Always blissful to listen to HH Vidyabhushana ji. Parthasarathy is wonderful and so are the accompanying instrumentalists. Some of the bhajans sung by HH Vidyabhushana ji were rendered differently from Pt. Venkatesh ji. Both have their own beauty. I am so fortunate to get a taste to listen our classical music. I appreciate Bharatiya Samagana Sabha for uploading such wonderful music. _/\_
Bhakti bhikshaneeyave... I can't think of how fortunate I am to have Tyagaraja write such beautiful kriti in Telugu, and when it comes from a pristine tone of Parthasarathy garu, its pure nectar!
Shri Purandaradasaru is the pithamaha of Karnataka sangeetha. He is Naradamsha sambootharu. The great madhwa saint Vyasarayaru called his compositions as "Purandara upanishad". He is the first and foremost in Karnataka sangeetha.
not the first and foremost annamacharya, narahari teertha, sripadarajaru were there before him he is called pitamaha because of the huge repertoire he has given to music
Pallavi: Nimma bhagya doddado, namma bhagya doddado Anupallavi: Sammathinda naavu neevu saaTi maadi noduva banni Charanams: 1.Hema honnu haNagaLige heraLa bhayagaLuntu Rama nama dravyakinnu yaara bhayavillavayya 2.Kadaga kanTha maalegaLige kaLLara anjikeyuntu Adavi tuLasi malege innu yaara anjike illavayya 3.Vyapara udyogakinnu vyaakulada bhaya untu GopaLada vrittiginnu godave yaaradillavayya 4.Saraku bella thuppa dhanya savedeethemba chinteyuntu Hari naamaamruthakke yaava chinte illavayya 5.Nimma bhagya lakshmidevi, namma bhagya naarayaNanu Namma nimma bhagyadodeya purandara vittaLanu English meaning Pallavi. Is your luck bigger or is our luck bigger, Anupallavi: Cordially let us compare them and see. Charanams: 1.For gold and money, there is a great fear (of losing them), But for the wealth of the name of Rama, there is fear of none. 2. There is a fear of thieves in case of bangles and necklaces, But for the garland of thulasi , there is no fear of any one. 3.There is fear of worry for business and employment, But for the profession of begging, there are no problems whatsoever. 4.There is the fear of decaying in case of provisions, sugar , ghee and lentils, But for the nectar like name of Hari there is no worry at all. 5.Your fortune is goddess Lakshmi and our luck is Narayana, Purandara Vittala is the master of the luck of yours as well as ours.
No in fact in my opinion, I think it was quite apt that he started with the great Upanishadic statement “Soham” which means “That I Am” (So Aham). This is perfect in the Advaita philosophy. We are one with the Lord, yet for now, in this Dvaita stage, we are servants of the Lord. Therefore “Soham” first and then “Thava Dasoham”
Select Language▼ Song: padhavi nee - Click to listen (Semmangudi Srinivasa Iyer)! padhavi nee raagam: saalagabhairavi 22 kharaharapriyaa janya Aa: S R2 M1 P D2 S Av: S N2 D2 P M1 G2 R2 S taaLam: aadi Composer: Tyaagaraaja Language: Telugu pallavi padavi nI sadbhaktiyu galguTE anupallavi cadavi vEda shAatrOpanishattula satta teliya lEnidi padavA caraNam 1 dhana dAra suta gAra sampadalu dharanIshula celimi oka padavA caraNam 2 japa tapAdi aNimAdi siddhlacE jagamula nEcuTa adi padavA caraNam 3 rAga lObhayuta yajnAdulacE bhOgamu labbuta adi padavA caraNam 4 tyAgarAja nutuDu shrI rAmuni tatvamu deliyani doka padavA Meaning: Lord! The real status of an individual does not depend on the extent of his wealth, his wishes or his mansions, and not even in the closeness to royalty. It lies only in the intensity of devotion to you in the understanding and assimilation of the essence of the VEdas and the Upanishads. Mere lip-service to the passage in the VEdas and scriptures, display of supernatural miracles, mere pretance of doing japa or practising austerities, and sacrifices conducted for fruition of one's material desires do not at all contribute to ones intrinsic status. To be ignorant of the doctrines by Lord Sri RAma in his incarnation detracts from the status of man whatever his pretensions otherwise.
Real carnatic music emanated from purandhar das the madhva saint who gave ragaas to real Kannada sahitya in Hindustani music style and his sahitya style of singing the best style of singing taking the ragaas along with Kannada sahitya but the tamilians stole his style of music made it Taal bhad or beat controlled and carnatic music became avroh music low pitch shit tharnananan a shit egample balmurali always singing in avrroh non sense no pitch nothing now where can we find the mid path between Hindustani where one line sahitya sufficient for a raag but very varying pitch from lowest to highest you can find that mid path in purandhar Sangeet where sahitya is Pradhan but raag and all pitches from aavroh to madhyanha to aaroh are present in Hindustani music style these Tamil mucisian singing some tharnananan copying from carnatic music originally purandhar das evolved music non sense don't believe they are controlled by tabla and accompaniments no vocal voice non sense doesn't give the heater any pleasure at all let them retire in grace
So divine - tickles down the spine - this very music nectar. Combination of kirthanas from great masters Thyagaraja and Purandara are so superb 🙏🙏
Listening of vidyabhushan songs make me completely relaxed
Always blissful to listen to HH Vidyabhushana ji. Parthasarathy is wonderful and so are the accompanying instrumentalists. Some of the bhajans sung by HH Vidyabhushana ji were rendered differently from Pt. Venkatesh ji. Both have their own beauty. I am so fortunate to get a taste to listen our classical music. I appreciate Bharatiya Samagana Sabha for uploading such wonderful music. _/\_
Bhakti bhikshaneeyave... I can't think of how fortunate I am to have Tyagaraja write such beautiful kriti in Telugu, and when it comes from a pristine tone of Parthasarathy garu, its pure nectar!
ಕಾರ್ಯಕ್ರಮ ಚೆನ್ನಾಗಿ ಮೂಡಿ ಬಂದಿದೆ,
Shri Purandaradasaru is the pithamaha of Karnataka sangeetha. He is Naradamsha sambootharu. The great madhwa saint Vyasarayaru called his compositions as "Purandara upanishad". He is the first and foremost in Karnataka sangeetha.
not the first and foremost annamacharya, narahari teertha, sripadarajaru were there before him
he is called pitamaha because of the huge repertoire he has given to music
VidyaBushana sings with such devotion because he has seen what it means to leave everything in life for Hari.
Pallavi: Nimma bhagya doddado, namma bhagya doddado
Anupallavi: Sammathinda naavu neevu saaTi maadi noduva banni
Charanams:
1.Hema honnu haNagaLige heraLa bhayagaLuntu
Rama nama dravyakinnu yaara bhayavillavayya
2.Kadaga kanTha maalegaLige kaLLara anjikeyuntu
Adavi tuLasi malege innu yaara anjike illavayya
3.Vyapara udyogakinnu vyaakulada bhaya untu
GopaLada vrittiginnu godave yaaradillavayya
4.Saraku bella thuppa dhanya savedeethemba chinteyuntu
Hari naamaamruthakke yaava chinte illavayya
5.Nimma bhagya lakshmidevi, namma bhagya naarayaNanu
Namma nimma bhagyadodeya purandara vittaLanu
English meaning
Pallavi. Is your luck bigger or is our luck bigger,
Anupallavi: Cordially let us compare them and see.
Charanams:
1.For gold and money, there is a great fear (of losing them),
But for the wealth of the name of Rama, there is fear of none.
2. There is a fear of thieves in case of bangles and necklaces,
But for the garland of thulasi , there is no fear of any one.
3.There is fear of worry for business and employment,
But for the profession of begging, there are no problems whatsoever.
4.There is the fear of decaying in case of provisions, sugar , ghee and lentils,
But for the nectar like name of Hari there is no worry at all.
5.Your fortune is goddess Lakshmi and our luck is Narayana,
Purandara Vittala is the master of the luck of yours as well as ours.
Very nice programme.
Can someone please specify the raaga of kruthi "Nimma bhagya doddado" sung by vidyabushanaru!!
Majority songs are rendered in bhajan style , it should be accompanied for like a devotional bhajan.
Rarely will you hear such devotional music, thanks to Sriram Parthasarathy, Vidyabhushana and the accompanying artists.
N
Vidhyabhushanru Great.
I feel for Soham Tavada soham the mridangam player could play in tonned softer way
Can somebody tell me who the mridangist is? Great concert.
Sai giridhar
Nice rendering
calm well sung
Mridangist is not in form .
Without understanding the real Bhava of this Kriti, Sriram Parthasarathi started this with “सोsहम” instead of “दासोंsहम”
Soham means so aham...that’s me..yes that’s me...then he says dasoham...daso aham ..I’m servant...then thava daso aham...I’m your dasa!!!
very true; even i felt that.
I agree with that..Poor understanding of rasa-shastra. Mix of rasas..
No in fact in my opinion, I think it was quite apt that he started with the great Upanishadic statement “Soham” which means “That I Am” (So Aham). This is perfect in the Advaita philosophy. We are one with the Lord, yet for now, in this Dvaita stage, we are servants of the Lord. Therefore “Soham” first and then “Thava Dasoham”
@@padmakrishnan9 Exactly!
Excellent
Select Language▼
Song: padhavi nee - Click to listen (Semmangudi Srinivasa Iyer)!
padhavi nee
raagam: saalagabhairavi
22 kharaharapriyaa janya
Aa: S R2 M1 P D2 S
Av: S N2 D2 P M1 G2 R2 S
taaLam: aadi
Composer: Tyaagaraaja
Language: Telugu
pallavi
padavi nI sadbhaktiyu galguTE
anupallavi
cadavi vEda shAatrOpanishattula satta teliya lEnidi padavA
caraNam 1
dhana dAra suta gAra sampadalu dharanIshula celimi oka padavA
caraNam 2
japa tapAdi aNimAdi siddhlacE jagamula nEcuTa adi padavA
caraNam 3
rAga lObhayuta yajnAdulacE bhOgamu labbuta adi padavA
caraNam 4
tyAgarAja nutuDu shrI rAmuni tatvamu deliyani doka padavA
Meaning:
Lord! The real status of an individual does not depend on the extent of his wealth, his wishes or his mansions, and not even in the closeness to royalty. It lies only in the intensity of devotion to you in the understanding and assimilation of the essence of the VEdas and the Upanishads. Mere lip-service to the passage in the VEdas and scriptures, display of supernatural miracles, mere pretance of doing japa or practising austerities, and sacrifices conducted for fruition of one's material desires do not at all contribute to ones intrinsic status. To be ignorant of the doctrines by Lord Sri RAma in his incarnation detracts from the status of man whatever his pretensions otherwise.
Divine Rendering.
Simply superb.
🙏🙏🙏🙏🙏🙏
🙏🏽🙏🏻🙏🏾🎵🎵
Nice Super
Real carnatic music emanated from purandhar das the madhva saint who gave ragaas to real Kannada sahitya in Hindustani music style and his sahitya style of singing the best style of singing taking the ragaas along with Kannada sahitya but the tamilians stole his style of music made it Taal bhad or beat controlled and carnatic music became avroh music low pitch shit tharnananan a shit egample balmurali always singing in avrroh non sense no pitch nothing now where can we find the mid path between Hindustani where one line sahitya sufficient for a raag but very varying pitch from lowest to highest you can find that mid path in purandhar Sangeet where sahitya is Pradhan but raag and all pitches from aavroh to madhyanha to aaroh are present in Hindustani music style these Tamil mucisian singing some tharnananan copying from carnatic music originally purandhar das evolved music non sense don't believe they are controlled by tabla and accompaniments no vocal voice non sense doesn't give the heater any pleasure at all let them retire in grace
Vasudeva Kolar why so much hate brother.
Music is infinite.
Hi
G
I
Complete Bullshit.