The reason why it so low is the cylindrical bore/single reed configuration. It means in terms of physics the air in the instrument resonates with a primary wave than is two times longer than the instrument. This is two times lower than most other wind instruments like recorders and oboes which are conical (or closed at one end like flutes) and resonate at the length of the instrument. Modern clarinet also have that feature, and they indeed have a very low register compared to the size of the instrument as well. An oboe for example, is more or less the same size as a clarinet but the clarinet goes much lower. Interestingly enough, this cylindrical shape is also why the clarinet overblows to the twelfth and not the octave like other wind instruments. In the case of the chalumeau, that means there is no attainable high register, which makes for a instrument very low for its size, but also unable to go to the high notes that you would expect.
Your analysis is correct, but I don't think the single reed has anything to do with it. The Duduk is a double reed, and because of its cylindrical bore it also has that low sound. (Btw, it took me forever to find an explanation of what's going on with the oboe. "r sin(r)" is the operative term.) It's the fact that the reed of whatever type makes it a stopped pipe.
@Flexprog thank you so very much for the science behind this instument! 🎶🎉🎶. I have always loved the lower register instruments and as beautifully surprised by this one.
Really interesting thanks. Just a side query... the modern flute is cylindrical, not conical. Yet has the same properties you describe as being inherent in conical bore instruments. Is there something different about the modern flute, is it because it is metal usually?
I actually made a chalumeau for a music appreciation class I took: had to make an instrument, and, as an amateur woodworker, figured I could do it. Jumped almost 10 feet when I blew the first note on it (I knew it was supposed to be low, but it still surprised me). I should get it out again, and maybe make the rest of the consort....
I am a retired instrument maker - made harps for Lyon and Healy for about 15 years and did violin restoration in Chicago and built mechanical action pipe organs in Melbourne Australia. I'd love to know where you found the information to make one of these.
@@argonwheatbelly637 this is basically a clarinet :) without high register and with few keys, even the tone is very similar, especially compared not to modern instruments, but to 5 keyed instruments of Mozart's era. there is even a clarinet register named "chalameau" after this instrument (and covering basically its extension). a reedy recorder is a non sense (I think you are distracted by the shape of the instrument), a saxophone is not a good parallel (in my opinion) - this could be compared to popular clarinets or to duduk (in tone).
Thanks for your video. I have three C chalumeaux ( two from Sansluthier, Spain, and a Tupian chalumeau, German, I think). They are marvellous instruments and I can asure you I have a great time playing them. Best wishes from Spain.
I really like the sound of this instrument, a lot more than I thought I was going to. It sounds to me like a clarinet, but slightly warmer and sweeter. At first I thought 'it sounds like the clarinet's low range' and then they mention at 6:20 that the clarinet's low range was actually based off it.
This is a really fantastic introduction to this wonderful instrument - thank you! I do have to set the record straight on Graupner though. I don't understand why he is so often introduced as a "harpsichord player" and not a "composer" or as the capellmeister (for nearly 50 years!) of the court of Hesse-Darmstadt. In fact he was one of the most prolific composers that history has produced. He probably did not compose quite as much as Mr Music himself (Telemann) but a closer inspection of Graupner's music reveals significantly more invention, emotional depth, and, over his lifetime, style development, than his contemporary. His around 1400 cantatas (83 involving at least one chalumeau) would take over 2 weeks to play through if performed 24/7! Moreover, his collaboration with his librettist brother in law, Johann Conrad Lichtenberg, amounts to the most productive librettist-composer relationship in German and possible any language *of all time*! So one wonders how much more he would have to have composed to be properly recognised as a composer! And then the portrait. There is sadly no portrait of Graupner - we will never see his likeness. However, due to the double edged sword that is the image search engine, many people now mistakenly use one of two portraits of other men for Graupner. The first is the portrait of his boss, Landgrave Ernst-Ludwig. The second, the one in your video, is actually of Johann Christoph Bach. That portrait has become associated with Graupner because of another common misconception (not propagated in your video!), that Graupner's full name is Johann Christoph Graupner. In fact his name is just Christoph Graupner. However, he did have a son with the name Johann Christoph Graupner, which is how the name confusion first arose! Here is a wonderful example of the chalumeau in action in a Graupner cantata (video starts at 1.29.52): ua-cam.com/video/eEVQ7-nWfCM/v-deo.html (I call it the "peppa pig chorale")
I love Graupner's music - he wrote a brilliant Sinfonia featuring the timpani. It's apparently thanks to him rejecting the position at the Thomaskirche in Leipzig that Bach gained the recognition he had in his lifetime.
He implemented a major development in composition for the timpani which sadly, due to the impounding of his music after his death, did not spread to the developing classical style. I am talking about the use of more than the "baroque standard" of two timpani. In fact he composed 68 cantatas which included 3, 4 and on three occasions, 5 drums. With the latter, the timpani can often play along with the bass instruments! Here is one of his last works, the 1753 Christmas cantata which includes 4: ua-cam.com/video/DM6aKtNAuZA/v-deo.html
I first heard about this instrument when in discussion with a great jazz tenor saxophone player from England called Don Weller, around fifty years ago. Don was a great fan of J.S.Bach, and himself was taught to play the clarinet at the British army school of music. Don became one of the legends of British jazz, and once or twice when we played together at a jazz gig, he would lean across to me and whisper the word" Chalumeau" which meant that he was going to play his horn at very low pressure, and in the lower register. I subsequently learned that the word chalumeau had nothing to do with pressure, but was related to the sound that Don wanted to hear from his saxophone. The chalumeau is a beautiful instrument, and I send thanks for this lovely upload. More of these films please.
What a lovely use of vibrato in the first tune. I also love the slightly less dense sound as compared to the modern clarinet; The owl analogy is super accurate. This combined with the oboe sounding like a duck if a duck could sing like a lark and the flute sounding like a regular songbird, I'm really starting to fill out my woodwind ornithology catalogue😇. It's nice that some instruments aren't meant to sound like the human voice.
ua-cam.com/video/3cHwsMWksSw/v-deo.html You miss Vox Humana stop on pipe organ. It is supposed to mimic male voice, but to my ears it sounds more like kermit the frog.
BEAUTIFUL sound. Between recorder and oboe, I believe. I love this. It is very sad that we have lost it in modern times. We need this sound!! With the thee together= my ears are in love.
Liebe Katherine Spencer, schöner läßt sich eine solche Instrumentenvorstellung nicht denken: genau richtig in der Länge, dabei SO VIEL (augenzwinkender) CHARME! Einfach wunderbar, auch das Trio: DANKE an Alle fürs Teilen! - Dear Katherine Spencer, such an instrument presentation couldn't be more beautiful: just right in length & with SO MUCH sparkling CHARM! Simply wonderful, including the trio: THANK YOU ALL for sharing!
I'm more than delighted to have just discovered your channel. You all play so beautifully and I'm looking forward to a lot of wondrful listening and learning as I go through all of your epsisodes. Thank you!
BRAVO! As a retired oboist, I am thrilled to say that I have never heard of the Chalumeau family. What a lovely sound. I am glad you touched upon the reed. Oddly enough, after a year as a clarinetist I switched to oboe and found the oboe much easier for me (other than the reed making ... 🙂
Being a baroque music lover, I've come to know a thing or two about instruments from that era; but I didn't know anything serious about the chalumeau until I saw this video, so thank you so much, Katherine!
oh boy 😁... something new under the sun for me... I worked at learning the clarinet many years ago... I'm in love... thanks so very much for sharing ❣️
I would like the specifications for making one of these excellent instruments ... maybe my lovely wife will even let me practice in the house this time 😉
Love this video. I'm currently learning the chalumeau (i have only a tenor) and its such a joy playing graupners works. Vivaldis writing for tenor (the little there is) has eluded me though, its so difficult and very high. Graupner seems to understand the instrument better imo.
where can i buy a decent quality one or a starting chalumeau, ive been playing recording for like 10 years... i love it but i want to start playing the chalumeau too...
How delightful! I knew about the chalumeau and listen to recordings of Telemann, Vivaldi et al, but I imagined them to be much bigger instruments. I might get some recordings of Graupner too.
It took a lot of keywork to close the gaps between registers, and produce the clarinet as we now know it. I have experimented with cylindrical bore instruments, using a membrane reed: the result sounds much like a crumhorn, although a bit louder. Since I made them of copper pipe, using plumbing fixtures for a reed cap, I dubbed them "plumbhorns". I even once made a set of smallpipes based on the same principle...
You play beautifully!! And such character in your trio! This video is one of those that really puts out not as known info that needs to get out there, thank you!!
Everything I ever learned about chaleumeau was from a Carthusian monk named Carl. Miss Carl eternally haven't seen him for over 40 years. He's long gone to Heaven. He was a loving and kind teacher. Would play chaleumeau for us and make glass. He loved Graupner. Jesus blessed us when he made Carl.
Well done Katherine, excellent programme. Your chalumeau sounds and looks rather like the Duduk, an eastern moorish six holed thing which is played with a massive double reed rather like a bassoon reed. That too has a beautiful haunting sound but much wilder and Arabesque than your chalumeau. Like the flute, oboe or bassoon these simple instruments have a much more appealing sound quality but more limited in scope than a full Boehm system. It seems the more holes they have the more it looses its beauty in favour of efficiency. Angela and I love your playing and miss it lots. Keep up the good work on the 'Liquorice Stick', or Gobbo'! (clarinet nick names!) Many cheers, James
Dearest James and Angela. How wonderful to hear from you. I often think on you both. Glad you liked my little video and I loved reading your comments. As you know I ALWAYS learn something important when I talk to you both. Hope to see you over Easter time when playing subsides a bit to allow space to do other fun and wonderful things. See you both then. Much love Katherine
I used to have a clarinet trio. We played both Graupner's suites but they didn't like the first. I'm sure with the help of this video they will love it.
Very nice video and very beautiful playing, and instrument sound. I would have liked a bit more explanation on the technical part of the chalumeau. Like sound emission, range... For instance I know they are single-reed instruments usually but I don't know if all of them are.
There is/was a gentlemen in the Cape area of South Africa, selling his home-made chalumeaus and reed flutes on the festival circuit. I bought a Chalumeau from him, but don't know what happened to it. It sounded a bit like a saxophone.
It's basically like a Pre-Baroque Clarinet w/ a Simple Range. The Tenor Reeds in the Bass Clef sounding an Octave higher than written, the Bass version reads in the same Bass Clef but sounds as written.
@@Cornodebassetto Yes but Vivaldi wrote Music for it in Bass Clef (RV 558) because he wanted to keep all of the notes on the Staff. The fingerings are all the same but they sound different as far as pitch goes.
@@RockStarOscarStern634 the fingerings are the same but the pitches are not. Regarding clefs Telemann used treble for the alto chalumeau and bass for the tenor in his double concerto.
@@RockStarOscarStern634 okay, but the fact remains that clef convention was different for many composers. One could have the same discussion about Mozart’s use of the bass clef for the basset horn and basset clarinet. Just because Vivaldi did it one doesn’t mean that that was the only way. Having played early clarinets and chalumeaux (professionally) I’ve come across many different notations. It doesn’t mean they are all wrong. It means that the performer has to learn to interpret what is there.
I use shoelaces for ligatures on all my single reed instruments: modern clarinets of all sizes, saxophone, tárogató, xaphoon (a bamboo chalumeau made in Hawaii!). I find they give the best tone and response of any ligature I've ever used.
It's an ordinary shoestring, best when it's a men's dress shoelace. Pino recommends cutting off the tip at one end, then to start wrapping it around the mouthpiece and reed, then to take the tip at the other end through one of the last loops and pull it tight. The result performs like a German-styleq cord ligature, but will still hold in place on French-style mouthpieces that don't have the ridges to hold the cord in place.
Can we please get a video on the Bass Chalumeau? I know the information might be a lot like this one but it would be amazing to hear it’s tone and usage during the time period
The reason why it so low is the cylindrical bore/single reed configuration.
It means in terms of physics the air in the instrument resonates with a primary wave than is two times longer than the instrument. This is two times lower than most other wind instruments like recorders and oboes which are conical (or closed at one end like flutes) and resonate at the length of the instrument.
Modern clarinet also have that feature, and they indeed have a very low register compared to the size of the instrument as well. An oboe for example, is more or less the same size as a clarinet but the clarinet goes much lower.
Interestingly enough, this cylindrical shape is also why the clarinet overblows to the twelfth and not the octave like other wind instruments.
In the case of the chalumeau, that means there is no attainable high register, which makes for a instrument very low for its size, but also unable to go to the high notes that you would expect.
Well thank you very much for that I’m very much enlightened.
Your analysis is correct, but I don't think the single reed has anything to do with it. The Duduk is a double reed, and because of its cylindrical bore it also has that low sound. (Btw, it took me forever to find an explanation of what's going on with the oboe. "r sin(r)" is the operative term.) It's the fact that the reed of whatever type makes it a stopped pipe.
@Flexprog thank you so very much for the science behind this instument! 🎶🎉🎶. I have always loved the lower register instruments and as beautifully surprised by this one.
Actually they can play in the high register, the Fasch concerto goes quite high, I know from experience having performed it on soprano chalumeau
Really interesting thanks. Just a side query... the modern flute is cylindrical, not conical. Yet has the same properties you describe as being inherent in conical bore instruments. Is there something different about the modern flute, is it because it is metal usually?
the woman explaining this is adorable, so passionate
I know, it's a pleasure to watch.
...and an excellent musician to boot!
A pleasure to watch and to listen.
indeed
What a beautiful sounding instrument!
Thank you
I actually made a chalumeau for a music appreciation class I took: had to make an instrument, and, as an amateur woodworker, figured I could do it. Jumped almost 10 feet when I blew the first note on it (I knew it was supposed to be low, but it still surprised me). I should get it out again, and maybe make the rest of the consort....
Sounds a very good plan go for it
Please do. 🎼🎶💕
If you got to manufacture a chalumeau you are quite a skilled amateur woodworker :O
where did you find the plans?
I am a retired instrument maker - made harps for Lyon and Healy for about 15 years and did violin restoration in Chicago and built mechanical action pipe organs in Melbourne Australia. I'd love to know where you found the information to make one of these.
It's lovely. Like a reedy recorder, but without the brassy conical sound of the sax. Sounds like it can hold its own nicely, in a consort or not.
I think you’re trying to say clarinet
@@mattmiller8614 : No. I meant sax.
Ahhh... you meant as compared to the recorder... no, a reedy recorder is not a clarinet. Rather different.
@@argonwheatbelly637 this is basically a clarinet :) without high register and with few keys, even the tone is very similar, especially compared not to modern instruments, but to 5 keyed instruments of Mozart's era. there is even a clarinet register named "chalameau" after this instrument (and covering basically its extension). a reedy recorder is a non sense (I think you are distracted by the shape of the instrument), a saxophone is not a good parallel (in my opinion) - this could be compared to popular clarinets or to duduk (in tone).
@@argonwheatbelly637 he means that what you are describing (in between saxofone and recorder) is a clarinet :)
The performance here of La Speranza is just so so good. Please post more videos of Chalumeau pieces like that
Lovely tone. The consort pieces were utterly charming. And thank you for the history of the instrument
My pleasure
Thanks for your video. I have three C chalumeaux ( two from Sansluthier, Spain, and a Tupian chalumeau, German, I think). They are marvellous instruments and I can asure you I have a great time playing them. Best wishes from Spain.
Thank you for making a video that does its job! No distractions, no clickbait, no nonsense.
What an absolute delight. Have always wanted to know about the chalumeau. An owl singing in the breeze. Thank you!
I really like the sound of this instrument, a lot more than I thought I was going to. It sounds to me like a clarinet, but slightly warmer and sweeter. At first I thought 'it sounds like the clarinet's low range' and then they mention at 6:20 that the clarinet's low range was actually based off it.
This is a really fantastic introduction to this wonderful instrument - thank you! I do have to set the record straight on Graupner though. I don't understand why he is so often introduced as a "harpsichord player" and not a "composer" or as the capellmeister (for nearly 50 years!) of the court of Hesse-Darmstadt. In fact he was one of the most prolific composers that history has produced. He probably did not compose quite as much as Mr Music himself (Telemann) but a closer inspection of Graupner's music reveals significantly more invention, emotional depth, and, over his lifetime, style development, than his contemporary. His around 1400 cantatas (83 involving at least one chalumeau) would take over 2 weeks to play through if performed 24/7! Moreover, his collaboration with his librettist brother in law, Johann Conrad Lichtenberg, amounts to the most productive librettist-composer relationship in German and possible any language *of all time*! So one wonders how much more he would have to have composed to be properly recognised as a composer!
And then the portrait. There is sadly no portrait of Graupner - we will never see his likeness. However, due to the double edged sword that is the image search engine, many people now mistakenly use one of two portraits of other men for Graupner. The first is the portrait of his boss, Landgrave Ernst-Ludwig. The second, the one in your video, is actually of Johann Christoph Bach. That portrait has become associated with Graupner because of another common misconception (not propagated in your video!), that Graupner's full name is Johann Christoph Graupner. In fact his name is just Christoph Graupner. However, he did have a son with the name Johann Christoph Graupner, which is how the name confusion first arose!
Here is a wonderful example of the chalumeau in action in a Graupner cantata (video starts at 1.29.52): ua-cam.com/video/eEVQ7-nWfCM/v-deo.html (I call it the "peppa pig chorale")
I love Graupner's music - he wrote a brilliant Sinfonia featuring the timpani. It's apparently thanks to him rejecting the position at the Thomaskirche in Leipzig that Bach gained the recognition he had in his lifetime.
Interesting
He implemented a major development in composition for the timpani which sadly, due to the impounding of his music after his death, did not spread to the developing classical style. I am talking about the use of more than the "baroque standard" of two timpani. In fact he composed 68 cantatas which included 3, 4 and on three occasions, 5 drums. With the latter, the timpani can often play along with the bass instruments! Here is one of his last works, the 1753 Christmas cantata which includes 4: ua-cam.com/video/DM6aKtNAuZA/v-deo.html
I first heard about this instrument when in discussion with a great jazz tenor saxophone player from England called Don Weller, around fifty years ago. Don was a great fan of J.S.Bach, and himself was taught to play the clarinet at the British army school of music. Don became one of the legends of British jazz, and once or twice when we played together at a jazz gig, he would lean across to me and whisper the word" Chalumeau" which meant that he was going to play his horn at very low pressure, and in the lower register. I subsequently learned that the word chalumeau had nothing to do with pressure, but was related to the sound that Don wanted to hear from his saxophone. The chalumeau is a beautiful instrument, and I send thanks for this lovely upload. More of these films please.
That’s a wonderful story
Utterly fantastic sound and color and I've been playing bassoon for 47 years!
What a lovely use of vibrato in the first tune. I also love the slightly less dense sound as compared to the modern clarinet; The owl analogy is super accurate. This combined with the oboe sounding like a duck if a duck could sing like a lark and the flute sounding like a regular songbird, I'm really starting to fill out my woodwind ornithology catalogue😇. It's nice that some instruments aren't meant to sound like the human voice.
ua-cam.com/video/3cHwsMWksSw/v-deo.html
You miss Vox Humana stop on pipe organ. It is supposed to mimic male voice, but to my ears it sounds more like kermit the frog.
I think some organs have a mode called vox humana
Lovley🎶🙏🎶
I love her enthusiasm.
Your interpretation of Graupner's La Speranza is not only the best I've ever heard but brings whole new light.
What a wonderful and lovely introduction to the chalumeau. This goes straight to my "favorites" playlist 👌
BEAUTIFUL sound. Between recorder and oboe, I believe. I love this. It is very sad that we have lost it in modern times. We need this sound!! With the thee together= my ears are in love.
er -- we do have it -- it is the lower register of the clarinet.
What an absolute delight to the ears! And such a lovely "show and tell" generously given by Mrs Spencer (and her two colleagues)! 🥰
Before I saw this video, I knew nothing about the chalumeau, and I didn't know there even was a Graupner. So this wins for instruction and delight.
Gorgeous sound! THANK YOU for introducing this lovely instrument to the world. Fantastic sound.
I 3d printed one that uses a regular clarinet mouthpiece, and the low register always gets a wow from people!
Where did you get the directions for this?
Are the STLs for this public? Ngl I wouldn't mind seeing what it's like to play one of these
Such a beautiful sounding trio. I have to get one now!
This was a beautiful discovery of a rainy afternoon. Thank you so much!
Twas my pleasure
Lovely Introduction to the Chalumeau--Bravo to Katherine and her musician friends! Best wishes, Albert (Al) Rice
How could you not love this alluring instrument? Truly it' s charming enough to melt the heart of the fiend.
A lion tamer indeed !
Delightful! I really enjoy the warmth of the instrument - very pleasant to listen to. …great performance as well. Thank you.
Lovely video. The music is enchanting and the commentary delightful. Thank you.
Liebe Katherine Spencer, schöner läßt sich eine solche Instrumentenvorstellung nicht denken: genau richtig in der Länge, dabei SO VIEL (augenzwinkender) CHARME! Einfach wunderbar, auch das Trio: DANKE an Alle fürs Teilen! - Dear Katherine Spencer, such an instrument presentation couldn't be more beautiful: just right in length & with SO MUCH sparkling CHARM! Simply wonderful, including the trio: THANK YOU ALL for sharing!
I love this series of videos. The music is beautiful, and the history of these instruments is fascinating.
I'm more than delighted to have just discovered your channel. You all play so beautifully and I'm looking forward to a lot of wondrful listening and learning as I go through all of your epsisodes. Thank you!
it has such a pleasing tone
I can easily picture the jaunty medieval musicians gallivanting about
while they play a lively gigue
8 months later...what an achingly evocative pleasing sound
Thanks for sharing. What a beautiful sound!
wonderful video - thank you!
Very very beautiful video. Bellísimo vídeo. Muchas gracias.
BRAVO! As a retired oboist, I am thrilled to say that I have never heard of the Chalumeau family. What a lovely sound. I am glad you touched upon the reed. Oddly enough, after a year as a clarinetist I switched to oboe and found the oboe much easier for me (other than the reed making ... 🙂
What a tender sound!! Very nice! Thank you!
Lovely video, very interesting! They first Graupner was just perfection.
Wonderful demonstration and overview of this unusual instrument. Thank you.
Thank you.
Maravilloso. Muchas gracias, maestra.
Such a beautiful sound!
I enjoyed this immensely! Thanks to you and your chalumeau!
I love the tone of this instrument!
Such a lovely instrument....and the lady ♥
These guys are amazing!!!!! 😍😍😍
Very instructive.
I loved it!
Thank you.
What a beautiful sound!
Being a baroque music lover, I've come to know a thing or two about instruments from that era; but I didn't know anything serious about the chalumeau until I saw this video, so thank you so much, Katherine!
I like this instrument. Very nice color to it.
How gorgeous! Thank you!
What an amazing instrument. Never knew they even existed but I'm glad I found them.
Super great teaching skills on musical history. 🤔
Beautiful sound, I love it!
Amazing! Thank you very much!
So interesting & Wonderful to listen to!
oh boy 😁... something new under the sun for me... I worked at learning the clarinet many years ago... I'm in love... thanks so very much for sharing ❣️
I would like the specifications for making one of these excellent instruments ... maybe my lovely wife will even let me practice in the house this time 😉
Lovely! If I wasn't already busy working on my shawm, cornamuse and crumhorn playing, I would be very tempted.
Go on !
Love this video. I'm currently learning the chalumeau (i have only a tenor) and its such a joy playing graupners works. Vivaldis writing for tenor (the little there is) has eluded me though, its so difficult and very high. Graupner seems to understand the instrument better imo.
where can i buy a decent quality one or a starting chalumeau, ive been playing recording for like 10 years... i love it but i want to start playing the chalumeau too...
Many of the historical clarinet makers make them such as guy Cowley and van de poel
I think the early music shop from the uk might have a few.
How delightful! I knew about the chalumeau and listen to recordings of Telemann, Vivaldi et al, but I imagined them to be much bigger instruments. I might get some recordings of Graupner too.
Love the beautiful low sound it has
It took a lot of keywork to close the gaps between registers, and produce the clarinet as we now know it.
I have experimented with cylindrical bore instruments, using a membrane reed: the result sounds much like a crumhorn, although a bit louder. Since I made them of copper pipe, using plumbing fixtures for a reed cap, I dubbed them "plumbhorns". I even once made a set of smallpipes based on the same principle...
Fascinating!
Fascinating. Thank you for sharing your passion
You play beautifully!! And such character in your trio! This video is one of those that really puts out not as known info that needs to get out there, thank you!!
Soulful sound.
Absolutely love your style!
Everything I ever learned about chaleumeau was from a Carthusian monk named Carl. Miss Carl eternally haven't seen him for over 40 years. He's long gone to Heaven. He was a loving and kind teacher. Would play chaleumeau for us and make glass. He loved Graupner. Jesus blessed us when he made Carl.
What a coincidence! I just ordered my new chalumeau yesterday. I can't wait for it to arrive!
How exciting !
Awesome video, thanks!
Well done Katherine, excellent programme. Your chalumeau sounds and looks rather like the Duduk, an eastern moorish six holed thing which is played with a massive double reed rather like a bassoon reed.
That too has a beautiful haunting sound but much wilder and Arabesque than your chalumeau.
Like the flute, oboe or bassoon these simple instruments have a much more appealing sound quality but more limited in scope than a full Boehm system. It seems the more holes they have the more it looses its beauty in favour of efficiency.
Angela and I love your playing and miss it lots.
Keep up the good work on the 'Liquorice Stick', or Gobbo'! (clarinet nick names!)
Many cheers, James
Dearest James and Angela. How wonderful to hear from you. I often think on you both. Glad you liked my little video and I loved reading your comments. As you know I ALWAYS learn something important when I talk to you both. Hope to see you over Easter time when playing subsides a bit to allow space to do other fun and wonderful things. See you both then. Much love Katherine
So beautiful
And the lady herself is pretty expressive 😀
Incredible musical instrument,never heard of it
You are not alone!
Beautiful!!!
What a lovely sound! No wonder you love it!
That Graupner trio is exquisite!
Wow a beautiful sound xx
Beautiful!
I need one
💗this harmony.
I used to have a clarinet trio. We played both Graupner's suites but they didn't like the first. I'm sure with the help of this video they will love it.
Evangelise
Beautiful and unexpected sound. Would be wonderful to see these old instruments return to popularity
Very cool.
I love You!! Thank you all for this video. I love my chalumeau too 💙
Sometime I use fluo cotton cord for holding my reed :)
Very nice video and very beautiful playing, and instrument sound. I would have liked a bit more explanation on the technical part of the chalumeau. Like sound emission, range... For instance I know they are single-reed instruments usually but I don't know if all of them are.
love this! didn't know ! thank you so much!
There is/was a gentlemen in the Cape area of South Africa, selling his home-made chalumeaus and reed flutes on the festival circuit. I bought a Chalumeau from him, but don't know what happened to it. It sounded a bit like a saxophone.
Beautiful sound coming from this instrument! It appears to be a Recorder, but, w/a reed - sounding very much like a Clarinet.
This is amazing! thank you
It's basically like a Pre-Baroque Clarinet w/ a Simple Range. The Tenor Reeds in the Bass Clef sounding an Octave higher than written, the Bass version reads in the same Bass Clef but sounds as written.
Not quite, it reads treble clef
@@Cornodebassetto Yes but Vivaldi wrote Music for it in Bass Clef (RV 558) because he wanted to keep all of the notes on the Staff. The fingerings are all the same but they sound different as far as pitch goes.
@@RockStarOscarStern634 the fingerings are the same but the pitches are not. Regarding clefs Telemann used treble for the alto chalumeau and bass for the tenor in his double concerto.
@@Cornodebassetto Vivaldi's Epic C Major Concerto for many instruments RV 558 uses Bass Clef for the Chalumeau (It's a Tenor Chalumeau in this case).
@@RockStarOscarStern634 okay, but the fact remains that clef convention was different for many composers. One could have the same discussion about Mozart’s use of the bass clef for the basset horn and basset clarinet. Just because Vivaldi did it one doesn’t mean that that was the only way. Having played early clarinets and chalumeaux (professionally) I’ve come across many different notations. It doesn’t mean they are all wrong. It means that the performer has to learn to interpret what is there.
I use shoelaces for ligatures on all my single reed instruments: modern clarinets of all sizes, saxophone, tárogató, xaphoon (a bamboo chalumeau made in Hawaii!). I find they give the best tone and response of any ligature I've ever used.
Please could you share more details about your ligature. Thanks
It's an ordinary shoestring, best when it's a men's dress shoelace. Pino recommends cutting off the tip at one end, then to start wrapping it around the mouthpiece and reed, then to take the tip at the other end through one of the last loops and pull it tight. The result performs like a German-styleq cord ligature, but will still hold in place on French-style mouthpieces that don't have the ridges to hold the cord in place.
What a fantastic sound, thanks for sharing 😊😊😊😊
brilliant!
Love the video!
That was terrific!
Can we please get a video on the Bass Chalumeau? I know the information might be a lot like this one but it would be amazing to hear it’s tone and usage during the time period
Graupner often chose the bass Chalumeau over the others for his many concertos.
Delightful!