When I was young I always thought that Mozart sounded a little bit simple. To me, with my refined musical taste. That has changed over years I have to say. For better or for worse? That remains to see. Anyway, nowadays I love the "simple" Mozart. Like in this sonata. It has also a world in it. And that world is also my world, it has taken me a lifetime to understand that.
Her phrasing has a captivating logic. I love the way she handles the bow - it draws out a lovely, alluring, magnetic sound, almost differentiated from so many other superb players but not quite.
From a stylistic point of view, this sonata is "soemwher" betwee n'1) Mozart's first style, in which the pianoforte has a clear leading role and the violin an accompanying one (jusr as in Haydn's trios), which aws typical of y this time, an Mozart's sonants foe Mannhaim where he hoped to find a poition to escape Colloredo's dictatorship, and (2) his last sonants in which he made his best to balance the two instruments, a trend which will be achieved by Beethoven within a quite different musical expression. This internediate style is oaricularly obvious in the moving slow movement.
Wonderful performance by all including sound and video technicians. This is the first video I've seen of Yulianna with sheet music. Small audience is weird. (Amendment:) I am fully aware of the reason for the audience size, Here at the northern Sonoran Desert (CA-USA) all public gatherings were discontinued.
Just one technician involved for the recording - me- so I take the compliment, thank you ☺️ The reason for the small audience was a rather difficult period due to covid. There were many restrictions for live concerts with audience.
As violinist Itzhak Perlman insisted, "There’s no such thing as an accompanist. A lot of the repertoire, like Beethoven and Mozart sonatas, is written for piano and violin. The pianist is so important. The word 'accompanist' is a total mistake." A sonata performance takes place between partners - and pianists rightly regard "accompanist" as an insult. Let's graciously give them their due.
It is saddening to see a nearly empty auditorium for this quality of performance. Presumably that is a political gesture. It isn't unique. In 1954 I attended a concert given by David Oistrakh and Vladimir Yamolskie in the city where I was then student and the only audience were a small group of complimetary ticket holders. Hope things improve.
ジュリア、フイッシャ。＆ユリアンナアヴデｰエワ。素晴らしいデユオを楽しんで居ります．有り難うございます．二人共大好きなアｰテイストです。
The pianist is equally great
Her dynamics are perfect. Violin is very Mozartian, no romantic, no excessive vibrato. Bravi!!!!
yess
Estoy muy de acuerdo
Incredible to have two of the world premiere musicians playing together. What a treat!
Such a musical dialogue between two superlative performers!
When I was young I always thought that Mozart sounded a little bit simple. To me, with my refined musical taste. That has changed over years I have to say. For better or for worse? That remains to see. Anyway, nowadays I love the "simple" Mozart. Like in this sonata. It has also a world in it. And that world is also my world, it has taken me a lifetime to understand that.
Oh gosh! Julia Fischer ❤️ how I love this woman! Thank you very much! 😍🌹🙏
What a fantastic pair. They should play more together.
Love the pianist!
Her phrasing has a captivating logic. I love the way she handles the bow - it draws out a lovely, alluring, magnetic sound, almost differentiated from so many other superb players but not quite.
❤perfect❤ They are the best julia and yulliana
Awwwnn I love you Julia❤️
Авдеева? Всегда супер!
Thanks for share!! 💜 Watching Julia can always make any day of my life brighter and better... 💘🎻
Wonderful Musicians= Wonderful performance
無以名說，簡直太棒了。莫扎特演奏得鮮活生猛。
What a truly fine performance! Love it!!
From a stylistic point of view, this sonata is "soemwher" betwee n'1) Mozart's first style, in which the pianoforte has a clear leading role and the violin an accompanying one (jusr as in Haydn's trios), which aws typical of y this time, an Mozart's sonants foe Mannhaim where he hoped to find a poition to escape Colloredo's dictatorship, and (2) his last sonants in which he made his best to balance the two instruments, a trend which will be achieved by Beethoven within a quite different musical expression. This internediate style is oaricularly obvious in the moving slow movement.
Very beautiful performance🍃
Marvelous - such a sonata! Gorgeous performance.
Esecuzione perfetta
Great aplomb. Thank you.🎉🎉
schön elegant
I would be happy if my job was to pass these pages to Yulianna... hahaha 💘😍
Bellísimo!! Muchas gracias!! :)
Amazing, thank you. Music is so satisfying and necessary in life!
Wonderful performance by all including sound and video technicians. This is the first video I've seen of Yulianna with sheet music. Small audience is weird. (Amendment:) I am fully aware of the reason for the audience size, Here at the northern Sonoran Desert (CA-USA) all public gatherings were discontinued.
Just one technician involved for the recording - me- so I take the compliment, thank you ☺️
The reason for the small audience was a rather difficult period due to covid. There were many restrictions for live concerts with audience.
Yes I agree! But Charles have you heard of Covid-19?
Magnifique! Quelle délicatesse du jeu! Merci!
Merci!
Bin voll Bewunderung für Ihr Spiel😊
Julianna Awdejewa: würde ich gerne öfter hören
Julia, flawless as always....what an accompanist you have there, superb playing!
As violinist Itzhak Perlman insisted, "There’s no such thing as an accompanist. A lot of the repertoire, like Beethoven and Mozart sonatas, is written for piano and violin. The pianist is so important. The word 'accompanist' is a total mistake." A sonata performance takes place between partners - and pianists rightly regard "accompanist" as an insult.
Let's graciously give them their due.
Magníficas!!!
Listening to her wonderful performance ,
the word people WiFi think it's never enough to be rgretted that Mozart died at a young age
9:23 & 10:43 💓
This 64ths run in the last will kill me for serious XDD
Después de oir esto,.... ya te puedes mori!!
It is saddening to see a nearly empty auditorium for this quality of performance. Presumably that is a political gesture. It isn't unique. In 1954 I attended a concert given by David Oistrakh and Vladimir Yamolskie in the city where I was then student and the only audience were a small group of complimetary ticket holders. Hope things improve.
The concert took place in spite of a critical period of the pandemic. Therefore there were some restrictions regarding the audience.