in this video you've basically taught me how to mix and master properly , you see the subtle yet effect measures you've demonstrated simplifies both processes and show how to truly carve and mix or master. #givethanks
this is the pro touch bro im telling you havent gottn to this yet equipment messing around but this is the missing touch , once masterter a track and did alot of mid/side work with the eqs and man its like i could hear the true connection between everything
Many thanks for your kind words, again. Glad it worked to open new possibilities for you and find your own technique and method to make your music sound even better! This is ultimately the purpose of these videos. Thanks for putting them to great use ;)
Very interesting masterclass! My DDA CS3 console has LCR switches and does have 3 main outputs on the back (L+R and C) but my AD converter has only L+R inputs. How do you record LCR in this case? Thank you.
Hi Maurizio, Alberto here: I am not familiar with the CS3: I am guessing you have it set up to track through it and have it hit the A/D? If this is the case, you just track things normally: everything on "L" on the CS3 will hit the "L" of your A/D, everything on "R" on the CS3 will hit the "R" on your A/D and everything on "C" on the CS3 will hit both the L/R of your A/D (=mono). Depending on pan law etc. you might want to calibrate things a bit to your needs but essentially you already have it. I hope this clears it up!
Fuseroom Recording Studio Thank you Alberto for the quick reply, really appriciate it! The CS3 has a LCR or L/R switch and if switched to LCR any hard panned L+R will hit the L/R fader/outputs 1 and 2, but when panned to center, the audio signal is routed to the (third) MONO fader/output. My monitors play both (I can switch between the two) but the A/D is only 2 channels and I need 3? Maybe I misunderstand the CS3 functionality, but what is the purpose of sending the Center signal to a third output alongside the L/R signal on seperate outputs? Just for monitoring? Perhaps the CS3 was designed for in front of house and not the studio? I'm really confused about this.... Thanks again.
@@mauriziomauricone Yes, it seems the CS3 was conceived with live use, FOH applications in mind. That's probably the thinking behind the "C" going to a separate mono out and not to both "L" and "R". I would get a third A/D (a 2-channel one, you never know when/how you might need it, or you can use a third channel on your interface if you have something like a 4 or 8-channel A/D) and use it in mono, routing your CS3 to L/C/R. Setting your DAW up for this is not going to be hard and you can still output to L/R on your D/A. You're also going to get better imaging on your way in, because of a dedicated mono channel. "Mono through mono" is always better in digital than "mono through stereo".. it has to do with the black magic and little elves working behind the conversion!
Thanks for watching, Alfredo, and for finding the time to leave your comment, even if it was just three minutes, I am still very thankful you dropped by.
Many little secrets shared. Thank you Alberto Respect from Naples
Grazie! Glad you found the video useful and interesting! Sending good vibes to beautiful Naples, ciao!
in this video you've basically taught me how to mix and master properly , you see the subtle yet effect measures you've demonstrated simplifies both processes and show how to truly carve and mix or master. #givethanks
nurd afrikhan Many thanks for the kind words! We are happy to know that it was a great video for you!
Thank you so much for this! I am really enjoying your master classes! Master!
Thanks for the comment! We really appreciate it, thanks for watching!
this is the pro touch bro im telling you havent gottn to this yet equipment messing around but this is the missing touch , once masterter a track and did alot of mid/side work with the eqs and man its like i could hear the true connection between everything
Many thanks for your kind words, again. Glad it worked to open new possibilities for you and find your own technique and method to make your music sound even better! This is ultimately the purpose of these videos. Thanks for putting them to great use ;)
Awesome tutorial!
Thanks for your feedback and glad you liked it!
Thanks Alberto, Great tips!
Erman Silva Thanks for taking the time to write a comment! Highly appreciated. Until next time!
very comprehensive , thanks!!!!
nurd afrikhan glad you liked it! Thanks for letting us know!
Very interesting masterclass! My DDA CS3 console has LCR switches and does have 3 main outputs on the back (L+R and C) but my AD converter has only L+R inputs. How do you record LCR in this case? Thank you.
Hi Maurizio, Alberto here: I am not familiar with the CS3: I am guessing you have it set up to track through it and have it hit the A/D? If this is the case, you just track things normally: everything on "L" on the CS3 will hit the "L" of your A/D, everything on "R" on the CS3 will hit the "R" on your A/D and everything on "C" on the CS3 will hit both the L/R of your A/D (=mono). Depending on pan law etc. you might want to calibrate things a bit to your needs but essentially you already have it. I hope this clears it up!
Fuseroom Recording Studio Thank you Alberto for the quick reply, really appriciate it! The CS3 has a LCR or L/R switch and if switched to LCR any hard panned L+R will hit the L/R fader/outputs 1 and 2, but when panned to center, the audio signal is routed to the (third) MONO fader/output. My monitors play both (I can switch between the two) but the A/D is only 2 channels and I need 3? Maybe I misunderstand the CS3 functionality, but what is the purpose of sending the Center signal to a third output alongside the L/R signal on seperate outputs? Just for monitoring? Perhaps the CS3 was designed for in front of house and not the studio? I'm really confused about this.... Thanks again.
@@mauriziomauricone Yes, it seems the CS3 was conceived with live use, FOH applications in mind. That's probably the thinking behind the "C" going to a separate mono out and not to both "L" and "R". I would get a third A/D (a 2-channel one, you never know when/how you might need it, or you can use a third channel on your interface if you have something like a 4 or 8-channel A/D) and use it in mono, routing your CS3 to L/C/R. Setting your DAW up for this is not going to be hard and you can still output to L/R on your D/A. You're also going to get better imaging on your way in, because of a dedicated mono channel. "Mono through mono" is always better in digital than "mono through stereo".. it has to do with the black magic and little elves working behind the conversion!
Fuseroom Recording Studio Thank you!
Maurizio Mauricone you’re most welcome!
Great video
Thanks! Much appreciated!
Amazing...Thanks
Alexis Ortiz Sofield thanks for the visit and for enjoying the video! We hope you found it useful! Until next time, ciao from Berlin!
Thanks Alberto!!!
You're welcome! Thanks for joining!
When you finish MS you have to go back to stereo
Indeed, unless the plug-in decodes to stereo back by itself. Thanks for watching and for commenting!
you are right, you talk really a lot, listening after 3 minutes and half without going to the point, I decided to stop watching!
Thanks for watching, Alfredo, and for finding the time to leave your comment, even if it was just three minutes, I am still very thankful you dropped by.