Allan Holdsworth Frankfurt 1997 HQ Audio full gig
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- Опубліковано 3 тра 2019
- 0:00 Sixteen Men of Tain
6:08 Looking Glass
11:49 Letters of Marque
21:19 Above and Below
26:58 Water on the Brain pt 2
31:55 Zone-Material Real
38:39 Funnels
44:26 Texas
This personally my favorite line up....otherworldly
Agreed!
Only 4500 views in one year. for 8 000 000 000 inhabitants so, so sad ! they don't deserve Holdsworth grace.
I'm crying, this is so beautiful. Such an amazing guy Allan. We are blessed with his talent
Maestro Allan Holdsworth!
High art. The Picasso of guitar 🎸
Honestly never been anyone like him.
The legend will love on through the ages 😎
Videos like this should make people doubt the need for more than one pickup on an electric guitar.
This was his best trio.
I've watched this maybe 15 times now. Every time I'm more blown away by all three musicians, not only Allan.
Carpenter's chord comping and melodies, Novak's speed, feel and time, while playing gently, so amazing. The camera angles are incredible in allowing us to see all of this. The video editing is on the soloist at the time...doesn't dwell on the drummer, for example, during the guitar solo as so many of the TV shows did.
This show truly is a gift to fans/students of music and musicianship.
dave = basslines and chords at the same time! novak was so deft, but the audio is weird here, it's been remastered so the cymbals sound bad! ia like the other recording! carpenter is also buried in this remaster.
Allan was simply One of a Kind ! ... RIP Master Holdsworth !
That solo from 33:30 might be the best guitar playing ive ever heard in my life.
Thanks for sharing this video. Allan Holdsworth trios always exploring amazing progressive jazz music.
I'm relatively new to Holdsworth, but after watching a handful of live performances and listening to his studio albums it seems to me that Dave Carpenter complements him better than the other (very good) bass players who worked with him. His use (Carpenter's) of chords during Allan's solos are amazing. And the drummer is very good, too. What a band!
It's Flim and everyone else imo. But Carp is second for me.
I like Jimmy Johnson better
it's jimmy, skuli, then dave for me.
Yes, Carpenter is on another level, maybe a Holdsworth of the bass.
Novak is my favorite of his drummers as well, can keep a light touch while playing quick, and tasty as well.
Omg his improvisation in Letter for Marque gave me goosebumps
gary novak is hammering it as well. that main dry ride sick. this is outfuckingstanding. goosebumps.
really hope this is coming to spotify in high quality soon
yes yes yes
Bro it just got on Apple Music and Spotify!!
@@magnusmcarthur311 the Levurkusen 97 gig isn't the same as this gig, that one has chad wackerman on drums instead of gary novak
that one is great too though
Dont wish that or they'll take it away from us here, just mp3 download the video
not to many musicians out there who invent a complete own language
Ever seen his explanations of how he develops chords and licks. It is another language, but from a jazz theory standpoint it is based on known scales, but with the Holdsworthian one note modification that makes them uniquely his.
EXACTLY!!!!!
@@DavidWilliams-sp8gv that’s interesting. What is his holdsworthian one note scale modification?
9 note scales have been used by many, Miles Davis and John McLaughlin, for instance, and they are standard repertoire.
I've been there. It's been end of June, and already sticky hot in the "Sendesaal". Touching, to see the fabulous Dave Carpenter on Bass again, who is long dead now. And Gary Novak rocks, amazing drummer.
What an amazing bass player!!
Amazing Dave!!!
Saw Allan (Unbelievable on Mr. Spock and Devil Take the Hindmost) with Ernest Tibbs on Bass (Wow), Chad Wackerman (double wow) on Drums (and I don't remember the keyboard players name also wow) at the Ridgefield Playhouse in CT around 2006. An amazing show in a small theater in rural CT. Also saw him at Toads place New Haven, CT and Mall of the Americas in Minnesota during my college days. All great shows and I shook hands with Allan at the Bar. His hands are like 100 year old grape vines! No wonder he can do things on the guitar no one else could even attempt.
„Allan Holdsworth plays connected“. Steve Vai
Funnels is incredible
What the fuck man this is beautiful
Loved Allan all my life......
Gary Novak was (is) the only drummer who had an approach to Allan's otherwordly compositions and rhythmical ideas, that I could relate too ...
Thanks for sharing this video =) bass guitar player that can play chords and comp like this is a treasure! In context of this trio it works perfectly in my ears.
Funnels is so pretty
Good stuff going on there ,all 3 on it
maestro. ❤️
Thank you for this beautiful concert!
Thanks for sharing this!
This live Is absolutely Amazing. Thank You for sharing🤘🏻
Briljantno... ❤
Great sound quality! Thanks so much !
Many thanks for the upload.
Great sound
Great ❤
8:11 amazing tone and articulation
insane drummer!! incredible solo!! -- whats his name?
@@nowshowfan Thanks!
All three are simply phenomenal...
I personally love his guitar sound in this gig - really guitar with a fabulous legato and not too "synthe". What was the instrument?
Carvin Fatboy ua-cam.com/video/Asjr_4rwIEY/v-deo.html
The sound is more from his choice of processing than the guitar itself. He was the best at sound design for the electric guitar.
Buy he does have a synth pickup on that guitar...
At times it sounds like he's blending synth and guitar tones, or maybe it's pure synth? Who knows? He was THE sound designer for guitar!
The guitar barely has an effect on the sound. The pickups are important, however. Like it has already been said, it is mostly his signal processing. Effect pedals, rack effect processors, synth guitar pickup blend with guitar sound, amp, EQ, etc.
Does anybody have the setlist? Or is this the one: www.setlist.fm/setlist/allan-holdsworth/1997/sendesaal-des-hessischen-rundfunks-frankfurt-germany-1be1bd9c.html
I am not smart enough for this music it cannot reach my emotional centers. :(
It helps I feel to see improvised fusion like this: we can‘t physically travel to strange worlds, hang out on moon rocks and float by shooting stars, but by listening to improvisation like this you get to experience other worlds‘ landscapes. You get this with Miles Davis for example, but to my knowledge no one has done fusion jazz to date as well as Holdsworth. It‘s less like listening to music as it is going on extraplanetary space explorations.
Just listen and go for the ride...don't try to figure it out.
Totally let go of all expectations.
On the other hand, you can listen to, his I.O.U. album over and over for two weeks. Don't listen to anything else.
Next, do the same thing with his "Sixteen Men of Tain" album.
Then you will start to "get it".
Then proceed to do the same with the rest of his albums, chronologically, to experience his growth. Hard to say he grew after hearing I.O.U., because he was already the best, The Big Boss. Consider it more of him exploring and expanding.
When i first heard Allan back in 75, I didn’t like the music but I loved he’s playing, as a guitarist it took me some time to finally get into this type of music, now I listen quite often.
What amp he uses holdsworth in the concert?
i need transcriptions , Anyone? i'll buy it
You might find this incredible contribution to Allan's legacy useful, especially the 5 hour 21min special on the solos..... ua-cam.com/play/PL9E8bl2q8NGQTRYzpoVvzWjT4e0tRzEFY.html
While listening to this whole thing, I feel like I'm making the same face as the "other" Snarky Puppy keyboardist when Cory Henry busts out his Lingus solo
HE HATED ANY RECORDINGS!"
the remastering sucks, though. dave is buried. the cymbals are too loud. etc...
29:19 licc spotted