Fast and Heavy With multiple changes and melodies It doesn't get better than this .... This is what happens when professionals get to play the way they want
True, but this is still jazz fusion which is right in her wheelhouse. This reminds me of Chick Corea and Return to Forever, which Kanade has been covering since she was 3 years old.
This is the supergroup I've been waiting for. The combined technique of these ladies makes mincemeat of most other bands. No offense to her fusion projects, but I think this is the band where Kanade Sato will finally be able to show the world she is one of the best drummers alive.
@@MegaHogzilla I feel like maybe you didn't listen to this song? I mean, it's pretty inaccessible stuff from a 'pop' perspective. Besides, if they like it, and are having a good time, who is anyone to tell them to change?
This is progressive metal at its finest.. can you put an album out of 10 songs of this complexity. Is everything progressive metal is. I'm aware of some band these members . I believe everything they've done this is the most progressive. I'm in Los Angeles. Dream theater ,Fates warning. Symphony x. 10 more of these songs and you're up there musicians 🎸🥁. This is top-notch good. You rock👍
Really I don't understand: this blu ray is the best introduction ever to this wonderfull band and show its huge potential. But it was nearly impossible for people outside of Japan to buy it AND it was limited too. Please make it available on popular commercial platforms like CDJapan, you deserve it and you need it if you want to spread the word about KOIAI.
I agree! It sold out way too fast (which leads me to believe it was a very limited amount released). I knew Hazuki played with Li Sa X and only discovered WAKAZAEMON since Marty Friedman took her on tour awhile back. This is a great band overall!
Lisa-X, I get it now! New Band and Amazing Musicians. Your music is highly underated and the world needs more of it. You be you and the world will follow.
This type of song is what draws fans to Koiai. Imaginative, technically difficult, flashy, quirky, but still grooveable. The ladies standing on that stage could fill the void that Rush left when they retired. I hope they move in that direction. There is too much talent to here waste it on becoming just another pop band. More of this, please. 🙏
😮That was so incredibly good. Unbelievable. I still have goose bumps now. MY GOD! So many extremely talented musicians in ONE band ... That(!) is a real gift for the world. Keep on rocking! 🤘 🎸 🤘
I don´t know hove many times I´ve bin listenig to this song but I know that every time I do it it groves on me. They are fabelous!!! Usualy my english is not very god but today it stinks... But what I want to say is that I love them. But most whit Waka.......
Dang, Kanade is a beast behind the drum kit. Li-sa-X, Hazuki, and Wakazaemon aren’t too shabby either. Also, love the lead singer’s voice. Hope they tour the U.S soon. Would go see them in a heart beat. 🤘 KOIAI!
While experiencing this remarkable rendition you may wonder if there are any artistic limits for these girls. And you might get the idea that the probable answer to that question is: Not too many. Indeed, it needs only very few key impressions to confirm this guess. Here are two significant historical examples of some miraculous adolescent professionalism for all those music aficionados who are still unaware: Kanade Sato at the age of 17 - Festival de Ritmo (Weckl, Oliver) ua-cam.com/video/5jDVZPzfS1c/v-deo.html Li-sa-X at the age of 12 - Dance of Eternity (Myung, Petrucci, Portnoy, Rudess) ua-cam.com/video/nka7-_ztsOQ/v-deo.html) What I hear now as a result is one of the options that were foreseeable very early and it didn't need much musical instinct to imagine what potential a collaboration like this one could have. Nonetheless I am stunned again by the verve, the hardly comprehensible artistic maturity and the accomplished musicianship I am witnessing. - What follows are some compact reflections and conclusions on what I've just watched. (Be warned of some weird, sort of slightly complex stuff, a bunch of adipose lines and trace elements of binge thinking. This statement is not thumbs up friendly, but still subject-related.) Concert audience profile (general): Mature males (a cohort generally tending to relish each and any kind of women's stage presentation) with enhanced music taste, a strong affinity for young female musicians and hopefully not having ulterior motives in that respect; a hedonistic attitude is likely (in the crowd of sensation seekers - yes, Koiai's music can be pretty adventurous). Segmental video description (general): Good production level, solid camera work, occasionally also capturing some peripheral fleeting action. Particularly striking is that ecstatically twitching anonymous animated object appearing in front of the stage, when the video is about thirty seconds old - apparently the hand of a human (hairless, number of fingers: roughly five) and prominent body part of Miss Lisa's happiest victim, whose upper limb is demonstrating high-level musical empathy. - I hope that hand survived the rapture and got some acknowledgement or even a scholarship for the Tokyo College of Music... General adulation to the artists - with reference to one tiny little drawback (addressing): I'm so hopelessly and unreservedly convinced of you Koiai wondermaidens, of your artistic capabilities and the pretty things you do that a little formal counterpoint could be indicated (and I think the issue has some substance and may be worth considering): I have no problems with backing track supplements, but the piano part in this arrangement is essential and on a live music stage it's a bit peculiar to hear such a very present, familiar and traditional sound coming out of nowhere (a case of something's missing). So I urgently recommend to get you a potent keyboardist of flesh and blood (I obviously don't have to tell you what effective piano, organ and synthesizer sounds can contribute to a song - I also noticed some piano and synth pad background as part of your "Automatic" arrangement). Considering Koiai's musical format I would expect nothing but a masterclass graduate. (Like Rick Wakeman joining Yes in 1971, like Patrick Moraz joining Yes in 1974, both having a classical background - two consecutive quantum leaps in the history of ambitious popular music, being part of an infinitely iconic project that I always deemed the backbone of progressive rock in general (I know about Kanade's "Roundabout"). Or think of the third generation, particularly of Threshold, being essential in their own way, the masters of prog metal drama, who use exactly that instrumentation on most of their albums; the two guitars and the keyboards work tremendously well together. And then, well, those notorious German pyros... you know... that simple and brute blast of beastliness, tamed by the keys.) Mild apotheosis of the achievement (addressing): That said, I am thoroughly amazed that you splendid damsels of Koiai were able to transfer this feisty and contrasty and tricky and juicy music into a concert scenario. The energetic impact of the studio version is even augmented here and that dramatic dynamic switch from snare's single to double accent rhythm pattern gets my brain into high frequency oscillation mode. (Miss Sato, ever since Marie Fukai's "Run Up" that you did with Muses - a truly dynamic blast wave, highly energetic and atmospheric at the same time, including that unleashed, hot running interplay part of organ and drums - I know that you occasionally can be a pretty merciless drummer fury. And in this equally hefty Koiai case I indeed would be disappointed if you weren't. - I am hopeful that you keep on getting yourself rampant when it's needed.) This all is not just well done, the tune is rather made for rock music's Mount Olympus and I look forward to your next overwhelming virtuoso escapade. (Side note: I'm actually a speed obsessionist, too, but if I tried to play the keys faster than all of you usually execute your instruments, then this would hardly be possible without losing shape - which may be no big deal within a rock music arrangement, but would be a capital sin in the classical piano domain; ear and brain are the limits, when it comes to identifying musical shapes and structures. However, if accuracy is subordinate, it's actually quite easy to do arbitrary prestissimo things on the piano and other keyboards, simply because with using so many fingers parallelly you can blend things as much as you please. The crucial points are the respective locations of the consecutive tones and how many keys you have to hit at the same time. (Reminder: Commonly the human's biological corpus has two hands, two feet, ten fingers and one single brain available, with the latter not rarely being the critical parameter.) This rather sober technical issue is one of the many reasons why playing classical music (particularly playing the classical organ) is probably the hardest artistic challenge of all. In the rock music domain, however, guitarists often feel superior in terms of sound, sound modulation, sound authenticity and above all expressiveness; they occasionally claim that many keyboard players desperately try to make their solos sob like a long and deeply suffering lead guitar. Yes, that might be true and you find many respective (producing and reproducing) examples in the music industry. On the other hand, something like the guitarist's tapping technique appears to me like playing the piano without keys (mechanically there is only a slight difference between tapping and hitting). I think, both measures are legitimate - so take the best of everything and you will shine. Anything goes in the world of art...) Desirable prospect (addressing): My dear swift Koiai ladies, it's only you (and your way of performing) who are to blame for heating up my expectations (and not only mine, as I notice). So please keep on swirling, since I urgently like to be baffled by you - again and again. Thank you all in advance for this. - Hope to see you soon walking the path of glory. The world is waiting...
Hi Doc! Thanks for focusing in on Waka! A studio bassist since she was 15, in her early 20's, she's accomplished more than some musicians have in their lifetimes!
@@Russ.Murphy Have you listened to her interview with Marty Friedman Russ. Pretty sure she was saying that East of Edens first single was written around her bass track for that song. For someone so young she's so talented.
@@yakidin63 Hi Yakidin! I did see a Marty Friedman interview with Waka, but it wasn't captioned. I kind of made out that she ate a lot of hamburgers in the US. I noticed that she was getting an IV in an ER; but I don't know what happened. Despite that, she seemed to have a good time on the tour; and a good time just talking about it with Marty on Rock Fujiyama. Senri, Kaneda, Yoyoko, Marina Bozzio, Lisa X, WakaZaemon were all childhood wonders! I guess you could also include Hal-Ca and Rina Suzuki on the list! Have a great one, Yakidin! Best Wishes! Russ
Quotes The more I hear this incredible song, the more I am blown away. Yep Li-Sa-X is the best “Eastern explosion” Guitarist imho (Coached by Paul Gilbert a few years ago) so there is a big Ibanez connection there. I noticed that neo-classical solo towards the end of the song is referenced by the very first time the piano is heard at the start. Kanade Sato is brilliant too as is Hazuki.
And Japan doesn't seem to show any signs of slowing down with the amazing music...this is my first time hearing this band, and I love them already. So interesting! That's a sub from me.
This song is mindblowingly good. The drumming... my god. Guitars, too of course. But I already knew both of them and that they're amazing, but the drums... and then the singing in the quieter parts. Please more stuff like this 🥰
Let this old metal headbanger tell you this has potential to be a world class combination. I know who these women are on the instruments and they are top tier. This could be the next set of stars lining up to be something great. It doesn't look good for Nemo or East if this takes off.
The Japanese are a selfless culture, I don't think these ladies care about limiting themselves to one particular band or genre. There's probably 2-3 degrees of separation between a lot of these phenomenal musicians in Tokyo. Imo, they care most about creating great music.
Loved it! I wouldn't be mad if they drop a full instrumental album like Polyphia.. Not at all 😏 I mean Band Maid has a vocalist and still do a few instrumentals every album too. It'd be a damn shame for musicians of this caliber to get together and not do it.
![KOIAI - Come see me [MV Mix] (Official Music Video)](http://i.ytimg.com/vi/M87btwE1hZM/mqdefault.jpg)
The talent is off the scales with this line up. Japan is going off its head with music and talent right now. Great for all of us music lovers.
They are all incredibly talented, but Kanade is just amazing.
Finally, a fresh wind is blowing through the world of music. Sorry, not just a wind. A storm. Keep going. You rock it. 🤘 🌩
1:58 Kanade adding her tasteful touches between 2 great guitarists!
もはや奏さんがバンドサウンドを引っ張っているように感じます。彼女も天才のひとり！
Ohh yes beautiful drumming
This is their best song ever. More like this ladies.
Agreed. They have wonderful versatility...but this...THIS is their voice.
Fast and Heavy
With multiple changes and melodies
It doesn't get better than this
....
This is what happens when professionals get to play the way they want
That’s how jazz fusion was born back in the 60’s, groups like Whether Report, Return to Forever, and artist like Chick Corea and Miles Davis.
過去に聴いたことがない不思議で衝撃的な曲 ARCH ENEMYっぽいと思ったらDREAM THEATERっぽくなってさらにジェントな展開でボーカルパートはまた別の曲調 ソロの演奏は鳥肌ものだし 若くて超絶技巧でおまけにルックスまで良くて、こんなバンドが日本にいること多くの人に知ってほしい
Actually there's a huge Jason Richardson influence here. Lisa covered some of his stuff early on, and it totally shows in this song.
Amazing Kanade
That drummer is really good
Well, she is Kanade Sato. She is a drum genius.
Literally one of the best drummers.. in the world.
*Universe-class*
@@caprise-music6722 True that.
At this point I'm convinced every Japanese girl is a drum virtuoso.
Kanade Sato is EXELEND drummer! And that rest of band too is EXELENT! 😍🤩
What do you have when you combine: Rock, Metal, Pop, Jazz, and Fusion? "A New Picture" This Piece lets you know what these five ladies can do!
If this is their new musical direction, I'm more than happy
わかざえもんと奏での音の相性がすごくいいと思う。
KOTONOの歌が好きです。
Love the contrast between the singer and the tempest of instruments !! KOIAI showing they’re not joking what a great line-up !! ❤
The IBANEZ PRINCESSES ARE ON🔥🔥🔥🔥🔥😯😯🤘🤘
those guitarists could probably snatch a fly out of the air and never miss a note!
Love the part where it goes suddenly from heavy guitars to Yuka & Chronoship.
やっぱ葉月さんなんですよ😍
Kanade can play any genre of music 😎
True, but this is still jazz fusion which is right in her wheelhouse. This reminds me of Chick Corea and Return to Forever, which Kanade has been covering since she was 3 years old.
Wait, I spy a Waka-chan on bass. Good lord, adding her to both Lisa and Hazuki? 🔥🔥🔥
Officially she's only a support musician, her current "work" is East of Eden, another amazing all-star band.
This is the supergroup I've been waiting for. The combined technique of these ladies makes mincemeat of most other bands. No offense to her fusion projects, but I think this is the band where Kanade Sato will finally be able to show the world she is one of the best drummers alive.
They just have to quit playing bubblegum pop music that is so far beneath their abilities and natural talent and play more music like this.
@@MegaHogzilla Totally agree.
@@MegaHogzilla What no more nights out with the boys from "Spicy Kickin"😂
А как же hemophilia
@@MegaHogzilla I feel like maybe you didn't listen to this song? I mean, it's pretty inaccessible stuff from a 'pop' perspective. Besides, if they like it, and are having a good time, who is anyone to tell them to change?
もっともっと有名になって良いレベルだ👍
プロモーション考えよう！
とりあえず拡散しよっと🎶
Team Hazuki here! God she is so talented. PS: BEAUTIFUL AS WELL.
There’s no i in band. The band is a team
I also came here as a Hazuki fan, but i stay for all of them. Love this so much 😍😍
Ultimate crush Hazuki
Now this is a New Generation of a phenomenal band.
This is progressive metal at its finest.. can you put an album out of 10 songs of this complexity. Is everything progressive metal is. I'm aware of some band these members . I believe everything they've done this is the most progressive. I'm in Los Angeles. Dream theater ,Fates warning. Symphony x. 10 more of these songs and you're up there musicians 🎸🥁. This is top-notch good. You rock👍
BEST BAND ON THE PLANET....LISA -X BEST GUITARIST IN THE WORLD
Hazuki loves Arch Enemy🍎🎵
Really I don't understand: this blu ray is the best introduction ever to this wonderfull band and show its huge potential. But it was nearly impossible for people outside of Japan to buy it AND it was limited too. Please make it available on popular commercial platforms like CDJapan, you deserve it and you need it if you want to spread the word about KOIAI.
翻訳してください。あなたの気持ちはよくわかります。私はLI-SA-Xの古くからのファンで当然ブルーレイは予約購入しましたし、外国の方でもSNSをチェックしていた人は購入していました。そして海外の人だけでなく日本人の中でも購入出来なかったことを残念がっている方を最近多くみかけます。LI-SA-Xは以前ソニーミュージックに所属していましたが、コロナ禍に思うように活動出来ず、バンド解散と同時期にソニーを離れ、元プロミュージシャンの父親と今の会社を作り活動しています。KOIAIもここに所属しています。この会社はおそらく家族経営でありとてもとても小さな会社なので、経営を圧迫しかねない在庫はそもそも抱えられないのだと思います。だから予約販売のような方法をとったのでしょう。商品の梱包や発送なども自分達でおそらく行っているのです。つまりKOIAIはまだ赤ん坊であり今後どんどん成長し、大きな飛躍をとげていくバンドなので、不満はあっても許してあげて下さい。少しずつ環境は改善されていくはずです。そして間違いなく彼らにもブルーレイの再販希望の声は届いていますし、可能性は十分あるのではないでしょうか。そしてさらに8月のライブで何らかの映像収録があるようなので今後の情報に期待しましょう。ありがとう。
I live in the US and I was able to get a copy without any trouble
I agree! It sold out way too fast (which leads me to believe it was a very limited amount released). I knew Hazuki played with Li Sa X and only discovered WAKAZAEMON since Marty Friedman took her on tour awhile back. This is a great band overall!
This song is like a magnificent monster.
Great band ❤❤❤❤❤
I love you KOIAI.
Fortunate to see Lisa-X in the recenet Polyphia concert. You rock!
The way that the middle section flows so flawlessly in between of quiet calm is beyond comprehension.The opening section is a soul reaper. Beautiful.
Lisa-X, I get it now! New Band and Amazing Musicians. Your music is highly underated and the world needs more of it. You be you and the world will follow.
奏ちゃんが入ってくれて本当に嬉しい☺️
Whoever wrote this song has a wild imagination.
Truly an amazing performance. The calmness of Kotono and the brilliant fast pace of the instrumentation. The 360 camera shots are very cool.
What an amazing composition. How does this only have 3.6k likes?
I loved it, Hazuki team here 🐔🐔🐔🐔🔥🔥🔥🔥🤟🤟🤟🤟
This type of song is what draws fans to Koiai. Imaginative, technically difficult, flashy, quirky, but still grooveable. The ladies standing on that stage could fill the void that Rush left when they retired. I hope they move in that direction. There is too much talent to here waste it on becoming just another pop band. More of this, please. 🙏
YES!...more of this!!!
Yes this was very cool. Lisa X and Hazuki jam well together. But most their songs are too poppy to me. But this kind of music I can get into.
And the interludes with Kotono have such a "Cabaret" Sally Bowles feel to them, but in a much harder rock style than 1930's Berlin, lol.
Lisa-X can shred with anyone. Hazuki is right with her. Awesome
This is explosive burst of talent is mind blowing.
😮That was so incredibly good. Unbelievable. I still have goose bumps now. MY GOD! So many extremely talented musicians in ONE band ... That(!) is a real gift for the world. Keep on rocking!
🤘 🎸 🤘
I don´t know hove many times I´ve bin listenig to this song but I know that every time I do it it groves on me. They are fabelous!!! Usualy my english is not very god but today it stinks... But what I want to say is that I love them. But most whit Waka.......
I think I just got myself a new favorite band.
Breathtaking musicianship 🎵❤️
Dang, Kanade is a beast behind the drum kit. Li-sa-X, Hazuki, and Wakazaemon aren’t too shabby either. Also, love the lead singer’s voice. Hope they tour the U.S soon. Would go see them in a heart beat. 🤘 KOIAI!
Damn, that was badass! Kanade Sato is such a perfect compliment to KOIAI.
She brings a lot of power and dynamic to the band. She is great!
A band of superstars.
リーサーX、素晴らしい。
マジで素晴らしい。
While experiencing this remarkable rendition you may wonder if there are any artistic limits for these girls. And you might get the idea that the probable answer to that question is: Not too many. Indeed, it needs only very few key impressions to confirm this guess. Here are two significant historical examples of some miraculous adolescent professionalism for all those music aficionados who are still unaware:
Kanade Sato at the age of 17 - Festival de Ritmo (Weckl, Oliver) ua-cam.com/video/5jDVZPzfS1c/v-deo.html
Li-sa-X at the age of 12 - Dance of Eternity (Myung, Petrucci, Portnoy, Rudess) ua-cam.com/video/nka7-_ztsOQ/v-deo.html)
What I hear now as a result is one of the options that were foreseeable very early and it didn't need much musical instinct to imagine what potential a collaboration like this one could have. Nonetheless I am stunned again by the verve, the hardly comprehensible artistic maturity and the accomplished musicianship I am witnessing. - What follows are some compact reflections and conclusions on what I've just watched. (Be warned of some weird, sort of slightly complex stuff, a bunch of adipose lines and trace elements of binge thinking. This statement is not thumbs up friendly, but still subject-related.)
Concert audience profile (general): Mature males (a cohort generally tending to relish each and any kind of women's stage presentation) with enhanced music taste, a strong affinity for young female musicians and hopefully not having ulterior motives in that respect; a hedonistic attitude is likely (in the crowd of sensation seekers - yes, Koiai's music can be pretty adventurous).
Segmental video description (general): Good production level, solid camera work, occasionally also capturing some peripheral fleeting action. Particularly striking is that ecstatically twitching anonymous animated object appearing in front of the stage, when the video is about thirty seconds old - apparently the hand of a human (hairless, number of fingers: roughly five) and prominent body part of Miss Lisa's happiest victim, whose upper limb is demonstrating high-level musical empathy. - I hope that hand survived the rapture and got some acknowledgement or even a scholarship for the Tokyo College of Music...
General adulation to the artists - with reference to one tiny little drawback (addressing): I'm so hopelessly and unreservedly convinced of you Koiai wondermaidens, of your artistic capabilities and the pretty things you do that a little formal counterpoint could be indicated (and I think the issue has some substance and may be worth considering): I have no problems with backing track supplements, but the piano part in this arrangement is essential and on a live music stage it's a bit peculiar to hear such a very present, familiar and traditional sound coming out of nowhere (a case of something's missing). So I urgently recommend to get you a potent keyboardist of flesh and blood (I obviously don't have to tell you what effective piano, organ and synthesizer sounds can contribute to a song - I also noticed some piano and synth pad background as part of your "Automatic" arrangement). Considering Koiai's musical format I would expect nothing but a masterclass graduate. (Like Rick Wakeman joining Yes in 1971, like Patrick Moraz joining Yes in 1974, both having a classical background - two consecutive quantum leaps in the history of ambitious popular music, being part of an infinitely iconic project that I always deemed the backbone of progressive rock in general (I know about Kanade's "Roundabout"). Or think of the third generation, particularly of Threshold, being essential in their own way, the masters of prog metal drama, who use exactly that instrumentation on most of their albums; the two guitars and the keyboards work tremendously well together. And then, well, those notorious German pyros... you know... that simple and brute blast of beastliness, tamed by the keys.)
Mild apotheosis of the achievement (addressing): That said, I am thoroughly amazed that you splendid damsels of Koiai were able to transfer this feisty and contrasty and tricky and juicy music into a concert scenario. The energetic impact of the studio version is even augmented here and that dramatic dynamic switch from snare's single to double accent rhythm pattern gets my brain into high frequency oscillation mode. (Miss Sato, ever since Marie Fukai's "Run Up" that you did with Muses - a truly dynamic blast wave, highly energetic and atmospheric at the same time, including that unleashed, hot running interplay part of organ and drums - I know that you occasionally can be a pretty merciless drummer fury. And in this equally hefty Koiai case I indeed would be disappointed if you weren't. - I am hopeful that you keep on getting yourself rampant when it's needed.) This all is not just well done, the tune is rather made for rock music's Mount Olympus and I look forward to your next overwhelming virtuoso escapade.
(Side note: I'm actually a speed obsessionist, too, but if I tried to play the keys faster than all of you usually execute your instruments, then this would hardly be possible without losing shape - which may be no big deal within a rock music arrangement, but would be a capital sin in the classical piano domain; ear and brain are the limits, when it comes to identifying musical shapes and structures. However, if accuracy is subordinate, it's actually quite easy to do arbitrary prestissimo things on the piano and other keyboards, simply because with using so many fingers parallelly you can blend things as much as you please. The crucial points are the respective locations of the consecutive tones and how many keys you have to hit at the same time. (Reminder: Commonly the human's biological corpus has two hands, two feet, ten fingers and one single brain available, with the latter not rarely being the critical parameter.) This rather sober technical issue is one of the many reasons why playing classical music (particularly playing the classical organ) is probably the hardest artistic challenge of all. In the rock music domain, however, guitarists often feel superior in terms of sound, sound modulation, sound authenticity and above all expressiveness; they occasionally claim that many keyboard players desperately try to make their solos sob like a long and deeply suffering lead guitar. Yes, that might be true and you find many respective (producing and reproducing) examples in the music industry. On the other hand, something like the guitarist's tapping technique appears to me like playing the piano without keys (mechanically there is only a slight difference between tapping and hitting). I think, both measures are legitimate - so take the best of everything and you will shine. Anything goes in the world of art...)
Desirable prospect (addressing): My dear swift Koiai ladies, it's only you (and your way of performing) who are to blame for heating up my expectations (and not only mine, as I notice). So please keep on swirling, since I urgently like to be baffled by you - again and again. Thank you all in advance for this. - Hope to see you soon walking the path of glory. The world is waiting...
I hadn’t heard of the band before but I will definitely be listening to them again.
Love the crossover of musical genres in this song, pure genius!
最強バンドです！奏ちゃんのグルーヴ良すぎですね^ - ^
Wakazaemon, the super-deluxe support member on bass 👍. Interesting proposition, Koiai is slowly building its original style and I love it.
Hi Doc! Thanks for focusing in on Waka! A studio bassist since she was 15, in her early 20's, she's accomplished more than some musicians have in their lifetimes!
@@Russ.Murphy Have you listened to her interview with Marty Friedman Russ. Pretty sure she was saying that East of Edens first single was written around her bass track for that song. For someone so young she's so talented.
@@yakidin63 Hi Yakidin! I did see a Marty Friedman interview with Waka, but it wasn't captioned. I kind of made out that she ate a lot of hamburgers in the US. I noticed that she was getting an IV in an ER; but I don't know what happened. Despite that, she seemed to have a good time on the tour; and a good time just talking about it with Marty on Rock Fujiyama. Senri, Kaneda, Yoyoko, Marina Bozzio, Lisa X, WakaZaemon were all childhood wonders! I guess you could also include Hal-Ca and Rina Suzuki on the list! Have a great one, Yakidin! Best Wishes! Russ
@@Russ.Murphy I think the ``kinoko helmet'' will gain attention in the next few years.
I'm in awe! How I wish all their tunes were like this masterpiece!!! PLEASE, WRITE MORE SONGS LIKE THIS ONE, GIRLS!!!!!!
Check out the last two lines of the lyrics. They're telling you more like this is to come.
@@mudbone59 Great!!! My body is ready!
HOLY S**T!!! I knew Hazuki was excellent player, but this still shocked me, anyway. And of course, Li-sA-X is nextgen, faster Steve Vai.
Quotes
The more I hear this incredible song, the more I am blown away. Yep Li-Sa-X is the best “Eastern explosion” Guitarist imho (Coached by Paul Gilbert a few years ago) so there is a big Ibanez connection there. I noticed that neo-classical solo towards the end of the song is referenced by the very first time the piano is heard at the start. Kanade Sato is brilliant too as is Hazuki.
One of my favourite KOIAI tracks!! Outstanding solos! Thank you so much for uploading this ❤
That was some seriously tight playing there. Lisa, and Hazuki WOW!!!
One of the most "different" things I have heard in a very long time. Best song of 2024 so far.
The "Deep love" EP is all good, BTW this song is from last year.
@@cadiazm Not fully released on YT until today ... and now it's live. Hardly the same.
@@PANIC_aka_PinD Yeah, way better live. The sound is unaltered, so natural!
ほんまもんのドラムを味わいに8月ライブに行きます。
Wow... this is insanely good!
And Japan doesn't seem to show any signs of slowing down with the amazing music...this is my first time hearing this band, and I love them already. So interesting! That's a sub from me.
Love this. KOIAI ❤🎸
The guitar work from Hazuki and Lise is so brilliant,the song has interesting changes that work with talent of these 5 beauties.....
名曲！７０年代フレンチポップとメタルギターの融合。KOIAIマジ、いいな～。
Japan is so lucky! They have so good bands! That Koiai is Great!
この曲は童話っぽいミステリアスな雰囲気とメタルがマッチングして素敵😊
Kotonoちゃんは曲によって表情を使い分けて上手い😊
Waka should be a full member 😉
I wouldn't say no, she's top tier, but she has a lot on her plate already.
@@PaleHorseShabuShabu she seems to thrive on it.
And she just released a new single
すごい名曲！一瞬で引き込まれた！葉月繋がりでたまたまどんなバンドか見てみたけど、何度観ても衝撃です！
WTFFFFF...this is freaking incredible!!! 🔥 🔥 🔥 🔥
Massive talent on that stage!
Li-sa-X💖
This is my first time hearing Koiai , im going to be listening to them a lot in the future.
この曲まじでセンスいいな
Brilliant, fantastic musicians here in this great band !
この楽曲は名曲に値すると思います
素晴らしい演奏とアレンジだと思います
So progressive, I love it :)
My new favourite song from KOIAI!
頼むから、わかざえもん加入してくれ！
私も同感、加入すると最強の布陣になると思う。ただイーストOfエデンがあるからね。(このバンドも私は気にいってます｡)
わかる〜🎉
ご多忙なんでしょうなぁ😅
曲も凄いし、演奏も凄すぎて🤣
二本のアイバニーズが縦横無尽に駆け巡るーッ🎸🎸
So spectacular. Great work everyone.
作詞作曲がLIsa-Xというのは、驚き。まあ、詞は日本語で書いてから、だれかに英訳してもらったのだと思うが。彼女の場合、人の縁に恵まれていて、時々、とんでもない大物が背後でドラムやベースをやっていたりした。今回気になるのは、バックトラックのピアノだ。あれは、誰が弾いたものなのか？
とにかく、こういう音楽を自分で作れるのはすごいですね。たんなるギター奏者じゃなくて、本物のアーティストだ。必ず世界に大きく飛躍していくでしょう。
trzy minuty trzydzieści sekund ciarek na plecach. To jest niesamowite
デジタル配信バージョンと、全然迫力がちがうわ！あれはデモですね。断然こっちのほうがいい！このライブblu-rayとcdで再発をお願い致します。
っていうか、このメンバーでEP再録して欲しいですね。
This song is mindblowingly good. The drumming... my god. Guitars, too of course. But I already knew both of them and that they're amazing, but the drums... and then the singing in the quieter parts. Please more stuff like this 🥰
Coolest song I've heard since Spiderweb by BRATS - really inventive and moody
You are right. Not many songs like this and Spiderweb.
This keeps sounding better every time I listen (and I liked it the first time).
Let this old metal headbanger tell you this has potential to be a world class combination.
I know who these women are on the instruments and they are top tier.
This could be the next set of stars lining up to be something great.
It doesn't look good for Nemo or East if this takes off.
The Japanese are a selfless culture, I don't think these ladies care about limiting themselves to one particular band or genre. There's probably 2-3 degrees of separation between a lot of these phenomenal musicians in Tokyo. Imo, they care most about creating great music.
Great song, Outstanding ‼️🤘🎸💃😎
kanade氏のドラムえぐいな
You girls are amazing, I am so happy to have seen you live in Osaka last week ❤🎸🎸🎤🥁🎸
What a line up with massive talent....🤯🤯🥰🥰Amazing song and band😍
こういうのが聴きたかった
まんまJason richardsonやHaarp machineの様な疾走感たまらん
リーサちゃんリチャードソン好きなのめっちゃ伝わってくる次はルーカスマンのエイリアン要素も追加して欲しい
Loved it! I wouldn't be mad if they drop a full instrumental album like Polyphia.. Not at all 😏
I mean Band Maid has a vocalist and still do a few instrumentals every album too. It'd be a damn shame for musicians of this caliber to get together and not do it.
outstanding! sounds fantastic! bravo ladies! 🔥🔥🌸🌸♥♥🌸🌸🔥🔥
sooooo much skill - and a beautifully shot video - and great rock music - wow!😀😃😃😄❤❤❤✌🤟👍👍👍
この路線のコンセプトアルバム聴いてみたい
Great song, more like this please! 🙂
リサちゃんのギターも好きなんですが葉月さんのギターの音すきなんよー🤘
Brutal my beautiful friends from Koiai!!
Great instrumentals.
WOW!
This lineup is crazy!