I didn't even know he died until I read your comment. Shows how shameful our political climate and the media is right now, that he doesn't even get a mention anywhere. Probably because in life as well as his films, he spoke too much truth.
@@MilesjDoyleHere s a fun one in response to your ridiculous non Sequitur; Christians who are slaves should give their masters full respect so that the name of God and his teaching will not be shamed. If your master is a Christian, that is no excuse for being disrespectful. You should work all the harder because you are helping another believer by your efforts. Teach these truths, Timothy, and encourage everyone to obey them. (1 Timothy 6:1-2 NLT) Your Jesus had no issue with slavery and never made any proclamation forbidding it, rather he told his followers he had come to enforce the laws of the Old Testament. Even if he did exist he was an immoral man no one should have followed.
Instead of film school, do what Orson Welles did before he made CITIZEN KANE. He watched John Ford's STAGECOACH 30 times. Pick a film you admire and learn every edit, composition, staging, rhythm, performance etc.
Films loved by William Friedkin: -Onibaba -Rosemary's Baby -Z -Alien -Bladerunner -Blood Simple -No Country for Old Men -Bullitt -Blow Up -L'Avventura -La Notte -L'Eclisse -8-1/2 -American in Paris -Bandwagon -Singing in the Rain -Gigi -All About Eve -Treasure of Sierra Madre -Birth of a Nation -Citizen Kane -Rashomon -The General -Jason Bourne films -Breathless
+JeanP there is that and whats more is its a script pattern now idealism and good endings and such ways to turn stuff around, but i think he mainly was talking about the crap, junk as he says, that is being repeatedly made and watched and that is superhero movies and super productions like that, the ones that really speak of nothing not even through metaphores or symbolism or analogies but that are just strictly entertainment through a mass of unseeable action coupled with dumb archetyped plots like marvel shit and such ..
***** not even certain what you re saying, why dont you enlighten us as to what you think he meant by what he said ? directors like friedkin have enough notoriety and network that they can make movies that locate between the commercial and the author poles, for sure as far as im concerned what he meant by what he said when speaks of junk is souless films that are none but products meant to make money, he s saying he d like to have more different films more daring films not the average always the same stuff made by hollywood and its not like there is many directors who get the finance to make movies like that on a big commercial scale so its an issue of big producer choices and strategy actually. now as far as im concerned the most noble form of cinema is that which conveys emotion, or educate or at least get people thinking; as far as movies that dont try to do that, anything that does what it meant should be ok though sometimes it tries to do complete crap and then its not ok. open mindedness will let you see what is actually really bad, and then there is the rest which locate on different levels. so truth can be found in film yes but not necessarily through artistic lay out, and horror can be fun of course. also dont be putting words in my mouth you know the films you cited are not truth revealing films obviously neither did i say or imply that, just cuz he talks about these films in the video doesnt mean my cinema knowledge is limited to that k ? my comment refered to the video only as far as an explaination of what he meant by junk in us commercial cinema nowadays. you dont have to bother answer or reading btw.
+fook yu Idealism isn't a bad thing, necessarily. I mean that's basically the message of Rashomon. The problem is a skewed worldview that works to a person's detriment, rather than his benefit ("We crossed swords thirty times!" versus "I saw the whole thing as an objective spectator would..."). Another example is The West Wing, which positively relishes in idealism as an antidote to cynicism.
+sof Symbolism and metaphors aren't things to be applauded unless they're in service to entertainment and the rest of that jazz - do you even like movies? Or did someone very clever convince you that you could be just like a literary snob in a third the time if you watched this thing called A Space Odyssey? You realize Singin' in the Rain is practically devoid of metaphors besides the painfully obvious one (maybe two), and that all the sexy symbolism in Alien services the rawer, more visceral fear factor in it?
I love how whenever someones racist people just describe it as "Telling it like it is and being super honest." This whole "We all think it but he is the one saying it." approach to racism.
William Friedkin is a man who pulls NO punches in either his films, or his brutal honesty. Notice how he calls out the very people interviewing him, regarding their "out of focus, jump-cut" methods. No other director would probably have the balls to say that to them directly...brilliant!
I had to go to the comments to see if I just heard what I just heard. I was in disbelief like some sort of dream. That's insane he was calling them out! 🤣🤣🤣🤣
🤣 And doesn't watch movies or pull books off the shelf to get his history right... So I give him props for spewing pea soup and jumping bed and picking you feet in Poughkeepsie but he sucks ass as a historian....
Of course, the original French version is perfection, and has a sophistication about sexuality that only foreign films had. And look at the year it came out. The U.S. got stepped on by the Hayes code. Precode films were very sophisticated. It seems to me the Code was more interested in keeping big city sophistication out of the burbs, as the sophistication came from Europe with immigrants. If you don't believe me, look at "American" cookbooks from the 1950's. Especially those little publications. The most bizarre crap you ever saw, and the covers of them are hilarious. (I collected them for a while) Remember, ladies, if you don't have pimentos on tap and little wieners in cans, and hubby brings the boss over for dinner, you're screwed. Meanwhile, fabulous food was being cooked by people who came from Italy, Spain, France, South America, Mexico, India, Morocco, etc. It was a cultural boycott. yes, I'm saying the Hayes code was racist. Probably something to write more about, no?
When you're worth a billion dollars and one of your assets is your very own aesthetics, what do you do? You spend money on your body's maintenance, yes? You guys are both sagacious Einsteins I see, pretty amazing huh? And oh, the 40 year old that looks older than William, who makes your wages, shame on him!
Such amazing movies, and I can’t believe he pretty much discovered William Peterson as a movie actor. He was so bad ass in to live and die in LA. You should listen to his interview about the end of sorcerer did he die or did he not. Friedkin says he possibly lived
Those are my favorites as well. Everybody is always talking about The Exorcist and The French Connection (which are also amazing) but Sorcerer and To Live and Die in LA are my favorites. Killer Joe is also phenomenal as well.
Nobody ever talked so eloquently and passionately about film like Friedkin, I could've listen to him talk for hours. Something about his voice is so calming. R.I.P one of the greatest filmmakers of all time.
@@MilesjDoyle Please take your religious garbage somewhere else, this is not the time nor place. Friedkin was an an agnostic, so you preaching about god on comments regarding his death is just disrespectful.
I mean, i love Friedkin and i love listening to him but... have you ever listened to how Scorsese talks about movies? I'm pretty sure even Friedkin, who was a friend of Martys, would agree with me that there has never been anyone in history who talks more beautifully, knowingly, eloquently, lovingly and passionately about motion pictures than Marty. Watch his documentary about American cinema and the one about italian cinema, or any interview, lecture or speech you can find. Friedkin himself would appreciate you doing it. May i send you much cinematic love, from an old guy living in Switzerland.
I love Friedkin but his era of getting into filmmaking is very different than today. It was far easier to get into the industry than today and getting even a PA job on a set requires some academics including those at film school are required.
@@arlosteiner8382 Film School, i.e. college, is like college sports are to the major leagues. It's a cycle. And with people like Lucas and Spielberg donating close to $1 billion, they sure aren't going to let the cycle break, even if it is good for the industry to have fresh blood from outside the circle. They peddle formulas. That's why the average joe can go see pre-screenings to test out ideas. It's all by method and statistics now. Translation: Commercial appeal.
Just study fine art for the frames,scene lighting understanding,study William burke poetry for descriptions and great writing,read the bible for extreme morals and understanding or cause and effect and boom you have film school ,I wasted 4 years trust me it's not worth it
@@arlosteiner8382 It wasn't really easier back then to get into the industry than today. I think it was actually harder. While maybe there's a lot more 'competition' for jobs today, back then there wasn't nearly as much 'content' being produced back then and having connections to the industry was much more important in those days too. George Lucas had an extremely hard time getting a job in the industry at first even with the recommendation of Haskell Wexler (his first industry connection). I'm talking about a PA job or crew job. His professors at USC were discouraging, telling his class on the first day "You'll never get a job in this industry. At best, you'll be a ticket taker at Disneyland". Something like that. It was ALWAYS a difficult industry to get into. In one way or another, it always will be. The one advantage younger kids have today is it's so much cheaper and easier to just go out and shoot, edit and complete a film. Spielberg was told he'll never be taken seriously by the industry unless he made a professional level film shot on 35mm. You don't have that expensive worry. A phone has good enough quality. You just have to make something good. Back even 20-30 years ago which is when I started, you had to shoot on film to be taken seriously (35mm, but 16mm was acceptable, but less so). Film was so much more expensive. $1000 for 10 minutes 35mm. You pretty much had to rent cameras for hundreds, even thousands a day (to buy a camera would set you back $80,000-$100,000). Never mind post-production which was also outrageous. You want a simple dissolve in your film. $10 for each. Never mind sound mixing. Now you just slap it on in your NLE software which you can get for FREE. FREE post production software. Shooting on a relatively inexpensive, but high quality camera and not worry about how much footage I'm shooting because of cost? I would've killed for all that 25 years ago.
+dcanmore He comes across as being such a cool, intelligent and 'street' guy (that combination ain't easy!) that he deserves to look that good for his age!
If he's worried about making a film that will be immortal. He can rest easy. The Exorcist is still the scariest, most unnerving film I've ever seen. Great interview.
It truly is the only horror film that came close to moving me the The Exorcist did is Hereditary and it took 50 years for anyone to even come close to The Exorcist. It’s in my top 5 possibly number one of all time
Billy's autobiography 'The Friedkin Connection' is just wonderful. He keeps his private life out of it but gives awesome, invaluable stories about the making of his movies. And he's very open about how arrogance and hubris ultimately derailed his career. Essential reading for any filmmaker out there. You're not going to learn where to put a camera but you'll learn a lot about dealing with actors and producers.
I feel blessed to have lived at a certain time, being a film buff and to have watched and loved most of Williams favorite films. And the few I have missed; I will look for because I know it will be time well spent. RIP Mr Friedkin, you made an impression with your films!
A guy at my office is 64 and looks 40. Some people are just lucky. An old college friend of mine, whom I haven't seen face-to-face since he was 23 in 1986, regularly posts photos on Facebook. He doesn't look a day older. *sigh*
Crimes & Misdemeanors is truly outstanding, I'm glad he mentioned it. I have never seen a film that encompasses morality, philosophy, theology, sexuality, marriage, suicide, lying, affairs, success, loneliness, social class, psychology, war, religion, family, and fantasy vs. reality. The movie not only touches on these themes but stares them directly in the face! Seriously, see it if you haven't already.
I agree. Among Woody Allen’s astonishing run from Annie Hall, Hannah & Her Sisters via Zelig etc etc, Crimes & Misdemeanours rings like a heavy bell. I’m pleased he picked it out and (what I know but) there’s some monumental painful reality in it which is also in The French Connection and The Exorcist (and L’Avventura!). I also love that he loved Singin In The Rain and Gigi which are the opposite of all the above: pure joy, but equally intense and immaculate.
Love what he says about Steve McQueen. He's so right - Steve as an inventor of minimalism. I know you can do that only in film, not on stage. But anyhow - great actor.
I could listen to this guy for hours. Smart, insightful, truthful, and one of the most brilliant filmmakers of all time. To me, he's on the Mt Rushmore of directors along with Hitchcock, Spielberg, and De Palma.
William Friedkin has made some excellent films, but has maintained his humility, with an amazing appreciation of the cinematic works of others. His ability to recall details, and conjure up scenes with his lucid vocabulary, makes his talks always packed with information . I could listen to him all day, just as he did with the viewing of Citizen Kane. Thanks Mr. Friedkin and Fade in Magazine. Much appreciated.
He mentions "Z" from 1969. Saw it on television the first time and finally in a revival.Powerful film for its day- may still hold up-but something definitely worth seeing.
@@HoldenNY22 You are right it was. My sister who was older knew about the truth behind the film. Its been a while since I have seen it. I should watch it again!
01. Onibaba 02. Rosemary's Baby 03. Z 04. Alien 05. Blade Runner 06. Blood Simple 07. No Country For Old Man 08. Bullitt 09. Blow Up 10. 8 1/2 11. American In Paris 12. Bandwagon 13. Gigi 14. Singing in the Rain 15. All About Eve 16. Treasure of Sierra Madre 17. Birth of a Nation 18. Citizen Kane 19. Breathless 20. Rashomon 21. Buster Keaton's films 22. Bourne Ultimatum 23. Alfred Hitchcock's films 24. Crime with Mr Miller Anything I miss?
Crimes and Misdemeanors. Absolutely!! What a great summary of knowledge from a director who is relatively unmentioned nowadays. "Very little truth to be found"
Finally someone, who REALLY knows film, calls attention to the greatness of Crimes and Misdemeanors. Woody Allen seamlessly combines his usual witty humor with a riveting, dark moral drama, which asks if there is a God who will ultimately punish those who knowingly choose to do evil. It’s like 2 completely different movies in one, but the characters and scenes from each are intertwined in a way that conveys how real life is full of comedy, farce, tragedy and horror all at once.
You cannot be an American film maker and not pay homage to the genius of Woody Allen. Annie Hall was shot like a documentary. Not at all unexpected that Billy would love Allen's films.
I really loved many of the movies that you directed. Recently, I became enamoured with Sorcerer. Thanks William for the greatness you brought to the art!!!
Sorcerer is such a great movie. It's weird to think that that movie was a massive bomb when it came out. It came out right at the peak of Star Wars' popularity.
Did I miss any?: Onibaba Rosemary's Baby Z Alien Blade Runner Blood Simple No Country for Old Men Bullitt The Great Escape Blow-Up La Notte L'Eclisse L'Avventura Eight and a Half American in Paris Band Wagon Gigi Singin' in the Rain All About Eve The Treasure of the Sierra Madre Birth of a Nation Citizen Kane Breathless (1960) Rashomon Bourne Ultimatum Vertigo Psycho North by Northwest The Wrong Man Notorious Crimes and Misdemeanours
Antonioni -movies are absolute treasures.Especially the wind blowing through the trees in "Blow up" and the things that you feel when you´re in an empty city, great space and...silence around the midday and the woman walks around:You push the Stop-button anywhere you like and you´ll see where you want to be...! I ask you :Whoever did such things? This is art at its Finest!
When you listen to truly intelligent people the words just flow and flow and draw you in. No thinking time pauses. He makes you want to watch every film he mentions. He looks incredibly good for his age and not in a botox way.
He is a class act BECAUSE he is honest. He can swear up a storm and be a bit unhinged, I’m sure, a little rough around the edges maybe, but he tells it like it is.
Such an intuitive, clever actor, Matthew McConaughey. KILLER JOE was a wild ride. I hope him and Friedkin do another film together. Great ensemble cast, veterans and newcomers. William Friedkin is the master of drama.
I love The Exorcist because he does not reveal everything.. just layer by layer the story as it unfolds . He took all the best bits of filmmakers before him and put them to excellent use
So he hasn’t made a Citizen Kane? He has made The French Connection, The Exorcist, and Sorcerer. Maybe they’re not on the historical level of some that he mentioned but they’re incredible achievements nonetheless. Love how he takes a jab at CGI while praising silent films. Sadly people like him, the unimpressed with modern films are few and far between.
Onibaba, Rosemary's baby, Z ., Alien, Blade Runner, No country for Old men, Bullitt, Blow-up, L'aventura, L'eclisse, La notte, 8 1/2, The Band Wagon, Singin in the Rain, Birth of Nation, Citizen Kane, Breathless, Rashoman, Buster Keaton, Hitchcock, vertigo and psycho are my two favourites. Great list of films.
I guess he's probably one of the few people in the world that The Exorcist can't have any effect on. It's hard to get scared of your own work, because everything reminds you of the process behind it. I think when we see shots of Reagan, we're engrossed in the movie and it's story, but when Friedkin sees the same shot, he's probably reminded of all the times they had to redo it because something went wrong, or how he didn't manage to get it quite like he wanted it, or something that had to be changed last minute because of time/budget/higher powers. He also probably saw it hundreds of times in the editing process, out of context with the rest of the movie. There's nothing easier to ruin magic for you than making it, and artists are usually their own worst critic.
Literally everyone I’ve ever talked to about films, has said that they thought “No Country For Old Men” was a masterpiece. I think it’s gotten to the point where we can say it’s truly one of the greatest films ever. And I think we can say that the Coen Brothers are the greatest filmmakers of our generation. I just saw “The Ballad of Buster Scruggs” and I thought it was fantastic. Check it out if you haven’t yet.
@@jamesmurphy1389 Try living in _Afghanistan, North Korea, Somalia, Ukraine, Brazil, Pakistan, Iraq, Yemen…_ Then, come back and tell me how “depressing” America is.
But surely the point is that America is, as we speak, in the process of becoming as benighted as the beleaguered countries you mention. Try living in downtown LA and tell me how uplifting America is. @@CipherSerpico
I always thought that with Crimes and Misdemeanors Woody Allen came closest to achieving what he most admired in other directors. The final scene in which Martin Landau talks about his "friends" guilt and how it faded over time is as true as anything I've ever seen.
Thank you so much for this wonderful footage. Such a great film person. Love his commentaries on DVDs. On his films and also on Val Lewton's "The Leopard Man" too. Love to hear him talk. At the end here, he was so right. Thanks to all the greed of the industry, today we are all being SPUN, to the point of turning so dumb to all the realities our parents experienced in their lives.
wow I didn't know he did a commentary on The Leopard Man. Will have to look that up, as I have an old French DVD of that movie and the other Jacques Tourner/Val Lewton ones.
@@iangrant3615 Thanks. Should mention that this version of "The Leopard Man" is the one included in the Val Lewton box set. That came out about 15 years ago. Maybe a local library can get it for you on loan.
I absolutely loved Killer Joe. One of those movies that I just didn't want to end. I have yet to watch Sorcerer but it's on my list of must sees. This director seems to have a very unique and consitent way of building a foreboding sense of anxiety and dread. Things just seem to escalate downhill at an ever increasing speed.
I love Killer Joe. I wasn't sure what to make of the movie the first time...until the line at the very end! Then it hit me, the movie is a black as night comedic farce! Crazy to think Billy was in his 70s making it.
Sorcerer is his best film, in my opinion. I know a lot of people will completely disagree, but I’ve seen everything he did, and of all my favorites, I loved it the most.
Naming Breathless as the last super influential film classic is bold and to the point. Not sure everyone would agree with that assessment (2001 Space Odyssey, Taxi Driver, Jaws, Star Wars, Godfather, Silence of the Lambs, Trainspotting + Mr. Friedkin's own masterworks), but Breathless is a beautiful film. Can watch it over and over. It's immediate ancestor, Elevator to the Gallows (plot lines and general style are so similar, I often confuse them when referencing them - even after having seen each well over a dozen times lol. Or maybe Im just dense), is also awesome, with more of a classic cinema feel than New Wave feel.
I'm seriously shocked. I had no idea how intelligent, insightful, and encyclopedic this guy is. He is super-sharp and at once disarming. Due to this interview alone, my opinion of him has done an about face.
My Top Ten: Troll 2 (1990) Batman & Robin (1997) Catwoman (2004) Superbabies: Baby Geniuses 2 (2004) Foodfight! (2012) Run for Your Wife (2012) The Hottie and the Nottie (2008) Shark Attack 3: Megladon (2004) Star Wars: The Force Awakens (2015) Gilgli (2003)
1) Hana-Bi by Takeshi Kitano 2) 2001: A Space Odyssey by Stanley Kubrick 3) Ran by Akira Kurosawa 4) Chinatown by Roman Polanski 5) Magnolia by Paul Thomas Anderson 6) Once Upon A Time In America by Sergio Leone 7) Eraserhead by David Lynch 8) Akira by Katsuhiro Otomo 9) The Big Lebowski by The Coen Brothers 10) Apocalypse Now by Francis Ford Coppola There's my 10 favorite movies. I'm not saying that they're the best movies of all time, and some shit like, say The Exorcist, Taxi Driver, Pulp Fiction, The Wild Bunch, etc etc. I'd have a hard time arguing against if anyone wanted to tell me they belonged, as well as other personal favorites like Freebie And The Bean, Chungking Express, Glengarry Glen Ross, Hard Boiled, and on and on. So many amazing fucking movies, so few spaces... Maybe it should be top 25, haha
All The Presidents Men, Klute, The Red Circle, Do The Right Thing, Eternal Sunshine Of The Spotless Mind, Brazil, Blade Runner, Holy Mountain, The Godfather (1&2), Spinal Tap, Dr. Strangelove, Dog Day Afternoon, JFK, Touch Of Evil, Vertigo.... See, still going, nowhere near out of movies to rattle off. Too many good ones, haha.....
Terrific list. Magnolia in particular had a huge effect on me when I saw it. It's not actually in my own top ten but I saw it when I was 19 the opening day it came out, and it was an utterly overwhelming experience. Cinematically on a purely technique level it's astonishing, but it's just incredibly moving isn't it. It's about loneliness and loss and feeling marginalised and confused, about losing yourself in hate and drugs and booze and all these fucked up decisions you make. I recall feeling light headed when I came out of the cinema. You could tell people didn't quite no what to make of it. Aimee mann's songs as well, beautiful. I've never been able to get away with the narcissism of cruise but Anderson used him brilliantly, and channelled his persona into a framework where he was entirely right. He should've won the Oscar, that heartbreaking scene with Robards and his dead eyed contempt in the interview sequence are incredible. But he'll everyone's great in that film.
Anyhow my top ten as follows The assassination of Jesse James by the coward Robert ford (dominik) Let the right one in (alfredson) Goodfellas (Scorsese) Mulholland drive (lynch) Deep red (argento) Aliens (Cameron) The devil's backbone (del toro) Don't look now (roeg) Chinatown (Polanski) Dark water (nakata)
I like most of what Mr. Friedkin says in this interview, and I like some of his films, but I have to object to something he said about Birth of a Nation. Saying that the film was a justification of the Ku Klux Klan, in our politically correct environment, today you couldn't make a film on the same subject, or even talk about one. However, at the moment of it's release in 1915, the film was protested throughout the country, and banned in eight states, its influence contributing to segregation through much of the South into the 1960s. The content of the film was controversial from the get-go. So calling Birth of a Nation racist today is not being politically correct, nor was it upon its release. The film is racist, period. But technically speaking, Friedkin is correct, in that it influenced American filmmakers and filmmakers in Europe, especially in Russia.
One of my favourite director “personalities” you really don’t know what he’s gonna say next. Share his sadness at the whirlwind of lies the population is subject to on a daily basis.
I found him charming....I watched so many interviews with him, I felt as if I knew him. He will certainly be missed. Rest with the angels, Mr. Friedkin.
First and foremost Friedkin is a documentary filmmaker, so his craft is going to be centred as such. 2001 is of course influential, however not every stroke of genius has a place for every creator. Like all of us we recognize brilliance in whatever genre whether or not we engage it is a different matter .
Killer Joe is the role Matthew McConaughey was born to play. He had a very clever, deliciously evil, entertaining and layered understanding of this character. Talk about showmanship.
What a exquisite taste, the very unknown (by mainstream viewers) films by Antonioni he mentioned are also among my favorite. Also, he is very humble, because in my opinion The Exorcist is a masterpiece that can be compared to Citizen Kane, Breathless, Kurosawa or any of the greatest films ever made.
he's a director who's always challenged himself. most of his films have been ambitious films, the type that might not always appeal to a broad audience.
My favorites. 1. L'Age d'or--Luis Bunuel 2. A Clockwork Orange--Stanley Kubrick 3 Eraserhead--David Lynch 4. Manhattan--Woody Allen 5 Last Tango In Paris 6 The Dicreet Charm of the Bourgeosie---Luis Bunuel 7. All That Jazz--Bob Fosse 8. Apocalypse Now---Francis Ford Coppola 9. Barry Lyndon---Stanley Kubrick 10 Roshomon---Akira Kurosawa 11. Blue Velvet--David Lynch 12 The Nights of Cabiria---Federico Fellini 13.Barton Fink--Ethan Coen 14.Brazil--Terry Gilliam 15 Life of Brian--Terry Jones
I'm so glad he mentioned To Live and Die in LA. I still watch it. It has a few dated looks, but the performances by the director and the actors are brilliant
RIP William Friedkin (August 29, 1935 - August 7, 2023), aged 87
You will be remembered as a legend.
I didn't even know he died until I read your comment. Shows how shameful our political climate and the media is right now, that he doesn't even get a mention anywhere. Probably because in life as well as his films, he spoke too much truth.
The news of his passing was all over the place.
He made one last movie before passing. To Live and Die in LA is a masterpiece ✨️ 🙌 👌🏾
@@MilesjDoyleHere s a fun one in response to your ridiculous non Sequitur; Christians who are slaves should give their masters full respect so that the name of God and his teaching will not be shamed. If your master is a Christian, that is no excuse for being disrespectful. You should work all the harder because you are helping another believer by your efforts. Teach these truths, Timothy, and encourage everyone to obey them. (1 Timothy 6:1-2 NLT) Your Jesus had no issue with slavery and never made any proclamation forbidding it, rather he told his followers he had come to enforce the laws of the Old Testament. Even if he did exist he was an immoral man no one should have followed.
I did not know Friedkin died, RIP Sir, you were a true Icon. Wow.
Instead of film school, do what Orson Welles did before he made CITIZEN KANE. He watched John Ford's STAGECOACH 30 times. Pick a film you admire and learn every edit, composition, staging, rhythm, performance etc.
Such a simple perfect approach , wells fuckin got it , bloody legend
Hunter Thompson would type The Great Gatsby word for word for similar reasons.
@lrigsnart6821and film festivals
He was 25
Kinda what Quentin T did as well.
Films loved by William Friedkin:
-Onibaba
-Rosemary's Baby
-Z
-Alien
-Bladerunner
-Blood Simple
-No Country for Old Men
-Bullitt
-Blow Up
-L'Avventura
-La Notte
-L'Eclisse
-8-1/2
-American in Paris
-Bandwagon
-Singing in the Rain
-Gigi
-All About Eve
-Treasure of Sierra Madre
-Birth of a Nation
-Citizen Kane
-Rashomon
-The General
-Jason Bourne films
-Breathless
A magnificent list. A spectacular one even
Hitchcock got mentioned as well, specifically Vertigo, Psycho, North by Northwest, The Wrong Man and Notorious
And Crimes and Misdemeanors
A correction: “Blow-UP” by Antonioni is the film he cites, not de Palma’s “Blow Out” (which is nevertheless a great film in it’s own right)
And Breathless (1960)
"Cinema has become a place where everything is possible.... but in fact there's very little truth to be found"
Hit the nail on the head right there
+JeanP there is that and whats more is its a script pattern now idealism and good endings and such ways to turn stuff around, but i think he mainly was talking about the crap, junk as he says, that is being repeatedly made and watched and that is superhero movies and super productions like that, the ones that really speak of nothing not even through metaphores or symbolism or analogies but that are just strictly entertainment through a mass of unseeable action coupled with dumb archetyped plots like marvel shit and such ..
*****
I find that its mostly commercial films that tend to be idealistic.
*****
not even certain what you re saying, why dont you enlighten us as to what you think he meant by what he said ? directors like friedkin have enough notoriety and network that they can make movies that locate between the commercial and the author poles, for sure as far as im concerned what he meant by what he said when speaks of junk is souless films that are none but products meant to make money, he s saying he d like to have more different films more daring films not the average always the same stuff made by hollywood and its not like there is many directors who get the finance to make movies like that on a big commercial scale so its an issue of big producer choices and strategy actually. now as far as im concerned the most noble form of cinema is that which conveys emotion, or educate or at least get people thinking; as far as movies that dont try to do that, anything that does what it meant should be ok though sometimes it tries to do complete crap and then its not ok. open mindedness will let you see what is actually really bad, and then there is the rest which locate on different levels. so truth can be found in film yes but not necessarily through artistic lay out, and horror can be fun of course.
also dont be putting words in my mouth you know the films you cited are not truth revealing films obviously neither did i say or imply that, just cuz he talks about these films in the video doesnt mean my cinema knowledge is limited to that k ? my comment refered to the video only as far as an explaination of what he meant by junk in us commercial cinema nowadays.
you dont have to bother answer or reading btw.
+fook yu Idealism isn't a bad thing, necessarily. I mean that's basically the message of Rashomon. The problem is a skewed worldview that works to a person's detriment, rather than his benefit ("We crossed swords thirty times!" versus "I saw the whole thing as an objective spectator would..."). Another example is The West Wing, which positively relishes in idealism as an antidote to cynicism.
+sof Symbolism and metaphors aren't things to be applauded unless they're in service to entertainment and the rest of that jazz - do you even like movies? Or did someone very clever convince you that you could be just like a literary snob in a third the time if you watched this thing called A Space Odyssey? You realize Singin' in the Rain is practically devoid of metaphors besides the painfully obvious one (maybe two), and that all the sexy symbolism in Alien services the rawer, more visceral fear factor in it?
this guy has zero pretension, just sheer honesty.
honest about what agreeing with the KKK ?
@@thegoodjinn8065 Did he?
No he didn't fucking agree with the KKK...listen more closely next time...don't be a wanker,British Bulldog
I love how whenever someones racist people just describe it as "Telling it like it is and being super honest." This whole "We all think it but he is the one saying it." approach to racism.
@@sarperdogan6454 what are you talking about?
William Friedkin is a man who pulls NO punches in either his films, or his brutal honesty. Notice how he calls out the very people interviewing him, regarding their "out of focus, jump-cut" methods. No other director would probably have the balls to say that to them directly...brilliant!
The best thing is that it does it without being patronising or smug, just honest
I had to go to the comments to see if I just heard what I just heard. I was in disbelief like some sort of dream. That's insane he was calling them out! 🤣🤣🤣🤣
To live and Die in L.A. is underrated. So is William Peterson, the actor.
🤣 And doesn't watch movies or pull books off the shelf to get his history right... So I give him props for spewing pea soup and jumping bed and picking you feet in Poughkeepsie but he sucks ass as a historian....
Why would no director have the balls to say that directly to a bunch of nobodies? I don't get your Bizarro World logic
When John Carpenter was asked what are his favorite films, one of them was William Friedkin's _Sorcerer_ [1977].
Of course, the original French version is perfection, and has a sophistication about sexuality that only foreign films had. And look at the year it came out. The U.S. got stepped on by the Hayes code. Precode films were very sophisticated. It seems to me the Code was more interested in keeping big city sophistication out of the burbs, as the sophistication came from Europe with immigrants. If you don't believe me, look at "American" cookbooks from the 1950's. Especially those little publications. The most bizarre crap you ever saw, and the covers of them are hilarious. (I collected them for a while) Remember, ladies, if you don't have pimentos on tap and little wieners in cans, and hubby brings the boss over for dinner, you're screwed. Meanwhile, fabulous food was being cooked by people who came from Italy, Spain, France, South America, Mexico, India, Morocco, etc. It was a cultural boycott. yes, I'm saying the Hayes code was racist. Probably something to write more about, no?
Roy Scheider's work in the 70s and early 80s was outstanding and like McQueen, Roy could express his emotions without speaking.
Casual loose vs. perpetually stiff.
@@sgt.thundercok4704which is which?
And Friedkin cast Roy in 2 films, including Sorcerer which was his remake of "Wages of Fear".
Scheider's the man
Dude looks a lot younger than the 78 he is during this interview
No way he looks so much younger. I've seen guys 40 who look older William
When you're worth a billion dollars and one of your assets is your very own aesthetics, what do you do? You spend money on your body's maintenance, yes? You guys are both sagacious Einsteins I see, pretty amazing huh? And oh, the 40 year old that looks older than William, who makes your wages, shame on him!
Great skin.
Wow he looks 35!
GeorgeUK84 I swear he looks 23 done up
Friedkin's SORCEROR is the most kick-ass movie I have ever seen. Followed by To Live and Die in LA!
MF A ,was searching for this comment🤠🤠
Such amazing movies, and I can’t believe he pretty much discovered William Peterson as a movie actor. He was so bad ass in to live and die in LA. You should listen to his interview about the end of sorcerer did he die or did he not. Friedkin says he possibly lived
AGREED!
If you haven't, you should see The Wages of Fear, which is the original film that Sorcerer was a remake of.
Those are my favorites as well. Everybody is always talking about The Exorcist and The French Connection (which are also amazing) but Sorcerer and To Live and Die in LA are my favorites. Killer Joe is also phenomenal as well.
Nobody ever talked so eloquently and passionately about film like Friedkin, I could've listen to him talk for hours. Something about his voice is so calming. R.I.P one of the greatest filmmakers of all time.
Totally agree! If you haven't seen Leap of Faith the documentary yet, checkkkk it out. Friedkin talks about his making of The Exorcist
@@MilesjDoyle Please take your religious garbage somewhere else, this is not the time nor place. Friedkin was an an agnostic, so you preaching about god on comments regarding his death is just disrespectful.
Absolutely
I mean, i love Friedkin and i love listening to him but... have you ever listened to how Scorsese talks about movies? I'm pretty sure even Friedkin, who was a friend of Martys, would agree with me that there has never been anyone in history who talks more beautifully, knowingly, eloquently, lovingly and passionately about motion pictures than Marty. Watch his documentary about American cinema and the one about italian cinema, or any interview, lecture or speech you can find. Friedkin himself would appreciate you doing it.
May i send you much cinematic love, from an old guy living in Switzerland.
"Leave Film school immediately" -- Best advice I've ever heard!
I love Friedkin but his era of getting into filmmaking is very different than today. It was far easier to get into the industry than today and getting even a PA job on a set requires some academics including those at film school are required.
@@arlosteiner8382 Film School, i.e. college, is like college sports are to the major leagues. It's a cycle. And with people like Lucas and Spielberg donating close to $1 billion, they sure aren't going to let the cycle break, even if it is good for the industry to have fresh blood from outside the circle. They peddle formulas. That's why the average joe can go see pre-screenings to test out ideas. It's all by method and statistics now. Translation: Commercial appeal.
Just study fine art for the frames,scene lighting understanding,study William burke poetry for descriptions and great writing,read the bible for extreme morals and understanding or cause and effect and boom you have film school ,I wasted 4 years trust me it's not worth it
@@dantedlane2 William Burke?
@@arlosteiner8382 It wasn't really easier back then to get into the industry than today. I think it was actually harder. While maybe there's a lot more 'competition' for jobs today, back then there wasn't nearly as much 'content' being produced back then and having connections to the industry was much more important in those days too.
George Lucas had an extremely hard time getting a job in the industry at first even with the recommendation of Haskell Wexler (his first industry connection). I'm talking about a PA job or crew job. His professors at USC were discouraging, telling his class on the first day "You'll never get a job in this industry. At best, you'll be a ticket taker at Disneyland". Something like that. It was ALWAYS a difficult industry to get into. In one way or another, it always will be.
The one advantage younger kids have today is it's so much cheaper and easier to just go out and shoot, edit and complete a film. Spielberg was told he'll never be taken seriously by the industry unless he made a professional level film shot on 35mm. You don't have that expensive worry. A phone has good enough quality. You just have to make something good.
Back even 20-30 years ago which is when I started, you had to shoot on film to be taken seriously (35mm, but 16mm was acceptable, but less so). Film was so much more expensive. $1000 for 10 minutes 35mm. You pretty much had to rent cameras for hundreds, even thousands a day (to buy a camera would set you back $80,000-$100,000). Never mind post-production which was also outrageous. You want a simple dissolve in your film. $10 for each. Never mind sound mixing. Now you just slap it on in your NLE software which you can get for FREE.
FREE post production software. Shooting on a relatively inexpensive, but high quality camera and not worry about how much footage I'm shooting because of cost? I would've killed for all that 25 years ago.
Friedkin is 77 here (now 80), looks a very healthy 60.
+dcanmore He comes across as being such a cool, intelligent and 'street' guy (that combination ain't easy!) that he deserves to look that good for his age!
dcanmore my dad 80, and he certainly looks like it.
Holy shit, he looks great
He looks 25 years younger than his age.
I wondered if he was a teenager when he did The Exorcist...
If he's worried about making a film that will be immortal. He can rest easy. The Exorcist is still the scariest, most unnerving film I've ever seen. Great interview.
It's in my top 20 or probably 15 favorite films of all time. An absolute masterpiece.
It truly is the only horror film that came close to moving me the The Exorcist did is Hereditary and it took 50 years for anyone to even come close to The Exorcist. It’s in my top 5 possibly number one of all time
I haven't seen all his filmography but I can say without hesitation that Sorcerer is one of the finest pieces of art I've ever seen.
Please watch the directors cut. You ain’t seen nothing yet.
@@madnbad1408 I got the dvd. It is scarier.
Billy's autobiography 'The Friedkin Connection' is just wonderful.
He keeps his private life out of it but gives awesome, invaluable stories about the making of his movies. And he's very open about how arrogance and hubris ultimately derailed his career.
Essential reading for any filmmaker out there. You're not going to learn where to put a camera but you'll learn a lot about dealing with actors and producers.
cool. thanks!
French Connection is great b/c of the original Investigative Reporter’s work.
I’m reading that, now.
His final comment about the state of filmmaking today is actually a perfect summation of the state of society today.
I could listen to him talk for hours.
RIP. Awesome filmmaker.
I feel blessed to have lived at a certain time, being a film buff and to have watched and loved most of Williams favorite films. And the few I have missed; I will look for because I know it will be time well spent. RIP Mr Friedkin, you made an impression with your films!
He is approaching 80 and looks not much older than 50....????
Him and Michael Mann.. Greats
Nonpop23 Yup aging well.
A guy at my office is 64 and looks 40. Some people are just lucky. An old college friend of mine, whom I haven't seen face-to-face since he was 23 in 1986, regularly posts photos on Facebook. He doesn't look a day older. *sigh*
Cold bath, little Sun, still heart, low carb, two sleeps day, posture.
RIP
It feels like the whole world fell silent to listen to this.
Crazy to think Friedkin was in his 70s making Killer Joe! He was a maverick right to the end! Rest in peace.
William Friedkin is another great master of cinema who has left us, but his work remains. Thank you for the fantastic films he made, Master!
His admirative tone is somewhat moving. One of the most charismatic directors ever !
The actual video starts at 2:04
Crimes & Misdemeanors is truly outstanding, I'm glad he mentioned it. I have never seen a film that encompasses morality, philosophy, theology, sexuality, marriage, suicide, lying, affairs, success, loneliness, social class, psychology, war, religion, family, and fantasy vs. reality. The movie not only touches on these themes but stares them directly in the face! Seriously, see it if you haven't already.
I loved how Alan Alda played the big A**hole but gets the girl in the end.
@@ranchokitty1great film. One of my all time favorites. Jerry Orbach brilliant portrayal of street smart brother
I agree. Among Woody Allen’s astonishing run from Annie Hall, Hannah & Her Sisters via Zelig etc etc, Crimes & Misdemeanours rings like a heavy bell. I’m pleased he picked it out and (what I know but) there’s some monumental painful reality in it which is also in The French Connection and The Exorcist (and L’Avventura!). I also love that he loved Singin In The Rain and Gigi which are the opposite of all the above: pure joy, but equally intense and immaculate.
The Exorcist is his masterpiece but please don't stop making movies Mr Friedkin.
Just stop talking.
To live and die in LA.
My best buds friend fave film. Sad. Not for quality considerations but for, what sense of life does this convey?
The Exorcist and The French Connection are two of my favourite movies. Sorcerer, I watched for the first time in 2014, and I thought it was excellent.
Watch The Wages of Fear. it is the original movie that inspired Sorcerer.
To live and die in L.A, Thank you Mr friedkin.
...one of my alltime movie-favorites !
greetings from berlin...
To Live and Die in L.A. is my favorite Friedkin movie, and one of my favorite films of all time. Cult classic!!
One of my all time favorites...ever!
Yes...
Love what he says about Steve McQueen. He's so right - Steve as an inventor of minimalism. I know you can do that only in film, not on stage. But anyhow - great actor.
ghostwriter71 Actors like Gary Cooper, Spencer Tracy and Robert Mitchum were "underplaying" long before McQueen.
Exactly. He's also terrific in Love with the Proper Stranger and The Cincinnati Kid.
@@ashleyalexander913 yes. they were, but that doesn't take away McQ's own greatness.
@@waynej2608 I really liked Love with the Proper Stranger. Excellent film that tackled some edgy subject matter for that time.
Papillion should have one an Oscar and he wasn't even nominated
I could listen to this guy for hours. Smart, insightful, truthful, and one of the most brilliant filmmakers of all time. To me, he's on the Mt Rushmore of directors along with Hitchcock, Spielberg, and De Palma.
John Huston? Stanley Kubrick? Scorsese before De Palma? You are a nut.
I wish more directors did this.
You mean defend the KKK?
@@peteraleksandrovich5923 You know he is jewish right?
His appearance here is his greatest masterpiece. Leather jacket, weirdo glasses, full head of grey hair. Nice.
William Friedkin has made some excellent films, but has maintained his humility, with an amazing appreciation of the cinematic works of others. His ability to recall details, and conjure up scenes with his lucid vocabulary, makes his talks always packed with information . I could listen to him all day, just as he did with the viewing of Citizen Kane. Thanks Mr. Friedkin and Fade in Magazine. Much appreciated.
This guy has such a great voice.
Yes, he does.
He sounds a touch like Trump. Really think about it.
was thinking the exact same thing
He sounds like agent cooper from twin peaks
@@gargantuaism 11:33
just saw his movie SORCEROR last week and I was amazed, on the edge of my seat and sweating and smiling at the same time. Awesome experience
He mentions "Z" from 1969. Saw it on television the first time and finally in a revival.Powerful film for its day- may still hold up-but something definitely worth seeing.
I thougth that "Z" was based on a true story. I thought it was based on the MIliary Coup against an Elected Greek Government.
@@HoldenNY22 You are right it was.
My sister who was older knew about the truth behind the film. Its been a while since I have seen it. I should watch it again!
@@HoldenNY22 There was an assassination in it though...
@@lewismiller6567- I haven't seen it in a While either.
i would loved to have seen a William Friedkin Michael Mann collaboration. Some epic crime drama
Si Amigo!! Que genial idea la tuya! de esos dos genios tiene que salir una Obra Maestra.
Saludos desde Argentina
Collaboration? Gtfo...
You'll find that Mann has been heavily influenced by Friedkin throughout his career.
If Mann is a bank robber, then Friedkin is his getaway driver.
Michael Mann, a Mann in his Own League 🎇💐
RIP Billy. You will be missed. We love you deeply ❤️ god bless you
HE IS AN INCREDIBLE HUMAN BEING ....NOT JUST A DIRECTOR ....AMAZING MAN ......
01. Onibaba
02. Rosemary's Baby
03. Z
04. Alien
05. Blade Runner
06. Blood Simple
07. No Country For Old Man
08. Bullitt
09. Blow Up
10. 8 1/2
11. American In Paris
12. Bandwagon
13. Gigi
14. Singing in the Rain
15. All About Eve
16. Treasure of Sierra Madre
17. Birth of a Nation
18. Citizen Kane
19. Breathless
20. Rashomon
21. Buster Keaton's films
22. Bourne Ultimatum
23. Alfred Hitchcock's films
24. Crime with Mr Miller
Anything I miss?
Lol. "Crime with Mr Miller"
Yes, he mentioned L´Aventura, La Notte, L´eclisse, by Antonioni among his favorite films.
Who’s mr miller?
"Crimes and Misdemeanors" 😉
@@ITcanB Match Point is much better.
"He wasn't out of focus like you guys" 😃
Crimes and Misdemeanors. Absolutely!! What a great summary of knowledge from a director who is relatively unmentioned nowadays. "Very little truth to be found"
Finally someone, who REALLY knows film, calls attention to the greatness of Crimes and Misdemeanors. Woody Allen seamlessly combines his usual witty humor with a riveting, dark moral drama, which asks if there is a God who will ultimately punish those who knowingly choose to do evil.
It’s like 2 completely different movies in one, but the characters and scenes from each are intertwined in a way that conveys how real life is full of comedy, farce, tragedy and horror all at once.
really the icing on the cake, he likes and praises Woody Allen. It comes at the end of the whole hour and it surprised me.
@Paul Hill 🥰mmmm yum -- I like me some frosting ...er,um: "icing" yes I do. (thank you🙂)
@@stjudeprayer7 Anyone who likes cinema must love Allen.
You cannot be an American film maker and not pay homage to the genius of Woody Allen. Annie Hall was shot like a documentary. Not at all unexpected that Billy would love Allen's films.
I really loved many of the movies that you directed. Recently, I became enamoured with Sorcerer. Thanks William for the greatness you brought to the art!!!
Sorcerer is such a great movie. It's weird to think that that movie was a massive bomb when it came out. It came out right at the peak of Star Wars' popularity.
I just saw a video on that yesterday. I’ll be watching some time this weekend
Did I miss any?:
Onibaba
Rosemary's Baby
Z
Alien
Blade Runner
Blood Simple
No Country for Old Men
Bullitt
The Great Escape
Blow-Up
La Notte
L'Eclisse
L'Avventura
Eight and a Half
American in Paris
Band Wagon
Gigi
Singin' in the Rain
All About Eve
The Treasure of the Sierra Madre
Birth of a Nation
Citizen Kane
Breathless (1960)
Rashomon
Bourne Ultimatum
Vertigo
Psycho
North by Northwest
The Wrong Man
Notorious
Crimes and Misdemeanours
The General & Steamboat Bill Jr. (Buster Keaton)
No Kubrick
You missed 8 1/2
That's a pretty damn good starter list for a budding film fan, right there.
@@johnrogstad1278 Got that right.
Antonioni -movies are absolute treasures.Especially the wind blowing through the trees in "Blow up" and the things that you feel when you´re in an empty city, great space and...silence around the midday and the woman walks around:You push the Stop-button anywhere you like and you´ll see where you want to be...! I ask you :Whoever did such things? This is art at its Finest!
I guess de chirico did it but your comment is on point 🙌
Well said man
When you listen to truly intelligent people the words just flow and flow and draw you in. No thinking time pauses. He makes you want to watch every film he mentions. He looks incredibly good for his age and not in a botox way.
He is a class act BECAUSE he is honest. He can swear up a storm and be a bit unhinged, I’m sure, a little rough around the edges maybe, but he tells it like it is.
Such an intuitive, clever actor, Matthew McConaughey. KILLER JOE was a wild ride. I hope him and Friedkin do another film together. Great ensemble cast, veterans and newcomers. William Friedkin is the master of drama.
Such a great interview, William Friedkin is a brilliant speaker as well as director. I could listen to him and learn all day.
I love The Exorcist because he does not reveal everything.. just layer by layer the story as it unfolds . He took all the best bits of filmmakers before him and put them to excellent use
the only film school that i know is Watching a lot of good films, it is the path to educated yourself in highest visual literacy.
Also, StudioBinder is extremely helpful also.
So he hasn’t made a Citizen Kane? He has made The French Connection, The Exorcist, and Sorcerer. Maybe they’re not on the historical level of some that he mentioned but they’re incredible achievements nonetheless. Love how he takes a jab at CGI while praising silent films. Sadly people like him, the unimpressed with modern films are few and far between.
exactly. thank you.
I think almost every serious filmmaker is pretty unimpressed with modern films. If we define modern as anything made after the 90s.
The Exorcist is the greatest film ever made
And I would add "To Live and Die in L.A." as another of one of his great films.
Excorcist is a masterpiece and the best horror of all time
Onibaba, Rosemary's baby, Z ., Alien, Blade Runner, No country for Old men, Bullitt, Blow-up, L'aventura, L'eclisse, La notte, 8 1/2, The Band Wagon, Singin in the Rain, Birth of Nation, Citizen Kane, Breathless, Rashoman, Buster Keaton, Hitchcock, vertigo and psycho are my two favourites. Great list of films.
Louis Davies one more, An American in Paris
where is all about eve louis davies
Louis Davies crimes and misdemeanors
Amazing speech by an amazing filmmaker. He could have included The Exorcist among the scariest ones he's mentioned.
I guess he's probably one of the few people in the world that The Exorcist can't have any effect on. It's hard to get scared of your own work, because everything reminds you of the process behind it. I think when we see shots of Reagan, we're engrossed in the movie and it's story, but when Friedkin sees the same shot, he's probably reminded of all the times they had to redo it because something went wrong, or how he didn't manage to get it quite like he wanted it, or something that had to be changed last minute because of time/budget/higher powers. He also probably saw it hundreds of times in the editing process, out of context with the rest of the movie. There's nothing easier to ruin magic for you than making it, and artists are usually their own worst critic.
Friedkin is always captivating.
Literally everyone I’ve ever talked to about films, has said that they thought “No Country For Old Men” was a masterpiece.
I think it’s gotten to the point where we can say it’s truly one of the greatest films ever.
And I think we can say that the Coen Brothers are the greatest filmmakers of our generation.
I just saw “The Ballad of Buster Scruggs” and I thought it was fantastic. Check it out if you haven’t yet.
If not the greatest, definitely the most consistent (with Scorsese).
No country sucked and the Coen Brothers suck.
NC for OM is depressing and gratuitously violent - not unlike America.
@@jamesmurphy1389 Try living in _Afghanistan, North Korea, Somalia, Ukraine, Brazil, Pakistan, Iraq, Yemen…_
Then, come back and tell me how “depressing” America is.
But surely the point is that America is, as we speak, in the process of becoming as benighted as the beleaguered countries you mention. Try living in downtown LA and tell me how uplifting America is. @@CipherSerpico
Only someone with a true passion for cinema would mention Michelangelo Antonioni's films. He was brilliant.
Antonioni is a well-known director.
Depends on what your passion for cinema entails.
@Randy White That's true.
@randywhite3947
Not everyone likes every filmmakers' movies.
I think Antonioni has been the greatest filmmaker ever. I may be a minority of one but I just don’t mind. The man was an artist in the purest form
I always thought that with Crimes and Misdemeanors Woody Allen came closest to achieving what he most admired in other directors. The final scene in which Martin Landau talks about his "friends" guilt and how it faded over time is as true as anything I've ever seen.
Once you get the first one under your belt....
Is there an allusion here in the title to Crime and Punishment
William Friedkin one of the most interesting directors we have had. Could listen to him talk film all night.
Crimes and Misdemeanors is truly incredible.
Agree. The acting of Martin Landau, Jerry Orbach, Angelica Huston and Robert Alda, is freaking off the charts!
@@waynej2608 *Alan
Thank you so much for this wonderful footage. Such a great film person. Love his commentaries on DVDs. On his films and also on Val Lewton's "The Leopard Man" too. Love to hear him talk. At the end here, he was so right. Thanks to all the greed of the industry, today we are all being SPUN, to the point of turning so dumb to all the realities our parents experienced in their lives.
wow I didn't know he did a commentary on The Leopard Man. Will have to look that up, as I have an old French DVD of that movie and the other Jacques Tourner/Val Lewton ones.
@@iangrant3615 Thanks. Should mention that this version of "The Leopard Man" is the one included in the Val Lewton box set. That came out about 15 years ago. Maybe a local library can get it for you on loan.
Hard to argue with his favorite films, and he himself has made a few of my faves
I met Bill when he put out "The Hunted". He was amazed that I recognized him in public. Gracious and amazing man.
I have to give Friedkin credit, the French Connection and the Exorcist changed two genres's of movies forevermore.
The man is still making masterpieces!!
I saw "Z" at uni and remember loving it. Thanks for reminding me. And, yes, Bogie's Fred C. Dobbs is probably the best performance ever put on film.
I could listen to him discuss films all day (and night).
I absolutely loved Killer Joe. One of those movies that I just didn't want to end. I have yet to watch Sorcerer but it's on my list of must sees. This director seems to have a very unique and consitent way of building a foreboding sense of anxiety and dread. Things just seem to escalate downhill at an ever increasing speed.
I love Killer Joe. I wasn't sure what to make of the movie the first time...until the line at the very end! Then it hit me, the movie is a black as night comedic farce! Crazy to think Billy was in his 70s making it.
Sorcerer is great and so is the film it was a remake of...The Wages of Fear. See both.
Sorcerer is his best film, in my opinion.
I know a lot of people will completely disagree, but I’ve seen everything he did, and of all my favorites, I loved it the most.
God yes! See Sorceror. Excellent Tangerine Dream soundtrack and Roy Schieder has the best perspiration. Epic off beat film.
“Escalate downhill”
Lol
Naming Breathless as the last super influential film classic is bold and to the point.
Not sure everyone would agree with that assessment (2001 Space Odyssey, Taxi Driver, Jaws, Star Wars, Godfather, Silence of the Lambs, Trainspotting + Mr. Friedkin's own masterworks), but Breathless is a beautiful film.
Can watch it over and over. It's immediate ancestor, Elevator to the Gallows (plot lines and general style are so similar, I often confuse them when referencing them - even after having seen each well over a dozen times lol. Or maybe Im just dense), is also awesome, with more of a classic cinema feel than New Wave feel.
Found his audio commentaries in French Connection and The Exorcist very informative. Legend this guy.
You'll be missed, Friedkin. Dammit, you will be😢
I haven't seen any of his films, but I've seen many interviews and I truly admire him. He's taught me a lot.
...............
RIP to a legend
I'm seriously shocked. I had no idea how intelligent, insightful, and encyclopedic this guy is. He is super-sharp and at once disarming. Due to this interview alone, my opinion of him has done an about face.
My Top Ten:
Troll 2 (1990)
Batman & Robin (1997)
Catwoman (2004)
Superbabies: Baby Geniuses 2 (2004)
Foodfight! (2012)
Run for Your Wife (2012)
The Hottie and the Nottie (2008)
Shark Attack 3: Megladon (2004)
Star Wars: The Force Awakens (2015)
Gilgli (2003)
Solid list....
No Birdemic or Battlefield Earth?
You missed The Room?!? :O
no norm of the north??
As if Star Wars belongs to this list.
1) Hana-Bi by Takeshi Kitano
2) 2001: A Space Odyssey by Stanley Kubrick
3) Ran by Akira Kurosawa
4) Chinatown by Roman Polanski
5) Magnolia by Paul Thomas Anderson
6) Once Upon A Time In America by Sergio Leone
7) Eraserhead by David Lynch
8) Akira by Katsuhiro Otomo
9) The Big Lebowski by The Coen Brothers
10) Apocalypse Now by Francis Ford Coppola
There's my 10 favorite movies. I'm not saying that they're the best movies of all time, and some shit like, say The Exorcist, Taxi Driver, Pulp Fiction, The Wild Bunch, etc etc. I'd have a hard time arguing against if anyone wanted to tell me they belonged, as well as other personal favorites like Freebie And The Bean, Chungking Express, Glengarry Glen Ross, Hard Boiled, and on and on. So many amazing fucking movies, so few spaces... Maybe it should be top 25, haha
All The Presidents Men, Klute, The Red Circle, Do The Right Thing, Eternal Sunshine Of The Spotless Mind, Brazil, Blade Runner, Holy Mountain, The Godfather (1&2), Spinal Tap, Dr. Strangelove, Dog Day Afternoon, JFK, Touch Of Evil, Vertigo.... See, still going, nowhere near out of movies to rattle off. Too many good ones, haha.....
+TheDayOfTheDog i love the red crcle.melville is great.army of shadows is at least as good as the red circle.
Army Of Shadows is terrific, and Melville ruled mos definitely. Happy to hear someone else is aware of his work, haha.
Terrific list. Magnolia in particular had a huge effect on me when I saw it. It's not actually in my own top ten but I saw it when I was 19 the opening day it came out, and it was an utterly overwhelming experience. Cinematically on a purely technique level it's astonishing, but it's just incredibly moving isn't it. It's about loneliness and loss and feeling marginalised and confused, about losing yourself in hate and drugs and booze and all these fucked up decisions you make. I recall feeling light headed when I came out of the cinema. You could tell people didn't quite no what to make of it. Aimee mann's songs as well, beautiful. I've never been able to get away with the narcissism of cruise but Anderson used him brilliantly, and channelled his persona into a framework where he was entirely right. He should've won the Oscar, that heartbreaking scene with Robards and his dead eyed contempt in the interview sequence are incredible. But he'll everyone's great in that film.
Anyhow my top ten as follows
The assassination of Jesse James by the coward Robert ford (dominik)
Let the right one in (alfredson)
Goodfellas (Scorsese)
Mulholland drive (lynch)
Deep red (argento)
Aliens (Cameron)
The devil's backbone (del toro)
Don't look now (roeg)
Chinatown (Polanski)
Dark water (nakata)
I like most of what Mr. Friedkin says in this interview, and I like some of his films, but I have to object to something he said about Birth of a Nation. Saying that the film was a justification of the Ku Klux Klan, in our politically correct environment, today you couldn't make a film on the same subject, or even talk about one. However, at the moment of it's release in 1915, the film was protested throughout the country, and banned in eight states, its influence contributing to segregation through much of the South into the 1960s. The content of the film was controversial from the get-go. So calling Birth of a Nation racist today is not being politically correct, nor was it upon its release. The film is racist, period. But technically speaking, Friedkin is correct, in that it influenced American filmmakers and filmmakers in Europe, especially in Russia.
Friedkin is a great observer of film, for sure.
very sharp minded for a 79 year old. bless him.
Man... I forgot about Killer Joe. That was fantastic. Gonna watch that again today.
He doesn't miss anything really. Omnivorous.
One of my favourite director “personalities” you really don’t know what he’s gonna say next. Share his sadness at the whirlwind of lies the population is subject to on a daily basis.
Can’t believe he loves musicals too. Gigi is one of my all time favourite film musicals
I found him charming....I watched so many interviews with him, I felt as if I knew him. He will certainly be missed. Rest with the angels, Mr. Friedkin.
Mr. Friedkin, your film THE EXORCIST is indeed just as great and just as special as all those classic films you talked about....
Yesss
Mr Friedkin and I have something in common we both love old movies. Love to watch him talk about movies.
I actually think the exorcist or Sorcerer the French connection masterpiece cinema you're already there William
One of the very few honest people in Hollywood.
First and foremost Friedkin is a documentary filmmaker, so his craft is going to be centred as such. 2001 is of course influential, however not every stroke of genius has a place for every creator. Like all of us we recognize brilliance in whatever genre whether or not we engage it is a different matter .
The defense of 'Birth of a Nation's politics. I was not expecting that. Fucking hell
You poltical correct cultists are pathetic
Luckily the mrna vax is putting you all out of your misery 😃 😊 😀 😄
Killer Joe is the role Matthew McConaughey was born to play. He had a very clever, deliciously evil, entertaining and layered understanding of this character. Talk about showmanship.
What a exquisite taste, the very unknown (by mainstream viewers) films by Antonioni he mentioned are also among my favorite. Also, he is very humble, because in my opinion The Exorcist is a masterpiece that can be compared to Citizen Kane, Breathless, Kurosawa or any of the greatest films ever made.
he's a director who's always challenged himself. most of his films have been ambitious films, the type that might not always appeal to a broad audience.
R.I.P What a film maker!! 29/8/35 - 7/8/25
25? 23 you mean
My favorites.
1. L'Age d'or--Luis Bunuel
2. A Clockwork Orange--Stanley Kubrick
3 Eraserhead--David Lynch
4. Manhattan--Woody Allen
5 Last Tango In Paris
6 The Dicreet Charm of the Bourgeosie---Luis Bunuel
7. All That Jazz--Bob Fosse
8. Apocalypse Now---Francis Ford Coppola
9. Barry Lyndon---Stanley Kubrick
10 Roshomon---Akira Kurosawa
11. Blue Velvet--David Lynch
12 The Nights of Cabiria---Federico Fellini
13.Barton Fink--Ethan Coen
14.Brazil--Terry Gilliam
15 Life of Brian--Terry Jones
*Rashomon
Bit of a Lynch fan, evidently. I just could not get through Eraserhead
All That Jazz is amazing so underatted, a lot of people who say that they like Stanley Kubrick and haven't seen Barry Lyndon
ok
I'm so glad he mentioned To Live and Die in LA. I still watch it. It has a few dated looks, but the performances by the director and the actors are brilliant
He directed two of my favorite movies EVER , they are The Exorcist and The French Connection two of the Greatest movies EVER made.
And Cruising, Sorcerer and To live and die in L.A.
Rest in peace Mr. Friedkin! You were my second favorite movie director. You know Everything now Billy!
He has no problem being the “you kids these days!” guy, haha. Not that he should. He’s an all time great!