Waagal - H₁yaǵnós (Short Movie) || Throatsinging Proto Indo European Sumerian Vedic Sanskrit
Вставка
- Опубліковано 10 лют 2025
- #sitar
Stream: distrokid.com/...
"H₁yaǵnós" (meaning offering, to worship, to sacrifice to a god, in reconstructed Proto Indo European) is a triptych of polyrhythmic throatsinging which is based on a two ½ years linguistics research about language genealogy.
I discovered along the way a lot of cool things including Proto Indo European language, and it slowly evolves to this EP.
There's three part: Proto Indo European, Sumerian and Vedic Sanskrit.
The concept is to revive some the oldest language possible, and to do so I had to find some of the oldest written material. And finally to blend it with a polyrhythmic structure of drums. I had several ideas so I decided to make a big one in three part.
I dedicate this work to the Great Spirit, as an humble offering.
Please welcome this humble work :)
PART I Proto Indo European
"H₃rḗḱs dei̯u̯ós-kwe" ("The King and the God") is an adaptation of a short dialogue written in Proto-Indo-European. This version is by linguist Andrew Byrd. It's also the first part of a triptych.
Proto-Indo-European is a hypothetical language considered to be the unique origin of today's Indo-European languages. Linguists have partially reconstructed this possible protolanguage on the basis of similarities between languages that have often disappeared but are real and known, and partially on the basis of well-identified transformation patterns, particularly phonological ones.
Since the Kurgan hypothesis put forward by Marija Gimbutas in 1956, the Yamna culture has been associated with late Proto-Indo-Europeans (PIE) and proposed as the strongest 'candidate' for being the home of Proto-Indo-European. The Yamnaya lived around 5000 years ago (3000 BC).
"H₃rḗḱs dei̯u̯ós-kwe"
H₃rḗḱs h₁est; só n̥putlós.
H₃rḗḱs súhxnum u̯l̥nh₁to.
Tósi̯o ǵʰéu̯torm̥ prēḱst:
"Súhxnus moi̯ ǵn̥h₁i̯etōd!"
Ǵʰéu̯tōr tom h₃rḗǵm̥ u̯eu̯ked:
"h₁i̯áǵesu̯o dei̯u̯óm U̯érunom".
Úpo h₃rḗḱs dei̯u̯óm U̯érunom
sesole nú dei̯u̯óm h₁i̯aǵeto.
"ḱludʰí moi̯, pter U̯erune!" (ḱludʰí moi̯)
Dei̯u̯ós U̯érunos diu̯és km̥tá gʷah₂t.
"Kʷíd u̯ēlh₁si?"
"Súhxnum u̯ēlh₁mi."
"Tód h₁estu", u̯éu̯ked leu̯kós dei̯u̯ós U̯érunos.
Nu h₃réḱs pótnih₂ súhxnum ǵeǵonh₁e.
"Tód h₁estu", u̯éu̯ked leu̯kós dei̯u̯ós U̯érunos.
Nu h₃réḱs pótnih₂ súhxnum ǵeǵonh₁e.
H₃rḗḱs h₁est; só n̥putlós.
H₃rḗḱs súhxnum u̯l̥nh₁to.
Dei̯u̯ós U̯érunos diu̯és km̥tá gʷah₂t.
Dei̯u̯ós U̯érunos diu̯és km̥tá gʷah₂t.
"Kʷíd u̯ēlh₁si?"
"Súhxnum u̯ēlh₁mi."
"Tód h₁estu", u̯éu̯ked leu̯kós dei̯u̯ós U̯érunos.
Nu h₃réḱs pótnih₂ súhxnum ǵeǵonh₁e.
"Tód h₁estu", u̯éu̯ked leu̯kós dei̯u̯ós U̯érunos.
Nu h₃réḱs pótnih₂ súhxnum ǵeǵonh₁e.
PART II Sumerian
"Ninkasi" is an adaptation of a hymn dedicated to goddess Ninkasi, recounting the stages in the brewing process. The text is written in Sumerian, a language spoken at least 4900 years ago (2900 BC) in Mesopotamia. It was also one of the first script to appear.
The Hymn to Ninkasi consists of two songs engraved on clay tablets dating from the 18th century BC. The first song describes step by step the process of brewing Sumerian beer. The second describes the vessels in which the beer is brewed and served. All this is done by the goddess herself
Azalle uttuda
Ninhursaĝake
Mi ziddešdugga
Irizu lalhare
Kinusa bad galbi
Šu muraandudu
Aazu Enki en Nudimude
Amazu ninti nin Abzua
Ninkasi
Si niĝ-silaĝ mar maha duazu
Šimlalta ubba bappir hihia
Bappir Udunmahe duazu
Zar gunidaam si sasaam
Munu sahar ĝarra a siggazu
Ur meme nam gamgammaam
Sumun duga a ĝarrazu
Izi zizidam izi ĝaĝadam
Titab kidmaha barragazu
Šag sed AN dibbaa
Kaš di da galšu
Yabba ĝallazu
Lal geštin tešba
Surra Ninkasi
PART III Vedic Sanskrit
"Somārudrā" is an adaptation of the 74th hymn of 6th Mandala from Rig Veda.
The Rig Veda is a collection of sacred hymns from ancient India composed in Vedic Sanskrit. It is one of the four great canonical texts of Hinduism known as the Vedas. It is one of the oldest existing texts in the Indo-European language. According to Indologists, philologists and linguists, it was written between 1500 and 900 BC.
The Vedic people who spoke this language are the ancestors of the Indian and Iranian peoples and lived 3,500 years ago (1500 BC).
somārudrā
dhārayethāmasuryaṃ
pra vāmiṣṭayo
aramaśnuvantu
dame-dame sapta
ratnā dadhānā śaṃ
no bhūtaṃ dvipadeśaṃ
catuṣpade
somārudrā vi vṛhataṃ
viṣūcīmamīvā
yā no ghayamāviveśa
āre bādhethāṃ
nirtiṃ parācairasme
bhadrā sauśravasāni
santu
somārudrā
yuvametānyasme
viśvā tanūṣu
bheṣajāni dhattam
ava syataṃ muñcataṃ
yan no asti
tanūṣu baddhaṃ
kṛtameno asmat
tighmāyudhau tighmahetī suśevau
somārudrāviha su mṛḷataṃ naḥ
pra no muñcataṃ varuṇasya
pāśād ghopāyataṃ naḥ sumanasyamānā
somārudrā dhārayethāmasuryaṃ
pra vāmiṣṭayo
aramaśnuvantu
dame-dame
sapta ratnā
dadhānā śaṃ no
bhūtaṃ dvipadeśaṃ
catuṣpade
somārudrā vi vṛhataṃ
viṣūcīmamīvā
yā no ghayamāviveśa
somārudrā
somārudrā
somārudrā
#throatsinging #handpan
There is something so deep and primal about drums and throat singing. When ive heard it before its never right. But YOU NAILED IT!!!! Its what i imagine indo european tribes sounding like when sitting around a fire singing.
My new favourite pagan rave
Absolutely amazing 😍❤️❤❤ Everything I waited for ❤❤❤ I love all three parts. Every part is unique. But my favourite part is the one in Vedic Sanskrit 👍👍 can't wait to hear more from you 🧘
This is amazing work I appreciate you sharing it!
thank you !
Magnifico ❤😊
Dam that syncopated kick coming in strong like a Royal Alanic knight covered in lamellar charging in the molten magma crux of a battle... oh how they shake-spears in divine fury.... dude I'm going to listen to you non stop.. you should use as many authentic prayers or incantations as lyrics in tochtarian or even Hittite I'm sure they preserved some as they had scribes.... bro I reckon you should even try bronze age iberian, they are some of the earliest written runic inscriptions... alvao script I think is the oldest inscription found round where tartessos is assumed to have been... as far as I can remember the iberian alvao is like from 4000bc and they look much more familiar to Norse runes that later phoenician or Etruscan.... anyway you would do it justice like no other, brother!!
Thanks ! I was thinking about Hittite and Tocharian also, though I've already a lot to finish first (involving Sanskrit, Gaulish, Gothic, Proto slavic, Euskara, PIE, Proto Germanic, avestic and much more). Let's see how it goes ;)
Incredibile energy..
Amazing, thank you for this!
❤❤❤sumeric soul🎉🎉
C'est magique bro .. Merci ... Connexion mycelium o top .. ^^
I followed you here as well , such a soothing music and throat singing , appreciated ♥️ , Please upload more Vedic Sanskrit music , Hope you get more recognition in future 🙏
thanks for your support !
Epic!
Wunderschön ❤
This is epic !
brilliant!
This is great! great video and great music!! keep on hope to see your single project live soon !!
thank you :)
Wonderful sounds make me feel something strange
In Western modernity, Rudra may parallel the great god(s) Zeus, or Perkunnos, or even Thor, one assumes. Not sure about "Somarudra"... soma is like ambrosia, also a god of the Moon? So, somarudra may refer to wind or seed-spreading storms? Protection (from Nirrti) for both night and day? The winds that carries bees? Dunno. Doesn't matter so much, 'cause the music is definitely above conscious thought. Thanks for your efforts, Waagal, what you're doing is truly Saint-like.
Thanks for your support :)
During vedic period, Rudra is an epithet of lord Shiva (or at least his "form" during these times) and Soma is a ritual drink of importance for vedic people. (around 1500 BC). "Somarudra" is the way to say "Soma and Rudra" in vedic Sanskrit.
Soma term in local used for ephedra in Nepal and himlayan culture
Recent archelogical site in central asia ( gunur tepe) which was one Vedic site
Their was ritual found and evidence of use of ephedra with opium and cannabis
( Ephedra as main ingredient)
Zoroastrian culture also used ephedra they used to import this herb in india before British raj from Afghanistan and they called it "haoma"
Ephedra basically increase adrenaline rush which motivated Aryans to fearlessly death dance in war
During war it was purely drink alone ( soma juice with milk ) while during ritual it was used with cannabis and opium which gave them other experience too
Ephedra is banned in many countries and it is considered harmful
Soma ,one more fact is soma was considered harmful even during time of Vedic age if taken with purity but it was considered masculine to drink pure soma and battle in war and you either get win the war or you fight till your enemy kill you ( no retreat back)
Which later known as saka in rajput culture ( where they used to go war to win or to meet swarga/ heaven)
❤
Namasté
What Language?❤
There are three, each one is mentionned before the beginning of the song :)
Dude
Do the feathers have any meaning or significance?
Yes. They symbolize the aerial realm, therefore the aerial part of the body which is spirit/mind/consciousness. Through metonimy it symbolise the Higher Spirit.
@@Waagal that’s awesome. Love it
Good stuff brother. I put them in my hair from time to time too. @@Waagal
😭 you took the way sumerian is transcribed as literal---the letters chosen are just for lazyness, u'd need to pronounce them as in southern german or how chinese is also transcribed i.e. are breathless "p t k"---sumerian had no voiced sounds, so a bit like finnish---the then strongly breathy i.e. "p'h t'h k'h", and the is a "ts"-sound like in Tzar...
I'm studying it on my own, so for sure there's room for improvement. Though, it seems indeed that early sumerian had no voiced sounds, it also seems that in the late 3rd millennium BC, the unaspirated stops are thought to have become voiced in most positions.
It is therefore matter of debate.
The song I made is an humble adaptation and do not intend to represent perfectly the language, as I'm constantly learning and improve my knowledge of it.
For "z" sound, I found out later that it as "ts" sound, as I based at the time my work on another linguist paper that propose /z/ instead.
@@Waagal to be fair, u got a point in that singing is not the same as talking, we do things while singing that wouldnt be following the nornal rule of that language and that applies to almost every language i.e. while singing in chinese, with strong liason the unaspirated voiceless stops may even become voiced stops despite chinese speakers are not used or aware of making them..... so it gets a pass there :D
i REALLY love ur work, so please if u wanna have any easy-to-understand input of some obscure ancient language u plan on making a song in, *_please_* feel free to hit me up, im workin in cultural heritage conservation but since immaterial stuff also is part of culture at least i focus my efforts not only on buildings, artefacts and monuments but also involve my years long passion for (historical) linguistics----i'd love to help for free, my reward is the things u r creating ❤
also, i love to nerd out regarding languages, so if thats also ur thing i'd share thoughts happily---dont want to make u stop or replace ur own studies
@@Waagal (btw, as stupid as it sounds, english wikipedia is awesome for getting into most ancient languages cuz they summarize the different papers and opinions with arguments against&for each analyzation. if one knows the IPA that already gives a solid point to start for the most propable pronunciation. ---- the thing is that one may anatomically simply not understand/be able to hear some stuff if comimg from a mother tongue that does not exhibit these things, i.e. something like the concept of vowel length for speakers of e.g. english)
@@eyeofthasky yes I found out for wikipedia article, there's a lot of info for phonology/IPA sound :)
Iam not satisfied with you're view's & subscriber they are very less