Honestly Rick do not worry about going a little deeper on a certain aspect. Most of these videos could stand to be a little longer, your passion is what makes *these videos* great!
In college I was always "meh" toward U2. Then one summer I was working in Yellowstone National Park, and some of us were driving over to Red Lodge, Montana. No radio reception of any kind out there, and someone dug the Joshua Tree out of a backpack so we threw it on. Driving up over the Beartooth Highway, which feels like the roof of the world, with this song and "Where The Streets Have No Name".....I finally GOT U2. It was a conversion experience of sorts.
The Gospel influence is definitely the conversion part of it, yes it does driving a much better experience, I'm smiling thinking of all the day trips with my girlfriend now wife.
I didn't like them 'til I heard U2 warming up for their gig in my local stadium. I was in a park across from it and I heard 'that' organ start up. Then I heard Bono singing it just like the record. And it was SO LOUD, even from a good half-kilometer away! After hearing it how it was meant to be heard, I was officially converted. I was humming it the whole rest of the day.
I had the same experience listening to the Joshua Tree album driving around Palm Desert, Joshua Tree National Park area... "I'll show you a place ... high on a desert plain". I remember my husband and I were listening to "I Still Haven't Found What I'm Looking For" and seeing the Joshua Trees pop up in greater numbers along the sides of the highway ...epic!
That just tells me the computers aren't very sophisticated yet. A computer doesn't have to feel to understand subtle imperfections in the timing can make things more emotive. The real problem is there's no incentive for such sophistication in the age of garbage like WAP selling.
Edge, to me, is a master of playing the song as opposed to playing the instrument. He may not be to most technical or flashy player, but he always gives the song exactly what it needs
And yet there is the solo on Bullet the Blue Sky on the Zoo TV concert from Sydney. Very intricate, very not-Edge, but he's brilliant at it. I used have a girlfriend who thought he was pretty basic. I gave her a listen to that. She changed her mind.
The Larry Mullen Jr. sidebar was well deserved. The guy doesn’t get enough credit for giving so many U2 songs their signature sound. The contributions of Brian Eno and Daniel Lanois can’t be ignored either. They sculpted all those parts into the symphony that this song truly is.
I’m a vocalist and I didn’t even get that until Rick pointed it out and holy crap, the groove is in the pocket so hard you could fit an entire pool table in there.
@@dirfrops I’m listening to the whole album in my new Ultimate Ears in-ears and I’d forgotten just how buttoned down this band was/is. Eight ball in the corner pocket, for dammed sure.
@Sean Vedell - I agree! Laz' may not be the most technically skilled drummer, but he's got a knack for coming up with interesting and unusual rhythms 🙂 He was once saying he wished he'd played something different and "better" on 'New Year's Day', but I'm glad he didn't; He plays the exact right part, as usual 🙂
Agreed. To me Larry's approach feel ancestral or tribal in a way. Very soulful and hypnotic, yet still impactful in a rock'n'roll way. I guess you could say that about the whole sound of the band too, especially on this album. Like a feeling from an old time but with a new sound palette. I definitely give Brian Eno and Daniel Lanois fair credit for that too. I am a big fan of Steve Lilywhite, but it's definitely worth listening to his alternate mixes. Perfectly good technically, but not the atmosphere of the final album version at all. It was even missing the central guitar part that defines this song for me. But that's the fascinating part, to hear what it was missing. There are a lot of half baked songs these days because people aren't patient enough to work the songs until they find the magic.
The thing I have always appreciated about U2 is they are a complete band. Each member brings an important sound to each song and it is why they have been together for so long. They truly love to create with each other.
Yes...& unlike some high profile bands each member of U2 gets an equal cut of royalties & profits whether they wrote a song or not. That's why there's no rift. Sadly certain members of The Smiths, The Beatles & Police had giant egos as well as talent, where only the song writers got royalties...or were seen as higher than their drummer & sometimes bass player.
To me that was most visible on the album "War". You had songs where Adam Clayton was more prominent - "Two Hearts Beat As One" - others where you could not escape the drumming of Larry Mullen Jr. (Surrender, Sunday Bloody Sunday). Ditto for the other 2 members.
One of the greatest albums of all time. A masterpiece from start to finish. Red Hill mining town,one tree hill,exit,streets. All absolute masterpieces. Every song 10/10.
@@augustearth back when albums were albums, you put them on the turntable & listened right through on both sides whilst admiring the album cover artwork. Joshua Tree is art.
I have no idea what he's talking about half the time, but watching how enthusiastic he is about these songs makes me appreciate every little part more.
If you don’t care about the messages in U2s lyrics , then the songs are meaningless. They become no different than most of the music today , in other words , commercially viable but no meaning . I love the music in U2s songs but with those commentaries on society along with their creativity and technical skills and innovation the complete package is greater than the sum of their parts , which is to say they are the amazingly great .
Back in 2002 I was 23 and I worked with a 53 year old Guatemalan guy who I was friendly with. He was a huge Beatles fan and music in general. He played piano. Anyway one day I mentioned U2 and he had no idea what I was talking about. Somehow, this band had completely escaped him his entire life. As a young American kid I couldn't believe it. I told him I would bring in my Joshua Tree CD the next day for him to borrow. He had a great stereo system at home. The next day I asked if he had a chance to listen to it and he said he listened to the entire album and loved it. I remember he removed his glasses and began shaking his head and saying something about how well the instruments were all played and recorded. I just knew it as a huge pop culture album, but he really was a musician and appreciated how well it was crafted. I had hoped he would like them but he seemed to like them way more than I expected.
I was one of the only kids in my school in the Midwest (US) listening to this back when it came out. In fact, I was surprised when U2 made the cover of Time magazine, because I didn't realize the album was so popular. It was like a hidden gem for me. So, I guess the point being that a lot of people didn't appreciate it back then. I'm glad you were able to turn your co-worker on to it.
@@ragayomama I was a teenager in Chicago when Joshua Tree came out. At the time music fandom among white kids was definitely very split and U2 were very much coming out of the post-punk strain. The other big one was metal. There were other groups of youth fandom, of course, such as white kids listening to rap (just becoming a thing) or house music (really big in Chicago then), but those were the two main camps. (I'm leaving aside black or Hispanic kids---music was really segregated then.) This was when bands like Guns 'n Roses and Metallica were on their way up and other pop metal bands like Motley Crue were in their heyday. The way we talked about it then was "punkers" versus "dirtheads", although there were clearly camps there, too, because there were "punkers" who were into what was at the time called college or alternative rock and metal fans were into more obscure underground artists, not pop metal---GnR and Metallica came out of the underground but this was before they were mainstream.
I thought The Unforgettable Fire was in the same class, aurally, as it would be with Eno and Lanois at the controls. Completely off topic, but if you want to go back further, The Colour Of Spring by Talk Talk is one of the most unbelievably well-mixed and mastered albums you will ever hear. Lots of 80s records are so dated, but not that one (or actually it is, but in the best possible way).
@@michaelanderson2881 Holy heck, yes! I discovered The Colour of Spring in January 2021. It was *the* discovery of 2021 for me, and I spent the next 11 months searching for records with a similar aesthetic, production value, or some other less tangible quality. David Sylvian and Kate Bush had some well produced records at around the same time. Tears For Fears had a similar aesthetic to Talk Talk, but I think that the production of their records hasn't stood the test of time. I'd love to see a "What Makes This Song Great Episode 1**... the band is Talk Talk... the song is..." Ideally it could be Living In Another World- there's so much to unpick in that song. I'd love to know how the bass line in the second section interacts with the chords from a music theory standpoint. And about the chord change from the second section to the chorus.
That's exactly true! I will even go further: the last two (not very good, to say the least) records (not including the most recent total useless 're-imagening' album) of them already sounds dated. And they are from 2014 and '17! Not so with TJS. It's a timeless masterpiece.
Larry Mullen Jr and Adam Clayton don't get enough credit. Adam's bass can be so funky at times and they're always locked in. I love listening to the rhythm section of U2 songs.
I would disagree they’re very competent musicians but nobody would put them on the greatest list-but that’s perfectly OK for this band. They’ve got so much going on lyrically and the guitar drives the band rhythmically that they are ideal for this band. Can you imagine Chuck Rainey playing bass in U2? or buddy guy playing drums? lol. It would just sound chaotic
Four guys from Ireland take a bus trip across America and somehow absorb gospel and blues and synthesize it into a musical sound of the desert southwest. Amazing. ("It's a musical journey..." as Larry Mullen Jr would say.)
I was raised on this album, liked it as a kid, hated it as a teen and love it as grown man. Thanks for this. Very humbling. Joshua Tree didn’t leave my dads tape deck for many many years. I never got it, until I got it, and now that I understand it I can also feel it. Music is a beautiful thing. Wish anyone still reading something positive to happen today.
I have my doubts about this...how do we know they weren't just playing the tape back faster speed by accident in that doc? In the 80s shows I've listened to the band plays this song a half step lower than it appears on the record. Is this theory supported elsewhere?
There is a reason you have over 2 and a quarter million subscribers Rick, the world is full of people who appreciate great music. The way you break it down is priceless, and I appreciate every single moment you spend on these songs. Thank you, and please don't give the length of your WMTSG breakdowns a second thought, we are all fine with it!
@@bostonphotographer20 I envy his musical knowledge. I’m grateful that I have what little understanding I have, due to having grown up in an era when kids were encouraged to learn how to play a musical instrument. (The violin in my case, and the titles of some of the pieces I learned would now be considered terribly politically incorrect!)
Same. It blew my mind when Rick demonstrated it. I have always wondered how Edge got that trademark chime sound in his guitar notes. It was that simple all this time, and I never knew it.
yeah as a non-musician, that kind of little detail is fascinating. Without it, ok its a great lick. But that textured pick and suddenly its like you are in a completely different room.
I found out by playing their song ‘bad’ and I accidentally had the pic the wrong way round (don’t ask me how) and I did it the way edge did it, and all the colours bled into one. I was like wow this is great
I think some of coloring around Mullen Jr. was added by Henry Rollins, who years ago bitterly criticized U2's rhythm section. I think Rollins critique was misplaced and made him sound envious. I wonder if Rick Beato has ever seen the Rollin's interview and would care to comment on it.
his drumming got a lot more fluent and syncopated from "the unforgettable fire" and onwards. just listen to the difference between "sunday bloody sunday" and "a sort of homecoming". he's a one of a kind
True story: Lying in a hospital bed, shattered pelvis, three broken bones in my spine and the morphine not cutting it - and it was this band's music, played at high volume through my compact disc player earphones, that took my pain away. I've loved them ever since!
Hey there brother in pain, I feel ya and I use music the same way. Dealing with a failed fusion surgery, and U2 as well as other compelling bands can pull me out of myself. And having something to focus on like these videos helps keep my brain and heart functioning even through the meds. I hope you have recovered well and fully and I thank you for sharing your story.
RIck is SOOO good at THIS. So good at trying to preserve ART in music and musicians for the sake of ART and music. The world needs many things, that's not really up for debate, and one of the paths to betterment for us all is passion in ART IMHO. So, for his role in that - we're all very lucky. At least, I feel I am. Thanks Rick et al.
One of the many reasons U2’s music is so great IS the simplicity. It’s designed to engage the “common man” because each song is a story about human existence. The tunes and melodies are simple and the words are easy to hear so we can sing along and connect with them. The band might be mega stars and millionaires now, but they were always musicians of and FOR the people.
Yes…and in general, I never understood why some people think a song has to have a million chords and weird notes to be considered great. The greatness of a song is how it sounds, feelings it elicits, how many times you want to hear it….
I've been studying and playing Edge's stuff since the 90s, and prior to the interwebz I had no idea about the Herdim pick. I finally learned of them and bought some, and it suddenly I had Edge's guitar in my living room. Stupid little pick finally solved a longtime mystery!
This video seems timely as Daniel's brother Bob just died unexpectedly last week. A huge loss for our local music community, as I'm sure a personal one for Daniel. Daniel Lanois got his musical start here in my city of Hamilton Ontario, Canada(40 miles south west of Toronto). It was his older brother Bob who started with Daniel, recording locals musicians and bands in their mothers basement, eventually buying an old house and setting it up as a well renowned studio locally and nationally called Grant Ave (still in use today as a studio by a friend who bought it from them). In the liner notes for Joshua Tree, Bob gets a shout out from Bono. Bob still lived here in Hamilton and had another studio and artist's studio setup(Bob was also an amazing photographer and visual artist; Daniel produced Emmylou Harris' Wrecking Ball album features Bob's pictures of her) for locals to rent in an industrial part of town. I was lucky to have met and speak with him a few years back and we had a common acquaintance that knew how much of a fan I was of his and Daniel's music and production work.
This entire album was incredible. There are simply no misses on it and remains one of the greatest. Very rare for an entire album to be damn near perfect.
U2 is the prime example of what chemistry can do, and how it makes a band, or not. NONE of these guys could even play their instruments for the first while. But what their vision was, kept them together, and ultimately, proved transformational.
It’s also why they wrote their own music at the very beginning instead of playing covers. They couldn’t play anyone else’s songs bc they didn’t have the skill yet. So they each literally invented their own style. Styles that from the outside looking in looked and sounded bizarre. I never really realized that before until I heard them being interviewed a couple years ago. So now it makes total sense why they have such a unique sound. Especially early on.
I think you can measure what an outstanding drummer Larry is by the fact that you can recognize most U2 songs only by its drum part. Each one is distinctively unique.
Great take. That string of records from War to Achtung have great songs, great vocals, excellent texture and production, a really tight rhythm section - all of this before you even get to Edge sonics or the videos. There is an adolescent or transcendent feeling of bigness that is rarely hits so hard. Lanois!
Over the last several years there has been this snarkiness pointed towards U2, a desire to minimize them, I think because of the romantic sweep of there sound. I think people view some of the elegance especially in Bono's vocal aesthetic as arrogance. U2 are unique and important, everyone in this band are monsters of their craft, their art, They make ART.
Fortunately, the tide will again change and the clanging voices such as some replies herein will drift away forgotten and the great achievements of this band will remain as strong and accessible as ever.
@@tomiasthexder7673 Its nothing to do with his rhetoric being left or right. Im on the left and think he's a sanctimonious self-important patronising twat. Politics doesn't come into it.
Saw them for the first time in 1987, my friends and I still go to see them on every tour. They are one of those few bands that are better live than in the studio.
"An internet treasure." Every video you produce Rick adds validity to this statement. "What Makes This Song Great." represents what the internet can be at its best. Please don't stop - there are so many more great songs for us music enthusiasts to discover with your help.
When I was growing up in Ireland in the 80s, EVERYONE was a U2 fan. I tried not to be, just to be different, but by this record I had become a fan despite myself (and for a large part due to my older brother's record collection). The Joshua Tree (as well as TUF and Achtung Baby) is now one of my top ten today...to have Rick dissect and "fanboy" all over this song just made my week😁☺️
Achtung Baby was ground breaking, bold & brave. The older I get the more sentimental I am becoming about music from my youth. Amazing albums and songs.
He's not so much in the hendrixian rock mode. Play guitar like a synth kinda. There's a clip from the movie "it might get loud" where he plays a riff with and without effects. The "dry" version of the riff legitimately sounds grating, annoying and horrible. With effects it sounds spacious and beautiful. He writes parts that only sound good with loads of delay, reverb, chorus and other FXs but can sound terrible only clean or only distorted. It may sound like I'm slagging on him but I'm not. I really love some of his playing but he really does play with a totally different skill set and Intention then the usual rock guy. This is why he gets hate I think.
I don't have any particular story associated w/ this song. No "my dad listened to this all the time before he passed", or "I did a cover w/ my church choir". All I can say is that when I listen to this song, I feel an overwhelming sense of peace. All of my worries and problems disappear, and everything is all right. The emotional impact is profound. This song and The Joshua Tree is a masterpiece.
Larry Mullen Jr started playing drums in a marching band which certainly led to his style. Rick check out the intro "Where the streets have no name" for the time signature changes when it goes into the tune. To this day Larry counts the 6/4 intro. I worked in Windmill Lane studios where they recorded and mixed this, great times. I will add four of the nicest people you will meet in this industry to this day.
Oh Bono, his voice is transcending. When he sings low, pure beauty. Higher, it’s ok, but the way he uses it is unreal. Who has more passion? Forever my favorite singer ever. I dream of singing a duet with him day.
A song that is seemingly so simple reminding budding songwriters that it doesn't have to be super complex to be a masterpiece; it just has to make you FEEL something. Working those dissonances into the guitar parts, thundering kick drum fills to push the track along, vocals straightforward enough to sing along to... that's how you touch people in their hearts.
Writing a tune that just about everyone on the planet can relate to his or her own life didn't hurt either. U2 gets a lot of flack for writing such general songs (like who doesn't experience spiritual longing at some point?) On the other hand, who doesn't experience spiritual longing at some point? So why not do it in an anthemic way? You don't have to be as specific as Leonard Cohen to explore the topic. Either can be a good approach.
I was 20 in 87’ ... the Joshua tree tour was the only time I stayed in line overnight for good tickets in philly at a video tape store that sold tickets ... My buddies and I wore the tape out trying to learn the music. I think it was life changing for me at that point in time 🇨🇮
I was at the show with you. JFK Stadium. Opening act was Little Steven, aka Silvio from The Sopranos. Sadly, my #1 memory from the show is they only played for about 90 minutes. 80,000 people in the stadium and they couldn't play 2 hours?? I went home angry and never saw them again.
Well, we've got the Côte d'Ivoire Flag and the Italian Flag in this thread, So I guess I'll just stick the Irish Flag in the mix as well :) 🇮🇪 Been listening to U2 since a friends older brother played us the new single he'd just bought; "11 O'Clock Tick Tock", back in 1980 ...41 years gone in the blink of an eye Regards from Donegal, Ireland.
I saw U2 the same year in Las Vegas UNLV. . turns out a photographer from Time magazine was there that night also. . .one of the best musical experiences I have ever had, and the interesting thing about it was they had VERY little stage show - they just came out and basically played. . .that's all they needed to do.
There are few things I miss about California. It sadly isn't FOR Californians anymore. BUT, the desert gets in your marrow, the rocks and hills, the Spring Bloom... the arid Winter cold, the enveloping Summer heat. The immaculate silence.
I feel sorry for you. I'm going through similar moment after losing my mother and little sister... I can't listen to Kite live from Sidney without pouring my eyes when Edge's solo kicks in
I lost my father in Feb of 2019. Then an aunt in the same month. Then a nephew in April of that year. So it was just one sorrow after another. I found myself listening to a lot of Achtung Baby during that time. The lyrics in some of the songs like "Ultraviolet" ("There is a silence that comes to a house where no one can sleep / I guess that's the price of love and I know it's not cheap") just hit harder. The grief never really goes away, but, as the song says, that's the price of loving someone who you may lose.
I love watching these videos because of how intensely passionate Rick is about great music, and how he showcases things which the layman would otherwise miss. I learn so much watching these videos
The Joshua Tree is the album that really made me fall in love with music. Back in the early 90's I had my dad's copy of the record and I would listen to it over and over again in my bedroom. I'm not sure how normal it is for a child under 10 to be completely hypnotised by music, but to this day it is still one of my favourite albums and childhood memories.
Every single thing you said-is absolutely identical to what happened with me, and this album. Literally every single thing lol. It’s crazy. I had to look at your username a couple times because I figured I must have wrote that comment. In the early 90s, when I was less than 10, my dad had the album (and a cassette), and I would borrow his CD, play it in my room constantly, and be “hypnotized”/feel euphoria-when I would listen to it… And, it’s the album that really got me into music, U2/especially Sunday Bloody Sunday is what got me into the drums, Joshua Tree is what got me into Singing, and “Bad” is what made me want to be an “Artist”. Then, I started listening to Achtung Baby and that blew my mind, and made me realize how much you could do with Music; Kind of like the impact that Sgt. Pepper/Revolver had on musicians from that era.
Agree, though for me it was the Achtung Baby album I had to copy from my brother's cassette - I would spent the entire time between the speakers immersed in these strange sounds. Only later, possibly due to higher fidelity of the CD, would I discover all the different layers in there music - and yes, for example the maracas in Even better than the real thing...
The songs, the playing, the cover art, the production (!!!), the lyrics.,the sound....from top to bottom Joshua is one of the greatest albums of all time..no matter if you like U2 or not
It was the FIRST album I bought on CD .. 4 months BEFORE I got my CD player (as a part of a component system) out of layaway. ... yes I'm an old lady now at 73, but I still listen to Joshua Tree at least once a month. 🎶
I think Aunctung Baby is the best, it's a little newer, edgier... And all songs are different and top notch. They hit their peek there. But, had another 2 or 3 good albums after it.
The Joshua Tree saved my life March of ‘87. I met Lanois in Chuck Berry’s basement/dive bar Blueberry Hill a few years ago, (a completely gracious gentleman) and the circle was complete in my life. ⭕️
The 9th chord and the major 7th chord always gave me this unspeakable sense of pure joy. It was like light. I remember when this song came out and I just felt GLAD, even in the midst of the unfulfilled longing. Those chords were like nothing I had ever heard before in mainstream music.
Wow this is the perfect example of the difference between How drab modern quantize music can be, and comparison to human played instruments that is an internal voice that is being externalized through instruments as a language that is universal and speaks from within
Yeah I feel like everyone who hates on The Edge for having easy to play riffs, are missing the point of what he plays completely. If it sounds good, it is good, doesn’t matter how easy or difficult it is to play. People get too hung up on trying to play something impressive rather than playing something pleasant to the ears.
The Vertigo tour: Larry did the outro after each other band member stopped playing one at a time, with 40... I’m sure they did it before, but for a guy to hold a full arena’s attention with just a drum kit like that, for as long as he wanted... a real artist. 🥁
I agree with you man. I’m am a long time drummer & U2 fan. But the older I get, I’m always drawn more into the. Choices the musicians made in the music I love. It’s like learning what an author’s meaning was or influences into the story they wrote.
I’m no musician Rick but I could listen to your videos all day….how you explain all the great music of our generation. I’m 59 too. You are an ally in our quest to make sense of all the great music culture we lived through. Amazing. You have fantastic presence to camera.
Thank you for defending the Edge. He has a sound that, at the time, I had never heard before. When I first heard this song on the radio, at the age of nineteen, I stopped what I was doing and went to the radio and sat there mesmerized until it was over.
This was a pivotal album for me. I was in Phoenix, experiencing the whole "desert Southwest" vibe when this album came out. I was first in line at a local record store to buy the CD and I must have played it a bajillion times since then. This song specifically just makes my heart glow.
I'm living in Phoenix now, i.e., experiencing the whole southwest vibe, and all. That record is definitely an awesome fit as a backing soundscape as I drive through the Sonoran Desert. I totally got your image there- 👍
When people says that a song is poor because it has three chords, you have to show ISHFWILG. Melodies, arrangement, performance: perfection everywhere.
I’m only 2’23” into the vid and I can already say “Amen!!”. Rick, thank you for staying above the noise and recognizing the unequivocal art in a lot of U2’s music
Seriously. He could do another 100 episodes just on their stuff. He hasn't even touched Achtung Baby yet, which is an even better album to take a deep dive into the bits of.
Being in a stadium, which I have, while U2 lets the crowd sing this is something spiritual. Their version on Jimmy Kimmel is mesmerizing. These guys are a live band and their shows are something else.
@@MrThorp1 I agree. I only like it as a call/response thing or when they sing at the same time. When the singer just holds the mic out and lets the crowd sing an entire verse I cringe
@@MrThorp1 obviously never heard U2's 40. That is a song that has to be sung by the audience to hit it off right... "How long.... To sing this song...."
Agree 100%! That drummer was amazingly talented and I could have listened for a few minutes more. Many times in R&R, drummers are taken for granted and are thought more as beat keepers than artists.
The history of the technical details is what i love about these videos. A casual listener cannot truly appreciate how the technical and technological side of rock music progressed/advanced through the years. Once you learn these things, you more fully appreciate *why* these songs were so important to the industry and the art of rock music.
Something amazing (to me anyway) happened to me today. I was in my car listening to some of my favorite songs from my Amazon playlists. I realized as I was listening to Stevie Wonder’s “I Don’t Know Why I Love You” I was trying to hear different instruments in the music. I almost had to stop the car! From this day forward this will be forever known as “the Rick Beato effect.” I’m a 67 year old grandmother who has become obsessed with your videos and what you’re trying to teach us. Thank you so much for sharing your knowledge. I’m enjoying your videos so much even though I don’t understand most of what you’re talking about! 💕
I feel you...really, i finish all interviews, reviews of the songs, if that is the right word...i dont understand most what he is saying, but im learning...if that make sense..
Growing up in Southern California, Joshua Tree National Park was a place I absolutely loved as a kid. It blew me away that U2 choose to name this great album after this amazing cactus "tree". When I Still Haven't Found What I Am Looking For was released, suddenly it was absolutely everywhere; flooding the air ways and MTV. I remember wondering how a song could be a hit with such a long title. However the song is just magical, filled spiritual longing. This will always be a very special song for me.
Beato has to be one of the most under-rated music teachers on the planet. Listening to him passionately rant about old music and bring in friends to demonstrate parts is more instructive than anything else i have seen. I only wish I had the talent and circumstances to play well enough to take advantage of his work. Anyone that copyright strikes this guy is disgraceful.
@@PJBonoVox yes i think the Zoo TV Tour era was also very important for U2 and for me the best Tour of all Time. I am from Germany so i like this Berlin Vibe. Great stuff
One of Rick's best videos. Outstanding. I love how Rick loves the music. He FEELS it. I felt a kindred spirit as I watched because this song moves me so much. I'll never forget the first time I heard it at age 11.
Those U2 albums from the early 80s and 90s redefined music for me. Completely expanded my taste from the usual hard rock music to the alternative/Rock style of U2. Each band member is so integral to the sound that eventually they create. The Edge in the documentary about how they came up with Running to Stand Still
The vocal harmonies at the end, where Bono actually cuts out, and it's just Edge and a few other voices: that part blows my mind every time. For the singer to step OUT, and the music to get "broader," is RARE.
@@ragayomama The restraint The Edge displays at the end of "With or Without You" is haunting and perfectly calculated by the master himself. Just brilliant in his decision to fade out with what he is playing there.
As a junior in high school I bought my first U2 album, Yes when it came out I'm over 50 now and with over 900 songs on my Iphone 850 are U2 songs, a mix of live recordings and studio and what ever I can find, spent many nights with my newborn son listening and took him to his first concert in 3rd grade, Rick you could talk all day!!!!!! THANK YOU!!!!!!!
Whatever you think about The Edge's Guitar playing there's no denying that he had his own unique style of playing and it has become incredibly influential. There are so many bands today who have riffs inspired by the edge. So many songs sound like it could be a U2 song and The Edge was the first one to do it. I have also heard from friends who have seen him live that he is an incredible guitar player.
The Edge is a sound technician. Many artists forget it's ok to have rests in your composition. The race to the most notes is not the only measure of greatness.
He definitely does have a unique style. And yes, it is so worth it. Seeing him live with the rest of the band, the music alone may change your life, but seeing it in person feels so transformative.
Larry is the Ringo of his day. Because of their lack of flash, everyone thinks what they do is rudimentary when it is really just subtle and full of nuance. Much the same as Ringo, remove or replace any of these signature parts and the songs we have grown to love would simply not sound, or feel the same.
As a former DJ, when mixing in a U2 song with a song with quantized drums or a drum machine, it locked up perfectly once I got the tempos matched. Larry is a human metronome. Very little deviation.
As a kid of the 70’s who heard the Beatles on the radio multiple times a day, it wasn’t until my 30’s that I started to listen to them afresh. I was amazed at how amazed I could be with music so seemingly familiar. And Ringo’s playing-which as a teen seemed “weak” compared to Peart, Bonham, McBrain-made me head slap myself in an aha moment of finally recognizing his melodic style that was so creative and unique. Larry Mullen’s is similar in approach yet unique to his own voice. Creative drum patterns and lines truly throw songs into extra dimensions.
This was released my senior year of high school. People just don't get it unless they were around -- how ubiquitous and powerful U2 were. A stratosphere launching LP. This brought a tear to my eye. The episode is a masterpiece Rick, just like the Joshua Tree.
@@Gretzky2857 class of 1988 here. I feel you! Saw them at sun devil stadium in 1987. $5 tickets because they were filming the Joshua tree. We had no idea history was in the making. Incredible
Well said. I was a freshman in high school when this came out. Already had been a U2 fan since their War album due to my sister picking that earlier one up at a Virgin Records by mistake. (She’d been looking for a different band but wasn’t sure their name; upon a few listens to U2 she fell in love & refused to return the album. LOL) When TJT was released...it’s hard to put into words just how big & beloved U2 was. Especially for myself & my peers who were at an age were we just beginning to chose the bands that we’d adopt, champion & follow into adulthood. I still listen to this album (& all 6 Rick showed on screen in fact) today. U2 - soundtrack of my life.
I was working my first job (at a supermarket) when this album came out. I was already a U2 fan having worn out my War, Under a Blood Red Sky and Unforgettable Fire (my fav and so avante garde IMO). It was a magically album. Saw them on back-to-back nights for this tour and got to see them again on the 30th tour. I'm a guitarist, but always loved Larry's playing too, struck me as so different than what all the other drummers were doing.
It was the live version of Sunday Bloody Sunday from the live at Red Rock that really got my attention, i was aware of their hit new years day but on that live concert wow found gloria and i will follow, later came pride and the song i called one to piss the neighbour off with..with or without you...awesome bass
Truth. 4 of us drove from Oshkosh, WI down to Indianapolis to see this tour at the Hoosier Dome. Fun fact: the Bo Deans were supposed to open but didn’t make it due to inclement weather (I think)...after a delay, four Dudes in “country regalia” and porn staches came on stage and played a set....yep, it was U2....opening for themselves. ALSO, the “all lights on/house lights on” cue at the huge downbeat in the intro of “Where the Streets Have No Name” is one of the most epic rock & roll moments in concert history....also-also, this entire record is pretty much all in D major, and it’s still incredible 😄
The edge inspired me to play guitar. The repeats, the soundscapes, the drone-notes. I listen to the song a million times. But never linked the quality of the song to the drum and bass parts. Very well and enthousiast explained in this video. Big 👍 here! I think I didn’t found what I I ve been looking for so far. I put the record on listen again till I find it😉!
It always amazed me that a drum machine is even a thing in a production studio. You wouldn't consider a guitar machine, ffs! ...ironic, considering that any person involved in creating any form of art for a living is continually reminded through life that art's not a "real" job. Sorry, but a drum machine track is not really drum track. I listen to recordings of musicians playing, so an artist called "the drummer" should be playing the drums - with sticks (and have a job). It's the whole frigging point, and you can easily tell the difference. The other artists in the studio shouldn't allow the drum machine crap to happen.
George Michael's "Faith", Prince's "Sign o' the Times", Michael Jackson's "Bad", and so on, and so forth... It was an amazing year. Damn, we even got rickrolled!
the smiths : strangeways , new order : substance, replacements : pleased to meet me, teh cure : kiss me x3, depeche mode : music for the masses, INXS : kick, the cult : electric, 10,000 maniacs : in my tribe, echo & the bunny men : self titled, sisters of mercy : floodland, love and rockets : earth sun moon, PIL : happy?, dukes of stratsophear : psonic psunspot, firehose : if'n 1987 was the year that music happened.
Thank you for calling "Rattle & Hum" a piece of art. I have long thought it was one of U2's most underrated albums, and probably their best. I go back to it over and over again through the years and it just hasn't failed me wherever I have been in life. Most people dismiss it... don't even mention it sadly... so it's great to hear you list it as one of their greats.
The studio stuff from that album is fantastic imho, particularly the powerful "Hawkmoon," "God, pt. II." and "Love Rescue Me." And I always thought if someone didn't like "Desire" and "All I Want is You" then they just don't like rock 'n roll. The live stuff ain't too shabby either, particularly the covers. I do not consider it their best, not by a long shot, but I agree that it is a much, much better album than people recollect.
As a kid growing up in Dublin in the late 70s me and my friend saw U2 busking in a place called the Dandelion Market a cool flea Market (now Stephens green shopping centre) and as the years went by I got to see them become the biggest and in my opinion the coolest band in the world...love your show rick
It was a dark and bohemian retreat for the alternative style seekers. U2 played to a walk by crowd, as they became better the people gathered and blocked the entrance to many shops...The legend was born.
Thank you for giving Larry some love. He’s been my biggest drumming inspiration. Not enough people talk about him...definitely not as something that make U2 a great band.
A Master Class in less than a half hour. Classics withstand the test of time, and U2's heavenly song and Rick Beato's breakdown of it will still be heavily accessed 100 years from now.
Honestly Rick do not worry about going a little deeper on a certain aspect. Most of these videos could stand to be a little longer, your passion is what makes *these videos* great!
Absolutely. Give us more drums, more of every detail.
Agreed. This has been one of my favourites so far.
On point! Longer videos!
On point. Longer videos.
concurrence
In college I was always "meh" toward U2. Then one summer I was working in Yellowstone National Park, and some of us were driving over to Red Lodge, Montana. No radio reception of any kind out there, and someone dug the Joshua Tree out of a backpack so we threw it on. Driving up over the Beartooth Highway, which feels like the roof of the world, with this song and "Where The Streets Have No Name".....I finally GOT U2. It was a conversion experience of sorts.
No one can deny the power of that intro.
The Gospel influence is definitely the conversion part of it, yes it does driving a much better experience, I'm smiling thinking of all the day trips with my girlfriend now wife.
I didn't like them 'til I heard U2 warming up for their gig in my local stadium. I was in a park across from it and I heard 'that' organ start up. Then I heard Bono singing it just like the record. And it was SO LOUD, even from a good half-kilometer away! After hearing it how it was meant to be heard, I was officially converted. I was humming it the whole rest of the day.
Hello from Billings 😁😂
I had the same experience listening to the Joshua Tree album driving around Palm Desert, Joshua Tree National Park area... "I'll show you a place ... high on a desert plain". I remember my husband and I were listening to "I Still Haven't Found What I'm Looking For" and seeing the Joshua Trees pop up in greater numbers along the sides of the highway ...epic!
"If you want your music to sound human- you actually have to have it played by humans!"....Rick Beato 2021
And 2020, and 2019, and 2018... and then some ;-)
That just tells me the computers aren't very sophisticated yet. A computer doesn't have to feel to understand subtle imperfections in the timing can make things more emotive. The real problem is there's no incentive for such sophistication in the age of garbage like WAP selling.
love the what makes this song great videos. You should make one on a Temple of the Dog song, specifically Say Hello To Heaven.
Another reason why I love you Rick. You make sense.
Unlike the piano intro Rick used to use for his “everything music” videos.
Glad we don’t have to listen to that anymore!
Edge, to me, is a master of playing the song as opposed to playing the instrument. He may not be to most technical or flashy player, but he always gives the song exactly what it needs
He's a masterclass in being a guitar minimalist.
@@sdalt001 he really is
And yet there is the solo on Bullet the Blue Sky on the Zoo TV concert from Sydney. Very intricate, very not-Edge, but he's brilliant at it. I used have a girlfriend who thought he was pretty basic. I gave her a listen to that. She changed her mind.
I’m starting to feel that way about Larry Mullen, Jr., too… Some very oblique connection to the style of Keith moon. If Keith Moon could keep time.
@johnnyxmusic LOL...Musical quote of the year:
"If Keith Moon could keep time."
Finally someone gives proper credit to Larry Mullen Jr. One of rock's most underrated drummers. Great episode, sir.
Technically he's probably the best musician in the band.
@@chaptermasterpedrokantor1623 Yeah. I love Adam's bass, but I agree with you
@@chaptermasterpedrokantor1623i best you but that is open for discussion
Not true he does get proper credit, on the last U2 video Rick did! 😄
Also he is the reason there even is a band. He was the one looking for others to start one
The Larry Mullen Jr. sidebar was well deserved. The guy doesn’t get enough credit for giving so many U2 songs their signature sound. The contributions of Brian Eno and Daniel Lanois can’t be ignored either. They sculpted all those parts into the symphony that this song truly is.
I’m a vocalist and I didn’t even get that until Rick pointed it out and holy crap, the groove is in the pocket so hard you could fit an entire pool table in there.
@@dirfrops I’m listening to the whole album in my new Ultimate Ears in-ears and I’d forgotten just how buttoned down this band was/is. Eight ball in the corner pocket, for dammed sure.
@@dirfrops Adam Clayton holds down the fort too. No fuss, no showing off, just grooving along.
@Sean Vedell - I agree! Laz' may not be the most technically skilled drummer, but he's got a knack for coming up with interesting and unusual rhythms 🙂 He was once saying he wished he'd played something different and "better" on 'New Year's Day', but I'm glad he didn't; He plays the exact right part, as usual 🙂
Agreed. To me Larry's approach feel ancestral or tribal in a way. Very soulful and hypnotic, yet still impactful in a rock'n'roll way. I guess you could say that about the whole sound of the band too, especially on this album. Like a feeling from an old time but with a new sound palette. I definitely give Brian Eno and Daniel Lanois fair credit for that too. I am a big fan of Steve Lilywhite, but it's definitely worth listening to his alternate mixes. Perfectly good technically, but not the atmosphere of the final album version at all. It was even missing the central guitar part that defines this song for me. But that's the fascinating part, to hear what it was missing. There are a lot of half baked songs these days because people aren't patient enough to work the songs until they find the magic.
This is the most important music channel on UA-cam .
he is so educational. BRILLIANT!
Absolutely right!
Absolutely
one of*
He needs to be exempt from all of the copyright bots.
The thing I have always appreciated about U2 is they are a complete band. Each member brings an important sound to each song and it is why they have been together for so long. They truly love to create with each other.
Very well said. I completely agree.
Yes...& unlike some high profile bands each member of U2 gets an equal cut of royalties & profits whether they wrote a song or not. That's why there's no rift. Sadly certain members of The Smiths, The Beatles & Police had giant egos as well as talent, where only the song writers got royalties...or were seen as higher than their drummer & sometimes bass player.
To me that was most visible on the album "War". You had songs where Adam Clayton was more prominent - "Two Hearts Beat As One" - others where you could not escape the drumming of Larry Mullen Jr. (Surrender, Sunday Bloody Sunday). Ditto for the other 2 members.
One of the greatest albums of all time.
A masterpiece from start to finish.
Red Hill mining town,one tree hill,exit,streets.
All absolute masterpieces.
Every song 10/10.
I totally second that!
I'm so glad that Joshua Tree celebration tour happened and there are so many good versions of Red Hill Mining Town these days!
One of the few albums from that era that I still listen to front to back.
@@augustearth back when albums were albums, you put them on the turntable & listened right through on both sides whilst admiring the album cover artwork. Joshua Tree is art.
@@rafaelspechts It’s such a shame that there was never a live version of Red Hill Mining Town in U2’s prime. What I would’ve paid to hear that.
I have no idea what he's talking about half the time, but watching how enthusiastic he is about these songs makes me appreciate every little part more.
Ditto!!
Hahaha! Agreed! I love the music equally as much, I just never knew there were names for what I was hearing! Rick’s passion for the art is contagious.
That’s me too. I know just enough to appreciate that what he’s saying explains the composition, but do I GET it? Naaah.
Seriously pick dimpling?
If you don’t care about the messages in U2s lyrics , then the songs are meaningless. They become no different than most of the music today , in other words , commercially viable but no meaning . I love the music in U2s songs but with those commentaries on society along with their creativity and technical skills and innovation the complete package is greater than the sum of their parts , which is to say they are the amazingly great .
Back in 2002 I was 23 and I worked with a 53 year old Guatemalan guy who I was friendly with. He was a huge Beatles fan and music in general. He played piano. Anyway one day I mentioned U2 and he had no idea what I was talking about. Somehow, this band had completely escaped him his entire life. As a young American kid I couldn't believe it. I told him I would bring in my Joshua Tree CD the next day for him to borrow. He had a great stereo system at home. The next day I asked if he had a chance to listen to it and he said he listened to the entire album and loved it. I remember he removed his glasses and began shaking his head and saying something about how well the instruments were all played and recorded. I just knew it as a huge pop culture album, but he really was a musician and appreciated how well it was crafted. I had hoped he would like them but he seemed to like them way more than I expected.
Thanks for sharing, beautiful
I was one of the only kids in my school in the Midwest (US) listening to this back when it came out. In fact, I was surprised when U2 made the cover of Time magazine, because I didn't realize the album was so popular. It was like a hidden gem for me. So, I guess the point being that a lot of people didn't appreciate it back then. I'm glad you were able to turn your co-worker on to it.
@@ragayomama I was a teenager in Chicago when Joshua Tree came out. At the time music fandom among white kids was definitely very split and U2 were very much coming out of the post-punk strain. The other big one was metal. There were other groups of youth fandom, of course, such as white kids listening to rap (just becoming a thing) or house music (really big in Chicago then), but those were the two main camps. (I'm leaving aside black or Hispanic kids---music was really segregated then.)
This was when bands like Guns 'n Roses and Metallica were on their way up and other pop metal bands like Motley Crue were in their heyday. The way we talked about it then was "punkers" versus "dirtheads", although there were clearly camps there, too, because there were "punkers" who were into what was at the time called college or alternative rock and metal fans were into more obscure underground artists, not pop metal---GnR and Metallica came out of the underground but this was before they were mainstream.
Great songwriters...all with parts to play.
Awesome story!!
It’s amazing just how good Joshua Tree still sounds today. Absolutely timeless, in an era of dated sounding records.
I thought The Unforgettable Fire was in the same class, aurally, as it would be with Eno and Lanois at the controls.
Completely off topic, but if you want to go back further, The Colour Of Spring by Talk Talk is one of the most unbelievably well-mixed and mastered albums you will ever hear. Lots of 80s records are so dated, but not that one (or actually it is, but in the best possible way).
@@michaelanderson2881 Holy heck, yes! I discovered The Colour of Spring in January 2021. It was *the* discovery of 2021 for me, and I spent the next 11 months searching for records with a similar aesthetic, production value, or some other less tangible quality. David Sylvian and Kate Bush had some well produced records at around the same time. Tears For Fears had a similar aesthetic to Talk Talk, but I think that the production of their records hasn't stood the test of time. I'd love to see a "What Makes This Song Great Episode 1**... the band is Talk Talk... the song is..." Ideally it could be Living In Another World- there's so much to unpick in that song. I'd love to know how the bass line in the second section interacts with the chords from a music theory standpoint. And about the chord change from the second section to the chorus.
I'd pick Life's What You Make It, since I think it was also used in a Budweiser commercial.
Agreed
That's exactly true! I will even go further: the last two (not very good, to say the least) records (not including the most recent total useless 're-imagening' album) of them already sounds dated. And they are from 2014 and '17! Not so with TJS. It's a timeless masterpiece.
Larry Mullen Jr and Adam Clayton don't get enough credit. Adam's bass can be so funky at times and they're always locked in. I love listening to the rhythm section of U2 songs.
Totally agree!
One of my favorite rhythm sections of all time. Like McCartney and Starkey.
I would disagree they’re very competent musicians but nobody would put them on the greatest list-but that’s perfectly OK for this band. They’ve got so much going on lyrically and the guitar drives the band rhythmically that they are ideal for this band. Can you imagine Chuck Rainey playing bass in U2? or buddy guy playing drums? lol. It would just sound chaotic
Clatyon is who made me want to take up bass guitar. I always loved his parts even listening to them as a kid.
@@MVTX Even today - his grooves are completely killer. "Red Flag Day" kicks!!!
Four guys from Ireland take a bus trip across America and somehow absorb gospel and blues and synthesize it into a musical sound of the desert southwest. Amazing.
("It's a musical journey..." as Larry Mullen Jr would say.)
I was raised on this album, liked it as a kid, hated it as a teen and love it as grown man. Thanks for this.
Very humbling. Joshua Tree didn’t leave my dads tape deck for many many years. I never got it, until I got it, and now that I understand it I can also feel it.
Music is a beautiful thing.
Wish anyone still reading something positive to happen today.
I wish you the same!
I had a good BM
Thanks for the beautiful comment! UA-cam could be like that!
Ahh, tape decks. Great days!
@@funnylookingfoetus thank you!
Can’t believe Bono sang this a half step HIGHER than what we hear in the recording…what a voice.
I have my doubts about this...how do we know they weren't just playing the tape back faster speed by accident in that doc? In the 80s shows I've listened to the band plays this song a half step lower than it appears on the record. Is this theory supported elsewhere?
There is a reason you have over 2 and a quarter million subscribers Rick, the world is full of people who appreciate great music. The way you break it down is priceless, and I appreciate every single moment you spend on these songs. Thank you, and please don't give the length of your WMTSG breakdowns a second thought, we are all fine with it!
Yes yes yes
Yes, I love that he goes deep. Time has never been an issue with these at all.
His love of music is infectious. I’m not a musician so much of what he says is over my head, but these are still so entertaining
@@bostonphotographer20 I envy his musical knowledge. I’m grateful that I have what little understanding I have, due to having grown up in an era when kids were encouraged to learn how to play a musical instrument. (The violin in my case, and the titles of some of the pieces I learned would now be considered terribly politically incorrect!)
Rick, that fact about the Herdim pick is probably the nerdiest and most fascinating thing I've learned on UA-cam.
Same. It blew my mind when Rick demonstrated it. I have always wondered how Edge got that trademark chime sound in his guitar notes. It was that simple all this time, and I never knew it.
That pick looks killer. No more drops. I'm going to look for some.....
Edge's guitar tech spoke about it when he did a rig rundown.
yeah as a non-musician, that kind of little detail is fascinating. Without it, ok its a great lick. But that textured pick and suddenly its like you are in a completely different room.
I found out by playing their song ‘bad’ and I accidentally had the pic the wrong way round (don’t ask me how) and I did it the way edge did it, and all the colours bled into one. I was like wow this is great
Finally....someone is talking about the greatness of Larry Mullen Jr as a song writer's drummer.....such an underrated drummer....
I agree, guy is really underrated, almost forgotten
I think some of coloring around Mullen Jr. was added by Henry Rollins, who years ago bitterly criticized U2's rhythm section. I think Rollins critique was misplaced and made him sound envious. I wonder if Rick Beato has ever seen the Rollin's interview and would care to comment on it.
Sunday Bloody Sunday and Bullet the Blue Sky are bloody fantastic
@@coffeedudeguy Agree. I think The Joshua Tree is a brilliant album, as are a number of other U2 records.
his drumming got a lot more fluent and syncopated from "the unforgettable fire" and onwards. just listen to the difference between "sunday bloody sunday" and "a sort of homecoming". he's a one of a kind
Watching this gives insight to how good U2 realy is ..melodys from another world ,dreamstate ..all from a few chords ...a band made in heaven .
Absolutely. That dreamscape effect is also of course a lot due to Brian Eno's influence.
True story: Lying in a hospital bed, shattered pelvis, three broken bones in my spine and the morphine not cutting it - and it was this band's music, played at high volume through my compact disc player earphones, that took my pain away. I've loved them ever since!
Gush reheat k what am inspiring story
Amazing story. I hope you have fully recovered. God bless.
The power of great music. Still have a close relationship with this album also. Helped me through some tough times also...
How the hell did that happen!?! Hope you recovered, I went through the windshield of a car after being hit on my mountain bike, I know pain too! :D
Hey there brother in pain, I feel ya and I use music the same way. Dealing with a failed fusion surgery, and U2 as well as other compelling bands can pull me out of myself. And having something to focus on like these videos helps keep my brain and heart functioning even through the meds. I hope you have recovered well and fully and I thank you for sharing your story.
"You actually have to have it played by humans and not corrected"
HELL YES!!!
RIck is SOOO good at THIS. So good at trying to preserve ART in music and musicians for the sake of ART and music. The world needs many things, that's not really up for debate, and one of the paths to betterment for us all is passion in ART IMHO. So, for his role in that - we're all very lucky. At least, I feel I am. Thanks Rick et al.
Couldn't agree more!
Indeed.
Absolutely
Well said!!
I've seen every WMTSG, and this may be his masterpiece of analysis. Simply incredible breakdown.
One of the many reasons U2’s music is so great IS the simplicity. It’s designed to engage the “common man” because each song is a story about human existence. The tunes and melodies are simple and the words are easy to hear so we can sing along and connect with them. The band might be mega stars and millionaires now, but they were always musicians of and FOR the people.
They may have started like that, but Bono turned into a complete arse somewhere along the way.
I loved your comment!!!
Yes…and in general, I never understood why some people think a song has to have a million chords and weird notes to be considered great. The greatness of a song is how it sounds, feelings it elicits, how many times you want to hear it….
That bit about the scratchiness of the pick has officially blown my mind.
I'm getting that pick right now !
Totally...playing this song, I'd just try and approximate it with gain or something. JFC the magic of a plectrum! lol
if you're a hardcore u2 fan, you know this particular detail. It really is as genius as it is silly.
I've been studying and playing Edge's stuff since the 90s, and prior to the interwebz I had no idea about the Herdim pick. I finally learned of them and bought some, and it suddenly I had Edge's guitar in my living room. Stupid little pick finally solved a longtime mystery!
The dimpled pick is my main takeaway from this video.
This video seems timely as Daniel's brother Bob just died unexpectedly last week. A huge loss for our local music community, as I'm sure a personal one for Daniel. Daniel Lanois got his musical start here in my city of Hamilton Ontario, Canada(40 miles south west of Toronto). It was his older brother Bob who started with Daniel, recording locals musicians and bands in their mothers basement, eventually buying an old house and setting it up as a well renowned studio locally and nationally called Grant Ave (still in use today as a studio by a friend who bought it from them). In the liner notes for Joshua Tree, Bob gets a shout out from Bono. Bob still lived here in Hamilton and had another studio and artist's studio setup(Bob was also an amazing photographer and visual artist; Daniel produced Emmylou Harris' Wrecking Ball album features Bob's pictures of her) for locals to rent in an industrial part of town. I was lucky to have met and speak with him a few years back and we had a common acquaintance that knew how much of a fan I was of his and Daniel's music and production work.
This entire album was incredible. There are simply no misses on it and remains one of the greatest. Very rare for an entire album to be damn near perfect.
Lauryn Hill.. But U2 has many albums of that stature.
They had no preference about how the tracks should be in terms of order. So Kirstie McCall gave them each a score and they go from high to low!
Agreed. Any Elliott Smith album as well
@@ThorsteinKlingenberg Even their others had minor hiccups...but JT is in a league all by its own
U2 is the prime example of what chemistry can do, and how it makes a band, or not. NONE of these guys could even play their instruments for the first while. But what their vision was, kept them together, and ultimately, proved transformational.
It’s also why they wrote their own music at the very beginning instead of playing covers. They couldn’t play anyone else’s songs bc they didn’t have the skill yet. So they each literally invented their own style. Styles that from the outside looking in looked and sounded bizarre. I never really realized that before until I heard them being interviewed a couple years ago. So now it makes total sense why they have such a unique sound. Especially early on.
I thought I was alone thinking that Larry mullen was an amazing drummer. The guy comes up with the coolest, most original and unexpected beats.
I think you can measure what an outstanding drummer Larry is by the fact that you can recognize most U2 songs only by its drum part. Each one is distinctively unique.
Great take. That string of records from War to Achtung have great songs, great vocals, excellent texture and production, a really tight rhythm section - all of this before you even get to Edge sonics or the videos. There is an adolescent or transcendent feeling of bigness that is rarely hits so hard. Lanois!
It took me a long time to realize how good of a drummer Larry is.
Yeah he has riffs on the drum that make the songs powerful and memorable taking the place of guitar riffs other bands use
Over the last several years there has been this snarkiness pointed towards U2, a desire to minimize them, I think because of the romantic sweep of there sound. I think people view some of the elegance especially in Bono's vocal aesthetic as arrogance. U2 are unique and important, everyone in this band are monsters of their craft, their art, They make ART.
I think that their is a sincerity and sentimentality in the lyrics that today comes off as a bit corny.
Ain't the music. It's the leftist political shite he spews. Elite millionaires telling people how to be better people whilst doing the opposite
over the last several years? It's been that way for 30 years. Haters gonna hate.
Fortunately, the tide will again change and the clanging voices such as some replies herein will drift away forgotten and the great achievements of this band will remain as strong and accessible as ever.
@@tomiasthexder7673 Its nothing to do with his rhetoric being left or right. Im on the left and think he's a sanctimonious self-important patronising twat. Politics doesn't come into it.
Saw them for the first time in 1987, my friends and I still go to see them on every tour. They are one of those few bands that are better live than in the studio.
I swear Streets gets better every time they play it!
"An internet treasure." Every video you produce Rick adds validity to this statement. "What Makes This Song Great." represents what the internet can be at its best. Please don't stop - there are so many more great songs for us music enthusiasts to discover with your help.
Cool avatar
When I was growing up in Ireland in the 80s, EVERYONE was a U2 fan. I tried not to be, just to be different, but by this record I had become a fan despite myself (and for a large part due to my older brother's record collection). The Joshua Tree (as well as TUF and Achtung Baby) is now one of my top ten today...to have Rick dissect and "fanboy" all over this song just made my week😁☺️
It took us Yanks a little while to catch on.
Achtung Baby was ground breaking, bold & brave. The older I get the more sentimental I am becoming about music from my youth. Amazing albums and songs.
Very few songs can bring tears to my eyes with almost every listen, but this one does. It's legitimately a miraculous piece of music.
'One' does the same thing to me. Maybe U2 should go down as the most successful gospel band of all time.
Promenade does it for me!!🤣
Nice tone. And yeah, don’t see how anybody can slag Edge’s playing. In a world full of “look how fast I can play” guitarists, Edge CRAFTS music.
When people get mad it’s cause he did it and they didn’t
I'm pretty a-musical, but I am reminded of the general idea that what may seem simple is usually actually harder than it looks.
I've read loads of comments saying "don't slag The Edge off" but I've not actually seen anyone slagging him.
He's not so much in the hendrixian rock mode. Play guitar like a synth kinda. There's a clip from the movie "it might get loud" where he plays a riff with and without effects. The "dry" version of the riff legitimately sounds grating, annoying and horrible. With effects it sounds spacious and beautiful. He writes parts that only sound good with loads of delay, reverb, chorus and other FXs but can sound terrible only clean or only distorted. It may sound like I'm slagging on him but I'm not. I really love some of his playing but he really does play with a totally different skill set and Intention then the usual rock guy. This is why he gets hate I think.
How dare The Edge make music that people actually want to listen to
I don't have any particular story associated w/ this song. No "my dad listened to this all the time before he passed", or "I did a cover w/ my church choir". All I can say is that when I listen to this song, I feel an overwhelming sense of peace. All of my worries and problems disappear, and everything is all right. The emotional impact is profound. This song and The Joshua Tree is a masterpiece.
Larry Mullen Jr started playing drums in a marching band which certainly led to his style.
Rick check out the intro "Where the streets have no name" for the time signature changes when it goes into the tune. To this day Larry counts the 6/4 intro. I worked in Windmill Lane studios where they recorded and mixed this, great times. I will add four of the nicest people you will meet in this industry to this day.
Thanks for that story. Great to hear. And yeah, a video from Rick on U2’s WTSHNN and/or signature time changes would be a good one.
The Joshua Tree album sounded like the future in 1987 and still sounds like the future in 2021. It's absolutely timeless.
This album is like a soundscape of the 80s and 90s for me. Beautiful album start to finish
That's a great way to describe how it felt in 1987. It did sound like the future!
A pop rock LP by a post-punk band doing a gospel song. Who does that? U2.
Yeah, it kind of stands alone, it was always in its own class. It’s own thing compared to contemporary’s music.
Oh Bono, his voice is transcending. When he sings low, pure beauty. Higher, it’s ok, but the way he uses it is unreal. Who has more passion? Forever my favorite singer ever. I dream of singing a duet with him day.
A song that is seemingly so simple reminding budding songwriters that it doesn't have to be super complex to be a masterpiece; it just has to make you FEEL something. Working those dissonances into the guitar parts, thundering kick drum fills to push the track along, vocals straightforward enough to sing along to... that's how you touch people in their hearts.
Touch people in their hearts...a fine goal that U2 achieved quite well.
Writing a tune that just about everyone on the planet can relate to his or her own life didn't hurt either. U2 gets a lot of flack for writing such general songs (like who doesn't experience spiritual longing at some point?) On the other hand, who doesn't experience spiritual longing at some point? So why not do it in an anthemic way? You don't have to be as specific as Leonard Cohen to explore the topic. Either can be a good approach.
I was 20 in 87’ ... the Joshua tree tour was the only time I stayed in line overnight for good tickets in philly at a video tape store that sold tickets ... My buddies and I wore the tape out trying to learn the music. I think it was life changing for me at that point in time 🇨🇮
I was at the show with you. JFK Stadium. Opening act was Little Steven, aka Silvio from The Sopranos. Sadly, my #1 memory from the show is they only played for about 90 minutes. 80,000 people in the stadium and they couldn't play 2 hours?? I went home angry and never saw them again.
Great story! Did ya end with good seat?
Well, we've got the Côte d'Ivoire Flag and the Italian Flag in this thread, So I guess I'll just stick the Irish Flag in the mix as well :) 🇮🇪
Been listening to U2 since a friends older brother played us the new single he'd just bought; "11 O'Clock Tick Tock", back in 1980 ...41 years gone in the blink of an eye
Regards from Donegal, Ireland.
I saw U2 the same year in Las Vegas UNLV. . turns out a photographer from Time magazine was there that night also. . .one of the best musical experiences I have ever had, and the interesting thing about it was they had VERY little stage show - they just came out and basically played. . .that's all they needed to do.
Did the same in Chicago.
Rick is totally correct...Bono is a genius lyric writer and a phenomenal singer. The band as whole makes unique and epic music.
yeah I agree. It's crazy that a lot of people in Ireland speak badly of him. Jealousy I guess
@@moogleguitar I think it’s just funny to pick on Bono now most Irish people enjoy U2
Bono Vox
Let’s not forget Brian Eno’s contributions to Unforgettable Fire and Joshua Tree’s as a recording engineer. Arguably their best albums!
You know I still can't believe we just get these videos and knowledge for free. This series might be my favourite thing to watch.
EVERY TIME YOU RELEASE ONE OF THESE MY DAY IS BETTER- 😊
Having grown up in southern California, this song feels like the chilly high desert from a convertible. I can FEEL this song. It's beautiful.
That's the power of music and nostalgia, it really is amazing
There are few things I miss about California. It sadly isn't FOR Californians anymore. BUT, the desert gets in your marrow, the rocks and hills, the Spring Bloom... the arid Winter cold, the enveloping Summer heat. The immaculate silence.
You said it the memories by the beaches, in S. CAL
Totally!
I also imagine songs driving a car.
It's personal and intimate
U2 is one of the few artists that people will still be listening to in 200 years
good prediction
Amen!
True, you can add Queen and Bowie to that list, all Live Aid artists.
But _not_ Paul Simon. At least according to some guy in another of Rick's videos I watched earlier.
😂😂😂
Hard to believe U2 were still in their twenties then. Harder to believe they are in their sixties now. Timeless.
U2'S songs got me through my father's death in 2001. No one like them. Thank you Rick.
I feel sorry for you. I'm going through similar moment after losing my mother and little sister... I can't listen to Kite live from Sidney without pouring my eyes when Edge's solo kicks in
@@MisbehavingChild thanks for the kind words, I wish you all the same.
I lost my father in Feb of 2019. Then an aunt in the same month. Then a nephew in April of that year. So it was just one sorrow after another. I found myself listening to a lot of Achtung Baby during that time. The lyrics in some of the songs like "Ultraviolet" ("There is a silence that comes to a house where no one can sleep / I guess that's the price of love and I know it's not cheap") just hit harder. The grief never really goes away, but, as the song says, that's the price of loving someone who you may lose.
I love watching these videos because of how intensely passionate Rick is about great music, and how he showcases things which the layman would otherwise miss. I learn so much watching these videos
I've listened to this song for more than 3 decades and I never really noticed the subtle drum kick stuff Larry Mullen Jr is doing. Thanks, Rick.
The Joshua Tree is the album that really made me fall in love with music. Back in the early 90's I had my dad's copy of the record and I would listen to it over and over again in my bedroom. I'm not sure how normal it is for a child under 10 to be completely hypnotised by music, but to this day it is still one of my favourite albums and childhood memories.
Every single thing you said-is absolutely identical to what happened with me, and this album. Literally every single thing lol. It’s crazy.
I had to look at your username a couple times because I figured I must have wrote that comment.
In the early 90s, when I was less than 10, my dad had the album (and a cassette), and I would borrow his CD, play it in my room constantly, and be “hypnotized”/feel euphoria-when I would listen to it…
And, it’s the album that really got me into music, U2/especially Sunday Bloody Sunday is what got me into the drums, Joshua Tree is what got me into Singing, and “Bad” is what made me want to be an “Artist”.
Then, I started listening to Achtung Baby and that blew my mind, and made me realize how much you could do with Music; Kind of like the impact that Sgt. Pepper/Revolver had on musicians from that era.
Agree, though for me it was the Achtung Baby album I had to copy from my brother's cassette - I would spent the entire time between the speakers immersed in these strange sounds. Only later, possibly due to higher fidelity of the CD, would I discover all the different layers in there music - and yes, for example the maracas in Even better than the real thing...
The songs, the playing, the cover art, the production (!!!), the lyrics.,the sound....from top to bottom Joshua is one of the greatest albums of all time..no matter if you like U2 or not
It was the FIRST album I bought on CD .. 4 months BEFORE I got my CD player (as a part of a component system) out of layaway. ... yes I'm an old lady now at 73, but I still listen to Joshua Tree at least once a month. 🎶
Same goes for Achtung Baby.
I think Aunctung Baby is the best, it's a little newer, edgier... And all songs are different and top notch. They hit their peek there. But, had another 2 or 3 good albums after it.
The Joshua Tree saved my life March of ‘87. I met Lanois in Chuck Berry’s basement/dive bar Blueberry Hill a few years ago, (a completely gracious gentleman) and the circle was complete in my life. ⭕️
Yep, TJT and Achtung Baby are U2’s masterpieces and IMO among the top rock roll albums.
The 9th chord and the major 7th chord always gave me this unspeakable sense of pure joy. It was like light. I remember when this song came out and I just felt GLAD, even in the midst of the unfulfilled longing. Those chords were like nothing I had ever heard before in mainstream music.
Wow this is the perfect example of the difference between How drab modern quantize music can be, and comparison to human played instruments that is an internal voice that is being externalized through instruments as a language that is universal and speaks from within
I agree!
I lost you at wow!
"You know what would make this song better? A snap track!"
- Some producer today, probably
The edge is the anti-guitar hero. Every note he's every played was for his band.
True
Dare we say the Ringo of guitarists?
Exactly. Shred for show, play for doe.
Absolutly true!
Yeah I feel like everyone who hates on The Edge for having easy to play riffs, are missing the point of what he plays completely. If it sounds good, it is good, doesn’t matter how easy or difficult it is to play. People get too hung up on trying to play something impressive rather than playing something pleasant to the ears.
Larry Mullen Jr is one of the great drummers. Thanks for pointing out all the interesting kick drum work he's doing here.
The Vertigo tour: Larry did the outro after each other band member stopped playing one at a time, with 40... I’m sure they did it before, but for a guy to hold a full arena’s attention with just a drum kit like that, for as long as he wanted... a real artist. 🥁
Definitely add in those fun additions to the video. The extra drumming adds so much context. Thanks so much Rick for being you. 🙏🏻
Dating coach reacts to Rick Beato
I agree with you man. I’m am a long time drummer & U2 fan. But the older I get, I’m always drawn more into the. Choices the musicians made in the music I love. It’s like learning what an author’s meaning was or influences into the story they wrote.
That was one of the BEST parts of the video,keep asking your friends over to participate in your videos!
I agree
Thankfully he can’t be anyone else!
Joshua Tree was an important album for gen x. What an album and this is such a great song. Thanks for sharing.
I’m no musician Rick but I could listen to your videos all day….how you explain all the great music of our generation. I’m 59 too. You are an ally in our quest to make sense of all the great music culture we lived through. Amazing. You have fantastic presence to camera.
Thank you for defending the Edge. He has a sound that, at the time, I had never heard before. When I first heard this song on the radio, at the age of nineteen, I stopped what I was doing and went to the radio and sat there mesmerized until it was over.
Whatever else you want to say about U2, this record is phenomenal. It sounds like America somehow.
Yes, this is by far, my favorite U2 album.
@@MIKERUPTION All that you can't leave behind is my favorite U2 album. Joshua Tree has some great songs on it though
@@BigElectricBull1981 Beautiful Day off of that album is a great song!
The original tittle for the Joshua Tree was The two Americas
@@axsal8607 Was it really? I didn't know that. Thanks for the bit of trivia!
People who share knowledge are some of the most generous, loving people on the planet. Thank you.
Amen.
RuinDweller - those words you said sounds like it could almost be lyrics, well put my friend.
This was a pivotal album for me. I was in Phoenix, experiencing the whole "desert Southwest" vibe when this album came out. I was first in line at a local record store to buy the CD and I must have played it a bajillion times since then. This song specifically just makes my heart glow.
I'm living in Phoenix now, i.e., experiencing the whole southwest vibe, and all. That record is definitely an awesome fit as a backing soundscape as I drive through the Sonoran Desert. I totally got your image there- 👍
When people says that a song is poor because it has three chords, you have to show ISHFWILG. Melodies, arrangement, performance: perfection everywhere.
Larry Mullen Jr. is a beast on the drums, and proof that you don't have to shred on your instrument to be considered one of the greats.
U2 is a perfect example a true band… they are greater than the sum of their parts.
The simple bass lines are the glue that make most U2 songs shine.
I’m only 2’23” into the vid and I can already say “Amen!!”. Rick, thank you for staying above the noise and recognizing the unequivocal art in a lot of U2’s music
I hope Mr. Beato will do an entire series investigating what makes U2’s songs great. There are so many timeless titles.
Seriously. He could do another 100 episodes just on their stuff. He hasn't even touched Achtung Baby yet, which is an even better album to take a deep dive into the bits of.
Totally agree
yeah i could conservatively think of about 30 songs that would deserve a good beato deep dive
That transition at the start of Streets needs the Rick treatment!
@@voodooturbo Hell yeah, Until The End Of The World is a phenomenal track.
Rick seems so approachable and friendly. Would love to spend an afternoon with him and discuss music theory. What a treasure.
I'm glad that Rick appreciates Larry Mullen's drumming, he is a very creative, unique drummer. 💖 U2, 💖80's💖💖💖💖💖💖
Being in a stadium, which I have, while U2 lets the crowd sing this is something spiritual. Their version on Jimmy Kimmel is mesmerizing. These guys are a live band and their shows are something else.
thanx for sharing, just listened to it now ...... excellent
i cant stand when bands stop playing and hand it over to the crowd. im sure im in the minority here, but just not my thing.
@@MrThorp1 I CAN SEE what you are saying and feel the same once in a while
@@MrThorp1 I agree. I only like it as a call/response thing or when they sing at the same time. When the singer just holds the mic out and lets the crowd sing an entire verse I cringe
@@MrThorp1 obviously never heard U2's 40. That is a song that has to be sung by the audience to hit it off right... "How long.... To sing this song...."
"Is that too much drumming? - No." Great call.
Agree 100%! That drummer was amazingly talented and I could have listened for a few minutes more. Many times in R&R, drummers are taken for granted and are thought more as beat keepers than artists.
Could have done with a bit more cowbell...
In funk the drummer sets the mood for the rest of the band to grow on.
The history of the technical details is what i love about these videos. A casual listener cannot truly appreciate how the technical and technological side of rock music progressed/advanced through the years. Once you learn these things, you more fully appreciate *why* these songs were so important to the industry and the art of rock music.
Something amazing (to me anyway) happened to me today. I was in my car listening to some of my favorite songs from my Amazon playlists. I realized as I was listening to Stevie Wonder’s “I Don’t Know Why I Love You” I was trying to hear different instruments in the music. I almost had to stop the car! From this day forward this will be forever known as “the Rick Beato effect.” I’m a 67 year old grandmother who has become obsessed with your videos and what you’re trying to teach us. Thank you so much for sharing your knowledge. I’m enjoying your videos so much even though I don’t understand most of what you’re talking about! 💕
Very nice story, love it. :-D And I love Ricks' videos.
Love this reply!!!
Criminally underrated comment 👍♥️👍
I can confirm this effect! So cool to hear something you didn't notice before following Rick.
I feel you...really, i finish all interviews, reviews of the songs, if that is the right word...i dont understand most what he is saying, but im learning...if that make sense..
I swear Rick is one of my favorite guitarist of all time
Yikes
he s good. yes.
How Rick’s content is free is beyond me. This is gold. Keep it up man you’re making me love music more and more every day
Growing up in Southern California, Joshua Tree National Park was a place I absolutely loved as a kid. It blew me away that U2 choose to name this great album after this amazing cactus "tree". When I Still Haven't Found What I Am Looking For was released, suddenly it was absolutely everywhere; flooding the air ways and MTV. I remember wondering how a song could be a hit with such a long title. However the song is just magical, filled spiritual longing. This will always be a very special song for me.
Great reading Bono's Surrender and being able to do deep dives with you and CLASSIC ALBUMS on the song structures. What an amazing time we live in!
Beato has to be one of the most under-rated music teachers on the planet. Listening to him passionately rant about old music and bring in friends to demonstrate parts is more instructive than anything else i have seen. I only wish I had the talent and circumstances to play well enough to take advantage of his work. Anyone that copyright strikes this guy is disgraceful.
Rick Beato is hugely respected in the industry.
@@powbobsyep and virtually unknown outside it. He should be a household name. He is that good.
He is amazing!! This is the first video of his I've ever seen. I love his passion. Can't wait to watch more!
@@sammyfromsydney : when you say “ good” did you misspell “ god” ......🤓
Thanks Rick,
I think The Joshua Tree is one of the best Albums ever recorded.
I am 18 years old and I love this Band.
If you're new to U2 don't discount Zooropa and Pop. Both killer albums in my opinion.
@@PJBonoVox and the 12 inch remix of Lemon is incredible!
@@PJBonoVox yes i think the Zoo TV Tour era was also very important for U2 and for me the best Tour of all Time.
I am from Germany so i like this Berlin Vibe.
Great stuff
One of Rick's best videos. Outstanding. I love how Rick loves the music. He FEELS it. I felt a kindred spirit as I watched because this song moves me so much.
I'll never forget the first time I heard it at age 11.
Those U2 albums from the early 80s and 90s redefined music for me. Completely expanded my taste from the usual hard rock music to the alternative/Rock style of U2. Each band member is so integral to the sound that eventually they create. The Edge in the documentary about how they came up with Running to Stand Still
The vocal harmonies at the end, where Bono actually cuts out, and it's just Edge and a few other voices: that part blows my mind every time. For the singer to step OUT, and the music to get "broader," is RARE.
yeah, I love that outro and also the outro in With or Without You. I wish they had extended those, or at least has an extended version of the songs.
well said dan
@@ragayomama The restraint The Edge displays at the end of "With or Without You" is haunting and perfectly calculated by the master himself. Just brilliant in his decision to fade out with what he is playing there.
As a junior in high school I bought my first U2 album, Yes when it came out I'm over 50 now and with over 900 songs on my Iphone 850 are U2 songs, a mix of live recordings and studio and what ever I can find, spent many nights with my newborn son listening and took him to his first concert in 3rd grade, Rick you could talk all day!!!!!! THANK YOU!!!!!!!
Beautiful. And same.
The best musician in the world is the one that plays what's best for the song and not for themselves.
Whatever you think about The Edge's Guitar playing there's no denying that he had his own unique style of playing and it has become incredibly influential. There are so many bands today who have riffs inspired by the edge. So many songs sound like it could be a U2 song and The Edge was the first one to do it. I have also heard from friends who have seen him live that he is an incredible guitar player.
The Edge is a sound technician. Many artists forget it's ok to have rests in your composition. The race to the most notes is not the only measure of greatness.
He definitely does have a unique style. And yes, it is so worth it. Seeing him live with the rest of the band, the music alone may change your life, but seeing it in person feels so transformative.
Larry is the Ringo of his day. Because of their lack of flash, everyone thinks what they do is rudimentary when it is really just subtle and full of nuance. Much the same as Ringo, remove or replace any of these signature parts and the songs we have grown to love would simply not sound, or feel the same.
Ringo is the exact comparison i was thinking of too.
As a former DJ, when mixing in a U2 song with a song with quantized drums or a drum machine, it locked up perfectly once I got the tempos matched. Larry is a human metronome. Very little deviation.
I totally agree. Ringo was brilliant too.
For me, the subdued drum performance is what makes this song.
As a kid of the 70’s who heard the Beatles on the radio multiple times a day, it wasn’t until my 30’s that I started to listen to them afresh. I was amazed at how amazed I could be with music so seemingly familiar. And Ringo’s playing-which as a teen seemed “weak” compared to Peart, Bonham, McBrain-made me head slap myself in an aha moment of finally recognizing his melodic style that was so creative and unique. Larry Mullen’s is similar in approach yet unique to his own voice. Creative drum patterns and lines truly throw songs into extra dimensions.
This was released my senior year of high school. People just don't get it unless they were around -- how ubiquitous and powerful U2 were. A stratosphere launching LP. This brought a tear to my eye. The episode is a masterpiece Rick, just like the Joshua Tree.
Fellow class of ‘87 here, can’t agree with you more, what an album. It’s still as powerful and moving at 52 as it was at 18.
@@Gretzky2857 class of 1988 here. I feel you! Saw them at sun devil stadium in 1987. $5 tickets because they were filming the Joshua tree. We had no idea history was in the making. Incredible
Well said. I was a freshman in high school when this came out. Already had been a U2 fan since their War album due to my sister picking that earlier one up at a Virgin Records by mistake. (She’d been looking for a different band but wasn’t sure their name; upon a few listens to U2 she fell in love & refused to return the album. LOL) When TJT was released...it’s hard to put into words just how big & beloved U2 was. Especially for myself & my peers who were at an age were we just beginning to chose the bands that we’d adopt, champion & follow into adulthood. I still listen to this album (& all 6 Rick showed on screen in fact) today.
U2 - soundtrack of my life.
I was working my first job (at a supermarket) when this album came out. I was already a U2 fan having worn out my War, Under a Blood Red Sky and Unforgettable Fire (my fav and so avante garde IMO). It was a magically album. Saw them on back-to-back nights for this tour and got to see them again on the 30th tour. I'm a guitarist, but always loved Larry's playing too, struck me as so different than what all the other drummers were doing.
Joshua Tree is one of the greatest albums of all time. Anyone who went to high school in the late 80s was affected by U2 one way or another.
Grade school too
or in college.
It was the live version of Sunday Bloody Sunday from the live at Red Rock that really got my attention, i was aware of their hit new years day but on that live concert wow found gloria and i will follow, later came pride and the song i called one to piss the neighbour off with..with or without you...awesome bass
I graduated high school 1970, and am totally affected by U2, THE GREATEST BAND ever! :p
Truth. 4 of us drove from Oshkosh, WI down to Indianapolis to see this tour at the Hoosier Dome. Fun fact: the Bo Deans were supposed to open but didn’t make it due to inclement weather (I think)...after a delay, four Dudes in “country regalia” and porn staches came on stage and played a set....yep, it was U2....opening for themselves. ALSO, the “all lights on/house lights on” cue at the huge downbeat in the intro of “Where the Streets Have No Name” is one of the most epic rock & roll moments in concert history....also-also, this entire record is pretty much all in D major, and it’s still incredible 😄
The edge inspired me to play guitar. The repeats, the soundscapes, the drone-notes. I listen to the song a million times. But never linked the quality of the song to the drum and bass parts. Very well and enthousiast explained in this video. Big 👍 here! I think I didn’t found what I I ve been looking for so far. I put the record on listen again till I find it😉!
"If you want your music to have humanity...you actually have to have it played by humans!" Hell yes, Rick!!!
YESSSSSSS !
think ed sheeran
It always amazed me that a drum machine is even a thing in a production studio. You wouldn't consider a guitar machine, ffs! ...ironic, considering that any person involved in creating any form of art for a living is continually reminded through life that art's not a "real" job. Sorry, but a drum machine track is not really drum track. I listen to recordings of musicians playing, so an artist called "the drummer" should be playing the drums - with sticks (and have a job). It's the whole frigging point, and you can easily tell the difference. The other artists in the studio shouldn't allow the drum machine crap to happen.
@@stephenlawn159 Even in just the three days, this comment demands far more likes than merely mine..??
Yes! Human hands on sticks.
Rick's face when he hears that drum part is sheer joy.
i smiled every time he went 'OH!' haha
G&R's Appetite for Destruction and R.E.M.'s Document also came out in 87. What a year!
Don't forget Midnight Oil's 'Diesel & Dust.'
George Michael's "Faith", Prince's "Sign o' the Times", Michael Jackson's "Bad", and so on, and so forth... It was an amazing year. Damn, we even got rickrolled!
the smiths : strangeways , new order : substance, replacements : pleased to meet me, teh cure : kiss me x3, depeche mode : music for the masses, INXS : kick, the cult : electric, 10,000 maniacs : in my tribe, echo & the bunny men : self titled, sisters of mercy : floodland, love and rockets : earth sun moon, PIL : happy?, dukes of stratsophear : psonic psunspot, firehose : if'n
1987 was the year that music happened.
AND .... Bruce's Tunnel of Love. Another class record
@@m1k3g3tz It was the year music said "OK hair metal, we're done with you!"
Thank you for calling "Rattle & Hum" a piece of art. I have long thought it was one of U2's most underrated albums, and probably their best. I go back to it over and over again through the years and it just hasn't failed me wherever I have been in life. Most people dismiss it... don't even mention it sadly... so it's great to hear you list it as one of their greats.
The studio stuff from that album is fantastic imho, particularly the powerful "Hawkmoon," "God, pt. II." and "Love Rescue Me." And I always thought if someone didn't like "Desire" and "All I Want is You" then they just don't like rock 'n roll. The live stuff ain't too shabby either, particularly the covers. I do not consider it their best, not by a long shot, but I agree that it is a much, much better album than people recollect.
It's a great album. You know, they don't. What more is there to say?
That is such an incredible bluesy sounding gospel sounding low end percussive beginning, and then Bono's voice....incredible.
As a kid growing up in Dublin in the late 70s me and my friend saw U2 busking in a place called the Dandelion Market a cool flea Market (now Stephens green shopping centre) and as the years went by I got to see them become the biggest and in my opinion the coolest band in the world...love your show rick
that is something special indeed, a piece of history
Wow
Wow. What a fan comment. Golden U2 busking in Dublin!
It was a dark and bohemian retreat for the alternative style seekers. U2 played to a walk by crowd, as they became better the people gathered and blocked the entrance to many shops...The legend was born.
Show off. (Just kidding....jealous!!)
Thank you for giving Larry some love. He’s been my biggest drumming inspiration. Not enough people talk about him...definitely not as something that make U2 a great band.
A Master Class in less than a half hour. Classics withstand the test of time, and U2's heavenly song and Rick Beato's breakdown of it will still be heavily accessed 100 years from now.