This is his edition of the original print that appeared in Paris in 1686 entitled : Liure de pieces pour la Gvittare dedie au Roy compose par R.de Visee. He has not included Passacaille because of its scanty musical content .
Thank you for that! do you know where I might be able to find that? I'll start looking now, it's the nicest version IMO. I started to transcribe it listening to Bream but lost patience.
+Matthew Masail I'm the same : cannot find this version on the internet though, it's still different versions. Where did you find it? I do prefer Bream's playing, though this is still super!
+Rebecca Shaw Hi Rebecca, refer back to the other answers I got. the version by Karl Scheit is the "correct" one. I bought it from an online sheet music store and it is fantastic. still one of my favorite.
Scheit was Austrian, quite famous I would say in the European classical guitar world. He was a performer but I don't think really of international scope unlike Segovia of course. He was very involved with guitar music publishing via Universal Edition in Vienna.
@@michaelharris6383 KS was known as the Segovia of Austria. Continental guitarists tend to use a combination of flesh and nail and thus produce a subtle, quieter sound than the ubiquitous John Williams whose sound resembled the harpsichord in the 1970s. The only present-day guitarists who plays without using her fingernails (flesh only) is the superb Virginia Luque, one of Segoivia's last pupils.
@@BeauJames59 there is no record of Handel ever going to France. Nor did de Visee ever go to London. And, as far as I know, there were no LP's or CD's in those days and it is not too likely, in my view, that Handel would spend much time reading lute transcripts. But, in the end...who knows?
Great performance and beautiful tone! Bravo!
Excelente guitarrista.
This is his edition of the original print that appeared in Paris in 1686 entitled :
Liure de pieces pour la Gvittare dedie au Roy compose par R.de Visee.
He has not included Passacaille because of its scanty musical content .
Happy Easter everyone :)
Wonderful !
he also seems to be playing the same rendition as Bream does, which is very differant from any sheet music of this suit that I have.
The other way around. Scheit published his version in 1944, and Bream used this for his 1966 recording.
Thank you for that! do you know where I might be able to find that? I'll start looking now, it's the nicest version IMO. I started to transcribe it listening to Bream but lost patience.
Matthew Masail found it, simple web search, thanks again!
+Matthew Masail I'm the same : cannot find this version on the internet though, it's still different versions. Where did you find it? I do prefer Bream's playing, though this is still super!
+Rebecca Shaw
Hi Rebecca, refer back to the other answers I got. the version by Karl Scheit is the "correct" one. I bought it from an online sheet music store and it is fantastic. still one of my favorite.
ou de filosofia da matematica?
Who is this guy?? He is great. and great players seem to be few and far between.
Scheit was Austrian, quite famous I would say in the European classical guitar world. He was a performer but I don't think really of international scope unlike Segovia of course. He was very involved with guitar music publishing via Universal Edition in Vienna.
@@michaelharris6383 KS was known as the Segovia of Austria. Continental guitarists tend to use a combination of flesh and nail and thus produce a subtle, quieter sound than the ubiquitous John Williams whose sound resembled the harpsichord in the 1970s. The only present-day guitarists who plays without using her fingernails (flesh only) is the superb Virginia Luque, one of Segoivia's last pupils.
The sarabande does remind me of a Handel suite, probably no mere coincidence.
very unlikely Handel would have heard anything of de Visee's
@@jesuisravi howso?
@@BeauJames59 there is no record of Handel ever going to France. Nor did de Visee ever go to London. And, as far as I know, there were no LP's or CD's in those days and it is not too likely, in my view, that Handel would spend much time reading lute transcripts. But, in the end...who knows?
@@jesuisravi thanks!
@prepended prepended well, if Handel knew works of de Visee so much the better
alguem de matematica aqui em 2019?