Love this song to the core. There is an incident pertaining to this song with Mahaperiyva. *Experience of Lalgudi G Jayaraman with Maha Periava* "One day in the year 1975, Lalgudi and his wife Rajam went to the village of Tenampakkam, on the outskirts of Kanchipuram, to seek the blessings of the Paramacharya of Kanchi. At the Ashram, the atmosphere was one of deep melancholy. Displeased with one of his staff members, the Paramacharya had shut Himself in a room and was observing Kashtamouna vrata, a vow that not only entailed abstinence from food and water but also uncompromising silence which precluded even the subtlest of bodily movements. Sombre as the entire scene was, Lalgudi shelved his desire of getting a darshan of the Paramacharya, but nevertheless decided to offer some songs to the Sage before leaving the Ashram. He began his short recital with a composition in Sama, one of the Sage's favourite ragas. He then moved on to play the song "Sabhapathikku veru deivam samanam aguma?" in the raga Abhogi. While he was engrossed in playing the phrase "Kripanidhi ivarai " a window in the Paramacharya's room was flung open. As the song dren to a close, the door opened and the Acharya walked out, His hand raised in blessing."
will soww is the as a e was see r sea a seesawing was was r is the se e w ew wee hours of werert was we u was w we sees ease wes ew reese err sr see weer w easwar e e deerqeqeew w to be sure we’ree wesa sree were se e eese saswat is w e rae ere er a se ea q ere w re rest w to were red west a e r raw e w wee wee wee eawaww w a ww were wee e ww re ray r
will soww is the as a e was see r sea a seesawing was was r is the se e w ew wee hours of werert was we u was w we sees ease wes ew reese err sr see weer w easwar e e deerqeqeew w to be sure we’ree wesa sree were se e eese saswat is w e rae ere er a se ea q ere w re rest w to were red west a e r raw e w wee wee wee eawaww w a ww were wee e ww re ray r
will soww is the as a e was see r sea a seesawing was was r is the se e w ew wee hours of werert was we u was w we sees ease wes ew reese err sr see weer w easwar e e deerqeqeew w to be sure we’ree wesa sree were se e eese saswat is w e rae ere er a se ea q ere w re rest w to were red west a e r raw e w wee wee wee eawaww w a ww were wee e ww re ray r
will soww is the as a e was see r sea a seesawing was was r is the se e w ew wee hours of werert was we u was w we sees ease wes ew reese err sr see weer w easwar e e deerqeqeew w to be sure we’ree wesa sree were se e eese saswat is w e rae ere er a se ea q ere w re rest w to were red west a e r raw e w wee wee wee eawaww w a ww were wee e ww re ray r
முதல் பாடலாய் கோபாலகிருஷ்ண பாரதி இயற்றிய பாடல் ராகம்: ஆபோகி தாளம்: ரூபகம் எழுதியவர் : கோபாலகிருஷ்ண பாரதி பல்லவி: சபாபதிக்கு வேறு தெய்வம் சமானமாகுமா? தில்லை சபாபதிக்கு வேறு தெய்வம் சமானமாகுமா? அனுபல்லவி: கிருபாநிதி இவரைப் போல கிடைக்குமோ இந்த தாரணி தன்னில் சரணம்: ஒரு தரம் சிவசிதம்பரம் என்று சொன்னால் போதுமே பரகதிக்கு வேறு புண்ணியம் பண்ண வேண்டுமா? அரிய புலையர் மூவர் பாதம் அடைந்தார் என்றே புராணம் அறிந்து சொல்ல கேட்டோம் கோபால கிருஷ்ணன் பாடும் தில்லை
Tk u for. Yr lyrics. பர கதிக்கு வேறு புண்யம் பண்ண வேண்டுமா? அரிய புலையர் மூவர் பதம் அடைந்தார் என்றே புராணம் அறிந்து சொல்ல கேட்டோம் கோபாலகிருஷ்ணன் பாடும் தில்லை....சபாபதிக்கு வேறு தெய்வம் சமானமாகுமா?
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Love this song to the core. There is an incident pertaining to this song with Mahaperiyva.
*Experience of Lalgudi G Jayaraman with Maha Periava* "One day in the year 1975, Lalgudi and his wife Rajam went to the village of Tenampakkam, on the outskirts of Kanchipuram, to seek the blessings
of the Paramacharya of Kanchi. At the Ashram, the atmosphere was one of deep melancholy. Displeased with one of his staff members,
the Paramacharya had shut Himself in a room and was observing Kashtamouna vrata, a vow that not only entailed abstinence from food
and water but also uncompromising silence which precluded even the subtlest of bodily movements. Sombre as the entire scene was,
Lalgudi shelved his desire of getting a darshan of the Paramacharya, but nevertheless decided to offer some songs to the Sage before leaving the
Ashram. He began his short recital with a composition in Sama, one of the Sage's favourite ragas. He then moved on to play the song
"Sabhapathikku veru deivam samanam aguma?" in the raga Abhogi. While he was engrossed in playing the phrase "Kripanidhi ivarai "
a window in the Paramacharya's room was flung open. As the song dren to a close, the door opened and the Acharya walked out, His hand raised in blessing."
Thanks for bringing the incident 🙏
We are blessed to read this message.
Great voice
Thank you, Mr.Balaji, for this message regarding Paramacharya.
2017 sanjay
2018 tm krishna
Same melidy
Tirupur rasikas are gifted
Sir thank you so much for sharing
Love how he shows 1 with his finger when singing oru dharam shiva chidambaram line.
will soww is the as a e was see r sea a seesawing was was r is the se e w ew wee hours of werert was we u was w we sees ease wes ew reese err sr see weer w easwar e e deerqeqeew w to be sure we’ree wesa sree were se e eese saswat is w e rae ere er a se ea q ere w re rest w to were red west a e r raw e w wee wee wee eawaww w a ww were wee e ww re ray r
will soww is the as a e was see r sea a seesawing was was r is the se e w ew wee hours of werert was we u was w we sees ease wes ew reese err sr see weer w easwar e e deerqeqeew w to be sure we’ree wesa sree were se e eese saswat is w e rae ere er a se ea q ere w re rest w to were red west a e r raw e w wee wee wee eawaww w a ww were wee e ww re ray r
will soww is the as a e was see r sea a seesawing was was r is the se e w ew wee hours of werert was we u was w we sees ease wes ew reese err sr see weer w easwar e e deerqeqeew w to be sure we’ree wesa sree were se e eese saswat is w e rae ere er a se ea q ere w re rest w to were red west a e r raw e w wee wee wee eawaww w a ww were wee e ww re ray r
will soww is the as a e was see r sea a seesawing was was r is the se e w ew wee hours of werert was we u was w we sees ease wes ew reese err sr see weer w easwar e e deerqeqeew w to be sure we’ree wesa sree were se e eese saswat is w e rae ere er a se ea q ere w re rest w to were red west a e r raw e w wee wee wee eawaww w a ww were wee e ww re ray r
Nice, a wonderful song in Abhogi, beautifully rendered by the Great Sanjay. Thanks for sharing.
Wow what a viberation in his performance. Amazing.
You are doing a great service sir. Thanks for sharing such great songs
Thanks a lot. Appreciate your kindness to share this.
Admirable work by you sir.
Awesome song.
Sir you have done a great job.
Excellent rendition. Thanks a lot for sharing
New dimension to the ragam thanks to g.sengottaiyan
Superb sir✌✌
Awesome
Wonderful..
great effort sir
Excellent voice
Deva ganam...sir
Sir superb
👌👌👌👌
excellent
Many many thanks
Gopalakrisha Bharathy krithy:Abhogi ragam.
3:20 ❤
❤️
spell binding rendition...such effects can only be brought by the incredible Sanjay. Salute the master
தில்லை சபாபதிக்கு வேறு தெய்வம் சமானம் ஆகுமா
ஆகவே ஆகாது என்பதே சத்யம்
🙏🌹🙏
Thank you so much sir...
🙏🙏🙏🙏🙏
pallavi
sabhApatikku vEru deivam samAnamAgumA tillai
anupallavi
kripAnidhi ivaraippOla kiDaikkumO inda daraNi tanilE
caraNam
oru daram siva cidambaran enDru uraittAl pOdumE
paragatikku vEru puNNiyam paNNa vENDumA?
Ariyar pulavar mUvar pAdam aDaindAr enDrE purANam
arindu solla kETTOm gOpAlakrishnan pAdum tillai
முதல் பாடலாய் கோபாலகிருஷ்ண பாரதி இயற்றிய பாடல்
ராகம்: ஆபோகி
தாளம்: ரூபகம்
எழுதியவர் : கோபாலகிருஷ்ண பாரதி
பல்லவி:
சபாபதிக்கு வேறு தெய்வம் சமானமாகுமா?
தில்லை சபாபதிக்கு வேறு தெய்வம் சமானமாகுமா?
அனுபல்லவி:
கிருபாநிதி இவரைப் போல
கிடைக்குமோ இந்த தாரணி தன்னில்
சரணம்:
ஒரு தரம் சிவசிதம்பரம் என்று சொன்னால் போதுமே
பரகதிக்கு வேறு புண்ணியம் பண்ண வேண்டுமா?
அரிய புலையர் மூவர் பாதம் அடைந்தார் என்றே புராணம்
அறிந்து சொல்ல கேட்டோம் கோபால கிருஷ்ணன் பாடும் தில்லை
Tk u for. Yr lyrics. பர கதிக்கு வேறு புண்யம் பண்ண வேண்டுமா?
அரிய புலையர் மூவர் பதம் அடைந்தார் என்றே புராணம்
அறிந்து சொல்ல கேட்டோம் கோபாலகிருஷ்ணன் பாடும் தில்லை....சபாபதிக்கு வேறு தெய்வம் சமானமாகுமா?
I think it's not dhaaarani, it's dharani
.