@@Bismarck_knispel era 22 de junio De 1990 nuestro último día de clases Éramos Oliver Chamberlain, Peter page, Steven Prince, Andy Knightley y yo me decían el Rey porque mi nombre es Gary king
Came here because I couldn’t find this track on Spotify. Having a nostalgia morning that started with Bagpuss and Hartley Hare and lead to this banger!
"Ollie was funny, he fancied himself as a bit of a player, but really... he was all math. We called him O-man because he had a birthmark on his forehead that looked like a six. He loved it." "Pete was the baby of the group. He wasn't the kind of kid we'd usually hang out with, but he was good for a laugh... and he was absolutely minted." "Steve was a pretty cool guy. We jammed together, chased the girls, I think he saw us as rivals, mph, sweet really." "-and Andy... Andy was my wingman, the one guy I could rely on to back me up. He loved me, and, I'm not being funny but, I loved him too."
In fairness to the original comment, I can't find much music from 1990 that is rave music and is using breakbeats that resemble hardcore. Also probably inspired 'Charlie says' with the sampling.
I kinda liked this record, back in the days of popular low-bpm house (before the popularisation of hardcore & jungle, circa 91-92 when it all got a bit pacier), but then I was 16 years old and it was still a relatively newly-popularised genre. What struck me at the time was the weird track name, with the artist's name-drop. Coupled with all the references in the track's vocal samples to "this man" and "that man", and it all smacked a bit of egotism, even to a dumb 16-year old. I never thought much about it again. I decided to look up this record (because of an Indiana Jones reference in a conversation) and found it, along with the Wikipedia entry for Mark Summers. It's really weird; that Wiki entry is super-super loooong, with expansive descriptions and explanations of everytime Mark Summers got a job and was then promoted, met Kylie Minogue, did some work, invented rave music, enabled the Prodigy to exist, invented DnB, just missed the Top 40 by a little bit more than 35 places (but notable, right!), fell out with someone and then scored more points than them with a revenge remix - it all comes across as petty, vengeful and ego-driven. I think, from reading it, he might also have invented the catchphrase Scorccio, which the Fast Show featured heavily (although they used one 'c' probably for copyright reasons I guess; probably after he invented it though?). He certainly developed a technique for recreating samples as replayed instrumentals / vocals, so as to avoid annoying royalty fees. Top class! Now, I don't know who wrote the Wiki entry, but it's a mad read. Here's the link for you. You'll see what I mean: en.wikipedia.org/wiki/Mark_Summers "This man is magic!" I think I know of someone who genuinely lives by that mantra.
Toytown Techno . Taking a pre-existing popular childrens TV theme tune and pulling it apart. Others include Smart E's "Sesame's Treet", the Prodigy's "Charly".. As for a hardcore sense of techno. Meat Beat Manifesto - 'Kneel And Buzz (1987)
"Ever have one of those nights that starts out like any other, but ends up being the best night of your life?"
22nd of june 1990
A quote from the world's end where this track was featured
It was our last day of school
No han tenido una noche que comienza como cualquier otra,pero termina siendo la mejor?
@@Bismarck_knispel era 22 de junio De 1990 nuestro último día de clases
Éramos Oliver Chamberlain, Peter page, Steven Prince, Andy Knightley y yo me decían el Rey porque mi nombre es Gary king
"Seeing the orange glow of new dawn break and knowing in my heart; life would never feel this good again. And you know what? It never did."
The World's End brought me here!
Me too
look at my profile pic lol
same
"Drink Up! Let's Boo-Boo!"
@@MidoriN0Taiyo “boo boo what is that
Great use of Magic Roundabout loved it xx
Came here because I couldn’t find this track on Spotify. Having a nostalgia morning that started with Bagpuss and Hartley Hare and lead to this banger!
Walked into a record shop can't remember which one and this was playing. Still got it somewhere
Likewise got this on 12. 🎉
Thank you for this treasure!
It was June the 22nd, 1990...
Release dates differ from country to country.
4th And Broadway was a US-based dance label established by Island Records in January 1984.
"There was Oliver Chamberlain, Peter Page, Steven Prince, Andy Knightley, and me? They call me 'The King'! Cuz,..My name's Gary King!"
"Ollie was funny, he fancied himself as a bit of a player, but really... he was all math. We called him O-man because he had a birthmark on his forehead that looked like a six. He loved it."
"Pete was the baby of the group. He wasn't the kind of kid we'd usually hang out with, but he was good for a laugh... and he was absolutely minted."
"Steve was a pretty cool guy. We jammed together, chased the girls, I think he saw us as rivals, mph, sweet really."
"-and Andy... Andy was my wingman, the one guy I could rely on to back me up. He loved me, and, I'm not being funny but, I loved him too."
@@skawashersr/woosh
This Is so beautiful
One of the origin of Breakbeat Hardcore.
LOL.
True talk
Do you not think maybe records like Joey Beltram's 'Energy Flash' from 1990 had more to do with it though?
In fairness to the original comment, I can't find much music from 1990 that is rave music and is using breakbeats that resemble hardcore. Also probably inspired 'Charlie says' with the sampling.
The worlds end is so underrated
Got this on vinyl ... love it 😀
You lucky bastard :)
Haha thank you 😂 nice to re listen @@sq1rlsqu4d
Where we all came from.
Reminds me of a date I went on once with AMBER
I kinda liked this record, back in the days of popular low-bpm house (before the popularisation of hardcore & jungle, circa 91-92 when it all got a bit pacier), but then I was 16 years old and it was still a relatively newly-popularised genre.
What struck me at the time was the weird track name, with the artist's name-drop. Coupled with all the references in the track's vocal samples to "this man" and "that man", and it all smacked a bit of egotism, even to a dumb 16-year old.
I never thought much about it again.
I decided to look up this record (because of an Indiana Jones reference in a conversation) and found it, along with the Wikipedia entry for Mark Summers.
It's really weird; that Wiki entry is super-super loooong, with expansive descriptions and explanations of everytime Mark Summers got a job and was then promoted, met Kylie Minogue, did some work, invented rave music, enabled the Prodigy to exist, invented DnB, just missed the Top 40 by a little bit more than 35 places (but notable, right!), fell out with someone and then scored more points than them with a revenge remix - it all comes across as petty, vengeful and ego-driven.
I think, from reading it, he might also have invented the catchphrase Scorccio, which the Fast Show featured heavily (although they used one 'c' probably for copyright reasons I guess; probably after he invented it though?). He certainly developed a technique for recreating samples as replayed instrumentals / vocals, so as to avoid annoying royalty fees. Top class!
Now, I don't know who wrote the Wiki entry, but it's a mad read.
Here's the link for you.
You'll see what I mean:
en.wikipedia.org/wiki/Mark_Summers
"This man is magic!"
I think I know of someone who genuinely lives by that mantra.
Toytown Techno . Taking a pre-existing popular childrens TV theme tune and pulling it apart. Others include Smart E's "Sesame's Treet", the Prodigy's "Charly".. As for a hardcore sense of techno. Meat Beat Manifesto - 'Kneel And Buzz (1987)
This fkin slaps 😏
The World' s End
o would’ve had a chance to smoke a rock that smile nuff for yeh take it mangonarco