Solo Horn the wonderful Roland Berger, apparently with nerves of steel and an embouchure to match. Kubelik gave him a very warm, appreciative smile afterwards
Waw! It's amazing. This performance should be recorded with the quality of technology record on nowadays. How I would like to be seated, live, listening to this performance.
This is tremendous - as a performance and as a historical document. Wonderful clarinet playing from the unmatched Alfred Boskovsky. I believe, however, that this is 1971 rather than the given date of 1980.
Yes! This is indeed a 1971 recording, rather than the given date of 1980 (I found the exact same recording in BiliBili - the Chinese equivalent to UA-cam - where at the end of the video it is credited to Unitel, mentioning 1971) It is very difficult to determine who is the "unmatched clarinetist: Alfred Boskovsky or Alfred Prinz, the latter was eventually younger than Boskovsky. And hornist Roland Berger was second-to-none!
@@gileador The principal clarinet here is definitely Alfred Boskovsky: he's clearly recognizable compared to photos of the Vienna Octet from the 1960s.
@@johnpeacock1469 Sure! Of course, it is Alfred Boskovsky; all that I wanted to say was that the other Alfred - namely Alfred Prinz, was also a HEAVY CALIBRE! I trust you will agree with me.
@@gileador There's no absolute right or wrong in appreciation of musicians, and we will all have different opinions. Of course the VPO has had many superb principal clarinets: Prinz, Schmidl, Taubl, and now Ottensamer & Schorn. But for me, Boskovsky was always in a different league. There's something about the clarity of his sound that I don't hear in any of the others.
Maestro conducts it in four, whereas Bruckner clearly indicates ALLEGRO with a marking of cut time in two. I don't expect any of you non-musicians to understand that.
Solo Horn the wonderful Roland Berger, apparently with nerves of steel and an embouchure to match. Kubelik gave him a very warm, appreciative smile afterwards
素晴らしいR・Berger‼︎
最高のホルン奏者でした♪
Kubelik is my favorite interpretor of the 4th. faster tempo and drive really works. he pushes it. so exciting
Waw! It's amazing. This performance should be recorded with the quality of technology record on nowadays. How I would like to be seated, live, listening to this performance.
This is tremendous - as a performance and as a historical document. Wonderful clarinet playing from the unmatched Alfred Boskovsky. I believe, however, that this is 1971 rather than the given date of 1980.
Yes! This is indeed a 1971 recording, rather than the given date of 1980 (I found the exact same recording in BiliBili - the Chinese equivalent to UA-cam - where at the end of the video it is credited to Unitel, mentioning 1971) It is very difficult to determine who is the "unmatched clarinetist: Alfred Boskovsky or Alfred Prinz, the latter was eventually younger than Boskovsky. And hornist Roland Berger was second-to-none!
@@gileador The principal clarinet here is definitely Alfred Boskovsky: he's clearly recognizable compared to photos of the Vienna Octet from the 1960s.
@@johnpeacock1469 Sure! Of course, it is Alfred Boskovsky; all that I wanted to say was that the other Alfred - namely Alfred Prinz, was also a HEAVY CALIBRE! I trust you will agree with me.
@@gileador There's no absolute right or wrong in appreciation of musicians, and we will all have different opinions. Of course the VPO has had many superb principal clarinets: Prinz, Schmidl, Taubl, and now Ottensamer & Schorn. But for me, Boskovsky was always in a different league. There's something about the clarity of his sound that I don't hear in any of the others.
すごく気合いが入った演奏ですね。やはりク－べリックのライブは迫力があります。願わくばウィーンフィルとシュ－ベルトとブルックナーの交響曲全集がほしかった！
A+
If the final coda was together))
I have a friend who plays Horn in the Chicago Symphony Orchestra...his favorite conductor is Kubelik...whatever that means,...I don't know!
ヘッツェルのとなりは、ワルター•バリリで、後ろはキュッヒルですね😺
ヒューブナーもいます😊
45:40
that's one muddled bowing 2:03 for one second or two from a contrabass player🧐
01:03:37
You found what I came here for
Trumpet and trombones a bit too blatty and not sustained enough through the notes.
Maestro conducts it in four, whereas Bruckner clearly indicates ALLEGRO with a marking of cut time in two. I don't expect any of you non-musicians to understand that.
Allegro ma non troppo in this version, and Kubelik alternates between 4/4 and 2/2…but I don’t expect you to understand that ;)
I like some of Bruckner's music, but I have to say I do not feel he is at his best in this symphony.