the exact same time. Bravo. “Content” isn’t just how difficult the music on the page is
Not to mention that a musical battery is just HALF of what a true Sanford winner is. Their front ensemble was as top tier as they always are.
Tasty🤌🤌
Always the most nuanced writing with Rennick, but dynamic contrast helps a lot.
I totally agree. They have a level of expression and a delicateness to their ensemble sound that you didn't see anywhere else.
Having said that, the music on the page, while not just RAM RAM, is also extremely difficult, and the execution is eye-opening. I couldn’t be happier these guys after missing a year. How can something like that even happen?!
Definitely worth using headphones on this. They sound so good. There is something about their touch. It's delicate, elegant and solid at the same time. So musical and such dynamic range.
Barely one tick in site. Those tenor boys show BD how it's really done
Besides all of aforementioned things (clean, musical, balanced).. The QUANTITY of notes they are pushing out is something to note too.. but they achieved quantity and quality this year ❤
for real, when I watched the show for the first time I literally thought, "this is just the percussion sectional with occasional brass accompaniment"
I watched their snare subs... holy crap their playing is straight out of a movie
I was shocked that they weren't rank 1 (by a long shot) the entire season, to be honest
Someone PLEASE post a finals judge's tape! Damn!
“I smell a Sanford.”
he ain't lyin
Like the marker?!🤣
Center snare is choked SO far up that at sticks in his hands damn near touch. That is nuts.
Are you playing in this video?
@@stopplayinggames5250 No. I was at the lot. This has been my favorite snare line all season.
There's other lines that have tight snare lines. There's others that have tight bass lines. However, SCV always kills the competition with their tenor lines.
this is like a whole new type of clean... absolutely ridiculous
Hearing these guys in person was an experience
snares at 10:29, so meaty. favorite break
I dig how the 8th note warm up highlights the tuning on the tenors.
10:58 mmm yes I smell it too
13:46 “type shit” 😭
15:45 those shots 😋😋😋
This is new to me but never too late to experience such gentle magic!! Thank you and bless all of you.🌈🔥❤🎶🎵🌹🇺🇸🐾🐾💕💚🪴💕💖🌈
Feels like I’m watching an old school cadets line
10:59 damn right
19:48 omg bass that was just stupid wtf😂😂😂
Y’all 3:29 got me like 💃
A massive shockwave erupts from the center of a vast, crowded landscape. The sky is torn open, just for a moment, bathed in a violent, fiery orange-red hue, while debris and dust swirl into the air in a spiraling vortex. The source of the explosion is a single, colossal 9-man shot, emanating from a line sharper than a razor’s blade, perched under the edge of a tree’s shadow. All 9 sticks glowing white-hot, an intense burst of energy rippling outward. The shockwave pushes everything before it-boulders, trees, and even the very air itself-disintegrating it into a cloud of vaporized matter. The impact can only be described as a massive mushroom cloud of smoke and fire billows upward into the atmosphere, resembling a miniature nuclear explosion. The sound is deafening, a thunderous crack that shakes the earth itself, far more powerful than any conventional weapon's blast. The earth itself envies how the line stole its earthquake, channeling every tremor and harnessing the force into a single, focused strike. You can almost feel the pulse of the blast radiating outward as the entire landscape is swept into chaos. The light that would have been generated from their actions would have been able to distort the horizon, turning everything around it into a wash of surreal color and motion. It’s the loudest, most destructive sound imaginable-far surpassing anything you’ve ever heard before.
You should write more. 🤍
20:34 piss clean
Does anyone know how the subdivide metronome compares to the Tonal Energy metronome? I am perhaps Tonal Energy's biggest fan, but it's not perfect, and I'm curious if subdivide is trying to be a genuine competitor in terms of functionality, or if the functionality got simplified along with the design.
Hello! Subdivide is meant to be a powerful metronome in terms of functionality, even behind the simple design. We recently released our first version, which includes a core set of features including programmable tracks. We're also actively working on bringing more features to Subdivide in a thoughtful way. The next things to launch will be count-off and repeat functionality within tracks.
We'd love for you to give it a try and let us know any important features that might be missing for you. Always looking to get feedback from more people.
8:47
1:21
Subdivide app for android please.
Hey there! Subdivide actually started on Android in 2016. We took it off the Play Store because we've learned a lot after rebuilding everything for iOS and we didn't feel like it was up to our current standards. We're hoping to be able to bring an improved Android version back in the future.
13:30
Harris Eric Robinson William Martinez Jessica
Wilson Betty Smith Deborah Lopez Barbara
Always some random bro saying really dumb shit on camera lol
15:43
2:39
6:40
12:33
15:44