I also have a lot these. Spent a long time recently going through projects and deleting any projects that have nothing worth keeping them for. And any that are worth keeping I add a resample track, record a section of the track, drag the resampled clip into the project folder so I have a quick preview of what's in the project without having to open the project. Absolute ball ache. Wish I knew this stuff when I started out. But also made me realise how much I've improved which Dilby gets BIG props for
Context is way better to make sure sounds all gel. Would be curious to hear more in depth as to why you choose one sample over the other or why you select the samples you do.
This has to be one of the best ways to get stuff to gel together . so simple yet we have all been doing it wrong. ha ha moment for me. thanks so much dilby
Wow. Night and day. and fuck yeah to the message at the end, about how choosing your sounds is choosing your own style essentially. Great stuff. Thanks mate, always grateful.
Great episode and workflow…if anything is more important, it’s sound design, because until you have the basics, you really can’t understand how to get to where you want to be and you are just relying on brands and hearsay to fill that gap for you. You don’t need to be a sound designer, but a fundamental understanding and little time training will change how you hear, dig and produce for everything, including YOUR sound.
Selecting in context is of course essential. Would like to hear you elaborate of why you picked the sounds you did when listening in context. The reason for each decision basically.
"This sounds pretty average and a bit of a mess" - My thoughts too after every session as I save yet another Ableton project never to return to it. 🤣
🤣🤣🤣
I also have a lot these. Spent a long time recently going through projects and deleting any projects that have nothing worth keeping them for. And any that are worth keeping I add a resample track, record a section of the track, drag the resampled clip into the project folder so I have a quick preview of what's in the project without having to open the project. Absolute ball ache. Wish I knew this stuff when I started out. But also made me realise how much I've improved which Dilby gets BIG props for
Context is way better to make sure sounds all gel. Would be curious to hear more in depth as to why you choose one sample over the other or why you select the samples you do.
This has to be one of the best ways to get stuff to gel together . so simple yet we have all been doing it wrong. ha ha moment for me. thanks so much dilby
i'lll never stop saying THANK YOU !
Subscribed. I was really struggling to make different sounds work together and you perfectly explained what would be the problem. Good job m8
Good stuff, Dilby. Thanks for another great video!
Wow. Night and day. and fuck yeah to the message at the end, about how choosing your sounds is choosing your own style essentially. Great stuff. Thanks mate, always grateful.
thanks, might fasten my workflow too
Great episode and workflow…if anything is more important, it’s sound design, because until you have the basics, you really can’t understand how to get to where you want to be and you are just relying on brands and hearsay to fill that gap for you. You don’t need to be a sound designer, but a fundamental understanding and little time training will change how you hear, dig and produce for everything, including YOUR sound.
Fantastic video.
My song instantly sounded better once trying this method!
Selecting in context is of course essential. Would like to hear you elaborate of why you picked the sounds you did when listening in context. The reason for each decision basically.
I just select the sounds I think work well together. It's not something I usually do in an analytical way.
Epic video thanks
Thabks gold 🤓❤
this is the haircut
You need to de-ess your voice mic. If you were gonna talk about seriously smokey and succulent sausages - I was out of there. LOL. :D
I wish we had already established producers tutorial for Logic users. There are none