Yes, the low volume doubles seem to be something not everyone is familiar with. I’ll do a video on these as they’re such a vital ingredient to playing with dynamics. Glad you liked the tips!
When I was 9 I practiced every day - EVERY day! That was my system! 😁 Every with a system! Relax, don’t tighten your grip, and be patient! It will come with a little bit of blood sweat and tears!
Outstanding insight. I see a lot of videos that focus on upstroke and downstroke for the paradiddle -- and, of course they're important as well -- but I would be willing to bet it's the control of the double stroke that holds most people back. I know it does in my case. Thanks for this.
The method used by drum corps to build strength, control, and speed with rudiments is rudimental breakdowns. Just like singles or doubles may be focused on by one hand, we can do the same with rudiments. Practicing this way, with a metronome, from slow tempos to fast allows for easy analysis to detect errors in playing as well as a good workout. It's generally easy find plenty of these exercises for individual rudiments free online. Alternatively, Bill Bachman wrote a book called "Rudimental Logic" that chronicles all the PAS rudiments, plus a few common in drum corp.
I'm totally with you on the isolation of the hands as I demonstrate in the clip. I was introduced to this concept after watching Jeff Queen's VHS (many years ago:). It was such a clear and easy way to get things working. I love what Bill does too!
A couple other things I found to look out for are 1) the transition from accent to diddle - making sure you're in full control of the rebound from the accent, and 2) not being late on the upstroke. The first inversion, which puts the diddle in the opposite hand as the accent, and combines the diddle with the upstroke, is much easier for me.
That's great that you are doing the inversions! I love mixing the inversions together to change up the accents and create different phrasing. Enjoy your paradiddles!
Thanks for subscribing :). Yes, it's an awesome kit! There's a tour of it on my channel if you wanted to see everything that's in the set up. Have an awesome day!
You still need to play the paradiddle sticking; RLRR LRLL. If you break it down, each hand plays the same rhythm. When you get them up to speed individually, it’s a matter of applying that same technique and putting the hands together. I hope that helps!
Yes, It can take a bit of time but that's part of the journey. You can practice them individually first to be super comfy with the bounce strokes, so that they will be easier to combine with the normal strokes.
I also play traditional grip and you can definitely get them up to top speed with this grip. The same principle applies for using the multiple bounce doubles when it gets faster. Enjoy!
Of course it's always a personal decision. I have many students wanting to play their paradiddles in different songs but are challenged getting to the tempo. This tip helps them develop the skill they need to execute it so they can use them in their music for grooves and fills.
Great lesson and really helpful tips. Thank you, Grant!
Thanks Steffen. Great to hear it was helpful. Have fun with your Paradiddles!
Those are really good tips. Never realised that about the volume of the doubles in between! That's gonna be a key to get a step further. Thanks!
Yes, the low volume doubles seem to be something not everyone is familiar with. I’ll do a video on these as they’re such a vital ingredient to playing with dynamics. Glad you liked the tips!
I have been struggling with the ghosted double notes and this video is just what i needed. Thanks
That's awesome Jason! Have fun with them :).
When I was 9 I practiced every day - EVERY day! That was my system! 😁 Every with a system! Relax, don’t tighten your grip, and be patient! It will come with a little bit of blood sweat and tears!
That's Awesome! Yes, being relaxed and patient are definitely are definitely part of the journey.
I remember for years starting in 1984 playing the stick control book over and over.
An awesome book for building hand technique!
Outstanding insight. I see a lot of videos that focus on upstroke and downstroke for the paradiddle -- and, of course they're important as well -- but I would be willing to bet it's the control of the double stroke that holds most people back. I know it does in my case. Thanks for this.
Thanks Jonathan. Yes, it's definitely the hurdle most of most students have with the control of the doubles. I hope it helps!
Me too. This has long been a source of frustration for me. @@grantcollins
Great lesson Grant, cheers
Glad you enjoyed it and I hope it helps you get your paradiddles faster!
The method used by drum corps to build strength, control, and speed with rudiments is rudimental breakdowns. Just like singles or doubles may be focused on by one hand, we can do the same with rudiments. Practicing this way, with a metronome, from slow tempos to fast allows for easy analysis to detect errors in playing as well as a good workout. It's generally easy find plenty of these exercises for individual rudiments free online. Alternatively, Bill Bachman wrote a book called "Rudimental Logic" that chronicles all the PAS rudiments, plus a few common in drum corp.
I'm totally with you on the isolation of the hands as I demonstrate in the clip. I was introduced to this concept after watching Jeff Queen's VHS (many years ago:). It was such a clear and easy way to get things working. I love what Bill does too!
Nicely done - helpful!
Thanks Steve! I hope it helps you to get your paradiddles up to the next level.
Good to see ya Grant
Right back at you :)
A couple other things I found to look out for are 1) the transition from accent to diddle - making sure you're in full control of the rebound from the accent, and 2) not being late on the upstroke. The first inversion, which puts the diddle in the opposite hand as the accent, and combines the diddle with the upstroke, is much easier for me.
That's great that you are doing the inversions! I love mixing the inversions together to change up the accents and create different phrasing. Enjoy your paradiddles!
What???
Exactly! @@ashcurt66
Great tips Grant! (new sub). That's a beautiful set up behind you!
Thanks for subscribing :). Yes, it's an awesome kit! There's a tour of it on my channel if you wanted to see everything that's in the set up. Have an awesome day!
Unpopular opinion: you dont need this, just do fast singles/doubles
Fast singles/double rock! A paradiddle is just singles and doubles so we're all together on this!
Great Tip!
Thank you!
Could you do a lesson on the best way to practice your doubles on all surfaces? including toms
Great suggestion and I'll add it to my list!
It all starts with sticks and a pad and rudiments. It’s easy to pick out a drummer that didn’t take this path. Thank you sir.
Ah, you get it!
The other hand goes when the first one finished the 4 beats?
You still need to play the paradiddle sticking; RLRR LRLL. If you break it down, each hand plays the same rhythm. When you get them up to speed individually, it’s a matter of applying that same technique and putting the hands together. I hope that helps!
It’s tricky to incorporate the bounce in between normal strokes 🤔
Yes, It can take a bit of time but that's part of the journey. You can practice them individually first to be super comfy with the bounce strokes, so that they will be easier to combine with the normal strokes.
I seem to play them faster when I switch to conventional grip...
I also play traditional grip and you can definitely get them up to top speed with this grip. The same principle applies for using the multiple bounce doubles when it gets faster. Enjoy!
My question is : why?
Of course it's always a personal decision. I have many students wanting to play their paradiddles in different songs but are challenged getting to the tempo. This tip helps them develop the skill they need to execute it so they can use them in their music for grooves and fills.
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Thanks!