Yeah, really makes me think, actually. A lot of the differences that the Whispers ignore (like this thing showing up way too early) seem to have a lot to do with threats posed to the player. I'm starting to think this whole thing is actually based on the original's Game Over screen as much as it is based on the final end scene. Every time something ruins you in the original, the "master reel" gets messed up... and I guess it's up to the player to fix it, right? Seems like some of the major sources of a lot of Game Overs get a free pass from the Whispers. Rufus is way too different just to be a re-design. Oh, and even though the Whispers will come and start bothering the player characters up front, they just kind of let Sephiroth do whatever the hell he wants then fix it later if they have to. I'm sorry, there's only one other person I can share this with here, and they said "don't mind me" so you're it. ;p
@@Pensive_Scarlet when Shinra first began harvesting Mako for energy, the planet responded to this new endlessly bleeding wound with the Whispers of Fate.. just as it later responds to the Black Materia with the Weapons. As Shinra steals Mako/life energy, the whispers of fate determine how and when living things and people die to fix the balance of stolen energy through death.. Aerith explains this through her own understanding in the Talking with Flowers scene, only she doesn't know what the Big inevitable event is until Corneo says they're dropping the plate.. all the whispers interference up to that point, is about the pillar collapsing to take the lives of thousands to put lifestream and life energy back in balance, and to get Aerith together with Cloud and Tifa.. Jessie needed to be injured, so Cloud could go on the second mission, to fall in the church.. Cloud couldn't kill Reno, because he is needed at the pillar. All changes that occur through the game were ok because it didn't affect the pillar collapsing, or the characters involved in Destiny's path.. But Jenova is not of the planet, so she is not affected by the whispers. Sephiroth/Jenova are like a virus, they infect. So Sephiroth infects the whispers, and steals knowledge throughout time because fate is timeless. Cloud, in viral terms, is a carrier. And he gets random glimpses of future fate because of the Jenova cells in his blood. This is also why Cloud had to be forced away from Aerith in the beginning, and forced to go on the second mission with the whispers injuring Jessie, Jenova isn't bound by fate.. Aerith is an Ancient, and Ancients are definitely not bound by fate.. so the whispers have to force her down the path she takes as well. This much I know for sure, but I'm guessing Marlene is actually an Ancient too
@@TheSonofabiscuit that's a nice theory, but I'd add that the Planet is using the Whispers, not only to balance the forces of life and death to compensate for Shinra converting Lifestream into Mako, but to keep Cloud and the party on their destined paths. The remake's version of Sephiroth seems to know way more than he should at this point in the game. At this point in the original game, he shouldn't even know Cloud and his friends have anything to do with his plans for the Planet, yet from the very beginning of the game, he seems to be interfering with the intent of driving destined events off their tracks. For instance, Cloud was never supposed to be delayed by hallucinations of Sephiroth, and that delay would have caused him to completely miss meeting Aerith, so the Whispers swarmed her, holding her in place long enough for Cloud to arrive. They don't interfere with the Valkyrie fight, Hojo's laboratory, or Sector 5 Mako Reactor preparations is because those deviations wouldn't change the timeline of events. As long as things happen in the proper sequence, exact timings don't matter. They didn't intervene during the first 2 events because Cloud, Barrett, and Tifa were already plenty strong enough by themselves to take on Valkyrie, and the detour through Hojo's lab didn't interfere with their escape from Shinra, as that whole sequence of events wouldn't kick off until Cloud and the party made their way up to Shinra's office. The Whispers only decided to interfere when Avalanche decided to bring Jessie instead of accepting Cloud's demands for a bigger paycheck to blow the second reactor. They injured her, forcing them to hire Cloud back on because otherwise, the Turks would take Aerith and the party would be none the wiser.
@@Meandmyshadowclones everything you said is correct. As for Sephiroths knowledge early on.. he is the initial cause of FF7 Remake. The main point of view comes from the whispers.. my big theory outside of part 1, is that the whispers were ultimately the reason Cloud was able to kill Sephiroth at Nibelheim, it was Sephiroths fate.. but being a product of Jenova, he challenged that fate.. so now picture a cancerous Sephiroth, stealing knowledge of fate throughout time, for the next "5" years.. he learns his fate, Aerith's fate, and anything else he wants to learn through the whispers. Now FF7 Remake starts, and Sephiroth already knows he can't defeat Cloud, meteor doesn't strike, and Cloud can't save Aerith from her chosen fate..
i'd like to think that it's this moment where the three become an incredible team in the game. the trust they have and what they do in this battle to save their skins is simply fantastic
Just an English comment passing by, It's more than likely you're here because you know this track is among the most epic of tracks in an already incredible soundtrack.
The OST Plus that just released in late 2020 has the first minute and 56 seconds as a standalone track! It is called 'Run, Dammit, Run'. I was looking for this for so long! It shows up on the OST plus, disc2, track 16.
Then I recommend you check out the soundtracks to the Ace Combat games. Keiki Kobayashi has been the main composer for them for well over a decade now. (Even though he has been a freelancer since 2014. I can only hope he is still on board for the next Ace Combat.)
Story-wise, it's filler, but mood-wise it fits in so well. After dealing with the aftermath of the plate collapse and side quests related to NPCs in chapter 14, this is the ideal transition to the final mission at Shinra tower. Here, you have only the 3 main heroes climbing up to the plate in the sunset, fighting their way past Shinra soldiers and robots while the beautiful, uplifting heroic themes "Fires of Resistance" and this one play. Perfect to get you motivated for finally taking the fight to Shinra's HQ.
Maeby but personally this is still my favorite chapter in the game, the ambience is just amazing, some of the best soundtracks in the game (fires of resistance is probably the best normal battle theme in my opinion ).
@@AlguienCualquieraDelMundo I agree. As the hero climbs, it is like they are getting from "small ecoterriorist group" (the ground) to something much bigger, and the scenary and music completely represents that. And this soundtrack is just too good to hate lol
Figures the one music theme Keiki Effin Kobayashi would compose for this game is the one for the "high-speed aerial weapon manufactured by Shinra's Advanced Weaponry Division." I wouldn't mind having him compose an arrangement for the Highwind.
Just imagine if SE finds the required combination of brain power and sheer guts to make the Final Fantasy VI remake. A whole epic battle with an actual Air Force, tracked by Ace Combat style remixes of some of Uematsu's most exciting songs. With a whole airship and an unprecedented number of player characters at your disposal, with all the action built on everything learned from FFVIIR, the potential to deliver a AAA experience that lives up to the title of AAA Game is definitely there.
I think this particular song is even more reminiscent of Kobayashi's work on the Soul Calibur games. I listened a bit into the Ace Combat 7 OST today (never played any of the games) and it didn't really remind me of the Valkyrie theme. In fact, there were hardly any battle themes? At least they didn't seem like that or were way less dramatic than this one, but I gotta admit I just zapped through it a bit.
Just another English comment passing through to say that Keiki Kobayashi is a musical god and one of the best composers working today. If you want more music of this quality, I recommend "ZERO" from Ace Combat: Zero and both "Daredevil" and "Hush" from Ace Combat 7: Skies Unknown
アレンジして使う曲もあると発表された時真っ先にこの曲を願ったけど、ガチでトレーラーで披露されて不覚にも泣いてしまった。
Probably the greatest completely original song in the remake, holy hell this is epic
I've heard it was produced by the guy who's makes The Ace Combat soundtrack. Correct me if I'm wrong
@@lukedodson3441 You are absolutely correct 😊
It's a really good song, but I prefer Midnight Rendezvous. The remake has a lot of great original songs!
There's a couple solid ones but this is up there.
@@lukedodson3441 youre not wrong
最初はギクシャクしてた3人が仲間になっていく感じがいいんだよな
ジェノバも秀逸だし、お馴染みのBGM神なのは分かりきってたけど、不意打ちでこれくらった時はあまりの神に痺れた
リバースクリアしたので久しぶりに聴きに来ましたが相変わらず胸が高鳴り魂を熱く滾らせてくれる最高のBGMですね！
この曲はヘリガンナーのBGMというよりか、これまでギスギスしててイマイチまとまりに欠けてた3人が神羅の圧倒的な力を前に、志を同じくした仲間たちの死と同時にエアリスまで誘拐されて絶望の淵に立たされたことをきっかけに、それぞれの思いや決意が一つにまとまってこのヘリガンナー戦で初めて3人がチーム一丸となったことを示す曲のようにも感じられます。
だからこの曲聴いてると涙が出てくるんすよね…。
4:12 こっからすんごい好き
小林啓樹さんらしい疾走感あふれるリズムと金管楽器の使い方でさすがとしか言いようがないよね
コンスタントにこういった曲作れるのほんとすごい
Just an English comment passing through, Valkyrie really gets my goats up.
Yeah, really makes me think, actually. A lot of the differences that the Whispers ignore (like this thing showing up way too early) seem to have a lot to do with threats posed to the player. I'm starting to think this whole thing is actually based on the original's Game Over screen as much as it is based on the final end scene. Every time something ruins you in the original, the "master reel" gets messed up... and I guess it's up to the player to fix it, right? Seems like some of the major sources of a lot of Game Overs get a free pass from the Whispers. Rufus is way too different just to be a re-design. Oh, and even though the Whispers will come and start bothering the player characters up front, they just kind of let Sephiroth do whatever the hell he wants then fix it later if they have to.
I'm sorry, there's only one other person I can share this with here, and they said "don't mind me" so you're it. ;p
@@Pensive_Scarlet when Shinra first began harvesting Mako for energy, the planet responded to this new endlessly bleeding wound with the Whispers of Fate.. just as it later responds to the Black Materia with the Weapons. As Shinra steals Mako/life energy, the whispers of fate determine how and when living things and people die to fix the balance of stolen energy through death..
Aerith explains this through her own understanding in the Talking with Flowers scene, only she doesn't know what the Big inevitable event is until Corneo says they're dropping the plate.. all the whispers interference up to that point, is about the pillar collapsing to take the lives of thousands to put lifestream and life energy back in balance, and to get Aerith together with Cloud and Tifa..
Jessie needed to be injured, so Cloud could go on the second mission, to fall in the church..
Cloud couldn't kill Reno, because he is needed at the pillar.
All changes that occur through the game were ok because it didn't affect the pillar collapsing, or the characters involved in Destiny's path..
But Jenova is not of the planet, so she is not affected by the whispers. Sephiroth/Jenova are like a virus, they infect. So Sephiroth infects the whispers, and steals knowledge throughout time because fate is timeless. Cloud, in viral terms, is a carrier. And he gets random glimpses of future fate because of the Jenova cells in his blood. This is also why Cloud had to be forced away from Aerith in the beginning, and forced to go on the second mission with the whispers injuring Jessie, Jenova isn't bound by fate..
Aerith is an Ancient, and Ancients are definitely not bound by fate.. so the whispers have to force her down the path she takes as well. This much I know for sure, but I'm guessing Marlene is actually an Ancient too
@@TheSonofabiscuit thats a really good explanation of how whispers work, thanks
@@TheSonofabiscuit that's a nice theory, but I'd add that the Planet is using the Whispers, not only to balance the forces of life and death to compensate for Shinra converting Lifestream into Mako, but to keep Cloud and the party on their destined paths. The remake's version of Sephiroth seems to know way more than he should at this point in the game. At this point in the original game, he shouldn't even know Cloud and his friends have anything to do with his plans for the Planet, yet from the very beginning of the game, he seems to be interfering with the intent of driving destined events off their tracks.
For instance, Cloud was never supposed to be delayed by hallucinations of Sephiroth, and that delay would have caused him to completely miss meeting Aerith, so the Whispers swarmed her, holding her in place long enough for Cloud to arrive. They don't interfere with the Valkyrie fight, Hojo's laboratory, or Sector 5 Mako Reactor preparations is because those deviations wouldn't change the timeline of events. As long as things happen in the proper sequence, exact timings don't matter.
They didn't intervene during the first 2 events because Cloud, Barrett, and Tifa were already plenty strong enough by themselves to take on Valkyrie, and the detour through Hojo's lab didn't interfere with their escape from Shinra, as that whole sequence of events wouldn't kick off until Cloud and the party made their way up to Shinra's office. The Whispers only decided to interfere when Avalanche decided to bring Jessie instead of accepting Cloud's demands for a bigger paycheck to blow the second reactor. They injured her, forcing them to hire Cloud back on because otherwise, the Turks would take Aerith and the party would be none the wiser.
@@Meandmyshadowclones everything you said is correct. As for Sephiroths knowledge early on.. he is the initial cause of FF7 Remake. The main point of view comes from the whispers..
my big theory outside of part 1, is that the whispers were ultimately the reason Cloud was able to kill Sephiroth at Nibelheim, it was Sephiroths fate.. but being a product of Jenova, he challenged that fate..
so now picture a cancerous Sephiroth, stealing knowledge of fate throughout time, for the next "5" years.. he learns his fate, Aerith's fate, and anything else he wants to learn through the whispers. Now FF7 Remake starts, and Sephiroth already knows he can't defeat Cloud, meteor doesn't strike, and Cloud can't save Aerith from her chosen fate..
航空機絡みでエースコンバットの小林啓樹さんにヘリガンナーの曲を書いてもらった決定にセンスを感じる
あとドラムの部分わりとヘリのプロペラの音に似てないか
プレートが崩落した絶望的な状況から希望を見つけては這い上がり、エアリス今から助けに行くから待ってろよと言わんばかりの強い意志を感じさせる壮大な音楽に心が震えました。
徹夜してエアリス助けた、あまりにも夢中になりすぎて
This theme was so intense. Made the heligunner feel quite threatening. I love it
無印の７では、簡単に壁登って行ったがここまで膨らますなんて！
そして音楽が秀逸。
この曲聴くためにずっと逃げ回っていた。
無印の方はギミックでバッテリーはめるやつやったな。
i'd like to think that it's this moment where the three become an incredible team in the game. the trust they have and what they do in this battle to save their skins is simply fantastic
Barrett understood the need to quit his jibba jabba and get on with the immediate task.
ずっと後ろでプロペラが回ってるみたいな音がしてるのがこの敵を表現してるみたいで好き
作曲はあのエースコンバットの小林啓樹さんだったんですね。どおりで戦闘していて力が滾るわけですわ。
要望に答えていただきありがとうございます😭✨✨✨
毎日聞かせて頂きます！
久しぶりに聞きに来たらめっちゃ伸びてる！
やはりかっこいい曲だし、この動画が一番切り替えうまくて好き。
チャプター15「落日の街」
崩落したプレートと夕日の黄昏感とそれらを彩る神BGM
最後の強敵ヘリガンナー戦はチャプター最後を飾るボスとBGMが神がかっている
Just found out this piece was composed by Keiki Kobayashi (Ace Combat 4-7 and Zero) and it makes so much sense!
Cloud, Tifa, and Barret having this incredible team moment, and boss fight, was one of the best things about Remake.
弾丸が鉄骨に当たるような音が好き過ぎる…
プレート断面後半のBGMですね！
追われてる感覚と後戻り出来ない感じが同時に押し寄せてメチャクチャ熱くなりました
疾走感が半端無いんですよねこの曲…
今作は既存曲アレンジもさることながら新曲も本当に良いのばかりで驚かされます！
Just an English comment passing by, It's more than likely you're here because you know this track is among the most epic of tracks in an already incredible soundtrack.
Damn. You figured me out.
Damn. You figured me out.
沈む夕日、瓦礫の山、弾丸の雨、プロペラの音…すべてがこの曲を引き立てる
このゲームで一番好きな曲
チャプター15 落日の街というステージをこの曲ですべて表現している神曲
しかも空中ステージに相応しい満を持してのヘリガンナー戦
@@dromarthebanisher8220
チャプター16で神羅ビルだけど、神羅関係は大概夜の場面だから混沌感がある。
bgmのためだけに左右移動お疲れ様ですw
崩壊したプレートと沈む夕陽が背景で、それを背に不恰好に飛ぶヘリガンナー相手にこの壮大なBGMが流れてるのが、これで大空すら支配してやったぞと言わんばかりの神羅の傲慢さが垣間見える様で好き
本日遅ばれながらチャプター16までいきましたが、めちゃくちゃカッコよすぎるBGMで終始震えてました笑
焦燥感と緊迫感溢れる、もう後戻りはできないようなそんな感じがします
ストーリーで色々とあった後のこれはちょっと泣きそうになった。
2:06からのとこ世界レベル
未プレイで尚且つ初めて、ここで聴いたけど想像を絶する程の神曲でビビったwwwww
bgmも夕焼けも素敵❤️
これ見てるとミッドガルってホントにデカいね。
この曲すっげー良いなぁと思って実況者さんの動画漁ったけど如何せん双方の効果音と実況に殺されて全く反応なくて寂しかった笑
もっと評価されていいと思う
THE MOST EPIC TUNE AFTER “LET THE BATTLES BEGIN: BREATHROUGH”
One of the most epic battles in this game!! Like this boss felt so climactic and dramatic with the sunset!
もうサバゲーしてる時はこの曲が脳内でずっと流れてる
中低音金管楽器主旋律→ストリングス主旋律が素晴らしい…！特に3:50あたりから流れる、Hornの主旋律に心が震えた。
ドラマチックで壮大で、勇ましい曲なのに何故か切なさも感じる。
神曲
One of my personal favourite moments in the game was fighting the Valkyrie/Heligunner
FFとはまた雰囲気が違う曲
このメカ系専用曲っぽくてカッコいいのは揺るがない事実ではありますが！
This ferocious boss fight with this background music is one of the best combinations exist on the Earth🔥
Love this soundtrack.
ヘリガンナー戦(BGM)カッコよすぎて何回聴いてもあきない(^^)
The OST Plus that just released in late 2020 has the first minute and 56 seconds as a standalone track! It is called 'Run, Dammit, Run'. I was looking for this for so long! It shows up on the OST plus, disc2, track 16.
Thank you for the heads up! just bought the full track in two parts on iTunes!
Thanks man
You're a hero. I've been looking for that since 2020!
今回のリメイクで一番お気に入りのBGM🔥
↓共有していただける方！
この曲、リメイク2以降でもまた使われねぇかなって位に好きだわ。
ジュノンとかの夕日が映えるステージに合いそう。
使われてくれたら嬉しいですね！
ハイウインドで大空洞に向かうシーンとかで流れたら熱い！
1:06 when the beat drops!
これは他の戦闘BGMとはかえてきてるな。ドラマちっく。これまたこの景色と合うんやわ。夕陽なのがこれまたええがな。壮大な印象。
Just an English comment passing through- thank you! This song is so beautifully made
Then I recommend you check out the soundtracks to the Ace Combat games. Keiki Kobayashi has been the main composer for them for well over a decade now. (Even though he has been a freelancer since 2014. I can only hope he is still on board for the next Ace Combat.)
SMH AMAZING. INSANELY GOOD
Good news! The intro part also included as a single track in Disc 3 #4 "Run, Dammit, Run" or "走れ走れ走れ!" in new release FFVII Remake OST plus as well.
THANK YOU
Wait... You sure? I don't see that track
THANK YOU VERY MUCH FOR THE MAHN. I ONLY KEPT FINDING THE BOSS MUSIC ALWAYS NOT THE CHASE SCENE MUSIC. THANK YOU VERY MUCH
The beginning is the best part, yet it’s missing from the official soundtrack 😔
8:43 Man this part of the gameplay is sooo badass with the slowmo and the sunset
This sounds like something out of Yu Gi Oh, like when the protagonist has one card left in their hand and has to make the big play
The whole chapter 15, to be quite honest, is just some filler content but I just can't hate it. The sunset and this theme is just too beautiful.
Story-wise, it's filler, but mood-wise it fits in so well. After dealing with the aftermath of the plate collapse and side quests related to NPCs in chapter 14, this is the ideal transition to the final mission at Shinra tower. Here, you have only the 3 main heroes climbing up to the plate in the sunset, fighting their way past Shinra soldiers and robots while the beautiful, uplifting heroic themes "Fires of Resistance" and this one play. Perfect to get you motivated for finally taking the fight to Shinra's HQ.
Maeby but personally this is still my favorite chapter in the game, the ambience is just amazing, some of the best soundtracks in the game (fires of resistance is probably the best normal battle theme in my opinion ).
@@AlguienCualquieraDelMundo I agree. As the hero climbs, it is like they are getting from "small ecoterriorist group" (the ground) to something much bigger, and the scenary and music completely represents that. And this soundtrack is just too good to hate lol
最初が鉄に弾丸反射してるの音ハメみたいで好き
Lol at Cloud just sidestepping the bullets so he can listen to the 1st part music in full.
このチャプター好きなんすよねー
すごい久しぶりに見に来たらとんでもねえ神曲だった
Nice song
別ゲーでブルーアーカイブという弾幕ゲーあるんだけど、強い敵と闘うコマンド「総力戦」に入れたい敵ですねww
フィールド 屋外
攻撃属性 貫通
防御タイプ 特殊装甲（電磁粒子砲ドローンに巻き込まれると軽装備になる）
just an english comment passing through, don’t mind me. also this song fuckin slaps, guessing hamauzu wrote it as those strings are going crazy.
Nah, that's Keiki Kobayashi. Best known for his compositions from the Ace Combat series
Figures the one music theme Keiki Effin Kobayashi would compose for this game is the one for the "high-speed aerial weapon manufactured by Shinra's Advanced Weaponry Division." I wouldn't mind having him compose an arrangement for the Highwind.
Just imagine if SE finds the required combination of brain power and sheer guts to make the Final Fantasy VI remake. A whole epic battle with an actual Air Force, tracked by Ace Combat style remixes of some of Uematsu's most exciting songs. With a whole airship and an unprecedented number of player characters at your disposal, with all the action built on everything learned from FFVIIR, the potential to deliver a AAA experience that lives up to the title of AAA Game is definitely there.
@@Pensive_Scarlet I never played 6. Wish I could.
I think this particular song is even more reminiscent of Kobayashi's work on the Soul Calibur games. I listened a bit into the Ace Combat 7 OST today (never played any of the games) and it didn't really remind me of the Valkyrie theme. In fact, there were hardly any battle themes? At least they didn't seem like that or were way less dramatic than this one, but I gotta admit I just zapped through it a bit.
ちゃんも薬莢飛んでるの細かくて好き
0:00
1:43
3:27
7:18
Is it me, or is this like top 10 most epic songs of all time?
敵がいたり動いてるときなんかのBGM聴きたいときはメニューボタン押すと楽ですね♪
かっけええええ
スラム底辺から地上約200mの激闘（トッププレートで地上300m）
Rebirth trailer
This song and the Ghost boss song are the best imo
2:07 give such a heroic feeling
Best 🎵song in the game!!
Anyone else notice a bug with Valkyrie's animations, where it's propellers stop spinning while it's firing it's gatling guns?
Epic!
Sounds like something out of Ace Combat but I freaking love this.
You got that right! It's the same composer!
@@mauricecooper42 ha, that's awesome. I knew I loved it for a reason!
Same Composer!! and sounds like Daredevil!
@@henryblack323 an exquisite show I must say.
Magnificent
曲聴いてる間終始ガタガタ震えてたのは俺だけじゃないはず
倉庫がとびとびにある隙間を狙ってくる。階段降下中もバリバリ撃ってくるし。イッテェー！
Even though the original was a turn-based JRPG, this is how we all imagined them fighting.
Haha Facts!
Indeed
撃ってる時に薬莢が排出されてるの、最近じゃ珍しくないけどちゃんとしてるなぁって改めて思った。
あと、ローターが干渉しないようズレて回転してるのもポイント高い
機械系の敵のこだわりが凄いよな
They took a Composer of Ace Combat OSTs for this project....I'm not disappointed
I'm glad UA-cam recomended this to me.
I had forgotten about this song.
You will be remembered for taking this bullets brother, 🙏 this song is hard to find on UA-cam.
I wanna hear an rendition of this song of what itd sound like if it was in the original ps1 ff7. I imagine it would still sound just as awesome!
A channel by the name of Sara G Music actually did that (and some others like Collapsed Expressway and Jessie's Theme)!
@@budakbaongsiah oh my god thank you I didn't even think that could be possible that sounds amazing
@@PrimevalDemon
Don't thank me, thank her.
I use this while in battle during a D&D session. It's motivating as fuuuck.
Oooooh good idea!
I use this to work out sometimes, pure epicness 💪🏽
Fun fact. this is composed by the famous Ace Combat composer, Keiki Kobiyashi
Whenever something involves flying machines he gives it his all
そのままスマブラのBGMとして使っても違和感無い説(笑)
0:00〜1:41
ヘリガンナー（腕、しんど。はよにげろや！）
Solo un comentario en español pasando por aquí.
Nada como un esquivar balas para escuchar tu música favorita 🤣
The ace combat vibe is so awesome
I think it was the same composer for this game
これマジ神曲でテンション上がった。ハードで1回全滅したけど
スキアラバ
0:01
The real start
1:43
Phase 1
3:27
Phase 2
4:13
Potential loop
[Precision edits pending, standby.]
初回プレイの時にこいつが出てきたら､BGMの盛り上がりも相まって何故か沸々と憎しみが沸き上がって来て､｢やぁヘリガンナーくん！久しぶり！ 死ねェ！！｣
みたいなノリでゴリ押ししてしまった｡
約20年越しのリメイク作プレイでも消えない憎悪が残ってるって､全く覚えてないんだけど原作プレイ時に何があったんだ自分･･･
@1:40 is when you know the Boss has hit its 'shit getting real' phase.
ウェイトモードで止まるのわかるわぁ…
こんな曲このボスに使う？？FF7以外のどの作品で使っても頭張れそうなメロディじゃんかって思った。
I swear I've heard a song like this from another game, but I can't put my finger on it. Now it's going to drive me mad.
Ace Combat? Same composer!
倒すのに必死で聞いてなかったからありがたい
ザンダラ打ちまくるのに必死で聞けなかった。
こいつとの戦い最初ちょっときついから 頻繁にキャラ切り替える事になるんだけど やってる内にこの時間がもっと続いて欲しいとなった覚えがある それぐらい曲良かった
Just another English comment passing through to say that Keiki Kobayashi is a musical god and one of the best composers working today.
If you want more music of this quality, I recommend "ZERO" from Ace Combat: Zero and both "Daredevil" and "Hush" from Ace Combat 7: Skies Unknown