I went to lots of festival and club in the last years. Now Im 37 old and suffering tinnitus which destroyed my life: My ears buzzing, humming specially at nights. I can't sleep I tired always, anxious and drive me crazy! I will never feel what is silence until end of my life. This is irrevisible and no doctor all around the world who can help tinnitus generally! So belive me guys: Wear this goddam earplug everytime!
@@wishimoppi2645 I actually think D&b is a little less clear in direct comparison. But in the end it's a matter of taste. Both make great sounding speakers
@@Cornetto1997 I heard from some people that they turned down the volume a lot and finally increase it back someday. If I got the correct info, it’s probably just lack of volume
@@Azchk basically yes, but no. You can influence how far and even the sound distributes with clever calculated subwoofer placement and delay settings. I wonder why they didn't set up a cardioid endfire array for such a large stage
@@RadiantPhenomwhy cardioid? You need a pressure in front, not firing it backwards or " wide spreaded ". More subs means you have eaqully arranged subs with +9dB on the entire lenght, but i think it is actually +12dB in the middle and 2-3 meters side to side. You need to improvise on these festivals. There are actually 3 options what to do 1- you can set up 18 subs with 40Hz LPF with cutout freq. of 80Hz, 4 infrasubs with cutout freq. of 26Hz and 4 subs with 60Hz LPF with cut out freq. of 150Hz. 2- use 4 subs with cut at 150Hz and 18 cut at 80 3- use 21 subs also as infrasubs but for the price of the volume. Why 21? Because if you devide 21 by 3 you get 7 and 7 gives you middle so you have +12dB anywhere. 4- same setup in point 3 but this time with few side subs and vocals for better coverage but those subs are crazy loud even if you are 150m away.... crazy ammount of pressure
Trying out Coda Audio for the first time in a couple of weeks! Really really excited I've heard GREAT things about their line Arrays and sensor Controller subs. Still a big Fan of the KS28 so the bar is high for me 😂
I am not sure you will be as impressed with the coda systems. They sound nice but 3feel" strange when mixing on them, and the one I got to use was a bit underpowered for the application.
@@julesfradet155 Fair point. Had the N-APS and N-Subs in house over the weekend. Mixing is not easy though I do have to say, the N-APS and N-Rays are DANG impressive. If I had to compare them, I'd say the both play in the L'Acoustics Kara (II) range in terms of output and sound quality while being in a Kiva II chassis. N-Sub was surprising as well. In terms of raw output I'd say it was between SB15 and SB18 but more towards SB18. Those things have some serious output for the size! Sure, the low-end didn't blow me away (pun intended) but hey, it's still a tiny 15" sub! However, I have heard as well that their 18" line is not as impressive as other options are. Looks like 15" subs are their game cause I've heard INSANE things about the SC2-F, their double 15" sub that's as small as a single 18" sub. Should I post a short about it just for documentation purposes?
@@thomas8692 I agree! Although I do have to say that I hate their amps. Sure, I've seen worse. But the software is just a pain to use. I'm not talking about the PC / Mac Software for setup and control via ethernet! That one's actually pretty good and easy to understand. But damn ... once you've used d&b amps with the touchscreen on the front, everything else seams dumb and old. Including L'Acoustics Amps. 😂😂
For those who say that these subs are sh*t, they can do 143Db spl each, and go down to 25Hz. They are one of the best subs u can find for events like this. Really. The bass is so powerfull it’s amazing, ive experienced them and i can say that Ks28, Sb18, and Rs18 from Nexo are the best ones.
They had to try Lambda Labs. I had the opportunity to compare several manufacturers. So the same location and the same toning engineers who set them. The pressure and the clarity of lambda was most of the time clearly above all others, including L-Acoustics or Funktion-one. You have to hear it for yourself. Especially outdoors.
@@rehtsch you dont get enough spl at the whole venue without a lot of delay lines because you cant cluster that much qx-3 vertically without massive phasing problems. think the only modern horn loaded point source scaleable array is the funktion one evo system. but even there the BIG line arrays have massive benefits. cylindrical wave vs spherical wave. tbh i am also a friend of old school horn loaded systems but at such big venues the big line arrays will be the better and easier decision for dancefloor coverage.
1. It improves the dispersion of sound 2.There are always two subs together because of an effect called "coupling", due to which increased output is possible without more power to a single sub. Sorry for not-native English
@@absoluterbauer375 Coupling at 100 Hz occurs with a distance up to 1,75 m so the whole row should be coupled and doing it any other way would create a comb filter nightmare with so many individual sources
They arrive stacked. They're paired so people don't have to take them apart, and so they can ground stack the front fill speakers on top. They're sideways cause it's easier to get them on and off the wheels.
@@pracheerdeka6737i really love jbl but here you cant compare the dual 15 inch jbl with these ks28 from l acoustics one of these subs can do 143db peak
@@LEOGDSGG JBL has way worse sound quality, the only reason some use them is because they are cheaper, they really lack sound quality overall compared to L-Acoustics, Void, Funktion One etc.
@@TeknoLars That's you though, just name-dropping hyped brands like Void and Funktion One. L-Acoustics are great, but so are many others. What matters most is the setup and choosing the right system for the job.
@@modvind very high ac current consumption, to much cabinets and herr is problem with huge line array. point source was much better option. look at danley sound labs speakers. 10x lower number of cabinets you need for same output. much better coverage audience etc.
That's what they mean with crystal clear sound
DON'T FORGET TO WEAR EARPLUGS!!!!!
Not needed as the sound levels are low these days anyways
@@hugo112max That is as false as it can get. Did you see the size of the fucking speakers? That shit pushes you away when the beat drops
@@hugo112max Low? What? They are consistently over 103db in every place now.
@@DeepMasterFunk not in belgium they are not.
I went to lots of festival and club in the last years. Now Im 37 old and suffering tinnitus which destroyed my life: My ears buzzing, humming specially at nights. I can't sleep I tired always, anxious and drive me crazy! I will never feel what is silence until end of my life. This is irrevisible and no doctor all around the world who can help tinnitus generally!
So belive me guys: Wear this goddam earplug everytime!
I ❤ L-Acoustics, Void, Funktion-One
Nah, void and Funktion one all don't sound this good in comparison
D&b audio is the one. even cleaner sound imo
@@wishimoppi2645 I actually think D&b is a little less clear in direct comparison. But in the end it's a matter of taste. Both make great sounding speakers
The best sound I‘ve ever experienced at a festival
Well tbh the sound is quite poor, if you are more than 50yards away it starts to fall apart…
@@Azchk enlighten me then, with that much line array it really shouldnt matter ;)
@@Cornetto1997 I heard from some people that they turned down the volume a lot and finally increase it back someday. If I got the correct info, it’s probably just lack of volume
@@Azchk basically yes, but no. You can influence how far and even the sound distributes with clever calculated subwoofer placement and delay settings. I wonder why they didn't set up a cardioid endfire array for such a large stage
@@RadiantPhenomwhy cardioid? You need a pressure in front, not firing it backwards or " wide spreaded ". More subs means you have eaqully arranged subs with +9dB on the entire lenght, but i think it is actually +12dB in the middle and 2-3 meters side to side. You need to improvise on these festivals. There are actually 3 options what to do
1- you can set up 18 subs with 40Hz LPF with cutout freq. of 80Hz, 4 infrasubs with cutout freq. of 26Hz and 4 subs with 60Hz LPF with cut out freq. of 150Hz.
2- use 4 subs with cut at 150Hz and 18 cut at 80
3- use 21 subs also as infrasubs but for the price of the volume. Why 21? Because if you devide 21 by 3 you get 7 and 7 gives you middle so you have +12dB anywhere.
4- same setup in point 3 but this time with few side subs and vocals for better coverage but those subs are crazy loud even if you are 150m away.... crazy ammount of pressure
We had five of those in our gradutation party bus😂
Sounds better than VTX A12 👌🏻
Trying out Coda Audio for the first time in a couple of weeks! Really really excited I've heard GREAT things about their line Arrays and sensor Controller subs. Still a big Fan of the KS28 so the bar is high for me 😂
I am not sure you will be as impressed with the coda systems. They sound nice but 3feel" strange when mixing on them, and the one I got to use was a bit underpowered for the application.
@@julesfradet155 Fair point. Had the N-APS and N-Subs in house over the weekend. Mixing is not easy though I do have to say, the N-APS and N-Rays are DANG impressive. If I had to compare them, I'd say the both play in the L'Acoustics Kara (II) range in terms of output and sound quality while being in a Kiva II chassis. N-Sub was surprising as well. In terms of raw output I'd say it was between SB15 and SB18 but more towards SB18. Those things have some serious output for the size! Sure, the low-end didn't blow me away (pun intended) but hey, it's still a tiny 15" sub!
However, I have heard as well that their 18" line is not as impressive as other options are. Looks like 15" subs are their game cause I've heard INSANE things about the SC2-F, their double 15" sub that's as small as a single 18" sub. Should I post a short about it just for documentation purposes?
The Coda stuff is incredible. Never heard such clarity, punch and power from such a small enclosure. For arena level productions its a game changer.
@@thomas8692 I agree! Although I do have to say that I hate their amps. Sure, I've seen worse. But the software is just a pain to use. I'm not talking about the PC / Mac Software for setup and control via ethernet! That one's actually pretty good and easy to understand. But damn ... once you've used d&b amps with the touchscreen on the front, everything else seams dumb and old. Including L'Acoustics Amps. 😂😂
@@productivitylounge They are impressive for the size for sure.
For those who say that these subs are sh*t, they can do 143Db spl each, and go down to 25Hz. They are one of the best subs u can find for events like this. Really. The bass is so powerfull it’s amazing, ive experienced them and i can say that Ks28, Sb18, and Rs18 from Nexo are the best ones.
Cuanto vale uno de esos?
@@miltonarmandogarciagonzale4231 about 17k usd
They're good subs but that 143db is marketing bs.
That’s my next sound system 😂😂😂
They had to try Lambda Labs. I had the opportunity to compare several manufacturers. So the same location and the same toning engineers who set them. The pressure and the clarity of lambda was most of the time clearly above all others, including L-Acoustics or Funktion-one. You have to hear it for yourself.
Especially outdoors.
You physically dont have the chance to make an event that size with Lambda Labs
@@buddabrot33 Why ?
@@rehtsch you dont get enough spl at the whole venue without a lot of delay lines because you cant cluster that much qx-3 vertically without massive phasing problems. think the only modern horn loaded point source scaleable array is the funktion one evo system. but even there the BIG line arrays have massive benefits. cylindrical wave vs spherical wave. tbh i am also a friend of old school horn loaded systems but at such big venues the big line arrays will be the better and easier decision for dancefloor coverage.
@@buddabrot33 Oh yeah, you're probably right.I didn't think of that.Thank you for the explanation.
I wonder what size generators they have lol
Does anyone know why they are always placed in pairs? Just for stability?
1. It improves the dispersion of sound 2.There are always two subs together because of an effect called "coupling", due to which increased output is possible without more power to a single sub. Sorry for not-native English
@@absoluterbauer375 Coupling at 100 Hz occurs with a distance up to 1,75 m so the whole row should be coupled and doing it any other way would create a comb filter nightmare with so many individual sources
They arrive stacked. They're paired so people don't have to take them apart, and so they can ground stack the front fill speakers on top. They're sideways cause it's easier to get them on and off the wheels.
@@stonegray230 Thanks
best system
at least in my 👂
Funktion one are very good too
They are but there are better ones
in california you could walk up to the sound system
Cat te-a costat cu totul ? Merg anual la Untold, dar mereu am visat la tomorowland
would rather call it W-Acoustics tbh
Loverbass 218SW The best
Them music please
How much total wattage at the Main Stage?
Around 15 kw.
@@rcfaudioitalia6110 omg...bedankt.
@@rcfaudioitalia6110 no, there is like 300+kilowatts…
@@rcfaudioitalia6110 only 1 subwoofer has 2500 RMS . Should be more than 650.000 RMS
@@danieldan8672 But RMS power of speaker will never translate to what the amp actually draws. It will be far less.
Si impressive ! great festival.
Wait until you hear the EV X12-128's.... they're absolutely killer. So are the L-Acoustics boxes. But man, the EV boxes are fantastic.
These Subs are literally about 10,000 dollars each...
And we put 5-10 of them in a bus with k1 and party for a month😂
好像声压并不是很大！老外确实很科学的在蹦迪👍
poderia ter o triplo de sub. kkk
Why jbl not used?
because l-acoustics is far better
@@Angel-rz1ev why JBL vtx 25 are more costly per pair
@@pracheerdeka6737i really love jbl but here you cant compare the dual 15 inch jbl with these ks28 from l acoustics one of these subs can do 143db peak
@@Norbydaneryes you can, just get two jbl's vtx B28 18 inch subwoofers, both subwoofers can go to 141 db
@@LEOGDSGG JBL has way worse sound quality, the only reason some use them is because they are cheaper, they really lack sound quality overall compared to L-Acoustics, Void, Funktion One etc.
If you put those subs back to back, it will kill a duck walking between them.
Dj?
Pretty Pink
Song?
Dark woods
funktion 1's ftw
I saw better system, looks quite cheap for a huge place like that, just those subs for all that? mmh
Bro they can do 143db each and down to 25hz… I’ve experienced them and i can say that u dont need more than 4 of them to get 150+ db spl 🤷♂️✨
So much disinformation in the comment section..
Yeah. 7 year old kids saying stuff they don't even know anything about lol
@@TeknoLars That's you though, just name-dropping hyped brands like Void and Funktion One. L-Acoustics are great, but so are many others. What matters most is the setup and choosing the right system for the job.
this is bad sound system. but cost 10000000000000000000$
Explain yourself
@@modvind very high ac current consumption, to much cabinets and herr is problem with huge line array. point source was much better option. look at danley sound labs speakers. 10x lower number of cabinets you need for same output. much better coverage audience etc.
@@folerx but no for edm and big size events l-acoustics is better
@@folerx You can't cover an entire huge crowd with point source, there's a reason that line arrays were invented.
@@folerx Lol danley fans everywhere.
Club e1 london system