John Peel 1984 plays Cabaret Voltaire in a London Radio Station, we hear it in West-Germany in 2024 . Thank you, John (in music heaven) . Thank you European Musicculture . püdde, püdde 🏏
Back in the 80's I used to frequent a nightclub in Hanley, Stoke on Trent, called "The Place". It was massive and had four dance floors. The smallest of these played electronic and indie music and was where I hung out. Whenever the DJ played "Sensoria" or "Yashar" there was always a collective mad dash for the floor. Love Cabaret Voltaire. R.i.p Richard H Kirk and thankyou for the music and memories 🧡
So lucky to have lived through the all 80s. No need to marvel at the sound quality, we've had very sophisticated equipment for years, it's crap like mp3 that 's the problem.
@@josephletts1093 I have every 4 Track cassette master tape I've ever recorded, and three functional Tascam recorder/mixer decks. They still sound amazing, and they don't catch "viruses". But without computers & the ability to convert to digital, no one would ever hear my numerous projects. Check out my channel if you're curious. Cheers.
THE CABS! Micro-Phonies, the Crackdown album, Drinking gasoline. And now Richard’s on his own with the splendiferous Shadow of fear and Mal also doing great music! Couldn’t be better.
what cabaret voltaire's oeuvre covers to me is the evolution from analogue to digital. There are things that just can't happen in a digital expression which are effortless and spontaneous when recording real instruments. A lot of what Richard H Kirk was doing in 1984 was more likened to what Lee Scratch Perry did than what would be done with sequencing software later. By the 90s they were fully digital and this kind of brapping stopped.
I have everything they’ve done (as far as I know lol) and idk if it’s nostalgia or what because I was 17 when it came out, but I friggen LOVE covenant.
Dreadful band, had the misfortune to have seen them at the Clarendon, Hammersmith. Their book Industrial Evolution reads: "Another notable gig was at the Clarendon Hammersmith". There were five people there, if I remember correctly!
John Peel 1984 plays Cabaret Voltaire in a London Radio Station, we hear it in West-Germany in 2024 . Thank you, John (in music heaven) .
Thank you European Musicculture .
püdde, püdde
🏏
Back in the 80's I used to frequent a nightclub in Hanley, Stoke on Trent, called "The Place". It was massive and had four dance floors. The smallest of these played electronic and indie music and was where I hung out. Whenever the DJ played "Sensoria" or "Yashar" there was always a collective mad dash for the floor. Love Cabaret Voltaire. R.i.p Richard H Kirk and thankyou for the music and memories 🧡
When you consider this was 34 years ago, you realise just how amazing music was back then and how mundane and digitised, most music is now.
Truth
Yep.
And they always used to say electronic music then had no soul and was repetitive. What, like it is now? Loved the 80's. (BIG synthesizer fanatic)
This sounds like how my father described Cabaret Voltaire
Yes!
I always feel like any Peel session is the show I would have loved to see live. Love Cabaret Voltaire. So ahead of their time.
you can always rely on those peel sessions for sound quality
So lucky to have lived through the all 80s. No need to marvel at the sound quality, we've had very sophisticated equipment for years, it's crap like mp3 that 's the problem.
*mp fookin 3's... They've improved considerably. But I understand your comment 100%.
@@dirtysci I'm not against digital though I fully embraced it years ago, love DSD.
@@josephletts1093 I have every 4 Track cassette master tape I've ever recorded, and three functional Tascam recorder/mixer decks. They still sound amazing, and they don't catch "viruses". But without computers & the ability to convert to digital, no one would ever hear my numerous projects. Check out my channel if you're curious. Cheers.
@@josephletts1093 Compression is the death of sound quality today. I think that's why mp3s sound so terrible so often.
this is what the original underground was all about! this was prequell to the hacienda...Caberet Voltaire just shone so much!!
THE CABS! Micro-Phonies, the Crackdown album, Drinking gasoline. And now Richard’s on his own with the splendiferous Shadow of fear and Mal also doing great music! Couldn’t be better.
The best Cabs years 1982 up to 1985.
their best years for sure
R.I.P. Richard H. Kirk. SOB.
I love how they have elements from big funk, upcoming sensoria, and many other takes from drinking gasoline in this!! I can hear kino in this, too.
In best BBC sound quality 👍
superb sound quality !
Rough yet with such seemingly few elements could bring forth . Steadfast forever Cabs.
poetic
what cabaret voltaire's oeuvre covers to me is the evolution from analogue to digital. There are things that just can't happen in a digital expression which are effortless and spontaneous when recording real instruments. A lot of what Richard H Kirk was doing in 1984 was more likened to what Lee Scratch Perry did than what would be done with sequencing software later. By the 90s they were fully digital and this kind of brapping stopped.
Dannnng.. these guys are STILL ahead of their time..
Incredible session 🤯
"Nag Nag Nag" is the best one they ever did.
your choice alright, but also such a lame thing to say... sorry.
If I was God you would not even exist, buster.
That is, based on my foreknowledge of what you would turn out to be I would never have created you.
scensoria colours~
yawn
Cabaret Voltaire + Wire - so ehrlich + voller Energie...!!!
Dream funk Sleepwalker. Wow. What funtastic memories. Funktastic. Those were he days my friends.
Life changing .....
i heart these dudes
Really good. Don't know the first one but I Like it. First saw the cabs Dec 84 - great gig.
Saw them at the Lyceum in February '81 with Throbbing Gristle and Clock DVA. Was a bit sublime!
Amazing.
@@Vibracobra23_Original Awesome. What a triple header! My older brother was there.
AWESOME
Amazing⚡️
There was only 2 members in Caberat Voltaire and Mr. Peel was much older and reserved. Any ideas on the 3rd wheel? Oh.. It's me!?!
Why can't I find all the songs of Caberet Voltaire?
that's cool
The guy on the left is Alan Fish, their temporary drummer.
Its either alan fish the drummer or Chris Watson a full blown member of the group...so idk
THANK YOU
bellissimo!!!!!!!!
This should never have happened,R.I.P. RICHARD H KIRK.
What is it with CV..? They have got the electro-industrial cool to da max!!!
Amazing. Thank you. I learned cool from this.. thank you.
lars,you just stole my thunder.great minds think alike
splendiferous... I die
RIP RHK
merci :)
HOLY TRI-ANGLE LIVE!!
Excellent
Super!
I always loved their Covenant album the most, yet many cabs fans rate it as a turkey.
I have everything they’ve done (as far as I know lol) and idk if it’s nostalgia or what because I was 17 when it came out, but I friggen LOVE covenant.
super!
Genios !!!
KEEPING ART ALIVE
A RADIO FEEDBACK MIXCLOUD HIT
22nd century funk music
The eighties.
1984!!!
Troppo avanti!!!!!!
💕
Very Hot
Is Mr. New Romantic on the left Chris Watson? He left in '81.
It was Alan Fish I guess, their live drummer from 1982 to 1986.
don't know about the person on this photo, but it's Mark Tattersal who was drumming on this session.
It is Alan Fish, I saw them around '84 and he was the percussionist then.
No its not me, my bad.
Dreadful band, had the misfortune to have seen them at the Clarendon, Hammersmith. Their book Industrial Evolution reads: "Another notable gig was at the Clarendon Hammersmith". There were five people there, if I remember correctly!
How privilaged you are Ted.......They, are the cutting edge gigs that matter. I once saw I Curtis with joy devision and a crowd of 30 or so.
My mother saw the Beatles in Shrewsbury town hall in the early 60’s and thought they were awful. So..... yeah, they improved somewhat !
check out their albums! i had two that i thought were great.