Nes: Megami Tensei II Soundtrack
Вставка
- Опубліковано 29 вер 2024
- 00:01 / Prediction ～ 予言
00:35 / Jump Up!
02:08 / MICOM - Departure ～ 出発
03:34 / There's a Light in the Window ～ 窓明り
04:41 / Spirit Of Fountain ～ 光
05:23 / Prayer ～ 祈り
06:23 / DAEDALUS
08:32 / Battlefield ～ 戦場
09:26 / Game Over
09:32 / Omen ～ 前兆
12:05 / Explorer ～ 閉ざされた街
13:40 / Lady's Shop
14:39 / TOKIO Adventurer ～ 廃墟
17:31 / Messenger
18:38 / I Love Money ～ 一獲千金ロック
19:45 / Dash Under the Ground
21:40 / Spirit's Power ～ 精霊
22:47 / Ex-convict ～ 前科者
24:34 / Checkman ～ 四大の御使い
25:26 / Hurry Up To Exit
26:49 / An Encounter ～ 遭遇
27:51 / Death Match ～ 死闘
29:16 / Another World ～ 黄泉の扉
32:15 / Hallucination ～ 魔界幻想
34:08 / Devil Speak ～ 導き
37:24 / Synthesis of Demon and Beast ～ 魔獣合成
38:32 / Dark Night ～ 暗黒の道
39:49 / Fall'n Gods ～ 魔王
40:51 / Dimensional Trip ～ 時空の道
42:08 / Labyrinth ～ 午前2時の迷宮
45:08 / OMEGA ～ 聖戦
49:15 / Epilogue ～ 神々の黄昏
52:49 / Dawn of the Human Being
57:30 / An Encounter ～ 遭遇2
58:12 / An Encounter ～ 遭遇3
58:54 / An Encounter ～ 遭遇4
59:35 / Dimensional Trip ～ 時空の道2
01:00:18 / SFX (ジングル＆効果音）
これ、ルシファーが仲魔になった時の感動が30年以上経った今でも忘れられん。
しょせんは せいさくしゃの てのひらに おどらされているのに すぎない
当時、音楽の良さに度肝を抜かれた
引き込まれちゃう。スゴく重力が強い世界感。学生時代に最も愛したゲーム。今も大好き。
音楽がかっこよすぎだよ。
未プレイだけど世界中の有名な悪魔を解説してた女神転生Ⅱのすべては宝物だった。
魔界幻想が2016年の今でも心の中に焼き付いている
一番最初の曲が地味にすごい。
オクターブで重ねた音同士の「ﾌﾞﾜｧｬｧｨﾔｧｫ...」という「うなり」を聴かせている。
名状し難い音色。
In my opinion, I think this game had the best music on the Famicom, sound wise.
This and Castlevania 3 is top-tier shit. Those extra sound chips do wonders man.
@@rambact5769 Don't forget Lagrange point, that game would've fooled many people trying to believe it was coming from an nes game.
Come on, you guys. Esper Dream 2, Erika to Satoru no Yume Bouken, Gimmick, Treasure Master... There are some REAL good soundtracks on the little white and red box.
Batman ROTJ blows this one out of the water.
Excitebike is probably peak Famicom.
魔界の曲は当時小学生の自分には衝撃的だった
ずっと放置して曲だけ聞いてたなぁ
tosi1000rr やっぱり放置して聴いちゃいますよね(笑)
僕も小学生でしたがよく母親に
「やらないなら早く消しなさい」と注意されてました(笑)
This is probably my favorite Megaten soundtrack. I'm more biased towards 8-bit music over 16-bit so hearing the Megaten style being expressed through it is pure bliss for me.
this OST was playing at a local used game store i go to lmao
Clearly had good taste
Based
Based genealogy fan
遭遇から導きまでの流れが好きでCDで繰り返し聴いてた
作業用bgmをありがとうございます。個人的には「魔王」のbgmが熱いですね。
17:31 is forever in my head
22:47 is the jam :D
ダイダロスは神曲
冷静な会合の表情と一触即発の表情を持つ遭遇、からの死闘！！
いや〜〜〜〜 オーパーツですな〜〜〜！
Stellar OST. Almost on Castlevania III's level.
My favorites are tracks:
3. MICOM
4. There's a Light in the Window
11. Explorer
13. TOKIO
16. Dash Under the Ground
21. An Encounter (original version)
24. Hallucination
27. Dark Night
...I came buckets.
Fitting profile pic
@@wolf397 Orgasmic vocals intensify
シェルターから唯一神まで！
想像外のデパートやでぇ〜！
これぞゼノバース！！
久々のアップですね！ 待ってましたよ！＾＾
The Namco 163 offers up to 8 additional sound channels that play wavetable samples while the 175 and 340 do not. Each waveform can be of a configurable length, and each channel has linear volume control. It has $80 bytes of sound RAM shared by channel registers and wavetable samples; at least $40 bytes are dedicated to samples, with more available if not all channels are used. Like the Ensoniq DOC in the Apple IIGS, the chip is unable to clock every channel at once, so it cycles though channels, updating one every 15 CPU cycles. Because of this, the chip allows the game to configure the number of enabled channels. When fewer channels are enabled, the channels are clocked more often, allowing for higher tones with longer, more detailed waveforms. When more channels are enabled, clocking slows down since each channel has to wait its turn, resulting in lower tones and a high-pitched whining noise at the switching frequency. Most games using this IC used only 4 channels.
so if I understand! it uses 12 channels? i mean even if it doesn't its still amazing that the n163 can create such a beautiful soundtrack for a NES title
In addition to the standard PSG, it has a special sound source chip "n106 (waveform memory sound source)" on the cartridge side, and the number of simultaneous pronunciations increases, and the sound level is spread in comparison with the other company products in the acoustic plane. Moreover, the capacity of ROM increased to a double of 4m bits (512 KB) of the previous work, and the number of recorded songs increased by twice as much as the previous work
masterpiece💋
The best famicom/Nes music
Most of the soundtracks sound like they would fit perfectly with heavy metal
Great soundtrack!!
Hello, my name is Raul.
LITTLE LITTLE ESSAY ON RPGs
Morrowind, Skyrim, Gothic II, Shin Megami Tensei, Dark Souls 2, Fallout 3, Daggerfall, Baldur's Gate 2, Vampire the Masquerade:Bloodlines, Planescape Torment, Deus Ex, Dragon Age Origins and many more...(please tell me your favorite one and I will add it to the list).
All of them are fantastic games, some of them masterpieces.
What makes these games great games?
I believe that the great games and in particular masterpieces have the power to go inside our mind changing us forever, not just as individuals, but us all.
My thoughts are just ideas freely written (I'm sorry if they are repeated, it's because I need to explain them again and better or with different nuances). Some thoughts are also poorly written, but try to grasp the core of the idea and develop it from here.
1) A beautiful and original story can go inside us much more then great graphic or gameplay mechanics.
2) The sound and music can give life to the game and enhance the experience to higher levels, put a lot of thoughts an efforts in this part;
there are still a lot of developers that don't understand the importance of sound.
3) A face that speaks but does not show emotions it does not work, is better in this case don't show the animated face at all.
4) If the acting voice is inconsistent, is far more better just use the written dialog.
5) A less detailed world in terms of graphic allows to make it much more bigger.
6) More realism does not mean more immersion, I actually think that is less interesting.
7) A game is not a book, so I think that the dialogs and written words should be kept at a minimum.
8) A realistic sky is beautiful, but not interesting. Is far more better to give some character to the sky with original clouds shapes.
9) Bidimensional sprites sometime can have more character then 3d models, why not for example, animate a face with a sprite animation on a 3D model or use full characters sprites even in modern games?
10) A world with a interesting architecture is far more memorable.
11) Sometimes low quality sample sounds can have more charm then high quality samples.
12) I suggest to developers to simplify the world so to be able and dedicated resources to make it more interesting.
13) I suggest to developers to use an old engine for concentrating on gameplay, story and characters.
14) A memorable character will never be forgotten.
15) Even the most sophisticated AI will repeat itself, so use simple scripted technology to create unexpected situation and behavior.
16) Surprise the player is one of the most important thing in a Game.
17) Scripting is time consuming but worthy as just the fantasy of a person can create beautiful unrepeatable things, events, stories, characters; this is why simplify the world can be a smart thing to do. Developers now have huge resources that can dedicate over this task instead of realistic graphics or realistic physics.
18) I think multiple choices are a non-sense, or at least not powerful. The feeling of fake options dispels the sense of immersion; the feeling is that someone wants to tell me where I'm going.
19) Steer away from realism, it drains a lot of energy and does not serve the purpose to immerse the player in something magical.
20) The world is always in the mind of the player not inside the monitor, leave the space to his imagination, in this way it is more powerful.
21) Mods are fantastic and one of the biggest reality of gaming, congratulation to all the modders that put their love in this new reality;
all modders can use freely my music, just contact me if you like it and want to use it.
22) Instead of using expensive full orchestra music, hire few different unknown composers/players that can produce a lot of different music, or even more simple use very old music out of copyright and then transform it by changing the pitch, instruments, speed, scale or isolating just few parts and repeat them; few notes from Bach repeated over and over can be surprisingly wonderful.
23) The faces of NPCs are very important, give them a lot of charisma, make them memorable.
24) It is not necessary put the voice to all the dialogs, just few memorable voiced sentence are enough to give the presence to a character.
25) Usually developers make something happen in every location, I think is a mistake; I prefer to have plenty of places where nothing happen and then when I found a place with some kind of event, it will be far more enjoyable.
26) Use a voice or writing that sometimes describes and add details to the scene, a character a place, a situation: this is a powerful tool for immersion; for example we cannot have smells or odors in a games, so the developers can add this perceptions with a txt or voice descriptions.
27) Stanley Kubrick used the enviroment, the architecture of a building, the layout of a room, objects as a way to communicate; it is really a powerful way to express emotions, thought, feelings with shapes, colours and objects.
28) The presence of an NPC is much more important then his/her animation, there is no need of lip-sink or fancy movements because just the appearance can give strong feelings.
29) What an NPC says is very important, he/she has to say something that will be remembered, so use little txt or voice, but it has to be always memorable.
30) Create unique NPCs, never clone a NPC, make them simple using sprites with just few frames and few sounds.
NPCs created with editors are all similar, apparently different but actually very similar, while hand-drawn NPCs are always different, and having different people drawings them, will create really different and striking NPCs.
31) Pointing the direction to find someone or something with an arrow or highlighting it in the map is a non-sense and shatters the feeling of free exploration; the players are not babies and if the developers are using these tricks to help the player in finding the way, is an utterly failure and they do not understand the concept of free world.
32) Real time maps are not good, the pleasure to use a virtual paper map is much greater.
33) A beautiful and engaging combat mechanic gives a strong satisfaction, but is a short taste, what remains in the player's mind is the feeling of the place, the story, the NPC characters.
34) Everything and everyone the player will see during the game, has to be special, everything and everyone has to remain in the memory of the player, otherwise there is no point.
35) The game will succeed if the player will be not able to understand what comes next, not even a bit; it has to be a journey of surprises.
36) A masterpiece needs inside multiple layers of meanings.
37) Draw mountains with a structure that suggests meanings, emotions.
38) When the player approaches an enemy or NPC, it has to be a fresh encounter every time; AI will never (for the moment) be able to recreate the imagination of a real person. AI even if sophisticated, will recreate the same patterns that will bore the player; at the opposite, scripting the behavior will always create something new and fresh; scripting is an old but simple technology and it is also time consuming but the resources of the developers could be diverted in this direction, instead of complicated graphics or AI; an old engine like for example the ones used in Morrowind or Daggerfall are very simple and fast to use by nowadays standard, all the resources could be diverted to create unique behaviors;
I imagine the developers of Skyrim, using the engine of Daggerfall to create a more deep gameplay...10 people could create the whole graphic world and the other 90 dedicated their effort scripting unique behaviors; in Skyrim the combat is very funny and effective but after a while it is repetitive, the monsters behave always with same patterns....I imagine a programmer dedicating 1 day of work just to create a monster and his behavior, now imagine 90 programmers doing the same the same for 1 whole year....they will create a world full of original and unique NPCs.
39) What is important is the feeling of something is happening and it has to happen just in our mind, this is the secret of a masterpiece.
40) Stories in games are rather basic but there is no reason why they couldn't reach deeper levels; the same is for the characters, the NPCs; I exhort the modders to concentrate their attention on a single NPC trying to give it exceptional deepness, to show what can be achieved in a game; a very deep NPC could bring life to the whole game.
41) Voice-acted technology does not work, even if the acting voices are well done (which is very rare) there is always the feeling that are detached from the NPCs;
I prefer much more just the writings and simple unique sounds to give presence and to the NPCs; for example, an hostile NPC could have aggressive sounds, while a friendly NPC could have some relaxing sounds; I would like to suggest to give at least one unique sound for every NPC that suggest its personality; voice-acted technology is about realism but reality is an false friend of games.
42) Most of the NPCs usually communicate informations that the player usually does not want to hear, is better silence then boring informations; keep them at a minimum and convey emotions instead of informations.
43) Older RPGs have usually more mystery and have a more immersive quality, because they were relying less on realism and more on the feeling of the story, on the deepness of the characters; don't let the technology drives and wins over the art of imaginations which is much more powerful.
44) A world with simple graphics like using sprites or very basic 3D models with maybe just few important texture can be much more complex in therms of characters, story and gameplay; I suggest to modders to use an older engine to create a more immersive world; what about Bethesda using an old engine to create a new game, I'm sure it will be a very unique experience and will challenge the team.
45) I think a game should let you create the story and characters in your mind, it has to push you to imagine.
46) I think that receiving and completing missions or quests from an NPC is a rigid way to be immersed in a game and it feels like the open world game suddenly become like a narrow experience.
47) Simple and non realistic graphics have a charm that for me is more powerful, for example, Gothic 2 has a great atmosphere that other more recent games have not.
48) Sometime the best games in terms of complexity, graphics, sounds, budget, are actually not working to create a sense of immersion and other games, more simple, less complicated, with a lower technology succeed instead to create a believable and immersive world.
49) A masterpiece is a game that constantly surprises the player with new locations, new NPCs, enemies, behaviors, stories and; I think that the more the game is simple, the more it can be deep and engaging.
50) Instead of working on creating a very detailed world, is better having a varied world; for example for the sound, instead of having hundreds of sounds inside a village, I think is more effective having just few sounds typical for each different place; I much more prefer having sounds that characterize uniquely different places instead of having the same hundreds of sounds in every village, for example.
51) If you need to use voice-acted technology, instead of using hundreds of actors, just hire a really talented single one that does all the readings;
a powerful warm voice is much more engaging and emotional effective.
52) A sprite enemy NPC with a great sound has a bigger presence then a super sophisticated 3D model with a weak sound.
53) Keep it simple and you will be more free. (Bruce Lee)
Too long didn't read
***** I cannot blame you...:-)
Yea, "little".
shut up nerd
@@loganhenry2838 are you talking with me?
デビチル世代だけどファミコン時代のメガテンのBGMなかなか侮れんな…
14:39 reminds me of the main Pokémon theme
27:51
Another World ～ 黄泉の扉
You people all like the Megami Tensei 2 Soundtrack???? I didn't know that there are soooooo many Megami Tensei 2 fans out there 😯
このゲーム、ドラクエの様に親切なものと違い、ゲームバランスは滅茶苦茶です。
敵側のテンタラフーが凶悪で何もできないうちに全滅したり、びわほうしの歌も同様。
しかしながら世界観やシナリオは最高で、唯一神を倒すというまさかの展開は衝撃を受けました。
日本という宗教に寛容な国だから、世に出ることを許されたと思います。
ユダヤ教の国では存在を許されないのでは、もしくは現在だと日本でも発売は困難かもしれません。
ドラクエが万人向けで超アマだっただけで、ゲームバランスがめちゃくちゃと言われましても困りますね😫
ただ、色々な敵がいるだけじゃないですか。
メガテンとしては、普通にバランスがとれてますよ☺️
自分は、ドラクエ、FFなど興味なく、ウイザードリーとかやってたからだけかも知れませんが‼️
1、死闘 2、祈り 3、戦場
The NES was incapable of playing Megami Tensei II. This is from the Famicom.
女神転生の凄み、怖さは絶対にこんな世界あり得ない、そう思わせておいて、実はこんな未来があるのではないかと思わせるところ。
それを感じさせる重要なファクターの一つが洗練された音楽にあることは言うまでもない。
女神転生Ⅱが好きな人のコメントを見ていると嬉しくなります！世界観、システム、音楽すべて最高です。
Wow... The SMT IV soundtrack is actually loyal to the originals!
Heck, the whole beginning of SMT IV is a homage to Megami Tensei 1. Both games have you crawl down into a dungeon where you have to fight a minotaur and Medusa.
ドラクエやFFよりメガテンが好きって人は結構多いと思う。
me
to me
女神転生２と同年発売の名作、FF3やDQ4、Wiz3と比較してもストーリー、作画、BGMのどれをとってみても圧倒的クオリティで比較にならない。発売当時が最高4位というのが信じられない。
定期的に聞きに来ちゃいます。
ファミコンの女神転生が自分のRPGの原点です。
Sometimes, I forget the N163 is a simple chip, and it seems more like magic. This isn't even the most that could be done with it, as modern composers have shown us. Even so, what a feat. I sense some Castlevania inspiration, and I also feel like this must have inspired Pixel in composing Cave Story at some point.
modern composers? haha, you are joking right?, they don`t even use the same tools, it`s much more easier now. Sunsoft, Natsume and Tecmo composers of the NES era were the real magicians. No one will ever come close to those guys.
@@sudacagamer It was definitely harder back in the day ! But what I mean is, people can now fully exploit the capacities of such chips without worrying about leaving space for a game, and this leads to wonders.
@@blara2401 i'm actually really curious, what are some examples of modern NES compositions?
@@WarbGames Famicom composition, thanks to trackers (Famitracker being the dominant one) is more prolific than ever. There's a Famicompo contest. There are many many UA-cam channels I could direct you to ; but you can start by checking out VinylCheese. They're a wizard, and have been directly praised by legends of such caliber as Jeroen Tel himself.
@@WarbGames go check out a youtube channel named VinylCheese. He has made some awesome things (especially with the n163)
45:08 / OMEGA ～ 聖戦
今でも至高の曲だと思ってる
自分は魔神転生で知りました！
カッコよくて好きな曲です(*^.^*)
30年以上経っても全く色褪せないな
クリアした当時小学生だったなぁ。懐かしい😢
DAEDALUS is probably my favorite track. I really just like the use of the N163 and the chords in that track. Simple but effective
I love it too
コメ欄から伺うに、やっぱり魔界幻想の人気高いね。自分も今まで聞いた曲の中で、魔界幻想が最も好きな曲です。
DQ、FFよりメガテンの音楽が好き。世界観にどっぷり浸れる
未だにCD保管してますよｗ 召還盤・合体盤ともに素晴らしいものです。 FC音源も凄まじい！ 他のいかなるゲームとも違う方向に突き進むこのシリーズはしっかりと私の魂に刻まれております。ハイｗ
ですよね♪
幼稚園位でギリシャ・ローマ神話にたしなんだ身として、(遊び場の一つに教会があったにもかかわらず)小学生で悪魔学(「アブラメリン」を読んだのは高校時代でしたが、「悪魔の偽王国」「地獄の辞典」等は小学生時代。←中学でクトゥルフに転んだので(笑))に転んだ結果、
メガテンは出た当初からのお気に入りです♪
出会いが、今度発売の『DEEP STRANGE Journey』特典「メガテンと私」とほぼ同じと言うのには笑ってしまいましたが。
時は、クラスメイトの話題が「マリオ」だった時代にメガテンとドラクエやってたんです(笑)←アクションは苦手&嫌いだったので、必然的にRPGばっかりやってたw
なんだ客か...
は女神転生2の世界観に合いすぎてて好きすぎるw
One of the best NES/Famicom soundtracks ever!
スマホにベタ移植してくんねぇかなぁ、リメイクじゃなくベタで
コレ下手に弄ったら、
この絶妙な"クール"さがっ
雲散霧消しちゃうでせう
からねぇ。。。。
当時ブラウン管TV📺で観たゆぇの
アノＹＨＷＨのっギラつく眼光
までゎ再現できないでせうが。
(あの煌々と光る唯一神のっ
圧倒的な眼光のまえで
武者震いしていたのがっつぃ
昨日のことのよぅでつ……)
賛成🙋
スマホじゃなくて携帯電話のときには確かあったんだよね…。
またやりたいなぁ
戦いは終わった、みんな新しい明日に向かって頑張っている・・・・・・。
また新しい悪意が、どこかで芽生えるだろう、そしてまた戦いが始まるだろう。
しかし、自分達の力で克服していかなければならない。人が人として生きるために・・・・・・。
詩人あらわる
これエンディングで流れるテキストだよ
Ⅱは雰囲気が最高やったね。今思い出してもゾクゾクする
これがアトラスのやりたかったことだと思う。
Chaosルートのエンディングは今でも心に残っています。
当時、なぜか合体盤の聖戦を聴きながら眠っていました。
やはりファミコン版 Explorerが至高ですね、超越してます
0:01: Loading...
0:35: Title Theme
2:08: Stage Select and World Map
3:34: Information
4:41: Stage Theme 01
5:23: Stage Theme 02
6:23: Stage Theme 03
8:32: Enemy Wave Battle
9:26: Game Over
9:32: DANGER!!!
12:05: Stage Theme 04
13:40: Name Entry (2nd, 3rd, 4th, and 5th)
17:31: Name Entry (1st)
18:38: Stage Theme 05
19:45: Stage Theme 06
21:41: Another Information
22:47: Stage Theme 07
24:34: Xadx Theme
25:26: Time Warning
26:49: Boss Encounter
27:51: Boss Battle
29:16: Boss Defeated
32:16: Unknown Theme A
34:08: Stage Theme 08
37:24: Stage Theme 09
38:33: Stage Theme 10
39:49: Unknown Theme B
40:52: Ending 01
42:09: Final Stage
45:08: Final Boss
49:15: Ending 02
52:49: All Clear and End Credits
57:31: WARNING!!!
58:12: ANOTHER WARNING!!!
58:54: ANOTHER DANGER!!!
59:35: Unknown Theme C
1:00:18: Part Clear and Stage Clear
1:00:52: Life Lost
1:00:56 / 1:01:21: Explosion Sound
1:01:14: Another Life Lost
1:01:19: Power Down
俺のルーツかｗ
当時攻略本あったのさ。
でもな、マップの広さしか出てねえのよｗｗ
文具屋逝って方眼紙買って一マス毎に塗ったよｗｗ
ヒノカグツチ、取った奴は何人いるんだ？挙手
ノ
女神転生Ⅱの曲の中で「前科者」か最も印象に残る曲だったなぁ。
世界観、音楽は真よりコッチ派(⌯¤̴̶̷̀ω¤̴̶̷́)✧
12:05 いつ聴いても飽きないカッコ良さ！
その通りです。わたしもここから聞き始めて、さきほどアホなコメントも入れたばかりです（＾＾）
It's an amazing song!
Great tune for sure
I sure don't get tired listening to this music.
いきなり３Dになってびびりりますよねｗ最高
ゲームの曲で初めて泣いたのがエンディング。
ファミコン最強のエンディング曲じゃなかろうか？
49:15からの「神々の黄昏」。あの・・・・ラストシーンに合っていて、
しかも「先が見えないが確かに続く未来」を見事に表現している。
魔界幻想、最高だな。
当時、小学低学年だったけど、女神転生を従兄弟達がやってて、２は自分で買ったのを覚えてる。世界観というのが自分に合ってたのか、のめり込む様にプレイしたのが懐かしい。２の時点である程度今のシリーズの礎というか基礎が確立されてたのは凄いと思う。
女神転生は3Dダンジョンだけで、原作小説には中島の学校とかは出てくるけど、２から東京都心部が描かれたからなぁ😁
女神転生から２をやると、何だ初代から変わってないじゃないかという錯覚に陥る感じになるんだよね。なぜ前作をやらんといかんのだ？
ミノタウロス倒したら、それはPCでゲームをやってました的なw
当時FFとDQの二強とも呼べる時代であと一つ何を推すかと言われたら間違いなくこのシリーズでした
そしてシリーズの方向性、あるべき姿を早くも定めたのがこのタイトル
当然BGMも名作を支える重要素であり、メガテンサウンドと呼称して差し支えない出来栄えでした
ペルソナ全盛を経て今や見る影もなくなりましたが
本家を知らない世代である事は少々もったいないように思えるのです
メガテン(本家)あってこそのペルソナ(派生)ですからねぇ♪
女神転生シリーズは、
禁忌に手を出している極めて異例かつ特異なゲームで、
メジャーなゲームとは線引きされたディープな位置にあるのがよかった。
ペルソナ２とソウルハッカーズからメジャー路線に行ってしまって、
そこからただのファンタジーになっちゃったのが惜しい。
@@SupermanMobius といっても、さすがにイスラム教関係には手出ししてないよね・・・そこは無理なんだろう。
@@aaa_aaa_aaa2023
ガブリエルとかミカエルとかかぶるからね。
ソウルハッカーズはイスラフィールとかサラディンを出してたねえ🙄。
これ覚えてるなぁ
フィールドの音楽と荒廃した有明が
なぜか出てくる
Daedalus!!! :') Love, love that melody!
これこそが最高の女神転生
RPGと言えばクラッシックが主流な頃の全編ロックですよ。
痺れましたね。
当時買った2枚セットのBGMのCDと楽譜は今でも宝物で、夏になると聞きたくなります。
ゲーム内で親友の枠に好きな人の名前を入れて楽しくゲームしていたアホな女子でしたが、色々あってムカつくカエルを踏み潰した事も、今となってはいい思い出です。
やばい、久々にきいたら鳥肌たつぐらい最高だな。
It's awesome to hear the NES pushing out music like this! All those extra sound channel made a massive difference.
当時幼稚園児だった頃に曲に感銘を受けて大人になった今でも聴くほど大好きで素晴らしい曲の数々。メガテン好きになったのもこのゲームから。
入院してた頃毎日父と母が見舞いに来るたびメガテン悪魔を色鉛筆で仕上げてくれたなぁ…今でも宝物です。
よくプレイをしていて銀座の地図を丸暗記していた母、60になった今でも手元が覚えてるのがすごい
i agree
これといい「悪魔城伝説」といいサイコーやね
ラスボス曲の聖戦がスゲーカッコいい！真エンドじゃないとフルで聴けないのがまたシブい演出でしたねー。
はい。戦う相手がだれかで
あれほど違うとは。
そしておそらく史上初の
「神殺しゲーム」になったかも。
omenの禍々しさは今聴いても不滅だ
あの頃はRF端子モノラルスピーカー出力で聞いてた。こんなにいい音で遊びたかったなあ…
戦闘曲は後作品にも継がれてるし
explorer好きだわー
除了標準配備的PSG外，在卡夾內還搭載了特殊音源晶片“N 106（波形記憶音源）”，由此同時發音數新增，不僅是前作，與其他公司的產品相比，聲音也更加廣泛。另外，ROM的容量也新增到了前作的兩倍4M比特（512KB），收錄曲數也新增到了前作的近兩倍
I think this one’s better than the SNES version.
WAY better. The super famicom soundtrack is beyond inferior to the glorious Famicom version
当時小学低学年だったので、全然ゲームに理解できなかったけど音楽がとても好きでした。
早くSwitchで女神転生1・2をできる様にしてくれ。
最悪旧約でもいい。
32:15魔界幻想 is the best music of ddsII
同じく。至高の名曲。
これを超える曲はいまだにない。
はぁぁあああ！！！ 神だ！ 神の曲が降臨された！！
新旧合わせてメガテンの戦闘曲は絶対にこのDeath matchが1番良い
OMEGAはサタン戦だと展開しないでループするよね。おかげでYHVH戦の熱さが半端ない
メガテンllのっ唯一神と
ドラクエ4の最終形態デスピサロ
だけが、数多あるRPGラスボス達の
なかで圧倒的な
"画面越しの実在感"と
"突き刺さるように強烈な[生きた視線]"
をを感じさせる存在ですた。。。。
(彼らの[TV画面越しに
世界を燃え上がらせる様な視線]
の前で慄きつつも全身を振り絞るような
闘志を抑えられなかった日々が
懐かしす……)
49:15からの「神々の黄昏」。中盤のある選択をしないといけない裏ルートのエンディングで流れますよね。
こんなことを・・・おそらく唯一神を崇める国や宗教は受け入れないでしょう。
大人になってそれを考えましたが、子供心にもこのエンディングは衝撃でした。
ネタバレすると、対バエル戦後で拾う（もしくは拾わない）ことになる「アレ」が、エンディングの分岐条件なんですよね。 それを持つか否かによって、終盤のボスの対応が大幅に変わる。
そうでした。顕著なボスが「ベルゼブブ」。
そののちにルシファーも、「あれ」を持っていると
衝撃の事実を話してくれましたよね。
I love how Tsukasa Masuko was able to make the NES sound like the TurboGrafx
It may not be obvious to someone who doesn't know much about chiptuning, but this is using an expansion chip. Otherwise, this kind of sound would not be possible.
@@Vanux867 Vanux I guess that would explain why the version of omega in the super famicom version sound worse then this.
@@Argonisgema The arrangement in the super famicom version sucks because it sucks. It could've been better on the same hardware, but kyuuyaku was a fairly rushed port that Atlus itself didn't have much to do with
I immediately thought of Dungeon Explorer!
@@Vanux867 Yes, this game uses the Namco 163 chip. The programmers can theoretically add up to 8 audio channels, but there might be aliasing
急に Tokio Adventurer が聴きたくなってお邪魔しました。(*´ω｀*)
昔メガテンファンの方々とお話していた時、○○黄門に似てるよね・・って言われて、「んんー？」と思ったことが懐かしい思い出。
+yoimati 水戸黄門もこれもボレロに分類されると思うので似たイメージになってるのではと考えます
CDのブックレットに似ちゃったみたいな内容書かれてますよ♪
確か、殆んどの楽曲について、1曲1曲増子氏の感想があったと思います♪
これ初めてやったときファミコンではなくＦＣツインでこの作品は拡張音源が出なくて「何このテンションの低い水戸黄門」って思ったのはいい思い出
12:05
After drinking all the party booze with your friends and ended up in a rough neighborhood
hell yes my friend
My personal favourite theme, perhaps one should do this someday with friends. *World gets bombed*
I think in the old days the developers tried much harder and were actually much more creative with less technology. It's almost like you had to use your own brain to "fill in the gaps" and it came out much better because of that!
Atlus never lost their ways though.
***** And Nihon Falcom, the Ys series is great,
funny enough, Atlus is a branch of Sega, which is like one of the best at making terrible games(imo), meanwhile atlus don't seem to be able to stop delivering amazing game over amazing games lol
Fearless Jay Sega just bought Index and they pretty much have nothin to do with what they make.
Alexander PlatypusNIS is another company that still does that. Though all of their games seem to require a lot of grinding. Heck that was practically the plot of one game.
定期的に聴きたくなる
大津くん「パパパパパパパパパパパ」
22:47
なんだ きゃくか・・・
BGMだけ聴くとPCエンジン版の究極タイガーやTATSUJINのBGMと同じに聴こえる。コンポーザーの人が同一だからか
my favorites: There's a Light in the Window , Omen , Devil Speak, OMEGA , Prayer, Battlefield, Deathmatch
Tokio Adventure sounds like Old School Runescape lmao
方眼紙にマップを書き写した思い出。
おっさんになった今でも東京出張行くと脳裏に14:39が流れるのです。
49:15 SMTII's game over!
Okay, it's not the exact song but it does sound like it.
This video must be getting delisted and relisted on a constant basis because I can never seem to find it when I want, and I always find it when I don't..
Darn copyright issues.
12:05 大津くん
とてもFC音源とは思えん
・・・と思ったらこれ音源用チップを積んでるのか
Wait, is this NES or Famicon music?
Famicom
yeah. famicom
音源チップを積んでいたとは言えメガテン２と悪魔城伝説のBGMはファミコンのスペックを限界突破していた。女神転生２のイメージが強すぎて真女神転生のPCM音源が残念に思ったぐらいだった。
ほんとそれ
さすが音源チップN106を積んでいるだけありますね。量子化ビット数4ビットですよ。