Sediziose voci... Casta Diva... Ah bello a me ritorna! 29 junio de 1955 RAI Concierto
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- Опубліковано 16 кві 2011
- A mi criterio la mejor Norma de la Callas y la mejor de toda la historia! Muy cuidadosamente cantada, con la emoción de ser en vivo (un recital transmitido por radio); una Callas en su mejor momento vocal y de su carrera, una excelente Adalgisa con Giuletta Simionato y un Pollione inigualable: Mario del Mónaco. Este mismo casting dará vida a la tan aclamada Norma de la Scala de diciembre del mismo año.
The voice from heaven, we were so blessed to have have these recordings. The memory of Maria will never be forgotten.
I just listened to DAME JOAN it was painful. Callas is Norma 👑 Arnold Bourbon Amaral
nobody else ever came very close to this gorgeousness I've just heard
Callas . PERFECT.....Thankyou
Que suerte poder escucharla en esta grabación ...sublime
No existe calificativo para "calificar" estas versiones de la Sra. Callas. Están más allá de de toda comparación, de todo límite establecido como escala. Forma parte de un caso único e irrepetible por lo asombroso. No cabe compararla con ninguna otra cantante; la Sra, Callas es la Sra, Callas y punto. Ella es solo ella; es la encarnación perfecta de los personajes; ellos viven verdaderamente cuando ella los recrea cantando. Desaparece la "soprano que canta" y emerge viva, vibrante, sentida en forma absoluta la heroína de la historia. Es verdaderamente pasmosa la encarnación que hace de los personajes. TODO desaparece en torno a su "puesta". Quienes escuchan pierden la noción del escenario, los decorados, las luces, de quienes les rodean, se olvidan de si mismos, del lugar en que están, la noción del tiempo, época, año en que se vive y el espíritu se proyecta a "ese" tiempo de un eterno presente en que está "ahí" quien ama, sufre, se lamenta, se queja, quien se rebela, se enfurece, se desborda o languidece en trémula agonía y desfallece. Ahhh.....prodigioso don de hacer partícipes a quienes escuchan de las profundidades más íntimas del alma humana. Ojalá surgiera alguna otra con un don igual porque el espíritu humano necesita de este tipo de experiencias para comprender el sentir más hondo de los otros y de comprenderse a si mismos. La Sra. Callas NO fue una soprano de tantas sino la más grande comunicadora de las emociones humanas desde el escenario de un teatro de la que al menos yo haya podido escuchar. Más que voz, más que técnica es ALMA abierta al alma de los demás. Tal vez porque en su vida supo experimentar muy intensamente todas las emociones que revive en sus roles.
You are very wright!
Viva Maria! At the 100 th anniversary
of her birth on December 2nd.
Greetings from Romania, G.D.
I loveeeee that she fearlessly grasped the last C6 from the sky to illuminate our mortal realm.
Спасибо за редчайшие фотографии Богини! Это Лучшая Норма и Поющая Женщина - Чудо!!!
Inmensa! Divina! Única ! Irrepetible! 💗
Bon ,ici plus de doutes ,c'est LA plus grande Norma de tous les temps .Absolument splendide ,sa meilleure version .
Hello,
I listen very often to this recording,
I have the CD from MYTO. On the
booklet of this CD I read Adalgisa is
Ebe Stignani but on this cilp Emiliano
wrote that Adalgisa is Giulietta Simionatto.
What is the real one ??
Greetings from Romania, G.D.
@@dumitrescugabriel1704 bonjour mon ami .Dans cette version live de 1955 à la Scala ,c'est bien Giulietta Simionatto qui chante Adalgisa.
La version avec Stignani c'est celle de l'enregistrement en studio .
Amitiés de France.
Bonjour,
Je vous remercie pour votre
aimable réponse. J'écoute la voix
de M. Callas presque tous les jours. On
se souvient d'elle surtout à l'occasion
de 100e aniversaire.
Viva Maria !
Meilleurs vœux de Roumanie, G.D.
@@dumitrescugabriel1704 bravo monsieur ,vous parlez très bien le français ❤️👍👍👍
That's the highest moment in singing history
Six months later at La Scala the soprano went on to sing an even greater Norma, flanked by the great Simionato and a del Monaco in fine vocal form and faultless vocal behaviour.
Sobrenatural. Inimitable E inigualable. Y, desde luego, 60 años después, INSUPERABLE.
Insuperable, momento de esplendor total e interpretación perfecta. La Divina eterna, hacia la celebración de los 100 años de nacimiento de Callas. Después de ella nadie más ha sabido ser Norma, otras la han cantado muy bien, pero ninguna ha sido Norma.
Sublissime!
Sublime.
At the 1955 RAI concert "Norma," Adalgisa was sung by Ebe Stignani, not by Giulietta Simionato. The latter did sing six months later with Callas at La Scala.
Hello,
You are very wright !
I have this recording on CD from MYTO
and on the booklet is written that
Adalgisa is Ebe Stignani !!
Thank you
Greetings from Romania, G.D.
@@dumitrescugabriel1704 And greetings to you! Glad to know there are Callas fans in Romania.
Thank you for your kind reply.
Keep in touch if you agree.
Viva Maria ! G.D.
PS. Centenary on Dec. 2nd
Thank you for your kind reply.
All the best from Romania,
Gabriel D.
the best
En el concierto de la RAI, su Adalgisa era Ebe Stignani, no la Simionato. (Un poco tarde en la carrera de la Stignani)
ÙNICA !!!!!!!!!!!!!!!!!!!!!!
DIVINITY
Amazing restored recording!
Viva Maria!
Greetings from a big Romanian fan of M.C
PS. Emiliano, where are you from ?
Sembra scritta per lei....
5:43
Callas losing her voice wasn't due to the major weight loss, but rather a physiological one and her growing lack of practice for her voice (and the fact that she just lost her husband to another woman, so how can one truly recover from that?). Plus, up until 1955, Callas already had a 20+ year career, she really could've retired in the late 50's but she decided to continue singing, adding a new opera to her repertoire (Poliuto, 1960).
She lost her desire to sing due to uncontrollable events in her life that surrounded her (due to a haunting press/media that dogged her out whenever they wanted to). She said it best "Truthfully, it is a hell of a price to pay" for being an Operatic diva and the first major celebrity of Opera.
And unlike Deborah Voight after Callas did lose the weight, she still sounded like she did before she lost the weight (just her high notes got much easier to produce and the lower notes much more rounded, less barked and cavernous).
Now Deborah Voight is a different case... She lost her weight by the staple. She did it artificially, and it left HORRIBLE results for her voice. She wasn't a dramatic soprano but, she was a full colored-spinto with the qualities of a dramatic (singing Brunnhilde like it was nothing). Her "Hojotoh!" was an amazing attribute that no one since Nilson could deliver. After 2009, the voice just collapsed as a result of her artificially losing the weight and not even supporting it well.
tonshaad1230 Her lost weigh change her voice, in 1954in la forza studio recording her partner told about the difficulty that she has to manage that voice whit the same ferocity but in the new tiny body. She force to sing like in the past until 1958, every year a litle worse but 1959 after lucia in Dallas Callas inself said to her partener: mi career ends here.
Emiliano Ignacio Rodriguez She lost her voice only due to her losing control (she states this in the 1977 interview in Paris). It was NOT due to the weight lost, for which in that same interview, she describes HATING people who believes in that gaudy and idiotic rumor of hers. She lost the control of her vibrato and that's the ONLY thing hat cost her to have a change in her voice, the rest are nothing but big lies.
Im sorry, but if you listen like me every thing that she sang is evidently that until 1953 her voice was one and after other that loose streng year by years.
Emiliano Ignacio Rodriguez Well unfortunately, we do not share the same opinion as I just told you Maria Callas herself stated that what you ¨believe¨, is simply false and just a plain lie. Why even try to dispute with the woman who said it herself? Her voice if anything, had much better characterization from 1954 and onwards than she ever had in the earlier fatter days.
tonshaad1230 she said many things, not only what you said, for example after her fantastic sonnambula in 1955 she said to a partner "the end started". Dont tell me planied lies and thats terms, if you take the time to listen all work that she recorded and lives performance and you have a good ear and knowleg about sing you can recognize that im saing: until 1953 whit fat body has a voice, after that becames to loose streng and apogiatura but started to create fines way to interpret and act (but this is another cuestion). Is a lie sostain that her high c of 1953 is equal that 1954, the evidence of the records speak for them self. Whit nothing more to say and discuse, good bye!
Nooooo... after her weight lost. Before the begin of the end of her vocals chords like when she was fat. After sonnambula 1 month before, she told that the end was started.
@PolishViking Thank you!!! You seem to be the only voice of reason here, who understands that her vocal deterioration was due to her demanding schedule and repertoire, plus all the insane outside forces against her, such as the media. I also can't help think that the final "nail in the coffin" was her relationship with Onassis, whom she saw as an escape from the horrible world and life she had come to know. But I've always rejected that it had anything to do with her weight loss.