Takes me back to my Air Force days of the 1960's. Me and a few of the guys were heavily into modern jazz and so missed the Beatles, Stones and those other guys. Sixty something years later nothing has changed - this is still the coolest vibe on the planet. Enjoy.
people would not understand, i sadly think. The would not let it fully into their heart, stamping it off as some high flung music that is not made for them... do you know what I mean?
As is Coltrane .. but Gets they all admit had that special Gets tone or sound .. unique in different ways they both contributed brilliantly to our musical heritage .. true soul people are jazz people ..
I listen to this at least once a day (no exaggeration) and I must say that this is my favorite piano intro/solo of all time . The first time I heard it it literally brought me to tears .
I can’t even explain it as well as I would like to but it feels like the beginning of the greatest/saddest story ever. Like ever. And I know that’s what intros are supposed to do but this is the definition of that. At 1:30 it was like I could see everything . The pain. The love . The self anger . And the bassist did as well as you can see by the emotion he wore on his face. That one lick just froze me in time. I literally saw her face . And I think I come back to it everyday because for a moment I feel all those feelings again and as much as they hurt it feels so real. Life just feels so real
My goodness -- just beautiful! I never knew Getz and Coltrane even knew each other, I'm a fan of both! Good pianist and bass also. "What's New" is a fave of mine.
Une grande simplicité au départ d un phrase' simple et vers une improvisation de langueur pour plus de complexité du jazz qui réconforte le cœur dans ces temps de troubles .Du grand Elligton
“Autumn in New York” was written by Russian immigrant Vernon Duke (birth name: Vladimir Dukelsky) in the summer of 1934 while he was in Connecticut and homesick for New York City. [360°Sound]
Autumn in New York captures the bittersweet sentiments that often accompany the passing of time, reminding us of both the beauty and transience of life. [Old Time Music]
Actually,one tune they DON'T play is Autumn in New Tork...... The BALLAD MEDLEY is as follows - Autumn Leaves (Wynton Kelly), What's New (Coltrane) Moonlight in Vermont (Getz) Paul Chambers is playing bass and Jimmy Cobb is on drums. Thanks for sharing!
Thanks for clarification, vova. I thought I was losing my mind, causing me to tune out after the first 3 minutes of what sounded like utter piano drivel. Sounds better after a mental re-set.
@@dr.alanmarchand8682 Dig ! I was thinking the same thing, however listen to that, Im looking out my window at 5a.m floating. If they could hear........
This outstanding composition with such beautiful melodies and drifting modulations gives the richness for the expression of these two marvelous artists on the tenor sax, each with his own meditation and liberation of emotions.
I just love the music. It makes me relax. I am happy that I am able to listen to this just before I go to bed so I can get a good nights sleep. Thank you all for having this available for the all of us. My all of you have a happy life and enjoy yourselves.
@@TheChianello Yes! Trane on "What's New?" Stan on "Moonnligh in Vermont" and, at the beginning, Wynton on "Autumn Leaves": Too much in one go. 😆 Superb!
Except for John Coltrane and Stan Getz, these artists are named: Wynton Kelly, Paul Chambers, Jimmy Cobb. Wynton Charles Kelly was a Jamaican American jazz pianist and composer. He is known for his lively, blues-based playing and as one of the finest accompanists in jazz. Born: December 2, 1931, Brooklyn, New York City, New York, United States Died: April 12, 1971, Toronto, Canada. (Wikipedia) Jimmy Cobb: American drummer. Paul Laurence Dunbar Chambers, Jr. was a jazz double bassist. A fixture of rhythm sections during the 1950s and 1960s, his importance in the development of jazz bass can be measured not only by the ... Wikipedia Born: April 22, 1935, Pittsburgh, Pennsylvania, United States Died: January 4, 1969, New York City, New York, United States (Wikipedia)
The first jazz I remember hearing (when I was 6!) was my dad's copy of "Getz au Go Go", which I love to this day. I'm forever grateful to my father for exposing me to jazz, which I love, and to my mother, who introduced me to classical music, which I also love.
最高だね。夢のようだ。魂が震えてしまう。 ファッツニューからバーモントの月へ、 つながる瞬間がたまらない。 こんな味のある、サックスを吹ける人はもう現れない。 まさに、二人の神だ。 チャーリーパーカーは別格だけどネ。 秋葉原の大森栄一より Eiichi Ohmori from Akihabara Tokyo Japan
Hey folks, my apologies to all of you. I previously remarked that: this ISN'T "Autumn in New York." It begins with Wynton Kelly playing an engaging introduction that leads into "What's New" with John Coltrane. It then segues to "Moonlight in Vermont" with Stan Getz. "Autumn in New York" is not played. Well, that statement is only mostly accurate. It turns out that what Wynton Kelly is playing at the top IS NOT just "an engaging introduction." I've taken to heart what some of you have indicated below that Wynton Kelly is actually playing "changes," but the changes are not to "Autumn in New York," but, instead, to that other classic: "Autumn Leaves." Listen again. Indeed, Kelly does so, even though the melodic line or improvisation, unlike the rest of the video, is never played and is instead really left up to each of us to superimpose/improvise over the changes; but, yes, the changes to "Autumn Leaves" are definitely there before transitioning to "What's New." Thanks again for the "ear opening," fellow jazz lovers -- I now hear what some of you heard from the start.
John de Clef Piñeiro You are right, Mr. de Clef - there is no "Autumn In New York" played here. The two numbers that are here, You have correctly identified. As an aside, it is interesting to see the pianist's hands move to a stock cadence, and then decide not to play it. "Autumn in NY", is, in my opinion, a rather particular number, written by the pen-name of Vernon Duke. Am I right ? Like Cole Porter, and a very few other writers, Duke did not write four-square and "easy" numbers.
+Michael O'Dwyer Well said John de Clef and Michael O'Dwyer your observations are accurate, and greeting to both of you. Perhaps an oversight in labelling by mr roger b. Be that as it may, we still are grateful for the wonderful posting. May I take note on how you put words in your observations -- "segue" and "stock cadence", which are impeccable descriptions which zeroes into what you want to illustrate.
This is not Autumn in New York ! It's Ballad Medley: Autumn Leaves / What's New / Moonlight In Vermont. John Coltrane - tenor sax (on "What's New"); Stan Getz - tenor sax (on "Moonlight In Vermont"); Wynton Kelly - piano (on "Autumn Leaves"); Paul Chambers - bass, Jimmy Cobb - drums
I wanted to post it's a ballad medley Tigran Siravyan: You're the only one that states it correctly!: It's 3 complete tunes that are played in the order you mentioned above! Chapeau!
Coltrane joue sur Autumn in New York, et Stan Getzsur What s New, plus exactement. Performance d autant plus grande ! Merci pour ce petit morceau d anthologie.
@@Jiv_Ing57819 MY LOVE AFFAIR WITH A CHERISHED HORN WON"T END TILL I"M GONE> MY CHOPS SOUNDED LIKE KENNY G> AND PAUL DESMOND< TILL TMJ SURGERY PUT LIMITS ON MY PLAY TIME( 4- 5 HOURS 4-5 DAYS PER WEEK< ON BERG LARSEN METAL, 110/1, RICCO ROYAL 4+, NOW BERG LARSEN EBONITE 120/1 WITH RICCO ROYAL 3/3 1/2.
age is coming thanks eternal thanks to these guys for letting us share in true life, to die in peace, and bring better things to the spirit world saving others
Te tienen que haber hecho mierda el corazón como para que termines componiendo esta joyita de tema que, con sólo escucharla, te transporta hacia un sentimiendo devastador. Ausencias irreparables e irremplazables, que buscan perderse en el olvido, y no lo logran. Y sientes ganas de decir.: "Lo siento" a alguien que ya no está, y que no volverás a ver. Porque así lo quisiste, porque no había otra salida. Porque no había nada ahí que pudiera rescatarse. En fin, las partidas y los adioses son parte de la existencia. Qué se le va a hacer. Ya no estarás. Ya no estaré.
Simplesmente notável! Envolvente! Cativante! Este saxofone que nos encanta a alma e o coração agradece! Ganhei o meu dia! Esta riqueza chama-se vida!! Parabéns ao canal pelo excelente gosto musical! Chave de ouro 🔑! Obrigada pelo carinho e atenção! 🌟👑💎🏆👏🎹🎶🎷🎶💐🍷
Recorded at Apollo Theater (WDR Studio), Düsseldorf, Germany on March 28, 1960, around 5:00 p.m. John Coltrane was on tour with MIles Davis, their last gig together. The concerts derive from a three-week European tour as part of a Jazz at the Philharmonic presentation as organized by promoter Norman Granz, which also included Stan Getz and Oscar Peterson as headliners.
Besides Coltrane and Getz on tenors, Wynton Kelly is at the piano, Paul Chambers is on bass and Jimmy Cobb plays the drums. Absolutely superb.
Thank You for posting! They're all brilliant!
thank you so much for the info! always noticed that mustache guy with the double bass, now I know it's Paul Chambers, gotta investigate this guy))
Thank you.
Beautiful, beautiful, beautiful, beautiful
thanks so much for that info. How fantastic they all are. Isn't Coltrane sublime.
listening to Stan Getz is like being a child and giving yourself up to being held by your father's hand.
Damn...that's deep. And accurate ❤
Well said. A very loving father too.
Love this comment!
Takes me back to my Air Force days of the 1960's. Me and a few of the guys were heavily into modern jazz and so missed the Beatles, Stones and those other guys. Sixty something years later nothing has changed - this is still the coolest vibe on the planet. Enjoy.
Thank you sir for serving our country... My brother was also in the Air Force. This to me is bliss
My cousin Robert was in the Air Force back then as well and he played piano in a jazz group.
❤❤❤❤❤
Great music is timeless.
It is imperative that we preserve wonderful music like this
"for modern-day prospectors, panning for gold is a chance to experience the thrill of finding buried treasure" 2:43
1 so agree!!! Let your children listen to it as they become teenagers and adults. Take them to concerts, of this type, even better.
❤ George Gershwin rhapsody in blue..old style jazz classical fusion....
We need more music like this today. Absolutely beautiful.
Yes indeed!!!!!
Great music great musicians.Can't beat that no way
Try the "New Standards" of Kenny G.
It's hard to replicate this kind of sound. This is music that came out from your own soul... Life experiences and shit that you vomit in notes
people would not understand, i sadly think.
The would not let it fully into their heart, stamping it off as some high flung music that is not made for them... do you know what I mean?
This is so beautiful I could cry. I love this. Something about this song that merges with me.
I did 54 years on this shelf never heard it before....
Had An opportunity to go UCLA and see Coltrane at 16..now 70th Birthday Jazz is what I was brought up with.. My Dad had great love for JAZZ
Hello Joanie, How are you doing?
You obviously had some pretty cool parents.. so did i.
What a beautiful peace, what a great time for those whom had the chance at that time to see those greats artists live.😁
I can listen to this music, and my BLOOD PRESSURE will be normal. So relaxing on a Saturday night and sipping some sake.
Two of the most beautiful jazz musians, always original & moving. RIP
Wow. Just wonderful. What a gift to the world to compose and perform such a gorgeous song. Jazz is America’s greatest gift to the world.
Stan Getz, as always, is immense. His sax, has a human sonority. Unique and unrepeatable.
As is Coltrane .. but Gets they all admit had that special Gets tone or sound .. unique in different ways they both contributed brilliantly to our musical heritage .. true soul people are jazz people ..
I listen to this at least once a day (no exaggeration) and I must say that this is my favorite piano intro/solo of all time . The first time I heard it it literally brought me to tears .
I can’t even explain it as well as I would like to but it feels like the beginning of the greatest/saddest story ever. Like ever. And I know that’s what intros are supposed to do but this is the definition of that. At 1:30 it was like I could see everything . The pain. The love . The self anger . And the bassist did as well as you can see by the emotion he wore on his face. That one lick just froze me in time. I literally saw her face . And I think I come back to it everyday because for a moment I feel all those feelings again and as much as they hurt it feels so real. Life just feels so real
@@carlstewart3708 Do you know who the players were (piano, base)
wynton kelly and paul chambers, listen to miles davis records with them, superb@@rezsoszaday4189
@@carlstewart3708
Yes I understand that emotion .. and you’re so right it’s written all over the bass players face almost stunned he looked . . .
@@rezsoszaday4189Paul chambers and wynton Kelly
Reminds me of my days as a cbs executive going to jazz lounges in NYC... Room full of smoke and the best jazz ever❤
Wynton Kelly’s beginning solo always gets me...so heartfelt.
Yes, I love Kelly’s playing. He was a marvellously gifted pianist who graced many recordings through his artistry.
My goodness -- just beautiful! I never knew Getz and Coltrane even knew each other, I'm a fan of both! Good pianist and bass also. "What's New" is a fave of mine.
Trane has been widely quoted as saying "Everybody wants to sound like Stan".
Thanks.. So. Much.. For. Music... 😮😊🎉
Absolutamente divino!!
João Pacheco
I love that one too, and Miles Davis was another incredible musician.
Une grande simplicité au départ d un phrase' simple et vers une improvisation de langueur pour plus de complexité du jazz qui réconforte le cœur dans ces temps de troubles .Du grand Elligton
Sweet sweet sound
Melts me right down !
A glass is whiskey . On the rocks. Sitting by a large window. Thinking of you. Where can you be right now?
In Belarus
What a treat! John Coltrane and Stan Getz at the same time.
30/12/22. Wonderful!! Takes me back to my youth, this kind of music has smoothed my life since the 1950s and it’s still working ❤
“Autumn in New York” was written by Russian immigrant Vernon Duke (birth name: Vladimir Dukelsky) in the summer of 1934 while he was in Connecticut and homesick for New York City. [360°Sound]
A jazz standard written by Vernon Duke in the summer of 1934, during the height of the Great Depression. 2:34
Duke wrote “Autumn in New York” while vacationing in Westport, Connecticut. 4:35
Autumn in New York captures the bittersweet sentiments that often accompany the passing of time, reminding us of both the beauty and transience of life. [Old Time Music]
'Trane and Getz create an atmosphere of tenderness and warmth filled with spiritual subtlities and haunting nimbleness.
Is that subtitles or subtleties?
Beautifully said !
@@buckdebosses2407 Nice obsv.on the typo 👍
Subtleties Yep, an "E" - not the typo "i", OK.
Thanks so much for this video - exquisite playing! Coltrane with 'What's New'.... and Getz, 'Moonlight in Vermont'... a delight!
Emotional music as well as video... There will never be anyone as great as these two are, what an era!
Actually,one tune they DON'T play is Autumn in New Tork......
The BALLAD MEDLEY is as follows - Autumn Leaves (Wynton Kelly), What's New (Coltrane) Moonlight in Vermont (Getz)
Paul Chambers is playing bass and Jimmy Cobb is on drums.
Thanks for sharing!
Thanks for clarification, vova. I thought I was losing my mind, causing me to tune out after the first 3 minutes of what sounded like utter piano drivel. Sounds better after a mental re-set.
vova47 I know your comment is 6 years old but wyntons chord proggression at the beginning is not autumn leaves
WOW
@@1998XBOX to me it sounds exactly like autumn leaves, and also a good improvisation for kelly
@@dr.alanmarchand8682 Dig ! I was thinking the same thing, however listen to that, Im looking out my window at 5a.m floating. If they could hear........
It cannot get any better than this can it.Two splendid jazz icons at one go.
100% agree.
This outstanding composition with such beautiful melodies and drifting modulations gives the richness for the expression of these two marvelous artists on the tenor sax, each with his own meditation and liberation of emotions.
I just love the music. It makes me relax. I am happy that I am able to listen to this just before I go to bed so I can get a good nights sleep. Thank you all for having this available for the all of us. My all of you have a happy life and enjoy yourselves.
YAWN...........
From a hard day. Work. Just. Keep back and. Rex on. The song. And joy.
This is grown-up music, kids❗️ Listen & acquire an appreciation for it. 👍🏾
Both remarkable.....they play just a few notes in tbeir solos and you know immediately its them ....the mark of great musicians
Love the mood of this kind of music. Just beautiful!!
Simply Beautiful at its best !!!!!
That wasn't "Autumn in New York" but it was beautiful.. Two of my favorite saxophone players. Doing what they do.. Make incredible music.
what is it then?
@@ManuelSoutoPico "What' New"
@@auret51 Correct you are sir!
Inspired Sinatra pieces. Moonlight in Vermont and What's New?
@@TheChianello Yes! Trane on "What's New?" Stan on "Moonnligh in Vermont" and, at the beginning, Wynton on "Autumn Leaves":
Too much in one go. 😆
Superb!
Except for John Coltrane and Stan Getz, these artists are named: Wynton Kelly, Paul Chambers, Jimmy Cobb.
Wynton Charles Kelly was a Jamaican American jazz pianist and composer. He is known for his lively, blues-based playing and as one of the finest accompanists in jazz.
Born: December 2, 1931, Brooklyn, New York City, New York, United States
Died: April 12, 1971, Toronto, Canada. (Wikipedia)
Jimmy Cobb: American drummer.
Paul Laurence Dunbar Chambers, Jr. was a jazz double bassist. A fixture of rhythm sections during the 1950s and 1960s, his importance in the development of jazz bass can be measured not only by the ... Wikipedia
Born: April 22, 1935, Pittsburgh, Pennsylvania, United States
Died: January 4, 1969, New York City, New York, United States (Wikipedia)
Les deux plus grands sax tenor du XX eme siècle.
The two most recognisable tenor sounds in jazz ..both very different ..both having something to say !!!!
Two of the best ever. A win win situation. Coltrane's What's New is astounding and what more can you say about Getz???!!!
So true..
Terrific... autumn in NY 😂... coltrane and getz.... don't get much better just beautiful 💕🕊️💞❣️
Great music like this crosses all boundaries and borders!
What a wonderfully expressive opening solo by Wynton! Wow!
My kind of music. Can listen all day every day
I just cry when I hear Coltrane! He had the most PERFECT tone ever!!!!
OH Yes Mr. Williams, I am sooooooooooo inclined to agree!!!!!!!!!!! My All Time Favorite1!!!!!!!!! Betty Green
"We would all play like Stan Getz if we could" - John Coltrane
OH HEAVENS YES!!!!!!!! My VERY FIRST LOVE!!!!!!!! BETTY GREEN MCLAMORE
Amazing comment
aka Marvin Williams, protege of Elvo D'Amante
This is stunning! Thank you for the upload!
Coltrane's solo is kinda free and make me feel relaxed everytime:)))))
one of my favorite musician!!!!!!
I could listen to Coltrane all day! The man was a genius on tenor sax.
I love this song. This is jazz at it's best. 2 musicians, don't play the same music style, but they play the same music. And this is how it works!!!!
I didn't know that this two giants of modern music played together one day, it's magic.. thanks for this soul message
+Philippe Simonci .......they didn't .....its the magic of modern technology
Just perfect for soothing and healing a broken heart...
Isabelle Frost
Or keeping it broken (if enjoyably so.)
Oh, yes.
Love it. Je ne me lasse pas d' écouter. C' est si beau et paisible. MERCI :-)
It’s one of The most beautiful things You can hear 💜💜
This is first class.
Stan's mood...am indebted to all the old guys who introduced me to jazz in 5th grade...and nurtured my love of it....
The first jazz I remember hearing (when I was 6!) was my dad's copy of "Getz au Go Go", which I love to this day. I'm forever grateful to my father for exposing me to jazz, which I love, and to my mother, who introduced me to classical music, which I also love.
Two saxophone greats getting different sounds from a tenor sax. This is where the personality shows.
Mais quel privilège pour un public aussi restreint dans un espace aussi réduit d'ecouter ce génial trio. J'espère qu'il en était conscient...
Two masters. Endlessly inventive. Elucidating each other’s artistry.
what EVER you choose to CALL THIS magical experience, I'm transfixed.....jazz,music at it's finest....PS CAN I GET A WITNESS.....5,*****
最高だね。夢のようだ。魂が震えてしまう。
ファッツニューからバーモントの月へ、
つながる瞬間がたまらない。
こんな味のある、サックスを吹ける人はもう現れない。
まさに、二人の神だ。
チャーリーパーカーは別格だけどネ。
秋葉原の大森栄一より
Eiichi Ohmori
from Akihabara Tokyo Japan
Nobodies talking about how mesmerizing snd amazing the cinematography is here. Beautiful
Hey folks, my apologies to all of you. I previously remarked that: this ISN'T "Autumn in New York." It begins with Wynton Kelly playing an engaging introduction that leads into "What's New" with John Coltrane. It then segues to "Moonlight in Vermont" with Stan Getz. "Autumn in New York" is not played.
Well, that statement is only mostly accurate. It turns out that what Wynton Kelly is playing at the top IS NOT just "an engaging introduction." I've taken to heart what some of you have indicated below that Wynton Kelly is actually playing "changes," but the changes are not to "Autumn in New York," but, instead, to that other classic: "Autumn Leaves." Listen again.
Indeed, Kelly does so, even though the melodic line or improvisation, unlike the rest of the video, is never played and is instead really left up to each of us to superimpose/improvise over the changes; but, yes, the changes to "Autumn Leaves" are definitely there before transitioning to "What's New."
Thanks again for the "ear opening," fellow jazz lovers -- I now hear what some of you heard from the start.
John de Clef Piñeiro You are right, Mr. de Clef - there is no "Autumn In New York" played here. The two numbers that are here, You have correctly identified. As an aside, it is interesting to see the pianist's hands move to a stock cadence, and then decide not to play it. "Autumn in NY", is, in my opinion, a rather particular number, written by the pen-name of Vernon Duke. Am I right ? Like Cole Porter, and a very few other writers, Duke did not write four-square and "easy" numbers.
John de Clef Piñeiro Absolutely right John. There is no Autumn in New York in this video.
+Michael O'Dwyer Well said John de Clef and Michael O'Dwyer your observations are accurate, and greeting to both of you. Perhaps an oversight in labelling by mr roger b. Be that as it may, we still are grateful for the wonderful posting. May I take note on how you put words in your observations -- "segue" and "stock cadence", which are impeccable descriptions which zeroes into what you want to illustrate.
+John de Clef Piñeiro He plays Autumn Leaves changes at the top of the video. Still not Autumn in New York.
+John de Clef Piñeiro He plays Autumn Leaves changes at the top of the video. Still not Autumn in New York.
"What's New" -- "Moonlight in Vermont" -- superb -- nice chords on the piano, mellow sax, very nice, gentlemen, thank you!
Wow, never heard Getz or Coltrane till tonight. I'm more of a rock fan but these 2 are incredible. And Miles Davis too. Holy shit.
The language of the soul, that's what it was, what it is, and it will always be, no song title's necessary.🌌
so glad I found this. Thanks
Stan Getz intonation is exquisite.
Everything he does is exquisite.
L
This had to have been filmed in the 60s. First time I have ever seen Getz wearing a bow tie, Ever!!!
How does he manage to get that intonation on sax?
@@Jiv_Ing57819 Genetic
This clip starts with “What’s New” but segues into “Autumn In New York” at 4:10.
Thanks for that clarification. 😀
Mnie się poprostu bardzo podoba.Pomaga sie odprężyć. DZIĘKUJĘ BARDZO ZA TE CHWILE.
That’s beautiful to hear and to see. It’s almost as if the camera were another instrument.
Dedicated to my mother. I love you girl!
This is not Autumn in New York ! It's Ballad Medley: Autumn Leaves / What's New / Moonlight In Vermont.
John Coltrane - tenor sax (on "What's New"); Stan Getz - tenor sax (on "Moonlight In Vermont"); Wynton Kelly - piano (on "Autumn Leaves"); Paul Chambers - bass, Jimmy Cobb - drums
I wanted to post it's a ballad medley Tigran Siravyan: You're the only one that states it correctly!: It's 3 complete tunes that are played in the order you mentioned above! Chapeau!
No Autumn Leaves here. As mentioned earlier, it's Autumn in NY and What's New
I couldn't hear autum in ny unless Coltrane played it so abstract.
Daniel Scheinhaus - What you don't know about tunes can feel New York Public Library.
thanks Tigran
Coltrane joue sur Autumn in New York, et Stan Getzsur What s New, plus exactement. Performance d autant plus grande ! Merci pour ce petit morceau d anthologie.
Thanks for sharing this wonderful video. Such an intimate experience of seeing and hearing these great artists up close and personal!
Tenor Sax Playing doesn't get better than this!
You play sax?
@@Jiv_Ing57819 MY LOVE AFFAIR WITH A CHERISHED HORN WON"T END TILL I"M GONE> MY CHOPS SOUNDED LIKE KENNY G> AND PAUL DESMOND< TILL TMJ SURGERY PUT LIMITS ON MY PLAY TIME( 4- 5 HOURS 4-5 DAYS PER WEEK< ON BERG LARSEN METAL, 110/1, RICCO ROYAL 4+, NOW BERG LARSEN EBONITE 120/1 WITH RICCO ROYAL 3/3 1/2.
@@SteveEcksteinDouglasDrive cheers for that berg larsen metal! have a 100/2, love it!
First "Autumn leaves" in trio then "What's new" with Trane and "Moonlight in vermont". A beautiful medley!
I thought it was "Autumn Leaves". I kept waiting for Autum in New York" . LOL Someone needs to tell Roger! (Freudian slip)
SUCH A LOVELY VIDEO, AND GREAT JAZZ ERA. ALL THE MOODS OF JAZZ, AMAZING.
Great video capture of amazing tunes. Flawless transitions between tunes and genius soloists. Thanks for sharing.
Wow this one instantly brings tears to my eyes AMAZING 😢
I love Coltrane's easy, bluesy numbers.....I just sink into a calm little bubble....
Very good camera capturing this beautiful moment, really. All the beauty of B&W photography, whoever was behind this Bravo!
Esta música es toda una obra maestra, de lo más deleitante que hay en la tierra, puedes sentir que viajas con notas tan bellas...
Deze opname❤😊🎉.daarom blij en dankbaar met deze tapes.
No tengo más q grandes elogios para estos grandes músicos.
落ち着きある コルトレーンとスタンとのコラボに感動！です♪
Met Wynton Kelly's daughter Tracy at Temple University in Philly as a classmate. Nice young lady. Her dad would be proud.
age is coming thanks eternal thanks to these guys for letting us share in true life, to die in peace, and bring better things to the spirit world saving others
John Coltrane was born with a Saxophone in his Mouth. The best.
so was Stan Getz..
Te tienen que haber hecho mierda el corazón como para que termines componiendo esta joyita de tema que, con sólo escucharla, te transporta hacia un sentimiendo devastador.
Ausencias irreparables e irremplazables, que buscan perderse en el olvido, y no lo logran.
Y sientes ganas de decir.: "Lo siento" a alguien que ya no está, y que no volverás a ver.
Porque así lo quisiste, porque no había otra salida.
Porque no había nada ahí que pudiera rescatarse.
En fin, las partidas y los adioses son parte de la existencia.
Qué se le va a hacer.
Ya no estarás. Ya no estaré.
I always thought that Autumn in N.Y. was the nicest time of year. This gives me a nostalgic feeling for it. Even if they don't play that tune
Are you saying that you enjoy the Autumn Leaves? (*da-dum-CHH!*)
They actually do Wynton plays it at the beginning. Basically everyone plays a different piece.
I've been a jazz buff for over 50 years, and I've never cared much for Coltrane. But this is terrific.
John Coltrane & Stan Getz ❤
Che dire due pietre miliari della storia del Jazz!!! Ho 60anni e da quando sentiii Coltrane a 16 anni mi viene la pelle d'oca dopo due note!!!
Simplesmente notável! Envolvente! Cativante! Este saxofone que nos encanta a alma e o coração agradece! Ganhei o meu dia! Esta riqueza chama-se vida!! Parabéns ao canal pelo excelente gosto musical! Chave de ouro 🔑! Obrigada pelo carinho e atenção! 🌟👑💎🏆👏🎹🎶🎷🎶💐🍷
Magnificed perfhormance, l love this inmortal Melody thank ❤❤❤
Basta! Hacia tiempo que no escucho musica tan buena como esta :D John Coltrane eres grande!
J'apprécie beaucoup ce morceau. MERCI pour le partage. :-)
It is one of the great history of modern jazz. Several kind of drinks are good with this.
How about you? Black coffee? or straight no chaser?
Straight no chaser
@@davidacevedo2774 Oh yeah! but I can not drink very much. Sorry.
salut Une pure "Merveille John Coltrane & Stan Getz......Merci pour le partage .............
Stan Getz = perfection
Hello Kate, How are you doing?
Not Autumn in New York: "Autumn Leaves" :) Beautiful.
who would dislike this?!
dule savik
58 idiots
Musically deaf people would that is classic music
dule savik THEY ARE NOBODY !
Recorded at Apollo Theater (WDR Studio), Düsseldorf, Germany on March 28, 1960, around 5:00 p.m. John Coltrane was on tour with MIles Davis, their last gig together. The concerts derive from a three-week European tour as part of a Jazz at the Philharmonic presentation as organized by promoter Norman Granz, which also included Stan Getz and Oscar Peterson as headliners.
Once again, Norman granz becomes the hero of this session. Thank you Norman for all you’ve done for Jazz and Jazz history.
Extraordinaria dupla, Coltrane & Getz!!
Amo el jazzz hermano
incredible videography and brilliant music.. thank you
Espetacular !! um mergulho num passado grandioso ! privilegio para os apreciadores! sinto me em êxtase!!