Phew! That was an excellent exhaustive description of this cameras capabilities with these two videos Maarten. You are indeed the best reviewer of cameras I have ever come across. True photographers try their hardest to get the best image with little to no post processing. With this kind of camera, it is very possible if you take the time to understand the library of customisation available. With gratitude to you it becomes easily possible. Thank you again for a wonderful video.
WOW as the gentleman above said excellent review of the most overly complex camera i have ever seen... Good job it has a reset setting as you said at the beginning. I thought my Nikon Z6 was complex but this takes the biscuit. All though this camera is not for me i reckon I could only use about 30% of its features, do you get a week at Fuji school to learn it all with every purchase 😄📸. Being a photographer of 57 years old i do sometimes wonder what happened to those simpler days in 1979 when I started with a Mtl3 And just stuck a film in the camera....! Oh well great video i like your carm voice in the reviews, stay safe 📸👍
@@nigel8uk Thanks for the kind words. Although it feels as if the complexity has increased (and it has) it comes with a great deal of additional flexibility.
I just pre-ordered an XT4 and I’ve been binge watching almost all the videos that are out there. I have to say that yours are among the best. Thanks for the in-depth reviews! Warm regards from Madrid
@@MaartenHeilbron Haha seriously you should be paid more for this kind of content. Perfect lockdown videos. I would love to see your recommended settings/workflow for those publishing general consumer video content as opposed to the high-end filmmaker stuff.
Probably the best XT-4 review I have seen. Much more valuable info on the XT-4 than on most UA-cam channels. I can tell the amount of work you put in here Maarten. Let me tell you that it shows. Thank you for this. Just ordered my XT-4. Stay safe and stay healthy. And greetings from The Netherlands.
I enjoy your tutorials so much, they have a storytelling quality and keep me engaged. I just set up my XT-4 and it’s fantastic finally fully understanding it’s functions! I just joined your exclusive community 😁😉
I have enjoyed your detailed, practical and helpful reviews and primers previously: always delivered with a low-key, professional and polite manner - very Canadian! I have not ventured into the Fuji area previously: I shoot with Canon, Nikon, Olympus and Sony - but I was tempted by what I consider to be the best configured APS-C MILC body out right now, combined with the tactile joy of using dials that take me back to my days with film cameras in the 1980's. I have the X-T4 grinding its way to me in NZ at a snail-s pace, thanks to a challenged logistics network, but have purchased locally the new Tamron 18-300 lens to augment the 16-80 Fuji kit lens I got with the camera. As a stills-only shooter, I really appreciate the clear separation of video from stills settings. Thanks again for this excellent set of reviews and I look forward to seeing more in the future.
You do produce the best reviews on the web! Thanks for this one. My one question is: if powering from USB-C and not using the battery grip, will the internal battery be depleted or is recording possible without ever exhausting the battery? (I realise memory and 30min time limits, of course). Similarly, can the X-T4 be used without a battery inserted and just powering from USB-C?
That's very kind of you to say, thanks for commenting. Until they fix the glitch that means the camera frequently locks up while the power cable is connected, it's a moot point.
wow, this review, so good :) I mean, boy, you deserve more than one star for this information that is coming out. As a new fujifilm user i have learned alot(Problem is to remember everything,lol). Thank you sir for this two detailed videos. Must have taken you alot of time to make it :)
this is by far the most in-depth review for the x-t4 that I've seen (or for any camera) on youtube. though I do have to wonder what was the conclusion between the 16-80 f4 and the 18-55 f2.8. mentioned in the beginning of part 1.
Thanks what a pleasure to read your kind words. Yes, sorry, that was left on the cutting room floor as the project was already way too long. I'm sticking with the 16-55. It's a better lens, particularly for video and I won't miss the little extra reach, while I did miss the F2.8 aperture.
Hello Maarten, thank you for this comprehensive video of XT-4. I honestly think this video can legitimately be used by Fujifilm as a tutorial on how to use the camera as the camera itself has quite overwhelming features and menu selections. I have several questions that I hope you can answer. I'm currently using a Canon 5D Mark 2 for almost a decade. I've always used Canon systems since their early digital pocket cameras and have been familiar with the system, however, I realize that my current camera is already outdated, especially for professional use. I'm thinking about changing my camera to mirrorless. I have several options and would humbly ask your personal opinion about which camera would best replace my 5D Mark 2. 1. Sony A7 iii 2. Fujifilm XT-4 3. Stick to Canon system since I already have several lenses, but which mirrorless model is comparable? Also, since I've been using a full frame camera the whole time, people said that moving to cropped sensor is a downgrade. Is it true? If it is, what are the main concerns? What should I expect from this? Thank you, I hope I can hear from you. And please stay safe. Cheers from Indonesia
That's very kind, thanks for taking the time to comment. As a tutorial, it's probably a little fast and missing a few steps. After all, I didn't even mention multi-image. You might consider waiting for the R5, which enables you to stick with Canon. Otherwise, I'd consider the Nikon Z7. The main difference is the field of view - a full frame lens provides a larger frame. What you now see as a 35mm image on the 5D, would require a 23mm lens on a crop body . The other is defocus backgrounds, which is so much easier (and nicer) with a full frame. Hope this helps, please (if you can do so safely) say hello to all my friends in Indonesia.
Hi Maarten, I have a substantial amount of Fuji equipment, but due to my failing eyesight I was hoping that the XT4 would vastly improve its Eye AF and Real Time tracking, your comments suggest it still lags behind the competition. Looks like I will have to purchase a small Sony outfit to achieve a very reliable Eye AF and Tracking facility. I like the specs of the XT4 but I will never buy it unless the Eye AF reaches the current Sony standard. Your detailed reviews are amongst the top videos on UA-cam, many thanks.
Thank you for an excellent and detailed & honest review. Made me few steps closer to buying this. Jumping on to a new camera system and waiting for what Sony has to offer in the expected new release before making a final call .
Another excellent and thorough review. I'm not much into video but my personal preference was the very first setting - I believe it was Provia. It had the nicest balance of colour, skin tone, sharpness and contrast on my Macbook Pro.
Wow what an awesome review of all the video functions. I was in between fullframe Canon eos r and Fuji xt4, i have to try Fuji first but man i am leaning twords Fuji xt4 again. Looks such a nice video camera and the colours looks just wow...
Yes, it has improved. It is, for example better at identifying my face although it's still not as good as some of the competition. If that was my sole reason to upgrade, I would not.
Always look forward to your reviews but it would be nice if at the end of the reviews you could give us your opinion on the camera since you are in a better position than most reviewing lot of different cameras. Thanks for the video
I'm sometimes tempted - but then I remember I'm here to give information to help you decide. I do sprinkle my opinions throughout, however the summary and determining whether a camera suits you or your needs can't be judged from afar.
I can't thank you enough for such a complete & thorough review. I had initially wanted an X-T3, but by the time I had most of the money saved, rumors for the X-T4 came along. After watching your video it looks to me like a good investment. The fine tuning may be a bit underutilized by my amature hands. However I think I can figure out what to do with the rest of the camera's options. The IBIS feature will be most appreciated. Can't wait to test it out on some long manual lenses.... without a tripod for once. There are some older Zeiss lenses in my collection, particularly the Ultron 1.8 50mm, that will be getting the candle light test. Can't wait! This has me very excited. One question for you, what are the cameras over your right shoulder on the speaker? I'm drawing a blank on the still camera, but that movie camera looks awfully familiar. Thanks again for the great & inspiring review. My best to you & yours!
That is sufficient thanks, and I appreciate your kind words. My viewers notice the most interesting details. The stills camera is an Olympus Pen (EES-2). It was Kim's first camera and takes 1/2 frame images. The movie camera is an 8mm Keystone K-48 3 turret model.
Maarten, excellent deep-dive as always. Please, if you don't mind. Is the 16-80 going to dethrone your 16-55? Is the reach, light weight and OIS worth the single stop loss of light?
Hey Maarten, I watch your videos with great interest and find them to be among the most detailed available, so thank you for that! :) XT4 looks like a great video camera - can you tell me please how do you think it compared with other APS-C cameras for low-light...? I do not suppose it compares favorable with A7iii, but that's another story... Thank you so much!
Thanks for the great review Maarten. I'm trying very hard not to pre-order until I can see it first-hand. One question - can you set a custom white balance in the video mode? That's one of the things I don't like about my X-T2.
Hello Maarten. I watched part 1 and 2 but I could not find the answer to the following: Can you see the zebras while recording a video. Also can you adjust the audio level while recording. Thank you
Would you recommend this camera for hybrid event shooting? Currently I'm struggling between picking the Fujifilm X T4 and the Sony a7 III. Amazing video, by the way! I love how thorough you are, it helps me imagine what it would be like in my hands!
Particularly for video, the X-T4 is the better choice. Its only drawback is the 30 per clip time limit, so you have to keep an eye on it to restart it. Or use an external recorder. Thanks, I appreciate the kind words.
@@MaartenHeilbron Awesome, thank you! Have you also had a problem with the "wormy artifacts?" I hear a lot of people complain about the Fuji's sensor producing weird artifacts, and I'm worried it would hurt the quality of some of my photos/videos.
@@crexxer7180 Thanks for the kind words. I've not heard about this, or observed it in any of the images I've taken. However, I would advise you against buying any camera that you have misgivings about. They are sure to annoy and nag you for as long as you own the camera.
This is a fabulous video, and the great detail to which you show the menus, how menu options affect other menu options, and the resulting image or video is incredibly useful to me. I have one question that I did not see answered in the video. Can you power the camera via the USB connection only? One of the primary purposes I would have for this camera is to use it as a primary camera in a live streaming setup that could run for up to 3 hours. (Using the HDMI out of the camera to get the video to my capture device) So, I would need to be able to connect a power source that would last that long. If not via USB, is there another method I could use to provide AC power to the camera so that it can stay powered throughout such a long live streaming session?
Thanks, it was great to red your kind words. Yes, but the camera (with firmware 1.0) isn't terribly reliable when USB power is connected - most times either the menu would not open, or the camera would lock up. Other than USB, there is the battery grip, which would likely last 3 hours (didn't test that though).
@@MaartenHeilbron Thank you so much for your response. I won't be looking to buy a camera until at least September, so that will give some time to see if Fuji can correct that issue with a firmware update. Also gives me plenty of time to consider all the other options that will become available between now and then.
Thanks for the in depth review and all of the detailed work you put into it. After months of research, I am about 95% certain that the Fujifilm XT-4 will be my next camera. I was wondering though, is there a way to set the camera up for video to quickly go back and forth from 25 FPS and a shutter spread of 1/50 to a higher frame rate, say 120 04 240, and its corresponding frame rate. Thanks.
Thank you for your wonderful and detailed review. I just want to know one more thing about the dynamic range of this camera. How many stops of dynamic range the Fuji xt4 can produce? Thanks :)
Interesting camera. But with no pop-up flash it isn’t for me. Dear Maarten, I've missed you for weeks - welcome back! Now, you specifically ask for response to your candlelight settings, and I think the first one is far better, although I might prefer a slightly brighter exposure. The pale look of the second option which reveals all the background details, has little character and looks dull, I think. But to me the challenge in your videos is trying to figure out the gobbledygook (or is it the googledygob?), and I frequently fail. I'm sure it's because I don’t try hard enough. I gave up on “Long GOP”. At first I thought maybe it was one of your own - like “fun button” and “pasm”. (Which, by the way, would be easier if you didn’t treat it as an acronym. Most of my cameras have PTvAvM dials - how would you pronounce that?). But then I saw to my surprise that Long GOP is actually a menu item. Which, however, didn’t make me much the wiser.
Might be fun to make a camera with Creative Auto High Dynamic Range Aperture Priority Shutter Priority Manual ... just to hear you call it a chasm dial.
Nice to hear from you too - I've missed my viewer-friends. Right - I left both of those shots as recorded. Both could have used a little post correction for exposure, which would have made the second looking less washed out. The time it would take to actually explain All-Intra and LongGOP requires a geeky deep dive into compression settings. In a few words - All Intra provides more data per frame, so requires less reconstruction when editing, as an individual frame can be easily created from the stream. (An editor needs to be able to see and be able to start or end a scene on a specific frame - we allow no latitude for this). LongGOP (GOP = group of pictures) means that there is a lot of time between the Intra frames, where only a little incremental data is saved. That's fine for a playback stream, but not for editing, as creating a specific frame will require more reconstruction resulting in a lower quality result. Hope that helps - maybe I'll include that bit in my Best Video Settings video for the X-T4. Stay well.
The included detachable flash is better in my opinion. It is very small and collapses down when not in use. If I am going out and think I might want some fill, I pop it in my pocket or attach it to the camera. The extra height provides a noticeable separation from the lens that I don't get from my canon popup as well. But it is easy to forget it is in your pocket!
@@pizzapiglet There is no included flash - there wasn't one in my kit, and it's not referenced in the manual. Available as an optional accessory though.
Engaging and useful review as usual. Thanks Maarten. Regarding the 16-80mm, what did you think of it? if you could only choose one for both video and stills, would you take the 16-80mm or the 16-55mm. Presuming you had a 23mm 1.4 for low light situations.
Fantastic review! I’m looking into the best hybrid camera for both stills and video, leaning more toward video (60%). Would you recommend the X-T4 over the Sony A7iii? I could get a used Sony body for the price of a new Fuji, but obviously the cost of lenses is a whole different story. I prefer the ergonomics and compact form factor of the Fuji system but I don’t know if I’ll miss that full frame look!
Thanks for the kind words. I would recommend it over any Sony model. They're still at 100 mbits, 8 bit and H.264. I also prefer Fujifilm's log over Sony's. Fujifilm has a larger and better selection of x-mount cine lenses than Sony's single offering. The only advantage the latest Sony models have is unlimited recording.
Hi Marrten thanks for the great review and the detailed breakdown on the xt4. I was wondering if they have added a lut preview mode for the Flog so when shooting flog we can see what the fuji lut will look like as suppose to being the super flat profile?
@@MaartenHeilbron thanks Marrten. I'm so happy that they added that in there as well as the subject tracking. No need for canon r5 now. 60p 4k 10bit is good enough for me and 8k is definitely not needed. Plus it'll be minimum double the price of xt4. I guess that what you pay for when you go full frame. Any experience with the Fringer pro ii adapter with canon lens?
@@AlvinKeungVFX Always happy to help. But let's hold our judgement on the R5 until we can download the manual, it's actually shipping and we see a few reviews. Often the devil is in the details.I am not familiar with the Fringer.
Very happy that you are well during these trying times. Thank you for another wonderfully produced, thorough & informative video. Perhaps you would provide me with your advice. Before I asked, here is some background information. I am not a professional nor do I any aspirations of becoming one. I will change from the Lumix GM5 to either Sony a7iii (or a7Riii) of Fuji XT4. My preference a system that is small as I will be more inclined to take the camera with me much more frequently. I record family activities (95% stills, mostly indoors ), travel & street. I refuse to carry a tripod or flash, so acceptable photos in low light is important. In general I would be satisfied with the outdoor IQ & video from either Sony or Fuji. My concern with the Sony is how large the system would be. My concern with Fuji is indoor low light noise at f2.0, f2.8 or f4.0 on the 16-80mm. By the way, I did not notice you comment on the 16-80 vs. 16-55. Thank you in advance for your reply. Stay healthy. Regards from Montreal
Thanks for your kind words, they are appreciated. Yes, sorry, the lens comments ended up on the cutting room floor - the project was just too long (even in two parts). If you are looking for small and light, may I guide you to the X-T30 with one of Fujifilm's fast primes, like the 23mm F1.4? This will provide excellent indoor performance (and has onboard flash). And it's much lighter than your two initial choices. The X-T4 is likely overkill for your needs, as is the A7 series. My preference (but my needs are for video) is the 16-55 F2.8. Both are fine, but kind of large and heavy lenses (the 16-80 is lighter). Hope this helps.
Thank you for your prompt reply. Your input is very helpful I am attracted to the weather resistance of the XT4 & IBIS. So, looks like the 23 f1.4 is definitely 1 prime I will purchase along with the XT4. My next decision is between the 2.8 or 4.0 zooms.
Maarten Heilbron One more time. The FF R6 is rumored to have a 20mp sensor compared to the ~45 on the R5. Here is my dilemma. The only lens that provides the look I lust over is the Canon RF 85mm 1.2 USM DS. My question, is the R6 with the rumored 20MP sensor enough to do justice to this outrageously priced lens? Or, in your opinion, should I go for the higher res R5?
Both videos are shining stars on YT compared to most other loudly screaming rubbish videos here. Thank you for these unbelievable efforts to put all this together for us.
Hi Maarten, thank you for this video. I got xt4 and would like to ask a question regarding focus pulling. I understand that in auto focus mode you can adjust the speed of the focus pulling. Do you have to tap / press autofocus on button after you set a new focus point with the joystick? Or you just set the point and wait that in autofocus mode /multi area/ it will eventually change the focus by itself? Also regarding the same - focus pulling in Single focus mode - can you adjust the speed? In other words, does the autofocus speed have impact once you pull focus in single focus mode with joystick then tapping/clicking autofocus button? Hope it makes sense. Thank you for your answer and your time. Much appreciated. PS. I got the Pro mist filter on, and it seems to influence the accuracy of the autofocus system, do you have similar experience when using even see through /not NDs/ like promist etc? Many thanks.
Greetings Mr. Heilborn. Thank you for such a very comprehensive and minute to the dot detailed review and instructional video for the XT4. I do have inquiries though. Having reviewed both the XT4 and the XPro3, which camera would you recommend in terms of durability and toughness? Also, in terms of easy-functionality, which would you recommend? Out of topic, would you happen to know the rated shutter actuation of the XPro3 (e.g. XT4 is 300,000 actuations)? Thank you again Mr. Heilbron. :)
Thanks, I appreciate your kind words. For durability, I would judge them to be the same. In terms of functionality, I would rate the X-T4 as slightly simpler. No idea, I don't Fujifilm usually stated this before the X-T4. Always happy to help.
@@MaartenHeilbron Sir. Thank you for replying promptly. If I may inquire again: 1. Which LCD construction do you think would be more prone to failure [even if assuming you're going to be very careful in handling them (like limiting the opening of their LCD perhaps)]: a. XT4's flip screen b. XPro3's tilt-screen c. XT3/X100v's tilt-screen. Honestly, I wouldn't have asked for this if the XT4 had a tilt-screen for waist level shooting. Yet, I am curious about your recommendation. One youtube reviewer already mentioned that according to his very reliable camera repair shop, flippy screens are easily prone to give. 2. The XPro3 has a feature where one can review the images taken thru the EVF screen. Does the XT4/XT3 have the same feature as well? 3. I have near zero experience with reviewing images via EVF. Which shows more natural rendering of color when reviewing images? The EVF or the LCD? Thanks again sir Maarten.
@@nathanielngosy You may always inquire. 1) That would be pure conjecture. I have not seen any fail. Maybe a repair shop would be able to advise you. 2) That is a feature of all mirrorless cameras - you can select to immediately see the image you've taken, or playback any/all images in the viewfinder. 3) About the same, but for colour the typically higher resolution of the viewfinder over the back screens well as the predominant use of OLED technology gives viewfinders the edge.
@@MaartenHeilbron Thank you sir for your thoughts on my inquiries. I guess it's up to me then as to which unit I will be purchasing. I won't be doing much videography but 1. The XT4's 300K rated shutter actuation, improved AF and IBIS features sure are really tempting enough to settle with the unit. 2. Since The XPro3 is really catered for classic photographers and could be more durable and tough due to its build-quality, it's also a viable option. If only that LCD screen would've been constructed in a way that tripod brackets wouldn't be blocking it when its fully tilted down. Also if only that ISO dial is the same as the X100v's. 3. My third option would be the X100v and an XT3 combo. It's because their tilt-screens are favorable to me. Problem is, having a second body is more expensive and it seems that the XT3 isn't really that durable VS the XPro3. Maybe you can make a final recommendation, Mr. Heilborn. Thank you again. :)
@@nathanielngosy 1) Certainly. Very few ever get to the rated shutter life. 2) I'm not sure the XPro3 is more durable, but the other points are valid. 3) Why do you need two cameras?
I may have missed this in the video - can you use the camera as normal whilst it's charging via the USB-C cable, and does it provide enough power to enable continuous use?
Have your issues with the grip been fixed in the 1.02 firmware? I don't have the grip, but the new firmware seems to be great. The only thing I noticed coming from 1.01 when I got the camera was the focus mode used to be fixed to continuous when in video mode regardless of the front dial setting, but on 1.02 it stays on whatever mode it's set to.
I'm about to pick this camera up, so for when shooting Jpeg, which DR setting do you recommend? I plan on shooting straight to jpeg for clients so they can get a taste of that Fuji color!
The setting that's appropriate for the scene. Remember that if also shoot RAW (+JPEG) and if you overshoot the DR setting (ie, use DR400, you can reduce it in playback. However, I'm hesitant to recommend that, as it will require you to use ISO 640. I don't have any issues with 640, but shoot at the lowest setting when possible.
@@MaartenHeilbron I'll probably stick to auto for jpeg and 100% for raw since raw editors would throw away that Fuji DR data anyway. Thank you Maarten!
The X-T4, simply because there are some small bugs and inconveniences with the X-H1 which are fixed in the X-T4. I do have a preference for the slightly larger grip on the X-H1.
Both are good choices. Are you a Nikon person or a Fujifilm person? Do you have any lenses for either? Do you have any experience with either? How comfortable are you with camera terms and settings?
@@MaartenHeilbron I have in past shot Nikon love it I have always used manual only have one nikon lens left 50mm 1.8 sold the rest two years ago I am torn I don't do much post work mainly want great pics and I was going get xt4 16-8] and 50mm 2 or z6 24-70 4 and s 1.8 which would u choose?
Is the high ISO performace & dynamic range of the xt models not upto the sony's because of the crop sensor? If so, how does the BMPCC manage to get greater dynamic range with a smaller sensor?
@@MaartenHeilbron Thanks for your reply. What about high ISO performance? I've heard that a larger sensor such as a full frame has better low light performance. Is it completely true?
@@arjunap9863 That depends on the size of the pixels. If the resolution is the same, the larger sensor will likely have an advantage. However, if the pixel count is higher, not so much.
@@williamcalderon4648 Why do you think it would be less expensive? There are no video-specific hardware components required, they are all shared and used for both. There might be a small incremental cost for firmware, but that's shared among many models in the lineup. I don't see a stills only camera being any less. In fact, as it would be a limited production item, the cost would likely be higher.
@@MaartenHeilbron You certainly are right. I really enjoy your explanations. I will also try to give more attention to the video capabilities of the cameras and take advantage. Best regards and stay healthy¡.
@@williamcalderon4648 Thanks, however, if video doesn't interest you, there's no need to bother with it. It is much more difficult to get your friends to watch a video than to look at images. And video does require a lot more post work than stills.
Just one quick point about the colour effect chosen at around 3:30. Your skin tone does become very , very light in colour. Skin tones are a matter of opinion for anyone , but it looks as if your skin is a little washed-out at this point.The tone of your skin in the first XT4 video seems a more natural colour. Beyond this , another interesting and informative video, especially as I am into video myself. As a matter of interest, as you mention in this video, the Fuji XT4 is way beyond what is required for say UA-cam. It would be very interesting to see you do a video review for the iPhone 11 Pro. OK This is only a phone, but so much UA-cam footage is now filmed on iPhones. It would be interesting and very informative to see how you would set-up a iPhone for shooting a UA-cam video.
Thanks, a pleasure to read your kind words. Fair enough, it is a personal choice. My on-camera scenes in the first video (and the conclusion of this one) were recorded with a Nikon Z7. Good request, and that's certainly something that I've thought about. I usually borrow my cameras (can't afford to buy them all) and Apple is not very happy to loan them.
@@MaartenHeilbron - Maybe, with a bit-of-luck, as your UA-cam Channel begins to grow further, Apple will see the advantages of loaning you an iPhone for video testing ??? Let us hope so !!
@@DennisBloodnokPhotographyVideo We'll see. I've had incredible run-arounds from them in the past. "Yes, but not now; Soon; Next week" etc. and then ghosted. As bad as Pentax, who spent a year saying yes but doing no.
@@peterlemke3468 Oh. Times are tough. I wonder how much they spend on advertising. The cost of adding one or two more review units can't possibly be as much as an ad or two.
As a matter of interest, when you do the grading of the F-Log footage (around 11:10) which software do you use to process / grade the footage please ??
I do all my editing including exposure and colour correction and grading in Final Cut using built in tools. I did download and install the Fujifilm LUT.
Phew! That was an excellent exhaustive description of this cameras capabilities with these two videos Maarten. You are indeed the best reviewer of cameras I have ever come across.
True photographers try their hardest to get the best image with little to no post processing. With this kind of camera, it is very possible if you take the time to understand the library of customisation available. With gratitude to you it becomes easily possible.
Thank you again for a wonderful video.
What a pleasure to read your kind words! Thanks very much for taking the time to comment.
WOW as the gentleman above said excellent review of the most overly complex camera i have ever seen...
Good job it has a reset setting as you said at the beginning. I thought my Nikon Z6 was complex but this takes the biscuit. All though this camera is not for me i reckon I could only use about 30% of its features, do you get a week at Fuji school to learn it all with every purchase 😄📸.
Being a photographer of 57 years old i do sometimes wonder what happened to those simpler days in 1979 when I started with a Mtl3
And just stuck a film in the camera....!
Oh well great video i like your carm voice in the reviews, stay safe 📸👍
@@nigel8uk Thanks for the kind words. Although it feels as if the complexity has increased (and it has) it comes with a great deal of additional flexibility.
The best camera reviewer on youtube. Period. My first stop whenever I'm looking to buy a camera. Thank you
A pleasure to read your very kind words, thanks!
I just pre-ordered an XT4 and I’ve been binge watching almost all the videos that are out there. I have to say that yours are among the best. Thanks for the in-depth reviews! Warm regards from Madrid
Glad you like them! Thanks for posting your comment. Please (safely) say hello to all my friends in Madrid.
Thanks so much for making this (and part one). I ordered mine on 02/25/2020. Looking forward to getting it. Your videos are super helpful.
Thanks, I appreciate your kind words. It's great to know that my work is helpful.
Can’t believe this video is freely available - extremely useful content for a creative waiting on the XT-4 to arrive. Thank you!
What!!! Free!!! How did that happen??? It's meant to cost you $.003 - which is what I get paid for each view.
@@MaartenHeilbron Haha seriously you should be paid more for this kind of content. Perfect lockdown videos.
I would love to see your recommended settings/workflow for those publishing general consumer video content as opposed to the high-end filmmaker stuff.
@@levirphillips How's this for down to earth video recommendations (in a canoe) ua-cam.com/video/kCG0QBRFEpE/v-deo.html
I just got myself a xt4 and these videos could not have been more useful. Thank you so much for the work you have put into these videos
Glad I could help! Thanks for taking the time to comment with your kind words.
Probably the best XT-4 review I have seen. Much more valuable info on the XT-4 than on most UA-cam channels. I can tell the amount of work you put in here Maarten. Let me tell you that it shows. Thank you for this. Just ordered my XT-4. Stay safe and stay healthy. And greetings from The Netherlands.
Bedankt, altijd leuk om vriendelijke woorden te lezen uit het land van mijn geboorte.
@@MaartenHeilbron Ah dat wist ik niet. Al is je naam natuurlijk wel een hint. Ga zo door.
@@amateurvisser Ik laat altijd kleine aanwijzingen achter - bedankt voor je vriendelijke woorden.
I enjoy your tutorials so much, they have a storytelling quality and keep me engaged.
I just set up my XT-4 and it’s fantastic finally fully understanding it’s functions!
I just joined your exclusive community 😁😉
Thanks for your kind words, they are appreciated. Thanks for joining.
Picked up my XT4 yesterday,searched youtube,found you first and subscribed after 15 secs of this video!
Thanks, your kind words are appreciated.
I have enjoyed your detailed, practical and helpful reviews and primers previously: always delivered with a low-key, professional and polite manner - very Canadian! I have not ventured into the Fuji area previously: I shoot with Canon, Nikon, Olympus and Sony - but I was tempted by what I consider to be the best configured APS-C MILC body out right now, combined with the tactile joy of using dials that take me back to my days with film cameras in the 1980's.
I have the X-T4 grinding its way to me in NZ at a snail-s pace, thanks to a challenged logistics network, but have purchased locally the new Tamron 18-300 lens to augment the 16-80 Fuji kit lens I got with the camera. As a stills-only shooter, I really appreciate the clear separation of video from stills settings.
Thanks again for this excellent set of reviews and I look forward to seeing more in the future.
It was a pleasure to read your kind words, thanks for taking the time to comment.
What a joy to watch, and listen to all your posts. Instruction is clear and concise. Thanks again!
You are very welcome, it's always a pleasure when viewers take the time to post nice comments.
You do produce the best reviews on the web! Thanks for this one. My one question is: if powering from USB-C and not using the battery grip, will the internal battery be depleted or is recording possible without ever exhausting the battery? (I realise memory and 30min time limits, of course). Similarly, can the X-T4 be used without a battery inserted and just powering from USB-C?
That's very kind of you to say, thanks for commenting. Until they fix the glitch that means the camera frequently locks up while the power cable is connected, it's a moot point.
wow, this review, so good :) I mean, boy, you deserve more than one star for this information that is coming out. As a new fujifilm user i have learned alot(Problem is to remember everything,lol). Thank you sir for this two detailed videos. Must have taken you alot of time to make it :)
Yes, it takes time - but I do enjoy doing it, so it doesn't feel like work. I appreciate your kind words, thanks for commenting.
I really appreciate these videos. I've been playing with my xt4 for a couple days now and HAD so many questions that these two videos answered.
I'm so pleased to know that you appreciated these and that they were helpful. Thanks for taking the time to comment.
this is by far the most in-depth review for the x-t4 that I've seen (or for any camera) on youtube. though I do have to wonder what was the conclusion between the 16-80 f4 and the 18-55 f2.8. mentioned in the beginning of part 1.
Thanks what a pleasure to read your kind words.
Yes, sorry, that was left on the cutting room floor as the project was already way too long.
I'm sticking with the 16-55. It's a better lens, particularly for video and I won't miss the little extra reach, while I did miss the F2.8 aperture.
Hello Maarten, thank you for this comprehensive video of XT-4. I honestly think this video can legitimately be used by Fujifilm as a tutorial on how to use the camera as the camera itself has quite overwhelming features and menu selections.
I have several questions that I hope you can answer.
I'm currently using a Canon 5D Mark 2 for almost a decade. I've always used Canon systems since their early digital pocket cameras and have been familiar with the system, however, I realize that my current camera is already outdated, especially for professional use.
I'm thinking about changing my camera to mirrorless. I have several options and would humbly ask your personal opinion about which camera would best replace my 5D Mark 2.
1. Sony A7 iii
2. Fujifilm XT-4
3. Stick to Canon system since I already have several lenses, but which mirrorless model is comparable?
Also, since I've been using a full frame camera the whole time, people said that moving to cropped sensor is a downgrade. Is it true? If it is, what are the main concerns? What should I expect from this?
Thank you, I hope I can hear from you.
And please stay safe.
Cheers from Indonesia
That's very kind, thanks for taking the time to comment. As a tutorial, it's probably a little fast and missing a few steps. After all, I didn't even mention multi-image.
You might consider waiting for the R5, which enables you to stick with Canon.
Otherwise, I'd consider the Nikon Z7.
The main difference is the field of view - a full frame lens provides a larger frame. What you now see as a 35mm image on the 5D, would require a 23mm lens on a crop body .
The other is defocus backgrounds, which is so much easier (and nicer) with a full frame.
Hope this helps, please (if you can do so safely) say hello to all my friends in Indonesia.
I am a new subscriber from Turkey and your contents really go to the heart of my issues. Thank you Maarten...
Thanks for the kind words and the subscription! Please say hello to all my friends in Turkey, if you can do so safely.
Outstanding review! So much detail, it's not even a comparison to other reviewers
Much appreciated! Thanks for taking the time to comment.
Brilliant review as always, Maaten. Nice to know you are doing well. Much love from Argentina!
Hey, thanks! I appreciate your kind words. Please safely say hello to all my friends in Argentina.
Hi Maarten, I have a substantial amount of Fuji equipment, but due to my failing eyesight I was hoping that the XT4 would vastly improve its Eye AF and Real Time tracking, your comments suggest it still lags behind the competition. Looks like I will have to purchase a small Sony outfit to achieve a very reliable Eye AF and Tracking facility. I like the specs of the XT4 but I will never buy it unless the Eye AF reaches the current Sony standard.
Your detailed reviews are amongst the top videos on UA-cam, many thanks.
Thanks, it was nice to read your kind words. Always nice to read that my videos are helpful.
Looks like this is the most versatile hybrid APSC camera to date. Many thanks for the extensive review.
It's my pleasure, thanks for taking the time to post your kind words, appreciated.
Thank you for an excellent and detailed & honest review. Made me few steps closer to buying this. Jumping on to a new camera system and waiting for what Sony has to offer in the expected new release before making a final call .
Glad it was helpful! Thanks for taking the time to let me know.
Another excellent and thorough review. I'm not much into video but my personal preference was the very first setting - I believe it was Provia. It had the nicest balance of colour, skin tone, sharpness and contrast on my Macbook Pro.
I appreciate the kind words, thanks for sharing your preferences.
Wow what an awesome review of all the video functions. I was in between fullframe Canon eos r and Fuji xt4, i have to try Fuji first but man i am leaning twords Fuji xt4 again. Looks such a nice video camera and the colours looks just wow...
Thanks, glad you enjoyed the video.
Thank so much for the effort in explaining lost about the Fuji xt4 you are a great instructor 👍🏼
That's very kind, thanks for taking the time to comment.
Great Video as usual. Is there a big difference in the autofocus tracking and Eye AF from the XT3??
Thanks
Yes, it has improved. It is, for example better at identifying my face although it's still not as good as some of the competition. If that was my sole reason to upgrade, I would not.
Hi Maarten
Thank you for two very detailed videos on the XT4 best wishes from N.Ireland
Always my pleasure, always nice to hear my work is appreciated, thanks! Please say hello (but safely) to my friends in N. Ireland.
Thank you for sharing, Maarten. I just received my X-T4 and really enjoyed your videos. Take care. Greetings from Berlin.
Pleased to hear you found it useful, thanks for commenting. And please (as long as you can do so safely) say hello to my friends in Berlin.
Always look forward to your reviews but it would be nice if at the end of the reviews you could give us your opinion on the camera since you are in a better position than most reviewing lot of different cameras.
Thanks for the video
I'm sometimes tempted - but then I remember I'm here to give information to help you decide. I do sprinkle my opinions throughout, however the summary and determining whether a camera suits you or your needs can't be judged from afar.
very good video, I think these big companies will share your links in description, jus go and watch before buying.
Thanks for your kind words.
I can't thank you enough for such a complete & thorough review. I had initially wanted an X-T3, but by the time I had most of the money saved, rumors for the X-T4 came along. After watching your video it looks to me like a good investment. The fine tuning may be a bit underutilized by my amature hands. However I think I can figure out what to do with the rest of the camera's options. The IBIS feature will be most appreciated. Can't wait to test it out on some long manual lenses.... without a tripod for once. There are some older Zeiss lenses in my collection, particularly the Ultron 1.8 50mm, that will be getting the candle light test. Can't wait! This has me very excited.
One question for you, what are the cameras over your right shoulder on the speaker? I'm drawing a blank on the still camera, but that movie camera looks awfully familiar.
Thanks again for the great & inspiring review. My best to you & yours!
That is sufficient thanks, and I appreciate your kind words.
My viewers notice the most interesting details. The stills camera is an Olympus Pen (EES-2). It was Kim's first camera and takes 1/2 frame images. The movie camera is an 8mm Keystone K-48 3 turret model.
Splendid! Thanks so much, Maarten.
My pleasure! Always nice to read an appreicative comment from my regular viewers.
Thank you for the amazingly detailed review!
Glad it was helpful! I appreciate your kind words, thanks!
Another fabulous review, congrats. Maarten. I have been enjoying my XT1 recently. With that in mind, is the XT4 a worthwhile upgrade from an XPro3 ?
If you're enjoying the XPro-3, it is not an upgrade I would make. Thank you for your kind words.
Such a beautiful video. And as always, an excellent review.
Thank you very much! A pleasure to read your kind words.
I loved your video!
As a complement to the on-screen microphone LR?
Thank you!
Thanks for the kind words, always appreciated.
Detailed indeed! Thanks for the deep dive
You bet! Thanks for the kind words.
I have been referring to your videos for guidance on the X-T4, thanks for the great tutorials :-)
Awesome, thank you! Always nice to read that my videos are useful and appreciated.
I thank you so much for this!
You're so welcome! I appreciate your kind words.
Thank you Maarten, a very helpful review.
I'm always pleased to read that my videos are useful to my viewers. Thanks for the kind words.
Another wonderful review! Thanks!
Thanks for the kind words, appreciated.
Thorough and excellent review as always! Did the camera ever overheat?
Thanks for the kind words. It did not, although it is winter in Canada.
Thank you so very much for a professional instructional video. I just subscribed. No need to listen to anyone else, I think. Wow.
Thanks for the sub! I also appreciate your very kind words.
Maarten, excellent deep-dive as always. Please, if you don't mind. Is the 16-80 going to dethrone your 16-55? Is the reach, light weight and OIS worth the single stop loss of light?
Well, as I mostly shoot video, no. I don't mind the weight and appreciate the aperture. The reach is nice, but.
Maarten Heilbron HAHA, you have me on the edge of my seat.. but!!? I also mostly shoot video.
@@TimothyGordon Oh, sorry. Sticking with the 16-55 F2.8. It's a very nice lens, and I have the ND filters for its diameter (the 16-80 is smaller).
Hey Maarten, I watch your videos with great interest and find them to be among the most detailed available, so thank you for that! :) XT4 looks like a great video camera - can you tell me please how do you think it compared with other APS-C cameras for low-light...? I do not suppose it compares favorable with A7iii, but that's another story... Thank you so much!
It doesn't have the high ISOs that some have - and, as demonstrated, settings above 6400 are lower quality, which is typical.
Thanks for the great review Maarten. I'm trying very hard not to pre-order until I can see it first-hand.
One question - can you set a custom white balance in the video mode? That's one of the things I don't like about my X-T2.
Thanks for the kind words. Yes, although the custom white balance captures are shared between video and stills (honestly, I only use them for video).
Fantastic review sir. Do you find that the 1.6 million dot screen is noticeably better/sharper than the 1 million dot screen of the XT3
Thanks for your kind words. It should be, but it doesn't really seem much different.
Hello Maarten. I watched part 1 and 2 but I could not find the answer to the following: Can you see the zebras while recording a video. Also can you adjust the audio level while recording. Thank you
Sorry about that. The answer is yes (but it does not appear in the video) and yes.
Would you recommend this camera for hybrid event shooting? Currently I'm struggling between picking the Fujifilm X T4 and the Sony a7 III. Amazing video, by the way! I love how thorough you are, it helps me imagine what it would be like in my hands!
Particularly for video, the X-T4 is the better choice. Its only drawback is the 30 per clip time limit, so you have to keep an eye on it to restart it. Or use an external recorder. Thanks, I appreciate the kind words.
@@MaartenHeilbron Awesome, thank you! Have you also had a problem with the "wormy artifacts?" I hear a lot of people complain about the Fuji's sensor producing weird artifacts, and I'm worried it would hurt the quality of some of my photos/videos.
@@crexxer7180 Thanks for the kind words. I've not heard about this, or observed it in any of the images I've taken. However, I would advise you against buying any camera that you have misgivings about. They are sure to annoy and nag you for as long as you own the camera.
This is a fabulous video, and the great detail to which you show the menus, how menu options affect other menu options, and the resulting image or video is incredibly useful to me. I have one question that I did not see answered in the video. Can you power the camera via the USB connection only? One of the primary purposes I would have for this camera is to use it as a primary camera in a live streaming setup that could run for up to 3 hours. (Using the HDMI out of the camera to get the video to my capture device) So, I would need to be able to connect a power source that would last that long. If not via USB, is there another method I could use to provide AC power to the camera so that it can stay powered throughout such a long live streaming session?
Thanks, it was great to red your kind words. Yes, but the camera (with firmware 1.0) isn't terribly reliable when USB power is connected - most times either the menu would not open, or the camera would lock up.
Other than USB, there is the battery grip, which would likely last 3 hours (didn't test that though).
@@MaartenHeilbron Thank you so much for your response. I won't be looking to buy a camera until at least September, so that will give some time to see if Fuji can correct that issue with a firmware update. Also gives me plenty of time to consider all the other options that will become available between now and then.
@@ThomasHaynes Always happy to help.
Thanks so much for sharing. Very helpful too. Cheers!
Glad it was helpful! Thanks, a pleasure to read your kind words.
Thanks for the in depth review and all of the detailed work you put into it. After months of research, I am about 95% certain that the Fujifilm XT-4 will be my next camera. I was wondering though, is there a way to set the camera up for video to quickly go back and forth from 25 FPS and a shutter spread of 1/50 to a higher frame rate, say 120 04 240, and its corresponding frame rate. Thanks.
It was a pleasure to read your kind words, thanks! I have not found a way to quickly switch between frame rate and shutter settings.
Thank you for your wonderful and detailed review. I just want to know one more thing about the dynamic range of this camera. How many stops of dynamic range the Fuji xt4 can produce? Thanks :)
Didn't test (couldn't go to DSC Lans for the XYLA chart). For video, looks like about 12 stops to me.
Interesting camera. But with no pop-up flash it isn’t for me.
Dear Maarten, I've missed you for weeks - welcome back!
Now, you specifically ask for response to your candlelight settings, and I think the first one is far better, although I might prefer a slightly brighter exposure. The pale look of the second option which reveals all the background details, has little character and looks dull, I think.
But to me the challenge in your videos is trying to figure out the gobbledygook (or is it the googledygob?), and I frequently fail.
I'm sure it's because I don’t try hard enough.
I gave up on “Long GOP”. At first I thought maybe it was one of your own - like “fun button” and “pasm”. (Which, by the way, would be easier if you didn’t treat it as an acronym. Most of my cameras have PTvAvM dials - how would you pronounce that?).
But then I saw to my surprise that Long GOP is actually a menu item.
Which, however, didn’t make me much the wiser.
Might be fun to make a camera with
Creative Auto
High Dynamic Range
Aperture Priority
Shutter Priority
Manual
... just to hear you call it a chasm dial.
Nice to hear from you too - I've missed my viewer-friends.
Right - I left both of those shots as recorded. Both could have used a little post correction for exposure, which would have made the second looking less washed out.
The time it would take to actually explain All-Intra and LongGOP requires a geeky deep dive into compression settings. In a few words - All Intra provides more data per frame, so requires less reconstruction when editing, as an individual frame can be easily created from the stream. (An editor needs to be able to see and be able to start or end a scene on a specific frame - we allow no latitude for this). LongGOP (GOP = group of pictures) means that there is a lot of time between the Intra frames, where only a little incremental data is saved. That's fine for a playback stream, but not for editing, as creating a specific frame will require more reconstruction resulting in a lower quality result.
Hope that helps - maybe I'll include that bit in my Best Video Settings video for the X-T4.
Stay well.
@@skakdosmer hehe, thanks for the laugh.
The included detachable flash is better in my opinion. It is very small and collapses down when not in use. If I am going out and think I might want some fill, I pop it in my pocket or attach it to the camera. The extra height provides a noticeable separation from the lens that I don't get from my canon popup as well. But it is easy to forget it is in your pocket!
@@pizzapiglet There is no included flash - there wasn't one in my kit, and it's not referenced in the manual. Available as an optional accessory though.
Excellent detailed review...
It was, wasn't it? Thanks for the kind words.
Great video! Do you remember your sharpness setting with the Eterna example?
Pretty sure it was -4.
What a beautiful human being.Clearly a Man of deep Spirituality.
Very kind of you to say, thanks!!
Engaging and useful review as usual. Thanks Maarten. Regarding the 16-80mm, what did you think of it? if you could only choose one for both video and stills, would you take the 16-80mm or the 16-55mm. Presuming you had a 23mm 1.4 for low light situations.
Thanks for the kind words. The 16-80 is a nice lens, but the 16-55 is nicer, particularly for my primary use, which is video.
@@MaartenHeilbron Thanks, I thought perhaps the 16-80 with image stabilisation offers more video options for hand held ?
@@jonnycohen5687 I was thinking that too, but in practice I couldn't see any difference once the OIS/IBIS was on.
Fantastic review! I’m looking into the best hybrid camera for both stills and video, leaning more toward video (60%). Would you recommend the X-T4 over the Sony A7iii? I could get a used Sony body for the price of a new Fuji, but obviously the cost of lenses is a whole different story. I prefer the ergonomics and compact form factor of the Fuji system but I don’t know if I’ll miss that full frame look!
Thanks for the kind words. I would recommend it over any Sony model. They're still at 100 mbits, 8 bit and H.264. I also prefer Fujifilm's log over Sony's. Fujifilm has a larger and better selection of x-mount cine lenses than Sony's single offering. The only advantage the latest Sony models have is unlimited recording.
@@MaartenHeilbron Thanks!
Hi Marrten thanks for the great review and the detailed breakdown on the xt4. I was wondering if they have added a lut preview mode for the Flog so when shooting flog we can see what the fuji lut will look like as suppose to being the super flat profile?
Yes, sorry that I didn't mention that in the video.In screen setup there's an F-Log view assist switch.
@@MaartenHeilbron thanks Marrten. I'm so happy that they added that in there as well as the subject tracking. No need for canon r5 now. 60p 4k 10bit is good enough for me and 8k is definitely not needed. Plus it'll be minimum double the price of xt4. I guess that what you pay for when you go full frame. Any experience with the Fringer pro ii adapter with canon lens?
@@AlvinKeungVFX Always happy to help. But let's hold our judgement on the R5 until we can download the manual, it's actually shipping and we see a few reviews. Often the devil is in the details.I am not familiar with the Fringer.
Is it possible for you to make a video of you editing fuji files in final cut. These videos are helpful.
Thank you. I'm not sure what you hope to see - it's no difference than other files.
Maarten Heilbron the color grading part, new to final cut.
@@HerminioGonzalezHerm I covered the basics of colour grading here: ua-cam.com/video/1P8pIKYBmP0/v-deo.html
Thank you!
Very happy that you are well during these trying times. Thank you for another wonderfully produced, thorough & informative video. Perhaps you would provide me with your advice.
Before I asked, here is some background information. I am not a professional nor do I any aspirations of becoming one. I will change from the Lumix GM5 to either Sony a7iii (or a7Riii) of Fuji XT4. My preference a system that is small as I will be more inclined to take the camera with me much more frequently. I record family activities (95% stills, mostly indoors ), travel & street. I refuse to carry a tripod or flash, so acceptable photos in low light is important. In general I would be satisfied with the outdoor IQ & video from either Sony or Fuji.
My concern with the Sony is how large the system would be.
My concern with Fuji is indoor low light noise at f2.0, f2.8 or f4.0 on the 16-80mm.
By the way, I did not notice you comment on the 16-80 vs. 16-55.
Thank you in advance for your reply.
Stay healthy.
Regards from Montreal
Thanks for your kind words, they are appreciated.
Yes, sorry, the lens comments ended up on the cutting room floor - the project was just too long (even in two parts).
If you are looking for small and light, may I guide you to the X-T30 with one of Fujifilm's fast primes, like the 23mm F1.4? This will provide excellent indoor performance (and has onboard flash). And it's much lighter than your two initial choices. The X-T4 is likely overkill for your needs, as is the A7 series.
My preference (but my needs are for video) is the 16-55 F2.8. Both are fine, but kind of large and heavy lenses (the 16-80 is lighter).
Hope this helps.
Thank you for your prompt reply. Your input is very helpful I am attracted to the weather resistance of the XT4 & IBIS. So, looks like the 23 f1.4 is definitely 1 prime I will purchase along with the XT4. My next decision is between the 2.8 or 4.0 zooms.
@@morrieglick4137 Don't over-estimate the protection that the weather resistance claim seems to imply. You should still be prudent.
@@MaartenHeilbron 👍😊
When you reviewed the Canon RP, you expressed satisfaction with it. How much do you like this camera compared to the RP?
For stills I would prefer the RP, although native lenses are a challenge. For video, it's the X-T4 where the smaller sensor is less of an issue.
Maarten Heilbron One more time. The FF R6 is rumored to have a 20mp sensor compared to the ~45 on the R5. Here is my dilemma. The only lens that provides the look I lust over is the Canon RF 85mm 1.2 USM DS. My question, is the R6 with the rumored 20MP sensor enough to do justice to this outrageously priced lens? Or, in your opinion, should I go for the higher res R5?
@@T-Slider I honestly can't relate to rumours.
Maarten Heilbron Fair enough! Thanks. Keep up the good work!
Maarten Heilbron Hello again Maarten, Does the RP produce a better quality image for stills than the XT-4?
Both videos are shining stars on YT compared to most other loudly screaming rubbish videos here. Thank you for these unbelievable efforts to put all this together for us.
A pleasure to read your kind words, thanks!
Thanks for the excellent video. Whats you view of the X-T4 vs X-T3. Keep safe
Always nice to hear that viewers appreciate my work, thanks.
If you own the X-T3, not much reason to upgrade, but if you're buying I'd take the X-T4.
Maarten Heilbron ok, but what if u currently have a X-T2
@@Petrolhead66 That would depend on what my photo needs are. In general, probably not.
Hi Maarten, thank you for this video. I got xt4 and would like to ask a question regarding focus pulling. I understand that in auto focus mode you can adjust the speed of the focus pulling. Do you have to tap / press autofocus on button after you set a new focus point with the joystick? Or you just set the point and wait that in autofocus mode /multi area/ it will eventually change the focus by itself? Also regarding the same - focus pulling in Single focus mode - can you adjust the speed? In other words, does the autofocus speed have impact once you pull focus in single focus mode with joystick then tapping/clicking autofocus button? Hope it makes sense. Thank you for your answer and your time. Much appreciated. PS. I got the Pro mist filter on, and it seems to influence the accuracy of the autofocus system, do you have similar experience when using even see through /not NDs/ like promist etc? Many thanks.
I thought I demonstrated this feature in the video. Yes, you tap and it changes depending on the speed you set.
Greetings Mr. Heilborn.
Thank you for such a very comprehensive and minute to the dot detailed review and instructional video for the XT4.
I do have inquiries though. Having reviewed both the XT4 and the XPro3, which camera would you recommend in terms of durability and toughness?
Also, in terms of easy-functionality, which would you recommend?
Out of topic, would you happen to know the rated shutter actuation of the XPro3 (e.g. XT4 is 300,000 actuations)?
Thank you again Mr. Heilbron. :)
Thanks, I appreciate your kind words.
For durability, I would judge them to be the same.
In terms of functionality, I would rate the X-T4 as slightly simpler.
No idea, I don't Fujifilm usually stated this before the X-T4.
Always happy to help.
@@MaartenHeilbron Sir. Thank you for replying promptly. If I may inquire again:
1. Which LCD construction do you think would be more prone to failure [even if assuming you're going to be very careful in handling them (like limiting the opening of their LCD perhaps)]:
a. XT4's flip screen
b. XPro3's tilt-screen
c. XT3/X100v's tilt-screen.
Honestly, I wouldn't have asked for this if the XT4 had a tilt-screen for waist level shooting. Yet, I am curious about your recommendation. One youtube reviewer already mentioned that according to his very reliable camera repair shop, flippy screens are easily prone to give.
2. The XPro3 has a feature where one can review the images taken thru the EVF screen. Does the XT4/XT3 have the same feature as well?
3. I have near zero experience with reviewing images via EVF. Which shows more natural rendering of color when reviewing images? The EVF or the LCD?
Thanks again sir Maarten.
@@nathanielngosy You may always inquire.
1) That would be pure conjecture. I have not seen any fail. Maybe a repair shop would be able to advise you.
2) That is a feature of all mirrorless cameras - you can select to immediately see the image you've taken, or playback any/all images in the viewfinder.
3) About the same, but for colour the typically higher resolution of the viewfinder over the back screens well as the predominant use of OLED technology gives viewfinders the edge.
@@MaartenHeilbron Thank you sir for your thoughts on my inquiries. I guess it's up to me then as to which unit I will be purchasing. I won't be doing much videography but
1. The XT4's 300K rated shutter actuation, improved AF and IBIS features sure are really tempting enough to settle with the unit.
2. Since The XPro3 is really catered for classic photographers and could be more durable and tough due to its build-quality, it's also a viable option. If only that LCD screen would've been constructed in a way that tripod brackets wouldn't be blocking it when its fully tilted down. Also if only that ISO dial is the same as the X100v's.
3. My third option would be the X100v and an XT3 combo. It's because their tilt-screens are favorable to me. Problem is, having a second body is more expensive and it seems that the XT3 isn't really that durable VS the XPro3.
Maybe you can make a final recommendation, Mr. Heilborn. Thank you again. :)
@@nathanielngosy 1) Certainly. Very few ever get to the rated shutter life.
2) I'm not sure the XPro3 is more durable, but the other points are valid.
3) Why do you need two cameras?
I may have missed this in the video - can you use the camera as normal whilst it's charging via the USB-C cable, and does it provide enough power to enable continuous use?
Yes (although I did find it to be a little flakey) and yes.
One more question. Can you record 1080P 10 bit 4.2.2 internally or externally ? - thanks again Steve also from Toronto
As long as you're using All-Intra, 10 bit 4:2:2 is available only for external recordings. It's always my pleasure.
Have your issues with the grip been fixed in the 1.02 firmware? I don't have the grip, but the new firmware seems to be great. The only thing I noticed coming from 1.01 when I got the camera was the focus mode used to be fixed to continuous when in video mode regardless of the front dial setting, but on 1.02 it stays on whatever mode it's set to.
I'm waiting for the review unit to be available.
I'm about to pick this camera up, so for when shooting Jpeg, which DR setting do you recommend? I plan on shooting straight to jpeg for clients so they can get a taste of that Fuji color!
The setting that's appropriate for the scene. Remember that if also shoot RAW (+JPEG) and if you overshoot the DR setting (ie, use DR400, you can reduce it in playback. However, I'm hesitant to recommend that, as it will require you to use ISO 640. I don't have any issues with 640, but shoot at the lowest setting when possible.
@@MaartenHeilbron I'll probably stick to auto for jpeg and 100% for raw since raw editors would throw away that Fuji DR data anyway. Thank you Maarten!
@@Alexrocks1253 Always happy to help.
X-T3 or is it worth the extra $1000 right now to upgrade to the X-T4 for stills shooting only?
It is not.
Thanks for the quick response - will pick up the X-T3 based on your video
Thanks for but still i have a doubt that is it good for video production. I am confused after watching this video. please replay me
If you're in doubt, I have no need to convince you. Find a camera that does leave you with doubts.
I have a question kindly help me with if you have the chance to choose between Fuji X H1 and Xt4 which one you will buy?
The X-T4, simply because there are some small bugs and inconveniences with the X-H1 which are fixed in the X-T4. I do have a preference for the slightly larger grip on the X-H1.
Maarten Heilbron many thanks hope everything will get back to normal soon regards
Thanks for your review would you get the xt4 or nikon z6 both same price I do all types of video and photography any thoughts?
Both are good choices. Are you a Nikon person or a Fujifilm person? Do you have any lenses for either? Do you have any experience with either? How comfortable are you with camera terms and settings?
@@MaartenHeilbron I have in past shot Nikon love it I have always used manual only have one nikon lens left 50mm 1.8 sold the rest two years ago I am torn I don't do much post work mainly want great pics and I was going get xt4 16-8] and 50mm 2 or z6 24-70 4 and s 1.8 which would u choose?
Also I now have a pan G9 amd love it just want better pic quality and be a little more future proof
@@juniorjones5137 Don't replace a camera you love! Why are you upgrading? The change in picture quality is fairly small.
@@juniorjones5137 Then I would choose the Nikon - just to keep things simpler for you, as well as full frame and better lenses.
Does it have an additional crop when recording in 4k 60p?
It does not.
Sigh. I'm still saving for a used XT2!
I'd suggest you look for a used X-H1.
Is the high ISO performace & dynamic range of the xt models not upto the sony's because of the crop sensor? If so, how does the BMPCC manage to get greater dynamic range with a smaller sensor?
Did I say that? The dynamic range of the sensor is large - most noticeable when you shoot HLG - beyond what I've seen from Sony.
@@MaartenHeilbron Thanks for your reply. What about high ISO performance? I've heard that a larger sensor such as a full frame has better low light performance. Is it completely true?
@@arjunap9863 That depends on the size of the pixels. If the resolution is the same, the larger sensor will likely have an advantage. However, if the pixel count is higher, not so much.
@@MaartenHeilbron Thank you Mr. Maarten. 👍
Nice & Thanks Sir :)
Most welcome, I appreciate your kind words.
I wish I had a father like you
Thanks for the kind words, appreciated.
Amazing camera! It's time to move from Canon!
Yes, lots of nice features.
So tired of video encroaching on what was once a tool for photography. Companies would do well to introduce a stills only line of models.
Exactly. Just don't turn the switch to video.
@@MaartenHeilbron Less video Less price for cameras Only stills
@@williamcalderon4648 Why do you think it would be less expensive? There are no video-specific hardware components required, they are all shared and used for both. There might be a small incremental cost for firmware, but that's shared among many models in the lineup. I don't see a stills only camera being any less. In fact, as it would be a limited production item, the cost would likely be higher.
@@MaartenHeilbron You certainly are right. I really enjoy your explanations. I will also try to give more attention to the video capabilities of the cameras and take advantage. Best regards and stay healthy¡.
@@williamcalderon4648 Thanks, however, if video doesn't interest you, there's no need to bother with it. It is much more difficult to get your friends to watch a video than to look at images. And video does require a lot more post work than stills.
Just one quick point about the colour effect chosen at around 3:30. Your skin tone does become very , very light in colour. Skin tones are a matter of opinion for anyone , but it looks as if your skin is a little washed-out at this point.The tone of your skin in the first XT4 video seems a more natural colour.
Beyond this , another interesting and informative video, especially as I am into video myself.
As a matter of interest, as you mention in this video, the Fuji XT4 is way beyond what is required for say UA-cam.
It would be very interesting to see you do a video review for the iPhone 11 Pro. OK This is only a phone, but so much UA-cam footage is now filmed on iPhones. It would be interesting and very informative to see how you would set-up a iPhone for shooting a UA-cam video.
Thanks, a pleasure to read your kind words.
Fair enough, it is a personal choice. My on-camera scenes in the first video (and the conclusion of this one) were recorded with a Nikon Z7.
Good request, and that's certainly something that I've thought about. I usually borrow my cameras (can't afford to buy them all) and Apple is not very happy to loan them.
@@MaartenHeilbron - Maybe, with a bit-of-luck, as your UA-cam Channel begins to grow further, Apple will see the advantages of loaning you an iPhone for video testing ??? Let us hope so !!
@@DennisBloodnokPhotographyVideo We'll see. I've had incredible run-arounds from them in the past. "Yes, but not now; Soon; Next week" etc. and then ghosted. As bad as Pentax, who spent a year saying yes but doing no.
@@MaartenHeilbron In fairness to Pentax Maarten they only have one loan camera to cover the whole globe.
@@peterlemke3468 Oh. Times are tough. I wonder how much they spend on advertising. The cost of adding one or two more review units can't possibly be as much as an ad or two.
As a matter of interest, when you do the grading of the F-Log footage (around 11:10) which software do you use to process / grade the footage please ??
I do all my editing including exposure and colour correction and grading in Final Cut using built in tools. I did download and install the Fujifilm LUT.