Excellent presentation, thank you. Here's what I know from over 60 years of recording.... "....If you need this much EQ you didn't record it right". Listen to some great recordings from the 50s, 60s., especially engineers like Sam Phillips. Good enough for Elvis, good enough for you ! Bill P.
Im still trying to fully understand the 4 types of compressors THERE'S ONLY SO MUCH I CAN LEARN IN A WEEK Srsly now keep up the awesome work, guys. You are doing amazing This series is INSANELY good And Miami, bro. Dude. You deserve all the love in the world
Try not to get too obsessive about this stuff. Most people can't hear the difference between compressor types, and it matters FAR less than the hypesters would have you believe. Bill P.
great explanatory video and nice presentation,.correct me if i am wrong but rainfall in this example is a pink noise . well...it depends on what it rains on , in the case shown it matches more with the first noise type.
"The reality is every EQ in the analog world has minimum phase." oooh, OUCH! You were doing so good, bro! 😅 The fundamental math for many filter transfer functions are the same between hardware and software, including the phase relationships of whichever particular filter topology used. Linear phase filter topologies have existed in electronics before modern computers, and much of the math goes back to the early-1800's. Analog hardware filters designed for linear phase will trade 'roll-off' rate / 'steepness' for linearity. For example, a Bessel (or its digital counterpart, Thiran) filter is linear but really slow roll-off, while Chebyshev can drop dBs very sharply with comparatively miniscule change in frequency, but its linearity is horrible even in pass-band (would be awful for audio aside from maybe an intentional effect). Many, many more physical stages or 'poles' (or computation horsepower in digital) is required for an equivalent roll-off rate on linear compared to non-linear filter types. Butterworth and the multi-stage Sallen-Key topologies have been popular in audio forever because they're an acceptable middle ground between roll-off, and flatness - it's flat in the pass-band where it really counts, but phase changes sharply as you reach the edges of its bandwidth curve. Butterworth and Sallen-Key are also simpler to implement than linear phase filter types... anyway, sorry to nitpick a single comment. Great video, excellent content as usual!
I will reach for a Linear Phase EQ from time to time. Just keep your ears open for pre-ringing. Linear Phase can destroy transients! :) Great vid my guy, even tho I'm over a year late ;(
I feel like parallel topologies like a pultec were worth separating since you can get curves otherwise not possible with a serial EQ, if I’m not mistaken.
EQ Type 5: Spline EQ, which is different from both band and parametric. Check Curve EQ by voxengo or spctrleq by tonstrum. Curve correction you can have with them is unseen on other types of EQ.
@@joeymusic Nice ! Band EQ often have a bell or linear top when two condecutive bands have same value, but you cant make ramps. Parametric EQ are influence points which means that the correction curve not necessarly pass by the correction point (for eg if you have two bells close to each other in opposite direction), which it would do with spline EQ allowing very steep or slow ramps. These spline EQ are really pure digital.
A high pass only lets the HIGH frequencies PASS. Legit had to hammer that into my brain for like a year before it stuck. Horrible naming convention. Just call them slopes lmao
@@joeymusic see what Jimi said about good tone not hurting at high volume and bad tone hurting at low volume…. Wait you were just being punny 🤣. Have a great weekend Sir -Poo
This series, these have been the BEST addition to JST. Bravo.
So glad you think so Lincoln! I’ve been having a ton of fun with these. What would you like to see in the future?
-Miami
@@joeymusic Types of saturation/distortion!
Completely agree. The openness and transparency has been great along with the ideas and tips
Excellent presentation, thank you.
Here's what I know from over 60 years of recording....
"....If you need this much EQ you didn't record it right".
Listen to some great recordings from the 50s, 60s., especially engineers like Sam Phillips.
Good enough for Elvis, good enough for you !
Bill P.
Thanks for that!
@@joeymusic You're welcome Joey !
"EQ my band with" Damn near spit out my lunch.
Pun after pun after transition after transition! IM NOT STOPPING LMAO
-Miami
Love these videos. I know all this stuff but it's nice to have a reminder to get me out of auto pilot when selecting which plugins to use etc
Happy to be that reminder. It’s easy to get caught up in auto pilot with mixing
-Miami
This Brother is official and I support your channel my brother.. Learning alot
Great work! Transition game on point!
Thanks Brutus! Hard to make an entertaining video about eq, but I sure tried 😂
-Miami
Love how useful this series is to me thank JST team cheers
You’re very welcome, Filipe! Just trying to make all of this information available in one place!
-Miami
Im still trying to fully understand the 4 types of compressors
THERE'S ONLY SO MUCH I CAN LEARN IN A WEEK
Srsly now keep up the awesome work, guys. You are doing amazing
This series is INSANELY good
And Miami, bro. Dude. You deserve all the love in the world
Try not to get too obsessive about this stuff. Most people can't hear the difference between compressor types, and it matters FAR less than the hypesters would have you believe.
Bill P.
ohh cool, i m loving this series, i had no idea about linear, great!!
Glad I could explain it for ya! Thanks for always being here 😀
-Miami
@@joeymusic ✌✌
Yo thanks for making this!
Of course, dude! Thank you for watching
-Miami
great explanatory video and nice presentation,.correct me if i am wrong but rainfall in this example is a pink noise . well...it depends on what it rains on , in the case shown it matches more with the first noise type.
Love the energy, great videos!
Thanks Casey! I'll do my best to keep bringing the energy!
-Miami
"The reality is every EQ in the analog world has minimum phase." oooh, OUCH! You were doing so good, bro! 😅 The fundamental math for many filter transfer functions are the same between hardware and software, including the phase relationships of whichever particular filter topology used. Linear phase filter topologies have existed in electronics before modern computers, and much of the math goes back to the early-1800's. Analog hardware filters designed for linear phase will trade 'roll-off' rate / 'steepness' for linearity. For example, a Bessel (or its digital counterpart, Thiran) filter is linear but really slow roll-off, while Chebyshev can drop dBs very sharply with comparatively miniscule change in frequency, but its linearity is horrible even in pass-band (would be awful for audio aside from maybe an intentional effect). Many, many more physical stages or 'poles' (or computation horsepower in digital) is required for an equivalent roll-off rate on linear compared to non-linear filter types. Butterworth and the multi-stage Sallen-Key topologies have been popular in audio forever because they're an acceptable middle ground between roll-off, and flatness - it's flat in the pass-band where it really counts, but phase changes sharply as you reach the edges of its bandwidth curve. Butterworth and Sallen-Key are also simpler to implement than linear phase filter types... anyway, sorry to nitpick a single comment. Great video, excellent content as usual!
very good explain
I will reach for a Linear Phase EQ from time to time. Just keep your ears open for pre-ringing. Linear Phase can destroy transients! :) Great vid my guy, even tho I'm over a year late ;(
Thanks guru❤️
Make also a video about TUBE Eq, Passive Eq etc. Would be grateful....!
I feel like parallel topologies like a pultec were worth separating since you can get curves otherwise not possible with a serial EQ, if I’m not mistaken.
Thanks Miami.
What about passive eq
EQ Type 5: Spline EQ, which is different from both band and parametric. Check Curve EQ by voxengo or spctrleq by tonstrum. Curve correction you can have with them is unseen on other types of EQ.
Tbh im going to have to look into this. I'm super familiar with voxengo but not curve eq. Thanks for the heads up.
-Miami
@@joeymusic Nice ! Band EQ often have a bell or linear top when two condecutive bands have same value, but you cant make ramps. Parametric EQ are influence points which means that the correction curve not necessarly pass by the correction point (for eg if you have two bells close to each other in opposite direction), which it would do with spline EQ allowing very steep or slow ramps.
These spline EQ are really pure digital.
Would really love to see Miami explain Soothe
Doesn't a pultec do that teeter totter move?
Miami the goat ✌🏻❤️🤘🏻🔥
🥲 right in the feels
-Miami
sub'd great flow in your content
A high pass only lets the HIGH frequencies PASS.
Legit had to hammer that into my brain for like a year before it stuck. Horrible naming convention. Just call them slopes lmao
I’m saying dude... so confusing for no reason lol
-Miami
Yessir!!
Always glad to see you around Mac!
-Miami
@@joeymusic heyyy wassup Miami tell Joey I said waddup mang! I’m trynna get him on Pensado’s place!
Control your Freqz!
But what if it hertz?
-Miami
@@joeymusic see what Jimi said about good tone not hurting at high volume and bad tone hurting at low volume…. Wait you were just being punny 🤣.
Have a great weekend Sir
-Poo
@@joeymusic oooh🤦🏽 I should’ve use the Radiohead line…
I don’t care if it hertz
I want to have control
the bell pun my dude...
I tried to tell everyone last video I’m going 10x harder from now on 🤣🤣🤣
-Miami
@@joeymusic Priceless. Keep it going.
Johnny sturgeon
Who you’d you his real name...
-Miami
Locked in a room 24/7
What about passive eq?
If you don't like all the puns, then that's what you get for talkin shit about Miami's transitions
Lmfao, Ben gets it
-Miami
Locked in a room 24/7 gets a like.
Miami bringing us peasants some knowledge.
disquisting color in your room