thank you so much for these! this has been the most informative video series on perspective i’ve come across. other videos usually gloss over the placement of the vanishing points, or say to just “put them wherever you want” so it’s really refreshing to have such a technical breakdown to really understand where and why vanishing points are placed where they are. your explanations and visuals have really helped me understand a lot. really looking forward to the rest of the series!
cant thank you enough for this series, I've done so much research on perspective and nothing has been this clear, concise, and descriptive. So many others gloss over this important information
This is really really helpful, and I appreciate it so much, thank you! Well explained and well illustrated. I'd love a video wherein the center of vision line isn't in line with the vertical vanishing point, like the camera is tilted on the y axis.
What I don't understand is, if we're tilting the camera down in this example, what does the 40° degree tilt line placed above the SP at around 6:40 mean? That has me the most confused. If it's not about tilting the camera down, in which case it would be below the upper 60° LOV line, what is it? Or does it describe the HL because relative to our downward camera movement the HL has stayed 40° above us?
That is the tilt line relating to Horizon Line. Remember he said that COV,CV, PP, LOS are fixed infront of you like a helmet? And, your horizon line is not? Here we tilted the camera 40 deg. downwards so our EL has moved down but the HL stayed in place. On 2D plane, it'll look like only the HL can move up or down, in 3D it'll not, it is the EL due to camera tilt. We are only projecting everything on 2d plane, i.e. paper. The HL did not stay 40 deg. above us, but our center vanishing point did, because we tilted the camera downwards.
Hi Dan! I really hope u read YT comments because I'm a huge fan since a few years now. You once did a video years ago about the art fundamentals (5 of them you said) and I'm really happy that since then you have created playlists for perspective and anatomy. This channel is seriously underrated as it really would save an aspiring artist such as myself lots of money, so glad I stumbled upon this let's just say! I just wanted to please request if you could also create playlists for the other 3 fundamentals too, so your channel would be fully complete in my opinion. I think as I remember from your video that the other fundamentals of art are composition, value + lighting, and form. So please can you work on creating playlists for these too? Thankyou so much!
Thanks Mary, I'd love to get around to making videos on those subjects but I have a long list of perspective / anatomy videos to get through before that - I wish there was more time in the day haha.
Hi, thank you for explaining this topic in such detail, I really appreciate your videos! Only I would like to know one point that I did not understand a little. Why do we put on a sheet (or a two-dimensional plane) from SP to CV the same length as from SP to PP in 3D? I'm sorry for the English, I wrote through a translator
Something i've always wondered, if I want to make an accurate drawing, but the lines for the cone of vision station points etc are extending off the page how should I do this effectively on a physical drawing? Could I tape it down onto another surface I can draw on and mark up? What if I have to move the piece during the process?
Hi Dan! This video is awesome, thank you! Btw, I was wondering if there's a more accurate way of finding the LSP and the RSP rather than just eyeballing them. I use Affinity Designer 2, in case that helps. Thanks again!
Hello Dan, thanks for another great lesson about perspective. I presume I don't need to set up the left, right station points and the 45 deg RPs If I won't draw a perfect cube anyways. As long as I have found my 3 points (RVP, LVP and VVP) and a grid, for most drawings I'm good to go right?
i skipped to the advanced playlist halfway thru the beginner one (i'm still gonna finish it tho). my brain is melting and i love it here on the technical side. 🤣
Went over this a dozen times before I got it. Really sets in when you do it once. Now I just gotta do this more. Good tutorial 👍
Thanks 👍
thank you so much for these! this has been the most informative video series on perspective i’ve come across. other videos usually gloss over the placement of the vanishing points, or say to just “put them wherever you want” so it’s really refreshing to have such a technical breakdown to really understand where and why vanishing points are placed where they are. your explanations and visuals have really helped me understand a lot. really looking forward to the rest of the series!
cant thank you enough for this series, I've done so much research on perspective and nothing has been this clear, concise, and descriptive. So many others gloss over this important information
Another great tutorial Dan
In just the first 30 seconds I’ve already learned something new from this video, and now I’ll have a better sense of when to use 3-point perspective.
Thank you very much. You are the best I’ve ever seen in UA-cam.
Thanks, means a lot!
Thank you so much!!, Super informative!
This is really really helpful, and I appreciate it so much, thank you! Well explained and well illustrated. I'd love a video wherein the center of vision line isn't in line with the vertical vanishing point, like the camera is tilted on the y axis.
Amazing information, thank you
What I don't understand is, if we're tilting the camera down in this example, what does the 40° degree tilt line placed above the SP at around 6:40 mean? That has me the most confused. If it's not about tilting the camera down, in which case it would be below the upper 60° LOV line, what is it? Or does it describe the HL because relative to our downward camera movement the HL has stayed 40° above us?
That is the tilt line relating to Horizon Line. Remember he said that COV,CV, PP, LOS are fixed infront of you like a helmet? And, your horizon line is not? Here we tilted the camera 40 deg. downwards so our EL has moved down but the HL stayed in place. On 2D plane, it'll look like only the HL can move up or down, in 3D it'll not, it is the EL due to camera tilt. We are only projecting everything on 2d plane, i.e. paper. The HL did not stay 40 deg. above us, but our center vanishing point did, because we tilted the camera downwards.
Hi Dan! I really hope u read YT comments because I'm a huge fan since a few years now. You once did a video years ago about the art fundamentals (5 of them you said) and I'm really happy that since then you have created playlists for perspective and anatomy. This channel is seriously underrated as it really would save an aspiring artist such as myself lots of money, so glad I stumbled upon this let's just say! I just wanted to please request if you could also create playlists for the other 3 fundamentals too, so your channel would be fully complete in my opinion. I think as I remember from your video that the other fundamentals of art are composition, value + lighting, and form. So please can you work on creating playlists for these too? Thankyou so much!
Thanks Mary, I'd love to get around to making videos on those subjects but I have a long list of perspective / anatomy videos to get through before that - I wish there was more time in the day haha.
Hi, thank you for explaining this topic in such detail, I really appreciate your videos! Only I would like to know one point that I did not understand a little. Why do we put on a sheet (or a two-dimensional plane) from SP to CV the same length as from SP to PP in 3D?
I'm sorry for the English, I wrote through a translator
Hi Dan, the video was great, but please tell me why you drew the vertical sp in 2D?
Nice 👍
Thank you.
Something i've always wondered, if I want to make an accurate drawing, but the lines for the cone of vision station points etc are extending off the page how should I do this effectively on a physical drawing? Could I tape it down onto another surface I can draw on and mark up? What if I have to move the piece during the process?
How you explain this, so far different what i read in the book. Is good study with different people insight
Can't find anything about camera tilts in How to Draw book, wondering where did you find your information on how to draw camera tilts?
Hi Dan! This video is awesome, thank you! Btw, I was wondering if there's a more accurate way of finding the LSP and the RSP rather than just eyeballing them. I use Affinity Designer 2, in case that helps. Thanks again!
Hello Dan, thanks for another great lesson about perspective. I presume I don't need to set up the left, right station points and the 45 deg RPs If I won't draw a perfect cube anyways. As long as I have found my 3 points (RVP, LVP and VVP) and a grid, for most drawings I'm good to go right?
Yeah that’s right, you’re good to go!
i skipped to the advanced playlist halfway thru the beginner one (i'm still gonna finish it tho). my brain is melting and i love it here on the technical side. 🤣
Thanks for another tutorial...can yo do a tutorial drawing 🏍️🛵 motocicle please.😊
m i n e c r a f t
In the end Steve gave up on his drawing carrier.
M I N E C R A F T
I
N
E
C
R
A
F
T
All i ask for is a simple tutorial
well this series is called advanced perspective haha
yes free advanced course.thanks very much
@@DanBeardshawnow they have to learn to read!? Too complex