Talking to myself: "Let's see....B Mixolidian, 5th mode, so the notes of E major. The five, the four, and the one of E major....all major chords! But wait the B is dominant chord, B7. So.....B with a flatted 7th. These mode things are starting to make sense....."
You could absolutely use the major pentatonic, or the minor pentatonic/blues scale also works over this for a more bluesy take. You could even mix in some Dorian phrases as a variation for a jazzier feel to the blues scale option. It’s fun to start with the “major” options (B Mixolydian and major pentatonic) and then build into the bluesier options as the song builds up and gets “busier”. Hope that helps 👍
If you know your major scale well You can use E major scale all through the entire song and hit all tones Just remember to focus your phrases towards B - A - E - B To make it simpler Use to c#m pentatonic first position (9th fret) The 7 of c#m is B which is our root Which is located on the 9th fret of the D string Then we have A Which is located a whole tone back from B Or you can use the 10th fret of the B string Then we have E which is located in our open low and high E strings Or at the ninth fret of the G string And then back from there to B I would advise to start B major pentatonic first position(4th fret ) To A major pentaonic 2nd positions (5th fret) Back to the same B major just noticing there's an E on the 5th fret of the B string Play with these ideas first
So the Mixolydian mode is understood as starting from the fifth note of the scale (www.learnjazzstandards.com/blog/what-are-modes-in-music/#:~:text=G%20Mixolydian%2C%20the%20fifth%20mode%3B%20C%20major%20starting%20on%20G.), but that doesn't refer to the B major scale, as the mode is relative to another scale, E major in this case. The notes in the E major scale are E, F#, G#, A, B, C#, and D#. If you start that scale from its fifth note (the B), you get the B Mixolydian mode (B, C#, D#, E, F#, G#, and A). Another good way to think about the Mixolydian mode is that it is the major scale with the 7th note flattened (B major is B, C#, D#, E, F#, G#, and A#, and if you flatten that A#, you get the Mixolydian mode (B, C#, D#, E, F#, G#, and A)). Hope that helps 👍
Nice. Very reminescent of of Sweet Nuthin' (Velvet Underground)
Thank you! It definitely has that feel to it 👍 Glad you enjoyed!
Yes that’s it!
I'm getting Dear Mr Fantasy by Traffic👍at least that's how my soloing is sounding to me👍😉
Yeah, it has totally got that feel to it 👍 I'm glad you've found it useful!
Dear Mr. Fantasy in B.
Oh yeah! Hadn’t noticed that! Thanks for watching 👍
Sounds a lot like Marshall Tucker, "Can't You See" Good Southern Rock Vibe
I hear Fire on the mountain a little too
Cool backing. Dear mr. Fantasy inspired track
Thanks!
Nice one!
Thanks!
dude this is so chill cool. nice
Thanks very much!
Fire! Fire on the mountaaaaiiin
Very good job 🎸
Thanks a lot!
la la Sweet Child ooo :) cool backing
Thanks!
Excellent groove!!!
Thank you very much 👍 Glad you enjoyed it!
Love it!!! - Got his lyric that keeps going round my head wile I'm playing - Can't you see, Can't you see what that woman, is doin' to me?
Thank you very much! I must confess, I hadn’t noticed that similarity, but that’s a great track 👍
yep. that one, too. there's a few songs that use this pattern but variable rythyms. Sympathy for the devil, maybe?
I hear that - good one!@@joeseddit
@@pjmccarthy5898what about the song that brought me here. Fire on the Mountain
Wow. Roxy Music like.
Thanks very much 👍 Glad you enjoyed it!
Nice one 🎉
Thanks a lot!
Awesome
Thanks!
Talking to myself: "Let's see....B Mixolidian, 5th mode, so the notes of E major. The five, the four, and the one of E major....all major chords! But wait the B is dominant chord, B7. So.....B with a flatted 7th. These mode things are starting to make sense....."
I know the feeling 😅
What scales would you use B Mix and throw in some major pentatonic?
You could absolutely use the major pentatonic, or the minor pentatonic/blues scale also works over this for a more bluesy take. You could even mix in some Dorian phrases as a variation for a jazzier feel to the blues scale option. It’s fun to start with the “major” options (B Mixolydian and major pentatonic) and then build into the bluesier options as the song builds up and gets “busier”. Hope that helps 👍
If you know your major scale well
You can use E major scale all through the entire song and hit all tones
Just remember to focus your phrases towards B - A - E - B
To make it simpler
Use to c#m pentatonic first position (9th fret)
The 7 of c#m is B which is our root
Which is located on the 9th fret of the D string
Then we have A
Which is located a whole tone back from B
Or you can use the 10th fret of the B string
Then we have E which is located in our open low and high E strings
Or at the ninth fret of the G string
And then back from there to B
I would advise to start B major pentatonic first position(4th fret )
To A major pentaonic 2nd positions (5th fret)
Back to the same B major just noticing there's an E on the 5th fret of the B string
Play with these ideas first
Freedom by George Michael... Slowly
or Sweet Child o Mine, u can play the Slash intro
Isn’t this the Lydian mode, the scale from the 5th fret is Lydian?

So the Mixolydian mode is understood as starting from the fifth note of the scale (www.learnjazzstandards.com/blog/what-are-modes-in-music/#:~:text=G%20Mixolydian%2C%20the%20fifth%20mode%3B%20C%20major%20starting%20on%20G.), but that doesn't refer to the B major scale, as the mode is relative to another scale, E major in this case. The notes in the E major scale are E, F#, G#, A, B, C#, and D#. If you start that scale from its fifth note (the B), you get the B Mixolydian mode (B, C#, D#, E, F#, G#, and A).
Another good way to think about the Mixolydian mode is that it is the major scale with the 7th note flattened (B major is B, C#, D#, E, F#, G#, and A#, and if you flatten that A#, you get the Mixolydian mode (B, C#, D#, E, F#, G#, and A)).
Hope that helps 👍
how many bpm
70 bpm 👍
Princess Daisy vibes 🌼