Shahid Parvez Khan | Raag Maru Bihag | Bazm e Khas | live baithak
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- Опубліковано 26 сер 2024
- Artist
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Ustad Shahid Parvez Khan is an Indian classical sitar player from Imdadkhani Gharana. He belongs to the seventh generation of Etawah Gharana. Shahid Parvez has performed in all major music festivals in India or in abroad. Shahid Parvez also got vocal and Surbahar(sometimes called bass sitar) training from his uncle Ustad Hafeez Khan. He also received training in tabla for many years from Ustad Munnu Khan of the Delhi Gharana.
Credits
Sitar: Ustad Shahid Parvez khan
Tabla: Hafeez Ahmed Alvi
Raag Maru Bihag is a very serene and a much-loved raag. Raag Maru Bihag is broadly acknowledged to be a contrivance of Atrauli-Jaipur founder Alladiya Khan‘s phenomenally insightful mind. The two parts are mediated by special melodic gestures. This skillfully sophisticated interplay of the two diapasons is the characteristic flavour of Raag Maru Bihag.
This baithak was held at the initiative of Ved Gupta as a part of bazm e Khas foundation live concerts.
The idea behind this upload is to preserve this collection of great music for all music lovers and students of Hindustani music. We treat this upload as a cover version.
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Ustad ji aap to आप है aap. के jesa कोई नहीं, क्या बात हें इतनी मधुर rag मारू bihag आप से सुनते रहे बस सुनते रहे बस सुनते रहे
Waah, waah! Ustadji is no less than magical, Bazm-e-Khas once again doing great justice to his sound with terrific reproduction. Those who say Maru Bihag is a "chotaa raga" need only listen to this man present it to realize that no raga is any less beautiful for lack of scope - it's all in the artist's mastery. Terrific accompaniment as always by Alvi saheb as well, well balanced, clear, yet powerful when it should be so. Thanks so much for the beautiful upload!
Indeed the recording is very professional. Bazm e Khaas is outstanding.
It's indeed a 'chotaa raga' for vocalists, but not for instruments. It sounds repeated for vocalists because vocalists can not keep repeating one phrase continuously, but for instruments it is possible to repeat one single phrase in different rhythms. So it can be expanded much more for an instrument
Khan sahab kya Baat h!!! Apke jaisa koi nahi ho sakta!!! Marvellous
रूहदारी, लयकरिओं और साधना की बे मिसाल जीता जागता प्रमाण।
वाह क्या बात है खूप छान अप्रतिम
Wonderful i am speechless
BEAUTIFUL RENDITION.
SALAAMS TO THE MAESTROS.
GOD BLESS.
THANKS.
Excellent. Rasiya aao na.
Wah. Kya baat........
SUBHANALLAH
GRT young tabla artist...hu is he..pls name him...
nice but tabla is being panned left to right - why?
Right, I was also thinking about that. That is affecting the mood.
🙏
Jabab nehi
Gatkari mein maaza nahin aaya. Just a personal opinion.