How Musicians Play Something After Hearing it Once
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- Опубліковано 20 тра 2024
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brb going to go listen to Ravel once and play it back perfectly here I go ok see you soon
Ok
off you go, as you should
Hi Charles :)
Can't wait
Please do a video on Ravel, his music is so amazing!!
I'm convinced Charles has hacked into my friends group chat lol. Out of the last 5 videos 3 of them were topics we had just talked about a couple days prior. Great info as always! Love how you sort of 'demystify' these concepts that usually only musicians with some experience would understand and know how to apply them
How many topics did you discuss in the group that Charles did not make a video of?
That happened to me too with one of his videos!!! It's insane and no one believed me!
@@isacericsson7218 vibe
Must be nice to have a group chat
@@michaelvarney. Let people have their
serendipity without mansplaining statistical coincidence. It’s cool. Let people have their moments.
As a musician, my ear is developed enough to understand where music typically wants to go and the sound I’m expecting, but I’m not practiced enough on my instrument to be able to replicate what I’m hearing in my head in real-time.
Yes
I can play most things on a piano (at least the basic chords, not necessarily complicated melodic stuff lol), but with a guitar, I'll frequently run into a chord I have no idea how to make (and then I look it up and realize my fingers don't even make that shape and I gotta try like the 4th voicing on the 7th fret and I die a little inside 😂).
Oh my God, someone put it in words! I have enough musical experience to fill in musical gaps, but not in my instrument.
This
Dont think "understanding where music wants to go" is that much of a matter of having a developed ear. Im pretty sure that people who just listen to music occasionally also have a feeling of where the chords want to go/where the resolution is supposed to be.
Also depends on what type of music you're listening to. Listening to pop songs? There is a chance you've already heard this chord progression before. Jazz? Much harder.
I would describe this skill as "pattern recognition." The pattern could be a certain song structure, a typical chord progression, or even a chord itself. The ability to pick out a dominant with a flat 9 comes from having heard the chord hundreds of times before, and having consciously identified what you were hearing.
Absolutely. Our brains are word for pattern recognition.
I'm not a musician, but I play rhythm games at a reasonable high level, (and I have played flute and trombone for a bit on high school) and being able to recognize patterns of notes, and rhythmic patterns or song structure in the music are absolutely part of what I use in order to play difficult charts.
Some people focus exclusively on the notes/visual patterns, but I focus as much on the music as the visual patterns.
While I haven't developed the kind of relative pitch or cord recognition that musicians do, I've definitely developed a capacity to listen deeply to music. I can recognize the sound of augmented, major and minor chords. I can count all sorts of polyrhythms and odd meter without much trouble too. What gets me is the ability to recognize specific inversions, that shit is nuts.
Most songs only use 7 chords (6 because VIIidim aren't often used) and the fact that most mainstream songs use the same chord progression it makes things easier. Harder songs would need more time, but if you only play the basic version, it's still not that difficult
Hearing a flat 9 wouldn't be pattern recognition. That's just straight ear training to identify a sound, like just drilling major and minor triads. Chord progressions can make patterns. I'd say a musical pattern requires a sequence of chords or notes through time. I don't think people hear a chord as a pattern. It's more like identifying the name of a color or the meaning of a word through memorization.
@@richarddoan9172 chords can absolutely be thought of as patterns. They're patterns of intervals.
Pattern recognition is simply intelligence. Musical understanding is the variable one can change
The "There was a zoom there" bit was actually a perfect example of another application of exposure and immersion. Charles's familiarity with the language of video editing told him, "There will be a zoom at this comedic accidental note moment." Not sure if it was intentional, but it shows the point really well.
The editor couldve just put the zoom there because Charles said there would be, it mightve gone there anyway but still
Ear training exercises such as transcribing a piece by listening have really been how I’ve trained my ear. There are also awesome apps like Chet that gamify the experience.
Damn, only on Apple. Got an android counterpart by any chance?
Thank you so much for suggesting Chet! I just downloaded it and it's so fun!
@@TheSpaceRealm Chet is the only good one I’ve found so far
Yes! Earlier this week I transcribed my first big band chart and holy cow my ears are so much better now. I’m still not great, but I’m a lot better than I was two weeks ago lol
Learning music in Church forced me to develop these skills. Took it for granted until I saw this video.
Another example of a concept where the language analogy is spot-on lol. Just like hearing someone say something and then repeating it perfectly with the right pronunciation and inflection, because immersion gave you a fundamental understanding of the language.
When I first heard somebody say music is just a language it blew my mind.
Seems so simple but combine that with some basic theory knowledge and it opens up so many doors artistically
As someone who's been the bass player in the house band for open mic jams, my rule for anyone wanting us to back them up was "five chords or less", just because we can pick up these kinds of songs immediately. Forget listening to a song once, try playing a song you've heard maybe once in your life but never payed attention to, and now you gotta figure it out live on stage. Super fun!
Six is kind of within reach too, right? For a song without key changes would usually simply revolve around IV V I of the major, along with ii iii vi (I think of them as IV V I of the relative minor), and this gets you very far.
It’s absolutely pattern recognition. And it’s developed by continually listening to and learning as many songs as possible. Going outside your comfort zone and listening to/playing songs outside your preferred genre will develop your ear even further, faster. The best, most well rounded songwriter I’ve ever met played in a death metal band, but he listened to jazz, orchestral music, top 40, show tunes, South African highlife, country and hip hop. He rarely listened to death metal, except to stay on top of emerging trends in the genre.
I recently got gifted a piano from my AMAZING music teacher. Your channel has helped me learn the theory. Without both you and my teacher I wouldn't be able to pursue my musical journey. Thank you for making these videos!
Congratulations on your piano!
@@hisky. thank you!
@Double 15 second no-skip UA-cam ads. She's absolutely wonderful.
That's awesome! I hope you can take time to play around with it. One of my favorite things to do with s piano is literally what Charles was doing in this video: playing along with a song, ideally not pausing it and learning to keep going if I hit a "wrong" note. (Imho there are no wrong notes, just ones you weren't expecting 😂)
A piano or a keyboard?
Thoroughly enjoyed this, Charles!
Frank!!! Love your vids man! Keep up the great work, eagerly waiting for that vid with Marcus Veltri again
you are the master at this for having a relative ear! Love your stuff :D
hey i know this guy
this is a skill I used a couple of weeks ago at a jam to find things to play. I cannot exactly recite the changes of the new tunes, but i was able to navigate the key change at the bridge, and follow the generic minor chord progression for the A sections. It's so much more valuable of a skill and i wish it was introduced earlier in education. It's just not that useful for middle school band and i think that's part of the problem...
100% agree with the importance of ear training and learning to play along with an unknown piece of music. I wish education in general wasn't so hyper-focused on utility and allowed room for exploration and discovery and playing around. It's so much more engaging for students and helps nurture creative thinking, communication, working together, and a ton of other skills that are honestly more useful than a lot of "book learning" that people can just Google nowadays.
Hey Charles!
I’ve always had this question about music:
When you’re analyzing a piece you can see it’s final form, “oh, here’s a key change, here’s this motif… etc” but when you’re the one writing a piece how much of those characteristics are deliberate choices and how much is the composer just going “hmm, this sounds cool” and it just happen to be whatever we end up listening to?
That's actually a real difficult question I think.
I suppose if you’re purposefully composing say a sonata, you probably get something that sounds cool and go “hey, this would be good for a theme.” And then you could construct a sonata using the parts of a sonata. Other things I don’t know, and the rest is presumptions.
Seeing interviews with the pros... composing my own shit... I've found that the "hmm, this sounds cool" approach is, almost exclusively, what happens.
If you know theory then 90% of the time the choices are deliberate insofar as most songs typically follow the same structure, assuming you aren't playing jazz.
If you don't know theory then I'd say about 10% of the time lol.
It depends on the artist and its knowledge of music theory, speaking of my own experience if I do a key change I will uninevetably notice because I think about theory a lot. But it also may happen that I come up with a melody that's in a odd time signature and I don't even realize until later. The thing is that in music a lot of stuff isn't deliberate because at least in my case, improvisation is a big part of composition so a lot of things come in the moment.
Wow, way to describe my inherent knack for harmonies in my church's music. They've hit me with something new several times before and after figuring out the main melody, this was the approach that I use ALL THE TIME to learn the harmonies.
I think it’s really awesome to take what you’re saying in this video and apply it to my own memory of your other videos. When I’ve seen you fiddle around with fairly standard pop music, you can play it back instantly. Makes sense, fairly basic chord progressions, clear melody that’s probably not doing anything too weird, and anything weird it is doing is so distinct and obvious that it naturally becomes the focus of you playing it back.
Then I remember watching you break down Jacob Collier and Bill Wurtz. While you’re still pretty quick to pick up some movements and ideas, their outside the box style means you end up being actually flawed sometimes and having to slowly breakdown sections of their music, individually hunting down particular notes in a big stacked unconventional chord, or doing what it SEEMS like they’re doing, only to notice your attempt sounds a little off and then trying to work out what little nuance your missing.
I just want to let you know that these teaching videos are my favorite videos you make. They are very helpful and inspiring.
Congrats on joining Sungazer!!! Hyped to see what music you make with them
Music is a language, with shared patterns and phrases and idioms. Thank you for being an amazing teacher, and bringing insight where I didn't know I could still find it. 😀
So I know Spotify has their pre-made playlist with all kind of genres, but could you make a playlist with your favourite jazz songs?
Thanks anyway for the weekly-ish music knowledge.
Beautifully put Charles! This is stuff that I've inherently known but had a hard time communicating it to my students. I'll be coming back to this video
Me after 17 hours: guys guys guys... I've learned smoke on the water on guitar
Fantastic! This explains it soo simply and effectively relatable! Thanks🙏
Great video! I can also confirm that it doesn’t even take to long you just need to be exposed/surrounded by music. For me I’ve been training for 3 years to be a MT performer and I’ve been working on my ear and piano and I’m starting to notice that I can hear a song and sketch it out on a piano based on my ear.
I've been practicing this lately, and it's an incredibly satisfying skill to develop for myself. Plus it's a neat party trick.
bro, it’s such a fun party trick, especially when it’s your freshman choir and they have no idea that harry styles’ sign of the times is literally the same 3 chords for 90% of the song
Language was a really good example for explaining emersion. I can personally say exposure and experience will probably be the most important parts of learning a new language. My family comes from China, and while I took Chinese classes, my parents would always talk to me in Chinese. Through this, I learned how sentences should sound, where the nouns/verbs/adjectives go in a sentence, how the region you're from affects your accent, and how to speak casually to others. It helped out a LOT when answering my teacher's questions and writing sentences for homework.
Immersion ?
First time to hear such a teaching on UA-cam. Thanks for sharing. Liked & Subscribed.
The way I explain this to my friends is that it’s the difference between somebody putting together a dresser by following ikea instructions and a skilled carpenter looking at a dresser and saying “yup, I can make that”. For one, it’s a matter of following instructions, and the more skilled the follower the easier it will be to put it together for them. The carpenter, on the other hand, doesn’t have instructions, but instead he knows the wood and the tools well enough that just from one look he can roughly figure out how it was made and knows how to use his tools to make it like that. Playing by ear is being the carpenter-you don’t get to that level of skill overnight, but it’s possible to have a carpenter who is terrible at reading instructions but can build anything. Just the same, those who play by ear may not read music as well, but they can recreate a song from just a single listen because they know how to use their musical tools to make the song.
omg finally a video like this is what I've always wanted. ear training has always been put at such a high pedestal, making it seem impossible for people starting out or people wanting to start out with music.
Thank you so much for doing this; I do this in a much sloppier, less experienced, and less effective way, and you just gave me better direction and a glimpse at what I can develop this into❤️thank you !!!!!!’
This is cool, really informative! Thank you!
Great explanation. Well done.
some musicians are amazingly talented.
Excellent!!!!
Thank you!!!!!!
This is great content. Thanks!
For me the number system really helped to remember degrees chord quality and how they can vary in songs
Great explanation
Yes!!! I've been looking all over UA-cam for ages to learn how to do that!
excellent take!!
I love your channel.
I'm a classically-trained string player, and I can play the melody of something I just heard a lot of the times, but its the left-hand part that pianists can also do that boggles my mind.
Same skills but certain instruments just train you on harmony far, far more. Guitar is similar. It's not really a right hand / Left hand / both hands thing.
Perfectly explained!
Showing this to my student! thanks
im so grateful i can do this easily
This was a super cool video to listen to and kind of helped me understand what I was attempting to do when I was younger and would lie about having heard a new pop song and then when singing along I'd be guessing what the next rhyme would be and where the melody would go. I have since stopped lying when I haven't heard a song, but I still like to guess which way a melody will go and what the next word will be. The songs I'm consistently wrong about tend to be my favorites because they're surprising and fun.
I loved this, it really opened my eyes to how my brain works when I'm doing music
Hi Charles, if you have a minute, I was wondering something. How are you selecting the voicings for these chords that you're using, and how did you get to a point where you can select these particular voicings without really thinking about it?
(and if Charles doesn't have a minute, but someone else has an answer, please let me know)
Enjoyed the video! Thanks.
Great question, I always wondered this too!
Take a V to I progression for example. The major 3rd of the V chord is a half step away from the root of the I chord.
Let’s say we’re in G and going from D to G, the V to the I. If you play the D in first inversion or even D/F#, you’re going to emphasize that half step resolution from F# to G more so than you would in root position, which emphasizes the perfect fifth interval from D to G.
And depending on how you want the song to sound, you can add that emphasis with an inversion or not.
Other than that it’s immersion and practice.
Fairly similar idea to what he talks about. Personally I find that I not only listen for chords but also their voicing as well. If you know your way around chord inversions then you can develop hearing them. I listen out for which note is on top. In Ghost many of the chords are just 5ths (AE) and he/I can hear that there's no 3rd (C#) in there. Pop music tends to not use thick sounds and the 3rd is often what drops out
@@aanesijr Correct me if I’m wrong, but it sounds to me like you’re talking about smooth voice leading/choosing chord inversions that move as little as possible?
But he seems to be using some Open voicings here. Between the left + right hand there are a lot of options that exist there, so I’m wondering how he ends up using what he does.
@@jaidenp7426 Hmm. I understand that he could be hearing the inversions on the fly, but hearing the entire open voicing is another thing altogether. I’m not really under the impression that what he’s playing is exactly what’s on the recording.
So in the case if a chord that omits the 3rd, are you saying that he’s just planing the 1 and 5 with both left and right hands?
I'm impressed by how quickly I identified Jon Bellion's songwriting. As soon as Bieber started singing I thought "this is Jon Bellion", I looked it up and it was. I really love Jon 🤣🤣🤣
Especially that little pitched up vocal beatboxing sample thing. If that’s not classic Jon, idk what is.
@@philosophiabme exactlyyyy
Great channel man!
If you listen to a lot of music have a good sense of timing and ear, sing along and hum often, if you play an instrument, hum or listen along to a song you like and play along trying to make the sound of the instrument match the song, repeat and repeat. It’s helped me connect the dots of music theory than what I grew up with it. Being taught in our baseline poor western education in most schools in the US, they know how to teach but they didnt always know how to teach how and why learning is as fun as it can be. Presentation goes a long way. And the same goes for the ear , I am learning piano as my fourth instrument. I started with drums, so I have a real sense of timing and rhythm, but wanted to learn guitar and so I did that and the former helped inform the latter just as my guitar has helped inform my piano and Vice versa, I am an advanced intermediate player whose played for a decade and a half or more now but each pieces in the craft of music helps lean into and reinforce other pieces
As a guitar player from the start I learned a lot of my favorite rock bands songs by ear while I was learning. In the first few years I was playing kiss, Ac/dc, Ozzy, and black Sabbath by ear.
That's all I did throughout my 20 years of guitar, listening and being able to pick up songs on my first to second listen through.
This was cool but I would have loved if you covered through the fire and flame or Everlong or anyting difficult with fast notes or meter changes. I'm curious to see how your mind works through that
Playing both Classical (mostly just chords) and Bass Guitar really helps me to get the chord structure of a song down. I generally start playing just the bass notes on the guitar (and then listening to make sure they're actually the root notes of the chords, not just an inversion) and go from there. Sometimes I have to literally play every possible wrong note before I find one that fits to a chord though, perfect pitch would be pretty nice! I can say for sure that practice makes perfect (or for me so far, practice makes *better*), this year I've been playing a lot of new songs and that really helps to get the ears going and picking up patterns and chord progressions
You're putting to words very eloquently what I've been trying to explain for a long time. It's all about exposure really, and you start to see how most music has a lot of the same. I used to be this human jukebox at parties sometimes - "say a song, any song at all, and we'll play and sing it together". For people not accustomed to that concept it may sound like magic, but in practice, people will say basically always say a popular song (that you probably know if you're a music nerd), and then it's really you just taking it from C and applying one of the usual chord progressions and you're there (and maybe you spice it up with a 7 or 9 here and there for flavor). My tip for anyone who wants to start doing that is: just listen to music and play along. A lot. If you have a big music interest, experiment and try to play songs you like from C because it's easiest. And most importantly - if you have a hard time identifying chords to songs you like, listen to the bass. More often than not, the lowest note you hear in the song is the chord that accompanies it.
Have fun, delve into it - sheet music and theory definitely has it's place but playing along with music, trying to recreate songs, learning to play by ear is some of the most fun, playful and creative things you can do in music and you grow tremendously from just sitting down and doing it, with friends or by yourself.
This guy is extremely good at this stuff!
Your knowledge of music knowledge, understanding and theory is amazing, I would love to hear your thoughts and analyst on classical music! Maybe something on Brahms, Beethoven or Rachmanioff. That would be so awesome! But keep up the great content, I love it!!
David Bennett has good videos on common chord progressions in songs. Worth a check
They're easy to look up.
Excellent video! To me, the difference between knowing music theory and not is like listening to a song in a foreign language as opposed to your native tongue. I can hum along and harmonize to some anime's opening theme pretty easily, but I'll have to memorize the words because I don't know what they mean, and it'll take me a lot longer to learn. For a song like "Ghost," I can do all that in the first listen and have the chorus down pat by the second time it comes around because the words fit into my brain and make sense, so I can put them on autopilot and focus on the music. Same with something in French, although I have to read the lyrics cuz my listening comprehension isn't as good as my reading lol.
When I took up Melodeon I decided to only learn to play it by ear. If I want to learn from the dots I learn something on a keyboard and internalise it but mostly I go to sessions and listen and try and join in. It also helps that the instrument is diatonic only plays in two keys and a push on a particular row plays 1,3,5 of the scale a pull everything else. So if you get the rhythm/chords right just go for following the melody up or down you usually get it right.
I've been doing this in church since quite a lot. People singing a song I don't know and me playing guitar and catching on along the way. Ear exposure to patterns and chord progressions. And I'm not a musician, just an amateur with basic theoretical knowledge. And I love unusual challenging songs and figuring out the chords and the beat.
I can imagine some of them would ask you if you'd heard the song before. 😎
@@TheSeeking2know Yes, generally people who don't play music ask that.
Recognizing familiar patterns and then the differences to those, store them as blocks. In that Bieber song there is about 5-6 blocks.
I once had to do a mini-tour replacing a rhythm guitarist. I learned 2 hours of new material in 45 minutes. It was very formulaic, schlager, classic 60s etc. so each new song was: check the key, learn the chords and strumming pattern (i had chord charts for each song ready...), then learn the hooks and extra pauses etc. that were unique for the song and then the song structure. So, intro, one verse, one chorus, bridge, done, next song.. I had played about a hundred gigs with the band before so we got our 4-5 hour set ready in one practice session, something like 90 minutes in total.
This is one of my favorite things about being a musician and it makes me feel like a superhuman. As a drummer it works a little different since I don’t rely too much on the chord progression (although it does set the feel) but if you throw me on stage with a genre I’m comfortable with, I’ll pick it up with one or two listens. Or heck, even just a prompt (e.g. for this Bieber song: moody, low volume, high energy). Jazz is a different story… don’t expect any good jazz from me 😅
I do this a lot…but with my voice…? Lol I’m not sure how to articulate it but I’ve sang in high school and college choir (2nd Soprano), and to this day I can hear a brand new song and I can hum it and know where the song is going, including any harmonies and adlibs. By the second listen I can sing the entire song. I’ve always done this, whether I enjoy the song or not, I always instinctually harmonize along. I love music and your videos remind me of why I love it so much! ❤️
This video has made me sad that I spent so many years of my life studying music but suddenly stopped when I dropped out of the music college in university. I never got to fully finish training my ear while in the college, but this has motivated me to start training my ear again as I'm picking music back up. Although playing my old pieces I can feel how rusty I am. lol But I can fully see what you mean by being exposed to it so many times. Even for this very song, I was able to pick up the chord progression and "anticipated" it.
hey Charles
love ya
thanks for the content
bye!
got to see you live with sungazer the other day-- you were awesome!
Every time man every single time for the past few days have been guessing with the title or idea of the next video of different people are going to be and I got another one correct! Omg
Knowing some basic music theory such as how to construct major and minor scales, and how to construct chords certainly contribute to your ability pickup songs by ear.
I love your videos, because my ear has always been far more developed than my music theory knowledge, so although I could pick music up quickly and sense direction and help with choices, I haven’t had good ways to communicate some of it, even in my own head.
This kind of activity is one of my favorite instrument playing pass times - just scroll through songs I haven’t tried or don’t know and figure them out by ear - all kinds of genres to encourage new ideas.
As long as I can remember, I’ve been a heavy music listener, and have had a knack for picking things up by ear (to whatever extent I can with a couple listens). However, the good and bad is that my ear developed well beyond my music reading and theory, so I sometimes feel impatient trying to learn things intricately through music sheets… I just want to do it by ear and focus on the intent, style, and emotion directing the music rather than the details.
Cheers!
there's a six grader who plays saxophone in our jazz band, and after listening to the music once, he knows exactly what to play on pitch as well.
My Grandma was a church organist, the only music link in my family, she didn't know the names of any of the notes or know what chords were, it was all in the ears.
Yes
This is like solving a mathematical equation for me... If you know it you just need to find the variables one by one and in the end you can even guess what are variables are... Totally a fun skill
I'm not sure if you've seen it, but the improvised live performance between the pianists Jacob Koller and Yomii is amazing. It would be lovely to see a reaction and analysis to their arrangement of Lupin III or Yoru Ni Kakeru
Good description. Harder in jazz because the chords are more expanded and harder to hear exactly what’s in them. What determines how easy something is to pick up is how predictable it is. Some groups are harder to learn than others for either (or both) of two reasons: the chords are way expanded (Steely Dan) or the band just likes throwing in lots of unorthodox changes in unexpected places even if the chords themselves are simple (some of the Grateful Dead). Some of the modulations in Springsteen are unexpected, like the bridge in Born to Run (E St. Band version).
Also understand that this has nothing to do with perfect pitch. For those of us who can do this a lot of the time but don’t have perfect pitch, if you played me a pitch and told me it was a different one, assuming I didn’t learn the song while playing along with it, the chords I’d play would be off by how far off the actual pitch you told me the pitch was. For example, if you played me an F and told me it was a G (and I didn’t notice), all my chords would be a whole step high.
I have this sort of things but not for a piano, but for a brass instrument and I do it unironically
I went to college and took Ear Training as it was required. I saw the title and knew the answer, but I thank you for confirming it.
You recognise patterns after a while. The 4 chord song is a good example.
I play 2nd (solo) trumpet in my college jazz ensemble. I used my ear power all the time. Actually I prefer to solo by ear and listening to the changes rather than looking at the changes and doing more work.
that intro is me @ most of your videos dawg. you’re wiiiild
I really appreciate these videos because I assume you instantly lose youtube monetization playing so much of a top track. Glad you're still able to make it work because there is a lot of value in these lessons.
are you joking, i was searching for videos like this all last night xD great timing
jake lizzio from signals music studio put it this way: it's like looking at a stop sign, you immediately recognize that it's a stop sign, rather than stopping and analyzing that it's red, an octagon, says "STOP", etc. you are able to attribute a unique identity to a particular chord progression or change, and use that to identify a chord progression or change in a song without a reference
awesome video
When you played it on the piano, I only heard one song but couldn’t remember it. 20 mins later, it was the same as Alone by Heart!
Hey Charles, psychology uses the term “pattern recognition” to explain what you discussed so brilliantly in this vid!
I've rarely ever taken the time to learn the names of chords and notes and I've been playing music for most of my life
I didn't know that Drum'n'Bieber was a thing, and I didn't know I would like it.
Also what about the voice leading ? Did you just recognize it instantly because you know from experience the sound of each different inversions and voicings and how they lead one into another, or did you have to calculate it on the spot ?
Dude I really loved watching you pick out the JB song
I always tell my students that learning a pop song is a matter of letting the music defy your expectations. You can generally go into a pop song expecting it to follow a lot of norms such as a format of verse chorus verse chorus bridge chorus. Or to be using a four chord progression using the I, IV, V, and vi chords. But it's important to be listening for when a song defys your expectations and does something unique. For instance the little change up in the justin beiber song. That would probably be hard to catch on the fly, but a seasoned musician might be able to catch it the second time around as Charles did here. Anyways, great video!
I do this all the time lol. I'm a drummer and I will be listening to a song and know where the cymbal hits are going to be and where fills are or even what the groove it. I will tap along to a song I've never heard before and be pretty much on. Sometimes it's hard to know exactly when a chorus is going to hit or a drop but mostly I can tap along to a song I've never heard before
🎶I SEE YOUR TRUUUUUE COLORS, SHINING THROUGH!🎵 was all I could hear on the first part
This is an April Fools joke because Charles would've used a REAL song like GIANT STEPS!
Maybe not something like Giant Steps, but yeah. I'm just a music fan, can't play for shit, and even I can not only immediately learn the Bieber song in my head but guess what the next chord is going to sound like.
@@dr.juerdotitsgo5119 Learning what the chord progressions sound like and anticipating what the next chord will sound like is not even remotely the same as being able to translate it onto an instrument
@@Gabriel-zy6xv I bet. But to a musician should be the easy part. He thinks of a Cm7, he plays a Cm7, no?
Holy shit. This guy speaks my musical language!
Yea the zoom was there 😂❤
Yeah, I totally agree with the premise that it's mostly having a trained or experienced ear that allows someone to learn a song after only listening to it once or a few times.
But having a few music theory tools in the tool box sure makes it easier. Knowing that this is a i - bVI - III - VII progression doesn't really do much, but if you're able to identify intervals - That's pure gold for picking up a song within a short amount of time.
This song, however, is a really simplistic one harmonically, as is most "pop" music. Four chords and a few more sprinkled in during the buildup to the chorus, which is more of the same four chords. No 7ths. The VII chord does have an add11 sound, which is pretty cool - much like Like a boy by Charlie Puth, not that that comparison works in any other context.
Also, your piano needs a slight tuning, I think. Or am I the only one who spends more time tuning my guitar than actually playing it? Would probably make a cool video to tune it using true temperament, which is a kind of compromise between 12TET and just intonation. Maybe you've seen electric guitars with those squiggly frets? Pretty sure Misha Mansoor has one. Would be cool to find out whether 6-9 chords work in that tuning, cus it REALLY doesn't in just intonation. Or just really spicy dominant chords like in one of your latest videos.
Gonna stop rambling now.
By ear is how I learned. Didn’t really know much music theory until I was in my 20s.
Guess there are some advantages to that.
You could probably have predicted the melody too tbh. I know theres times when I'm walking through shops or what not and start humming/whistling along having never heard a song before, and chuckling when I get close.
As someone who did a lot of choir training and is currently in a glee club, I've become very used to picking out individual parts of harmonies really quickly and singing them as they come up or even improvising harmonies on songs that don't have them. (mostly because a lot of choir and pop music uses the same kind of harmony where it's just the melody line but like a 3rd or 5th interval down) It got to the point that one of my friends asked me how to pick out his part of the harmony for one of our projects and it was hard for me to perceive what it's like to not hear individual melodies the same way I can't picture someone who doesn't understand a word of English.
Please do a video on Derek Paravicini. Media used to refer to him as the "human jukebox" because he can perfectly reproduce any piece after hearing it once. He's a piano savant. The most awesome stuff is when he does mashups like "x in the style of y", mashing up different composers. I think there'd be a ton to analyze in how he juxtaposes styles on top of one another. He's an actual genius
You've tricked me into watching a music video that would make me cry. 😌
Prolly had some things to process.
*think of it this way* - it's knowing music completely enough to be on level with how one would know their own language. So all they do is *'listen to what someone said'* and then simply tell someone else what that person had *just* told them. simple but you have to know music on the same level that you know your own language. That is the start for sure.