Derek. Most often I'm combining two or more chord buttons. But I often combine chords with unexpected bass notes. Tritone substitutions would be an common choice. They help getting some chromatic movements that don't involve large leaps.
Hi David.. your belllows seem to be moving to make an envelope that sounds like 'Tyre' (a slight push, a decrescendo, and a swell...for almost every note! Really swings!)
Really appreciate your sharing. Clear and understandable gets the message across. Thanks, David.
Wonderful !!!
ESPECTACULAR!!!!
This is a great technique David, simple, swinging, and not too intrusive. Thanks for making the video would like to see more. Jonny
David, thanks very much for this!
Very nice technique. I learned something new. Thanks
Genial....
Derek.
Most often I'm combining two or more chord buttons. But I often combine chords with unexpected bass notes. Tritone substitutions would be an common choice. They help getting some chromatic movements that don't involve large leaps.
Great explanation! Thanks.
Entrainons nous avec DAVID de 1:50 à--->2:30 puis de 6:02 à---> 6:30 puis à 7:50
This tutorial is awesome and very helpful! Thanks David,
Phil :)
Idk how I landed here. My curiosity says thank you ☺️
Hi David.. your belllows seem to be moving to make an envelope that sounds like 'Tyre' (a slight push, a decrescendo, and a swell...for almost every note! Really swings!)
wisdom !
Thanks!
What’s ghost violin?
Name acorden? Plzzzz
Valentin Burcea Petosa am1100 1962
The accordion is my childhood instrument and is a 1962 Petosa AM-1100.
are your combining chords in your left hand or are those rootless chords you are playing? Sorry, my ears aren't good enough to detect!
Sorry it's been a long time since I've been here. I'm going to try to get a video out on that very question in 2017.
Very helpful. I like how you talk about playing under the soloist
show