@@CloverTheBunnyABDL If you're inspired you may want to learn. And if you want to learn you may need a blueprint. And if you have a blueprint you may want to follow or copy it, until you can build your own. From this video, this guy seems to mix a lot of the old with the new. Good for him.
@maximusindicusoblivious180 My style is built my on living the Blues. I don't copy anyone. My style is different, that I have to use my ear when I play and no rely on someone else style.
i met Sam in store. He was such a lovely bloke, he asked my name and shook my hand. I only wanted to say hello and thank you for teaching us how to play! Humble gent!
Sam really is thé nicest guy. Went to visit sixty sixty a couple of times over the years and he always let's me play Sunny. Played his Marshall stack this summer and his Uni-Vibe. such a cool guy. Always have a blast nerding out about Hendrix stuff with him ✌🏻
he's really a great player and such a nice guy, it's a shame that people on shorts hate this man for some reason. just because he's tribute musician or jimi hendrix imitator doesn't mean he sucks or something. like he only plays jimi hendrix things and what's your problem?
It's beyond being a "tribute" to Jimi... this guy is full-on trying be the second coming of Hendrix...he dresses like a Prince/Steven Tyler love child and plays a flipped lefty strat...
I think that it's beyond what this guy is doing. It appears that people in the U.K. still appreciate art and see it as beauty. Many in the U.K. embraced Jimi at the time and saw him as beautiful. Not so much in America. It may be a so-called Ugly American thing, I don't know what's in people's heart. This is coming from a Beautiful American.
Thanks for sharing Chris. Sam is the best, great dude & killer player. Been following Sam & SixtySixtySounds for a few years now - The shop is the shiz too!
Very likable and legit fellow. He believes in what he does and to me that’s what it’s all about. Whether it’s Jimi, SRV, Page Blackmore or whoever…be true to it..
Never gonna down on anyone drawing influence from Hendrix to any degree..started playing 40ys ago because of Hendrix..such a blessing to have genius song material to study learn..and PLAY..
Thanks Sam, I’m now pissing myself laughing at the ironic thought of a long haired man with a peace symbol necklace, bringing a bomb though airport security!
I use my univibe just for the preamp and run it with the vibe on zero. Although I do like the effect, I rarely use it for anything I play. The boost/preamp was a bonus surprise and I use it for leads/fills or just to brighten everything up.
Awesome! I've always wanted to flip a lefty Strat and play it Jimi-style. I'd go with a white one. I watched Jimi live at Woodstock so many times back in high school, I wore out the tape.
Kinda funny he gets flack for playing this way while people outright copy SRV and people eat it up , I have a lefty flipped I recently got ,but I don't play like Hendrix I just it looks cool and it's challenging but still you end up playing a certain way ,must be the vibe coming through
Really Hendrix sound is just a strat, Eb tuning is important a wah and a uni vibe, i dont even think the distortion matters all that much, more the fingers and the tuning. I have a white 87' strat plus Eb tuned and i can get a Jimi sound pretty easy.
I’m a lefty and for so many years, finding and affording a LH Strat was out of reach (thankfully not anymore). But, the Strat is really the one guitar that lends itself to playing upside down. It’s as comfortable as a LH. I’ve actually just ordered a Monterey Strat and it IMHO, should be played upside down. It’s funny when I see righty players playing it right side up. So, I’ll play it in the position (unfortunately not as well) That Jimi played. Seems proper.. LOL.
Great video. Hey Chris and Sam! I too am looking for an original Uni-Vibe at a reasonable price (lol). The preamp is 95% of Jimi's tone. The trouble is, there are good vintage ones and not-so-good vintage ones so you have to play it before you buy it.
I 'd liken this setup to a good cover band. There's an upper ceiling to how much appreciation I can have for this type of thing when in reality its just an imitation of something that's been done before. Admittedly a good imitation but an imitation none the less.
Ah man i’ve been wondering if Sam had ever tried any pedal pawn stuff, I know this video was about his personal rig but one with him trying out your pedals would be cool, I’m sure that’s already in works to be fair haha cheers Chris ✌️
That's a lovely guitar. The whole vibe says Woodstock. Sam could do with a time machine to jam with The Who, Jimmy, Mountain, Carlos and Ten Years After at those legendary 3 days in Bethel NY.
This cat has quite the rig! I almost bought a hendrix signature strat, but couldn't get past the knobs being on top..really messed with the muting on the bridge for me. Ended up buying an American Standard. Years later I kinda wished I would have bought that one 😂
when you play a Upsideown strat behind your head and shoulders the shorter cutaway is out of the Way .. .. But if you play a right side up strat the big cut away screws you very badly .. go ahead and try it at a pawn shop ,guitar store
@@joeblankenship377 lol oh god man I’d look like the biggest idiot dressed like that haha. He rocks it perfectly on me that’s a bad Halloween costume haha
Surprised to see this mentioned anywhere on the internet besides the forums still alive, helping with common knowledge. He used whatever was available at the time it was bought. The pictures will show when he acquired new rigs over the years. The g12H 25 watt speaker was first used in the pinstripe stacks seen in the early videos. He transitioned into the basket weave cabs in late 1968, that probably started him using the newly invented g12H (30w) version for power handling. The pre-rola sticker doesn’t matter to anything having to do with the tone, only the specific models that had different (wattage) power handling. Also, there was a different white voice coil used in all of the speakers before the end of 1967. It’s the least of worries in all of the tone. More detailed and delicate coil that would burn up or melt each speaker soaking in power on stage for hours. They changed to higher wattages in their model lines and the voice coil was “upgraded” to avoid melting, though slightly changed the tone consequently. This is how it all made sense for me in tone chasing when finding out the reasons behind why the way the tone was. The material the cone is made of is the secret to the speaker, since it’s now illegal to use the same chemicals in the formula, that were supposedly lost after a random 1973 factory burn down. Re-issues don’t have it to spec and it’s just been marketing. Just as the vacuum tubes, transformers and pickups windings. Everything sounds muddy nowadays, you may notice. The speaker contributes the most along with the characteristics of the amp paired with them. Honestly, he just has a full on common reissue type of rig going on. I just couldn’t even when I got tired of all those speakers within a year, from sadly trying to buy and resell out of high school. Forex took care of that no college dilemma. People talk and don’t listen with their ears enough or we’re crazy for hearing the difference still
IN-FECKING-CREDIBLE gear. IDK, but the open E (6th) booms were a little too boomy/loud. It just over-powered the other strings output when he was playing the double/stops of the 12th and 14th fret. Maybe lower the bass side of the pickups just a teeny bit? Or it could of been the room or the recording. But that's okay. Being able to get that Strat boom on the open E and on neck pickup . Whether distorted or clean, that's what made me want to switch to Strats. I have a Strat copy-clone that I Hendrix-ed out. I have all the correct parts, except the neck. I can't quite get that tone. I think it has to do with the neck and how it determines the string length. I have a little 12 watt tube amp I re-housed with a DIY overdrive built into the top of the amp above the amps front panel. It is kind of cloned from a Marshall preamp. Circuit is like Runoffgroove Thor except no tone controls and with a Burr-Brown OPA134pa chip in it. Has dedicated 18 volt regulated filtered power supply-lotsa headroom. Now I want to listen to Jimi! (Hear My Train-Rainbow Bridge?)
Something interesting about that is that Hendrix, along with lots of other dudes from that era used an odd (by modern standards) set of string gauges, .38 low E and some other differences from a regular set of 10s, as well as being nickel wound. They sound slinkier and funkier, and according to Roger Mayer they have a more balanced output if you do the math on the relative output of each string. They were Fender Rocknroll brand back in the day, nowadays Pyramid makes a great set replicating them, been using them for years
I think he's tapped into something that this generation is thirsty for. If you follow good vibes, quite often good vibes will follow you. Jimi and Carlos understood this, it's a universal brother thang, a lot of people will just not get it.
Even SRV tinkered with left hand guitars and bridges. You dont know till you do at least 10 gigs otherwise you get placebo affects. Gig 1, wow yeah. Gig 10, actually this is no difference to my normal set up guitar. Great vid that made me think hence my long comment
How do you play a strat and not use position 4? The most iconic and unmistakably strat tones were created with the pickup selector in position 4, even if it meant using the in between position on a 3 way switch that first gave birth to it. And as a bonus, by using position 4 you're essentially combining two single coils to work like a humbucker, greatly reducing the 60Hz hum that single coils are so susceptible to picking up you'd think that was their primary design goal, making it possible to play at higher gain settings without driving yourself and everyone within earshot crazy. So kids, don't let statements like this deter you from thoroughly exploring position 4 on stratocasters or anything based on the strat design, because it's arguably the best pickup setting for extracting that typical strat sound. I have an Ibanez "superstrat" type guitar that does a fairly convincing job of sounding like a proper strat in position 4. Don't be a position 4 denier! ;😉
@@theminer49er5 Your mother's unaware by whom you're sired. (I' m just screwing around, going with the flow you inspired. I intend no offense. Please cancel the hitman you might have hired.) ;)
It's unfortunate that every old greenback speaker just sounds old and tired, basically blown out, no low into them, and the low-end that is there is flabby. They basically sound the same as an old pair of underwear looks.
What in the world? I have a mint pair of 1972 g12m greenbacks in the original boxes waiting for a cabinet, but every cabinet I buy is already loaded with greenbacks that sound too good to replace anyways. There’s stuff in dead storage lockers waiting to be uncovered by re-sellers for pure money on eBay’s auctions year round. Always been cheaper than buying it “vintage empty” anyway. I’ve been using the g12m from years 67-1973, in various cabs. They don’t burn out like tubes do. It feels unlimited. I was worried as well, but found that there’s still many unused speakers sitting in cabs, that were taken well care of, from the elements over the years
@@arthurwinter1220 I've heard dozens and dozens of original pulsonic greenback cabs, and I can say with absolute certainty, that there is a massive difference between speakers that have been played for decades straight vs ones that are relatively untouched. The sounds that you hear on the old records the speakers are essentially brand new. I have a full stack of originals, one set still has punch and clarity to it, the other one like I said sounds like a loose old pair of underwear. I have done swaps back and forth between the two cabs, and the characteristics follow the speakers.
People hate on him too much for taking inspiration from Jimi Hendrix. He seems like a great guy
I think the guy looks great but if you take inspiration from hendrix get the playing up to scratch brother
Taking inspiration is one thing, copying is another.
@@CloverTheBunnyABDLwell he’s not black is he
@@CloverTheBunnyABDL If you're inspired you may want to learn. And if you want to learn you may need a blueprint. And if you have a blueprint you may want to follow or copy it, until you can build your own. From this video, this guy seems to mix a lot of the old with the new. Good for him.
@maximusindicusoblivious180 My style is built my on living the Blues. I don't copy anyone. My style is different, that I have to use my ear when I play and no rely on someone else style.
Love Sam. He’s an insane player and such a sweet dude
100% 🎸🚀
i met Sam in store. He was such a lovely bloke, he asked my name and shook my hand. I only wanted to say hello and thank you for teaching us how to play! Humble gent!
Sam really is thé nicest guy. Went to visit sixty sixty a couple of times over the years and he always let's me play Sunny. Played his Marshall stack this summer and his Uni-Vibe. such a cool guy. Always have a blast nerding out about Hendrix stuff with him ✌🏻
The world needs more big rigs
I love that he started his reg-rundown with the guitar. A true player.
everyone starts with the guitar(s)
Cool video. I went to London back in August this year and met Sam at the shop. He’s such a cool dude. 🎸👍
he's really a great player and such a nice guy, it's a shame that people on shorts hate this man for some reason. just because he's tribute musician or jimi hendrix imitator doesn't mean he sucks or something. like he only plays jimi hendrix things and what's your problem?
It's beyond being a "tribute" to Jimi... this guy is full-on trying be the second coming of Hendrix...he dresses like a Prince/Steven Tyler love child and plays a flipped lefty strat...
@@datass666but he plays well, who cares 😂
I think that it's beyond what this guy is doing. It appears that people in the U.K. still appreciate art and see it as beauty. Many in the U.K. embraced Jimi at the time and saw him as beautiful. Not so much in America. It may be a so-called Ugly American thing, I don't know what's in people's heart. This is coming from a Beautiful American.
They hate him because they ain't him
When he played the Univibe it gave me chills!! Beautiful.
Sounds beautiful 🔮❤️
Love his setup Fender Stratocaster and a Marshall stack, he's a really cool dude and can play awesome.
love all the gear and stories behind it! the passion is there with this one :)
Thanks for sharing Chris. Sam is the best, great dude & killer player. Been following Sam & SixtySixtySounds for a few years now - The shop is the shiz too!
You are very welcome mate. That’s awesome, fantastic guys indeed 🎸
Yeah, haters! People love Hendrix, whether they know it or not. Did you see all the onlookers through the window as he was jamming? Seriously.
Band of Gypsys tone is killer JIMI was wrangling a monsterous sound and playing so tight..
Very likable and legit fellow. He believes in what he does and to me that’s what it’s all about. Whether it’s Jimi, SRV, Page Blackmore or whoever…be true to it..
I visited this summer and met him, very cool dude.
"The greatest thing you can do for a guitar is play them." Truth.
This guy's awesome. Stop the hating. Love the tone by the way
Yeah Sam! Love Sixty Sixty Sounds too!
He’s so awesome mate, and so are you!! 🚀🎸
It's insane to think I've been in this shop, Sam is such a cool person, really glad to see him in your videos! And what a cool rig😎
That’s awesome that you’ve been there mate! Certainly an incredible shop and Sam is a legend. Thanks for the nice comment!
Never gonna down on anyone drawing influence from Hendrix to any degree..started playing 40ys ago because of Hendrix..such a blessing to have genius song material to study learn..and PLAY..
Thanks Sam, I’m now pissing myself laughing at the ironic thought of a long haired man with a peace symbol necklace, bringing a bomb though airport security!
The tone is soooooo good man
You just can't go wrong playing through a cranked stack.
oh you can
It's a good idea to leave the top cabinet unplugged.for hearing damage.
I use my univibe just for the preamp and run it with the vibe on zero. Although I do like the effect, I rarely use it for anything I play. The boost/preamp was a bonus surprise and I use it for leads/fills or just to brighten everything up.
Went to Uni with Sam, lovely bloke. Great player 👍
i just found that hendrix song - the stars that play with laughing Sams Dice .. - lov it
I love these we NEED more please☮️💜
Stay tuned 🔥🚀❤️
Sam is The Man! His IG stuff is fantastic. Did you get to have a go with his rig?
He sure is! I did, but not on this exact set up because it was too loud for my brain to handle 🤣
Beautiful man he is. All the success to you mate.
Awesome! I've always wanted to flip a lefty Strat and play it Jimi-style. I'd go with a white one. I watched Jimi live at Woodstock so many times back in high school, I wore out the tape.
Kinda funny he gets flack for playing this way while people outright copy SRV and people eat it up , I have a lefty flipped I recently got ,but I don't play like Hendrix I just it looks cool and it's challenging but still you end up playing a certain way ,must be the vibe coming through
Really Hendrix sound is just a strat, Eb tuning is important a wah and a uni vibe, i dont even think the distortion matters all that much, more the fingers and the tuning. I have a white 87' strat plus Eb tuned and i can get a Jimi sound pretty easy.
I’m a lefty and for so many years, finding and affording a LH Strat was out of reach (thankfully not anymore). But, the Strat is really the one guitar that lends itself to playing upside down. It’s as comfortable as a LH. I’ve actually just ordered a Monterey Strat and it IMHO, should be played upside down. It’s funny when I see righty players playing it right side up. So, I’ll play it in the position (unfortunately not as well) That Jimi played. Seems proper.. LOL.
Met Sam in Sixtysixty before. He was a top bloke!
Best thing to do for a Guitar is play it!👏this guy is the real McCoy a Gem💎indeed!🤘☮🌻🎩
Awesome rig and playing!
We need more players like jimi whoops i mean sam
I got to play a red 63 Strat at Sixty Sixty Sounds last year. unplugged and very quiet like sitting on their couch...pretty cool
That’s super cool 🎸
Whenever Im in London and in Covent Garden I stop by there@@PedalPawn
Yes Sir🔥🔥
Great video. Hey Chris and Sam! I too am looking for an original Uni-Vibe at a reasonable price (lol). The preamp is 95% of Jimi's tone. The trouble is, there are good vintage ones and not-so-good vintage ones so you have to play it before you buy it.
Thank you very much mate! 😍 you are right about the hit and miss nature indeed 🚀🟥⬜️
Great playing , what type of picks/ strings are you using ?
I made one from a Squier! Love it! Fun to play!
Right ...
I would like to hear how you did it. Did you change the block, saddles, nut, tunings, pots as well as the pickups? How much money did you put into it?
love the passion and detail .
🚀🎸❤️
Always great to see Sam thriving!
Hey Sam,great video!!
All the best for you bro!! ,and keep the music alive!!💯👍
Does pedal pawn make a fuzz that's this good? If so which one?
Incredible
I 'd liken this setup to a good cover band. There's an upper ceiling to how much appreciation I can have for this type of thing when in reality its just an imitation of something that's been done before. Admittedly a good imitation but an imitation none the less.
Ah man i’ve been wondering if Sam had ever tried any pedal pawn stuff, I know this video was about his personal rig but one with him trying out your pedals would be cool, I’m sure that’s already in works to be fair haha cheers Chris ✌️
Thanks a lot for the question! Sam has used our Fuzz in the past on a bass clip, that video idea sounds great ha ha 😝🚀❤️
Excellent video, watched all his insta stuf great fo hear Sams story.
A great attitude, great vibe too✌️💜
Seems like a cool dude. Great playing
never heard of him..now I have, great player...thanks!
Damn i hate rhat you have an authentic univibe. Only modulation fx i really want 😅😅. Sounds killer through that setup!
Groovy man✌️
Nice humble guy.
Great interview. This guy is super cool!
Hey,
Would love to know what cable from Australia he is using. Pls help
Tommy Bolin???? Anyone??? This gentleman should play with Glenn Hughes,just saying.👏🎸👍✌️🥃🍺🍻
Dig the hat and the handcuff bracelet. No longer selling those on Sixty Sixty website??
That's a lovely guitar. The whole vibe says Woodstock. Sam could do with a time machine to jam with The Who, Jimmy, Mountain, Carlos and Ten Years After at those legendary 3 days in Bethel NY.
As a lefty handed guitar player this makes me so offended. 🤣
Such a cool and calm vibe.. nice video!
It’s ok to use stuff just because it looks cool. That’s the reason I use coiled cables as well.
Ha ha, totally!
Incredible Sound!
God that shop always looks so amazing! Would love to go! But I’d not be able to play as good as Sam!
cool sound ❤ what’ s a fuzz ? thank you
This cat has quite the rig! I almost bought a hendrix signature strat, but couldn't get past the knobs being on top..really messed with the muting on the bridge for me. Ended up buying an American Standard. Years later I kinda wished I would have bought that one 😂
You quoted me 3 grand for one of those the other day. Can i come and play Sunny before i decide? It's a fair bit of dough that is. Very cool.
The riff he plays at 2:00 What song is that. Or is it improv
No entiendo porque lo critican, el tipo toca a Hendrix como ningun otro. Ya quisiera uno tocar como el.
when you play a Upsideown strat behind your head and shoulders the shorter cutaway is out of the Way .. .. But if you play a right side up strat the big cut away screws you very badly .. go ahead and try it at a pawn shop ,guitar store
that's a cool hat he got there
that fire extinguisher tops it off 😊😊
What a fantastic video have a wonderful weekend ❤😊
Thanks so much, you too mate
Great video … great player
Do you have any Bob Marley or Carlos Santana wannabees in London you can feature?
Not only is he a seriously phenomenal player the guy looks like a rockstar which is beyond rare in this age.
He has the whole package 🎸🚀❤️
He looks like Otto the bus driver from The Simpsons.
@@harveydean7952 Otto was pretty cool though. I guess he did play guitar.
He definitely puts thought into his wardrobe. And it works for him. I'd feel like a poser if I dressed that like, haha.
@@joeblankenship377 lol oh god man I’d look like the biggest idiot dressed like that haha. He rocks it perfectly on me that’s a bad Halloween costume haha
So many haters. Let the dude rock
Killer set up 👍
In my opinion, he’s the best Jimi Hendrix Tribute player
Randy Hanson is pretty good, too.
@zenlandzipline I wish Randy had a better band playing behind him. He does Hendrix so good, but the drummer is no Mitchell.
So cool. THough I thought Hendrix used the pre rola greenback speakers in his Marshall?
Surprised to see this mentioned anywhere on the internet besides the forums still alive, helping with common knowledge. He used whatever was available at the time it was bought. The pictures will show when he acquired new rigs over the years. The g12H 25 watt speaker was first used in the pinstripe stacks seen in the early videos. He transitioned into the basket weave cabs in late 1968, that probably started him using the newly invented g12H (30w) version for power handling.
The pre-rola sticker doesn’t matter to anything having to do with the tone, only the specific models that had different (wattage) power handling. Also, there was a different white voice coil used in all of the speakers before the end of 1967. It’s the least of worries in all of the tone. More detailed and delicate coil that would burn up or melt each speaker soaking in power on stage for hours. They changed to higher wattages in their model lines and the voice coil was “upgraded” to avoid melting, though slightly changed the tone consequently. This is how it all made sense for me in tone chasing when finding out the reasons behind why the way the tone was.
The material the cone is made of is the secret to the speaker, since it’s now illegal to use the same chemicals in the formula, that were supposedly lost after a random 1973 factory burn down. Re-issues don’t have it to spec and it’s just been marketing. Just as the vacuum tubes, transformers and pickups windings. Everything sounds muddy nowadays, you may notice. The speaker contributes the most along with the characteristics of the amp paired with them. Honestly, he just has a full on common reissue type of rig going on. I just couldn’t even when I got tired of all those speakers within a year, from sadly trying to buy and resell out of high school. Forex took care of that no college dilemma. People talk and don’t listen with their ears enough or we’re crazy for hearing the difference still
❤
I need a link for those vintage coil plugs please
IN-FECKING-CREDIBLE gear. IDK, but the open E (6th) booms were a little too boomy/loud. It just over-powered the other strings output when he was playing the double/stops of the 12th and 14th fret. Maybe lower the bass side of the pickups just a teeny bit? Or it could of been the room or the recording. But that's okay. Being able to get that Strat boom on the open E and on neck pickup . Whether distorted or clean, that's what made me want to switch to Strats. I have a Strat copy-clone that I Hendrix-ed out. I have all the correct parts, except the neck. I can't quite get that tone. I think it has to do with the neck and how it determines the string length. I have a little 12 watt tube amp I re-housed with a DIY overdrive built into the top of the amp above the amps front panel. It is kind of cloned from a Marshall preamp. Circuit is like Runoffgroove Thor except no tone controls and with a Burr-Brown OPA134pa chip in it. Has dedicated 18 volt regulated filtered power supply-lotsa headroom. Now I want to listen to Jimi! (Hear My Train-Rainbow Bridge?)
Something interesting about that is that Hendrix, along with lots of other dudes from that era used an odd (by modern standards) set of string gauges, .38 low E and some other differences from a regular set of 10s, as well as being nickel wound. They sound slinkier and funkier, and according to Roger Mayer they have a more balanced output if you do the math on the relative output of each string. They were Fender Rocknroll brand back in the day, nowadays Pyramid makes a great set replicating them, been using them for years
Somebody needs to make "The Bomb Fuzz"..
🤣
Let's discuss you moving on to newer ventures in your life. Possibly a real job...not trying to scam people. 😂
This Sam dude is straight out of central casting.
I think he's tapped into something that this generation is thirsty for. If you follow good vibes, quite often good vibes will follow you. Jimi and Carlos understood this, it's a universal brother thang, a lot of people will just not get it.
@@maximusindicusoblivious180 Still his look is hilarious.
Even SRV tinkered with left hand guitars and bridges. You dont know till you do at least 10 gigs otherwise you get placebo affects. Gig 1, wow yeah. Gig 10, actually this is no difference to my normal set up guitar. Great vid that made me think hence my long comment
Like triggers broom that strat 😂
😂😂🔥
Nah Marshall super lead 100 is a NECESSITY
I always wondered why I've seen Jimi Hendrix counting the frets before starting a song. The dots are on the bottom daaaah😂
How do you play a strat and not use position 4? The most iconic and unmistakably strat tones were created with the pickup selector in position 4, even if it meant using the in between position on a 3 way switch that first gave birth to it. And as a bonus, by using position 4 you're essentially combining two single coils to work like a humbucker, greatly reducing the 60Hz hum that single coils are so susceptible to picking up you'd think that was their primary design goal, making it possible to play at higher gain settings without driving yourself and everyone within earshot crazy. So kids, don't let statements like this deter you from thoroughly exploring position 4 on stratocasters or anything based on the strat design, because it's arguably the best pickup setting for extracting that typical strat sound. I have an Ibanez "superstrat" type guitar that does a fairly convincing job of sounding like a proper strat in position 4. Don't be a position 4 denier! ;😉
Which posittion is four?
@@vegaplus420 It's between the neck pickup position and the middle one and selects both the neck and middle pickup.
My brother those emojis are dire
@@theminer49er5 Your mother's unaware by whom you're sired.
(I' m just screwing around, going with the flow you inspired.
I intend no offense.
Please cancel the hitman you might have hired.) ;)
Hendrix had his strats disconnected from the tone pots by Roger Mayer , but obviously you already knew that titbit 👍
Sounds sick keep me playing both of you
Thanks so much for watching mate 🚀🎸
I dig the guitar right on
It's unfortunate that every old greenback speaker just sounds old and tired, basically blown out, no low into them, and the low-end that is there is flabby. They basically sound the same as an old pair of underwear looks.
What in the world?
I have a mint pair of 1972 g12m greenbacks in the original boxes waiting for a cabinet, but every cabinet I buy is already loaded with greenbacks that sound too good to replace anyways.
There’s stuff in dead storage lockers waiting to be uncovered by re-sellers for pure money on eBay’s auctions year round.
Always been cheaper than buying it “vintage empty” anyway. I’ve been using the g12m from years 67-1973, in various cabs. They don’t burn out like tubes do. It feels unlimited. I was worried as well, but found that there’s still many unused speakers sitting in cabs, that were taken well care of, from the elements over the years
@@arthurwinter1220 I've heard dozens and dozens of original pulsonic greenback cabs, and I can say with absolute certainty, that there is a massive difference between speakers that have been played for decades straight vs ones that are relatively untouched. The sounds that you hear on the old records the speakers are essentially brand new. I have a full stack of originals, one set still has punch and clarity to it, the other one like I said sounds like a loose old pair of underwear. I have done swaps back and forth between the two cabs, and the characteristics follow the speakers.
You should visit Julijan Eric
He’s AMAZING 🚀❤️
Even Billy Cox invited him to play with him:)@@PedalPawn
A strat into a fuzzface into a marshall? Wow who would’ve thought of that??
Did hendrix used to wrap the low E diferently?
I think it was opposite of the other strings.
Talk about Clapton too😱❤️
I don't get what was so INSANE about his rig? It was very straightforward, just like Jimi's.
Hard to find but I like 6000 frets, bigger the better.
looks like pauly shore