Mixing in L'acoustics V-DOSC with a WING - VLOG of a Soundguy - Five Roses
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- Опубліковано 15 жов 2021
- #Live #Sound #VLOG
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#WING #Behringer #Sound #engineer #Lacoustics #X32 #stage #show #Country #DL32 #Quebec
9:42 this snare drum sound is amazing ❤😊
Now that's a line array! Launched 20 years ago and still one of the best line arrays in the world!!!!! Here in Brazil, this line array made events with more than 1.2 million people (including one of 2 million!!). The V-DOSC is equal to the 214y, from LS AUDIO (best professional sound brand in Brazil, and one of the top five in the world) in everything, including audio quality. It is second only to Meyer Sound's PANTHER.
Watching these kind of vlogs are really helpful
Bro I couldn't resist to comment back again. Your sounds are so clear and clean. You're too good. Love the set up, lighting and sound. Thanks for sharing your video. All the best for the year. cheers.
Super suprised at how well the Wing holds up.
Lol it's built for this
Wow!!!. just had goosebumps watching this video. Great set up and sound. You are an awesome sound pilot. Loved your video.
Thanks for watching
Flashback émotifs! As usual, you ROCK buddy! :-)
I’ve always wanted to see something like this thankyou for sharing !
Thanks for watching
Great stuff bro. Keep it coming.
Très cool Guillaume!!
sounds awesome... 👏
Thank you !
Yeah 🤘
So dope
잘 봤습니다. 오늘도 한 수 배우고 갑니다. 항상 응원 합니다.🎉
Super !!!
Really good men!
Good job
love the effort to make this vlog while doing your job..
Thanks!
It’s not an easy task
I appreciate this vlog
Thanks for watching
Je suis surpris de tant d'équipements pour si peu de personnes ! En Europe, un concert serait moins bien équipé en Son et surtout en écran pour un spectacle identique, ou bien nous ne voyons pas bien le nombre de spectateurs a cette manifestation. Grand merci encore pour ce partage.
Bonjour Steff
on parle d’environ 2500 personne, diviser en zone de 500 personne pour des raisons de Covid
🙌🏼🙌🏼🔥🔥
you are very carismatic, good luck with your journey - love from brazil
Hi 👋
Thanks for watching
Nice show cool
You’re 🔥
Hey new subscriber! Awesome! Cool mixing on a Wing, through VDosc! Jealous! But good times sir!
Hi Jon 👋
Welcome!
What a dream friend, congratulations won a subscriber from Brazil 😊
Hello Brazil 🇧🇷
nice one Guillaume
thanks Chris
SB 218 😍😍😍
Me gusta mas el SB28
Guillaume, that plastic cup on the mixer is sending shivers down spine...🙈
never watch one of my live stream then ;)
EXACTLY! 🫣🫣🫣
Hey Guillaume, love you channel!🙌🏻🙌🏻
I was wondering about your Wing case😁 i like the flat surface layout, brilliant! 😍 did you build it yourself? Or did you maybe even do a video about it in the past? I would love to hear about it😁 keep it up🕺🏻🕺🏻🕺🏻
Bonjour Yves!
I did build the case myself but i did not film a video about it.
many people requested a video about my case. i should do one in the future
Really interesting to hear the inverse frequency response of a big live PA recorded! I guess the people blocking all the subs makes it quite top heavy out there, so makes sense as to why the recording came out like it did.
Hi 👋
Actually I did mix with that much subs to get the physical feeling of low end.
PA like L Acoustics are basically flat, reproduce anything that you throw at them with as little coloring as possible.
Imagine that mix at 100 dB peak on a wide stage. That about it.
Ah ok got ya, I figured cos the subs were on the floor and the rest hung in a line array there might of been some low end compensation needed, because human meat shields, but it's that it just sounds better with more bass, I shouldn't of needed that to be explained to me tbh ;p.
@@GuillaumeLortie I was just watching RSL and he spent a day with a big named band's touring sound tech, and the tech said (to paraphrase) "A live mix is like a caricature of a studio mix" (as you want to really hype the important parts for the crowd such as sub and kick). Which I really liked, and immediately thought of this convo. As someone who mostly spends their time with music in a studio, it really made it make sense for me. ;)
Nice vlog bro. Hope you can share more videos
Hi 👋
I’ll do my best but it’s honestly really hard to fit them in my schedule. I have to get work done and also film everything at the same time.
@@GuillaumeLortie no problem. If can record for vlog it's nice bro.
Band is on fire. That snare. I'm hooked on this band. Vocals are a bit off .... Might need to auto tune.
Hope you guys make it big.
Hey just found your channel, thanks for making these videos! One question, with shows like these does each act use their own stagebox/cable runs etc, or is there equipment shared between bands? I would assume the former but then I wonder about keeping the stage clean with 3-4 completely independent setups? Thanks again!
Most of the time, every band use his own stuff Stagebox and console, cables / Cat5e snake and mic stands are provided locally.
Great sound. Nice job.
But would you agree when I say there is nothing easier to mix an outdoor event with a first class PA?
My major challenges are usually gigs with Brass in a Pop Big Band or a traditional Brass Band in halls where the horns and the brass have a very high volume of their own, maybe the hall has a lot of natural reverb too. These gigs are real challenges cause you do not only have to mix the band itself but you have to mix the signal with the real sound of that is coming from stage.
Thanks Thomas!
I agreed with you, the room and stage volume are huge factor that influences your mix or your approach to a mix.
i need to do a video about that.
@@GuillaumeLortie Oh yes please. I think this is very interesting for a lot of new soundtechs. You csn see tons of videos about mixing but nearly none of them shows the challenge in live audio that you have to deal with. Most of them demonstrate mixing with virtual soundcheck files where you do not have any influence from the stage or the room. This is the major difference to the real life. And it can be very frustrating if you don‘t have an approach to this.
I also agree, I always feel guilty when doing outdoor shows on good systems, good sound without doing much lol.
One thing I had to learn when I was just starting out as tech: Communicating it to the Bands to keep it down when playing in bad rooms, once the direct sound of a drumset from a overly motivated drummer in a small venue overpowers the PA sound, all you are doing is damage control from that point on.
Remember those days, bad sounding small room with overly loud drummers…
I try to do less of that now a days but it still happens on corporate gig form time to time.
Yeah I’ve been impressed by basically every modern live sound system I have heard including l-acoustics, D&B, Meyer, Adamson and Clair. Everyone is competing, and there really isn’t a best speaker these days, it’s all about what you prefer. I prefer the clear sound of D&B or Adamson as an audience member. I also like their subwoofers. What are your thoughts on the new high power point source boxes like KV2 and Danley? I’ve been impressed by a few KV2 systems as well, and their subwoofers seem to be top notch.
Hi 👋
I just did a gig last weekend with a Adamson, they are not really popular here in Quebec, I don’t see them a lot but I must say I was pleased with it, reacted a bit different form what I’m used to form most of the DV-Dosc and Vertec but I liked it.
Next Saturday I’ll do a mix into a K1 & K2 setup at the new Montreal Lasso Festival. I can’t wait to finally mix into one of those PA.
About KV2 and Danley, I never try them so far but if it’s quality, I’m more then happy to give them a shoot.
I personally worked mostly on d&b T10 for a good while and the switch to Meyer Lina and Leopard blew my mind. I loved d&b, but the stereo image and phantom center of the meyer is incredible, even without any system processing. They also sound a bit less harsh than d&b, wonder what you guys think about it.
@@perkeleman1265 It actually has seemed far harsher to my ears, but that might be because I’m judging it on the old M’elodie speakers. My last Meyer rig I heard was 6 M’elodie and two 700-hp per side, with the top 700-hp’s flipped backwards for a cardioid setup. The M’elodie speakers didn’t sound right to my ears. The treble seemed harsh, and the vocal range seemed oddly quiet, and there was a serious mic feedback issue. The 700-hp’s also sounded a bit woofy and didn’t seem to reach super deep, though they were quite loud. I do remember being impressed by a newer, larger Lyon system, especially in the vocal range, but the 1100-lfc was only a little better than the 700-hp.
@@djijspeakerguy4628 I guess Meyer has caught up with their newer lines. I personally liked the 900-LFC, for the 1100 I only worked with these as Monitor Tech, so I don't have too much of an impression on those yet. I think Ed Sheeran is using these on tour, which I'll incidentally be seeing tonight as I'm joining my wife, so I'll get a better listen to them later haha.
But yeah, this summer I worked on a smaller city festival stage with a Lina + LFC 900s and I really loved the system.
Yeah. I heard a Leopard/900-lfc rig in an indoor theater environment, and I have to say, it seemed to do really well, though that was a different environment than I was used to, so I kinda thought it wasn’t a fair of a test, but maybe the Leo series really are substantially better than the old Milo series, not just a minor improvement. And, I noticed the same with D&B products: the Q series seems quite outdated, and sounds very much like the old Meyer Milo series. The V, Y, and T is a bit better, but still not perfect. I have heard the new SL series, and I think they definitely compete with Meyer Leo. At some point, you should probably test out the new XSL array and see what you think! Also, I have been really impressed with the Adamson S10 in terms of clarity, especially in the vocal range, and their s119 subwoofers seemed to play every note at the same volume. Those are worth at least a test run as well.
Love the kick sound! Was there a Beta52a at the port?
Beyerdynamic D71C with a Oscillator trigger ( see my kick trick video )
Surprised you have such a top L Acoustics system but running it all through a Behringer wing! Thought you have a Digico Yamaha or Midas .. big ups for tge little Behringer Wing
It’s my personal WING or the local CL5.
I prefer the feature of the WING vs the CL and since I always use it with this band, it’s make more sens to me then starting from scratch every time. I just get better results that way.
I’m looking to get HD96 Air if it ever becomes a thing.
Brother, the behringer wing is formidable for lots of applications. Don't underestimate it.
Wait a minute, such a big stage with GREAT equipment for a few people ? Looked like 200-500 people ?
It’s was during Covid and had way more people behind, it’s was around 5000 people that night.
do you patch straight to your monitor console, skipping the festival split? presumably, using the same head amps for the wing?
Hi Justin
I’m using the DL32 for both FOH and monitors, all i’m using form the festival is the RJ45 cables, I’m always asking for 2 or more to get a spare one and redundancy.
because im setting gains myself for monitors and I do adjustments at FOH with the Trim, everything is comfortable for me to mix.
@@GuillaumeLortie nice! Sounds like an efficient setup
Hey dude, great vid. What was your way into this specific industry? I'm in commercial AV currently
Hi 👋
I started mixing local band in all age venue when I as 15, now 21 years later, I still tour with some of those guys and making new friends on the road is the way I get more and more gigs.
It’s a word to mouth industry.
Thanks for watching
Snare Drum 🥁 sound very dry otherwise great mix 👌😎
Hey brother! Are you for hire in Ontario at all?
Yes, please send me an email
Did you mix this full show by using the wing ?
Yes
How much do you usually gain the master volume?
I’m situation where you can’t hear the stage volume, as loud as needed.
500,000 DOLLAR FOH SYSTEM --NICE WORK !!!!!
you know… the usual stuff … 😉
thanks 🙏🏻
What is the best l, acoustic v-docs o jbl vertec 4889
Depends on the application, for rock band, I’ll take the Vertec, for DJ or Jazz, I’ll take the V-Dosc,
@@GuillaumeLortie thank you so much
De-esser on vokals?
Yes, if needed
Is he controlling the lights with a dmx 😮
Light where a MA2 and probably running on a ArtNet network
pop-country is a thing in france?
I don’t know, we’re in Canada
Bro how many feet are you away from the band on stage
Form memory, around 150?
French country music?
I do that too
Overheads is too loud
Wtf autotune on wing?
Almost Auto-Tune… it’s more like a Waves Pitch corrector then Auto-Tune