@@petersarellas what are your memory recall settings for the FX30? Or do you mostly just shoot in 120fps and adapt to whatever speed you want in post? I am currently using the MR settings to change FPS and SS quickly since the FX30 doesn't have shutter angle.
You’re welcome! A lot of what I make with this type of footage gets posted on the CFL’s social channels and UA-cam page so I’d look there, and I have some of my work up on www.petersarellas.com if you want to look at my portfolio
Love it Peter! Really enjoying the storytelling aspect of games you're capturing, thank you for the insight into your work flow. Are you thinking about upgrading your 70-200 f4 to the mk ii?
@@petersarellas amazing! I'm looking forward to you making a video on that already haha. I'm looking to add a 70-200 to my kit for sports and I'm not sure what the best option is between both F4s and the F2.8 mk ii vs the price/future proofing. Any recommendations?
In slog3 on the A7Siii I believe the low base ISO is 640 and the high base ISO is 12800 in slog3 specifically. This doesn’t mean that those are the only two ISO values that you can film at because plenty of other lower ISO values will still look very clean and give you pleasing images, but it does mean that you *technically* get the least noise and most dynamic range at those two ISO values.
I’ve got this camera rain cover that’s essentially a bag with a zipper at the bottom to get the camera in, two holes on the sides to stick your hand through and one hole in front for the front element of the lens, so I’ll use that if the rain gets really bad. Besides that if everything is rated to be weather sealed I’ll just film and let it get wet, then be very thorough with drying it right after the game.
Manfrotto is the brand that I usually go with. Benro is a good one as well. I’ve tried some smaller and more cost effective options in the past to see the difference and those cheaper ones generally don’t last for more than a few months.
Question are you using a filter on these shots? I shoot D1 football and if I bump my ISO up to 12800 during the day or evening the shot would be washed out
curious as to what made you shoot at 1/400th of a speed instead of the 2x rule? (so if you were shooting 120fps then your shutter would be 1/240 etc) loved the video and content, I learned a lot from this
I’ve used it on C-Log footage before and it works but you have to make a couple of tweaks to get it there (most notably reducing contrast in my experience)
So 4k120 180’ rule puts your at 240. I see your clip at 320, at 400- do you just crank it up more than the 180 degree rule blindly or is there a rule you follow when adjusting shutter?
Great video Peter! I realized I may have caught you at a bad time on Ig because it was late, but I was wondering if you are able to import your lut pack into your fx3? I tried and it wouldn’t let me.
Haven’t tested that out bc I usually shoot with a standard rec709 LUT and leave any creative decisions regarding colour to post production but let me test that and get back to you!
Another great video Peter! Quick question regarding the shutter speed - Why not follow the 180 rule? Or do you not have the option for ND filters since you have to run around so much?
I do have the option of ND filters and do use them but I like keeping a faster shutter because having less motion blur makes the action of sports look more intense in my opinion
Thank you so much for videos like this! I've been doing sports media for years but I've always done it for my job so I had their equipment. Now that I'm doing it on my own I picked up the Sony ZV-E10 to get a decent start (recommended by Beyond The Game) and I've been loving it for basketball but now that I'm doing football for the first time on my own I knew I needed a telephoto lens and I picked up the Sony E 55-210mm F4.5-6.3 lens until my preferred options are back in stock. (Sorry longer comment) but my question is do you have any tips for a dealing with a lens like mine? Like should I avoid auto camera settings? I do have lens filters just not sure of how my camera will work best for outdoor sport settings. Thanks in advance.
I'd definitely try to film using manual ISO, WB and aperture rather than relying on auto settings for the most part (AF being the exception). With a lens like the 55-210mm that has a variable aperture I'd also recommend stopping it down to a consistent f6.3 if you have the light available to do so, so that you don't get changes in exposure as you zoom your lens in and out.
For American football you could probably use either but for Canadian football I use the 70-200mm for the most part because the field is wider and the end ones are twice as deep so the extra reach helps
This dude dropping real gems 🤞 You ever get overwhelmed switching between 3 cameras in real time?
This is super helpful. Appreciate all the work it takes for you to churn these out for us!
Thank you! I’m so glad this helps you and very much appreciate you recognizing the work haha
Love this!!! Do more. SUPER helpful. You're the man.
So glad you liked it and can def do more!
Loved the real time thoughts behind the shots. Great video!
Amazing! So happy that you enjoyed the format.
@@petersarellas what are your memory recall settings for the FX30? Or do you mostly just shoot in 120fps and adapt to whatever speed you want in post? I am currently using the MR settings to change FPS and SS quickly since the FX30 doesn't have shutter angle.
Really love this style of video! Already looking forward to the next one!
Amazing I love to hear that 🙌
Love the insight on what you’re thinking during each shot 👍
Awesome! I’m happy that it helps you!
Love the shot by shot breakdown !!
Thanks bro!!
Thank you for your help !
Of course, thank you for watching!
@@petersarellas most definitely, I’m new to sports videography and I’ve been looking at your clips on Instagram 🔥🥶
Love peters work. Great guy!
Thank you Ron! I hope you’re doing well
how come your videos look so crisp even with a high ISO??
Hey, thank you very much - Highly interesting! is it possible to see the finished work somewhere? Cheers!
You’re welcome! A lot of what I make with this type of footage gets posted on the CFL’s social channels and UA-cam page so I’d look there, and I have some of my work up on www.petersarellas.com if you want to look at my portfolio
Great video as always !
Thank you!
I gotta buy this lut pack
💯
Love it Peter! Really enjoying the storytelling aspect of games you're capturing, thank you for the insight into your work flow. Are you thinking about upgrading your 70-200 f4 to the mk ii?
Yes I definitely am thinking of getting that upgrade! At the very least I want to get my hands on it and compare the two.
@@petersarellas amazing! I'm looking forward to you making a video on that already haha. I'm looking to add a 70-200 to my kit for sports and I'm not sure what the best option is between both F4s and the F2.8 mk ii vs the price/future proofing. Any recommendations?
Just found your channel. 👊🏿🔥🔥🔥🔥
Welcome! 👋
Keep em coming! 👊
Will do!
Thanks Peter, i'd love to know your picture profile settings, slog etc but great video
Will you be covering football Atlantic this year?
Yes I was there!
8:03 auto or manual focus?
Auto
@@petersarellas Does your lut pack work with c-log 3 as well?
please do more of these Breakdown Videos
I had a lot of fun with it and response so far seems to be good as well so can do!
New series alert 🚨
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Man this is awesome seriously! I have an a7siii and shoot in slog3 as well, basically the ISO should only be 800 or 12800?
In slog3 on the A7Siii I believe the low base ISO is 640 and the high base ISO is 12800 in slog3 specifically. This doesn’t mean that those are the only two ISO values that you can film at because plenty of other lower ISO values will still look very clean and give you pleasing images, but it does mean that you *technically* get the least noise and most dynamic range at those two ISO values.
What do you use to protect your gear for rainy days
I’ve got this camera rain cover that’s essentially a bag with a zipper at the bottom to get the camera in, two holes on the sides to stick your hand through and one hole in front for the front element of the lens, so I’ll use that if the rain gets really bad. Besides that if everything is rated to be weather sealed I’ll just film and let it get wet, then be very thorough with drying it right after the game.
@@petersarellas definitely will check it out to stock up in thanks 🙏🏽
What kind of monopod do you recommend, cost effective preferred. Thanks 🙏🏾
Manfrotto is the brand that I usually go with. Benro is a good one as well. I’ve tried some smaller and more cost effective options in the past to see the difference and those cheaper ones generally don’t last for more than a few months.
Question are you using a filter on these shots? I shoot D1 football and if I bump my ISO up to 12800 during the day or evening the shot would be washed out
On some of them I’m using a Tiffen Pro Mist 1/4 and/or Tiffen VND
curious as to what made you shoot at 1/400th of a speed instead of the 2x rule? (so if you were shooting 120fps then your shutter would be 1/240 etc) loved the video and content, I learned a lot from this
What frame rate sequence setting for slow mo?
I edit on a 24fps sequence
Is your sports kits able to work with canon clog?
I’ve used it on C-Log footage before and it works but you have to make a couple of tweaks to get it there (most notably reducing contrast in my experience)
So 4k120 180’ rule puts your at 240. I see your clip at 320, at 400- do you just crank it up more than the 180 degree rule blindly or is there a rule you follow when adjusting shutter?
No hard and fast rule but I like to hang somewhere around 1/320-1/500 when filming in 120fps
Great video Peter! I realized I may have caught you at a bad time on Ig because it was late, but I was wondering if you are able to import your lut pack into your fx3? I tried and it wouldn’t let me.
Haven’t tested that out bc I usually shoot with a standard rec709 LUT and leave any creative decisions regarding colour to post production but let me test that and get back to you!
The goat!
🙏
Another great video Peter! Quick question regarding the shutter speed - Why not follow the 180 rule? Or do you not have the option for ND filters since you have to run around so much?
I do have the option of ND filters and do use them but I like keeping a faster shutter because having less motion blur makes the action of sports look more intense in my opinion
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Thank you so much for videos like this! I've been doing sports media for years but I've always done it for my job so I had their equipment. Now that I'm doing it on my own I picked up the Sony ZV-E10 to get a decent start (recommended by Beyond The Game) and I've been loving it for basketball but now that I'm doing football for the first time on my own I knew I needed a telephoto lens and I picked up the Sony E 55-210mm F4.5-6.3 lens until my preferred options are back in stock. (Sorry longer comment) but my question is do you have any tips for a dealing with a lens like mine? Like should I avoid auto camera settings? I do have lens filters just not sure of how my camera will work best for outdoor sport settings. Thanks in advance.
I'd definitely try to film using manual ISO, WB and aperture rather than relying on auto settings for the most part (AF being the exception). With a lens like the 55-210mm that has a variable aperture I'd also recommend stopping it down to a consistent f6.3 if you have the light available to do so, so that you don't get changes in exposure as you zoom your lens in and out.
What frame rate do you edit your timeline on ?
24fps
Where you usind proxys for rhis one?
What’s the name of the song at the beginning?
Question, for shooting football if you’re in the endzone do you find it better to use the 28-75 ? I always use my 70-200 when in the area
For American football you could probably use either but for Canadian football I use the 70-200mm for the most part because the field is wider and the end ones are twice as deep so the extra reach helps
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“Sports Games” sounds odd. “Sporting Events” or “Athletic Events” sounds more natural…
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